Volume #2 January 2013 Issue #1
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PALETTE & CHISEL 2012 WINTER
CLASSES SCHEDULE
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Palette & Chisel
Academy of Fine Art Chicago
and Painting 101, 102, 103
Krajecki/Popovich
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Popovich -- Past the Autumn Years
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Session #2: Jan. 8-Mar.14, 2013
Session #3: Mar. 19-May 23, 2013
Ten Weeks
Tuesdays and Thursdays
10:30a-1:00p
TUITION: $560 (includes $35
P&C registration fee)
Class size: 16
This course is vital all students wishing to pursue a successful art career, as well as students who wish to improve their drawing or painting skills. This course begins with Fundamentals 101, which stresses drawing and composition, then continues with Fundamentals 102, which stresses color theory and application. In 103, students put the practical theories and applications learned in 101 and 102 through several landscape paintings. Each assignment is designed specifically for both the beginning fine artist as well as the intermediate student. This course covers the basics of theory and practice, composition, linear perspective, and many of the various techniques of painting. Following the tradition of the Academy method of instruction, all three levels are taught in the same classroom, which encourages reinforcement of theories and practices within all levels.
Fundamentals 201: All students who have completed the Fundamentals 101, 102, and 103 can continue with 201 class to choose areas that they wish to improve.
All assignments will be individually designed to help the student in the area or areas that they choose. Each assignment will be incorporated with painting landscapes, seascapes, and still life or figures.
Watercolor -
From Start to Finish
Bob Krajecki
 | Autumn Splendor |
Class #252: Jan. 8- Feb.5
5 weeks-Tues. 1:30-4:00p
Class #253: Feb. 12-Mar.12 5 weeks-Tues. 1:30-4:00p
Class #254: Mar. 19-Apr. 16
5 weeks-Tues. 1:30-4:00p
TUITION: $175 (includes $35 P&C registration fee)
Class size: 16
Watercolor painting is not just the process of applying pigment to paper. It is knowing what color, what value, what temperature and what intensity to use to create form, depth and rhythm in creating a work of art.
A demonstration of a composition in a step-by-step format is given each class. I explain the process and techniques as I paint, and then the students apply them in their own painting during each class.
How to Paint
in Watercolor
5 weeks-Tues. 1:30p-4:00p
Class #904:
Feb. 14-Mar.14 5 weeks-Tues. 1:30p-4:00p
Class #905: Mar. 19-Apr. 16
5 weeks-Tues. 1:30p-4:00p
TUITION: $175 (includes $35 P&C registration fee)
Class size: 16
In this class you will learn to implement key concepts and watercolor painting techniques that will allow you to have a deeper understanding of the medium. Each art lesson includes one-on-one guidance with focus on the top principles of creating a solid painting:
- How to draw
- Value relationships
- How to Paint color interpretation
- Composition
- Watercolor techniques
- How to use your art supplies
As you understand these elements through painting pictures you will have better control of the medium and gain a deeper understanding of the creative process of transparent watercolor painting.
PALETTE & CHISEL
1012 N. Dearborn
Chicago IL 60610
P (312)642-4400
F (312)642-4317
Email
fineart1012@sbcglobal.net
Office Hours
Monday-Thursday
10:30am-6:30pm
Friday 10:30am-5:00pm
Visit us at
www.paletteandchisel.org
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Pastel by Kathleen Newman kathleennewman.com
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BOB KRAJECKI
WINTER STUDIO CLASSES
 | Change of Seasons |
Friday: 1:00-4:00pm
Class openings available.
Please call for information.
Class is held in rural Kaneville in the
old high school turned community center.
A demonstration of a composition in a step-by-step format is given each class. I explain the process and techniques as I paint, and then the students apply them in their own painting. All levels of students
are welcome to join at any time.
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DALE POPOVICH
WINTER STUDIO CLASSES
 | Do my ears make me look fat? |
Tuesday: 1:00-4:00pm
Class openings available
Thursday: 6:30-9:00pm
Private instruction available. Please call for information.
This class is held in my personal studio in Highland, IN and is geared towards the individual based on his or her skills. All the basics will be covered from value sketches, how to use a photo reference properly to painting your watercolor. Materials and application of watercolor will be discussed. There will be demos and personal guidance along the way.
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a single Paint.
Draw. Create. Newsletter
By joining our list, Paint. Draw. Create. you will receive our monthly email newsletter with information about our studios, class schedules, workshops, events, valuable tips and more - Click Here. Thank you.
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Paint. Draw. Create. Archive Library
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You can read past issues of Paint. Draw. Create.
Newsletter. Just scroll to the bottom of the page for past issues links.
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Bob Krajecki and Dale Popovich are offering Gift Certificates for their Palette & Chisel classes. Gift certificates are available for:
* Fundamentals of Drawing and Painting
with Bob Krajecki and Dale Popovich
* Watercolor - From Start to Finish with
Bob Krajecki
* How to Paint in Watercolor with
Dale Popovich
For more information please contact
William J. Ewers
The Palette & Chisel Academy of Fine Arts
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Greetings,
2013 RESOLUTIONS
Some of us have resolutions, life goals and others have no set priorities. We are inundated with resolutions this time of the year on TV, magazines, web sites and e-mails. In CREATIVE CATALYST PRODUCTIONS newsletter (CCP offers a wide variety of art instruction videos and DVDs) Lynn Powers wrote her 2013 resolution.
"I like New Year's resolutions. The year doesn't feel like a fresh start without a good resolution. However, I've learned that resolutions about diet, exercise, drink, organization or scheduling are doomed to fail. So I'm taking a new tact. I'm going to try to change an attitude instead.
So here it is: I resolve to put my pursuit and exploration regarding my art above my fear and insecurities about my art."
If you are big into resolutions here are a few links for some creative approaches.
ABOUT.COM offers some great resolutions geared towards the artist. Check out New Year's Resolution for Artists No 1.
PEAS AND CARROTS STUDIO is asking their readers to join their movement - Project 365 is the commitment to take a single photo every day for a full year. This could be reference photos or is it a sketch?
In this issue of Paint. Draw. Create. Newsletter Dale will discuss an exercise he likes to have his students do - exploring different color combinations to show how colors can change a mood and look of a painting. He also walks you through the proper way of using liquid masking fluid.
Bob talks about studying nature's architecture: structure and growth.
We are thrilled about this month's book selection in Our Personal Library.
If you have a friend who would like to review a copy of our newsletter they can go to our newsletter archive at http://tinyurl.com/Paint-Draw-Create. Thanks and let's start painting, drawing and creating.
Best,
Bob Krajecki and Dale Popovich
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Start exercising this New Year
by Dale Popovich
Try this exercise in painting at least a few times this year. 1. Paint your composition in one color. I used burnt sienna.  | One color study |
2. Then try two colors. This study was done in raw sienna and thalo blue.  | Two color study |
3. Now paint the same composition in three colors. This sketch was rendered in burnt sienna, raw sienna and thalo blue. | Three color study |
Watch how the color changes create a different mood and look.
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Studying nature's architecture: structure and growth
Forget about losing 5 extra pounds, or organizing closets. For the new year, resolve to become an observer. The winter landscape is a virtual classroom of vivid shapes and stark outlines, of high contrasts and low lights.
For all of you landscape painters: now is the best time to observe trees-a major element in landscape painting.
Like studying the muscles and bones of the human figure, studying the structure and growth of trees is important.
First notice that "wild" trees are not as vertical as you may assume. They are affected by elements like wind and rain and snow, not ideal conditions for growing perfectly symmetrically. (Figure 1)
 | Figure 1 |
Second, notice that trees try to remain balanced. The weight of branches on one side will be equal to the weight on the other side. They will not be symmetrical, just equally balanced. (Figure 2)
 | figure 2 |
Third, look at individual branches. They appear to be curved lines-but are not. Trees in our midwest climate grow during the spring and summer months, then go dormant in the cold weather. When spring returns, they start growing again, but at a slightly different angle. So, as illustrated in Figure 3, branches grow in straight line segments, but form
a visual curve.
 | figure 3 |
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Give Liquid Masking Fluid a Work-out
by Dale Popovich
If you haven't tried liquid masking fluid, give it a try this year. Masking fluid sometimes called liquid frisket, is a liquid latex from rubber trees.
I use it only on certain subjects that need to retain areas of white in a painting such as delicate or fine details. It allows you to paint uninterrupted washes in the area around your subject such as what you see in this photo.
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Photo of birch trees with fine lacy branches. This is a perfect example when to use liquid masking fluid.
| Liquid masking fluid dries in several minutes. When you remove the masking fluid, the white area will perfectly maintain the white of the paper.
Additional tips when working with masking fluid: * Use liquid masking fluid as a tool and not a crutch. * Never use it with a good brush, period. * Soap up your brush so that the fluid releases from the hair of the brush at clean-up. * Clean your brush with soap and water. * To remove the dry liquid mask make sure the painting is perfectly dry. Use a hard crepe rubber cement pick-up. This is a neat and easy way to clean up masking liquid. You can find the pickup for under $2. * You can find liquid masking fluid at your art supply store. Try Cheap Joe's or Dick Blick's.
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Our Personal Library
George B. Bridgman's Bridgman's Life Drawing
(1865-1943) Bridgman was a Canadian-American painter, writer, and teacher in the fields of anatomy and figure drawing. Bridgman taught anatomy for artists at the Art Students League of New York for some 45 years. Among his many thousands of students were the American cartoonist Will Eisner and Norman Rockwell; in his autobiography, My Adventures as an Illustrator, Rockwell spoke highly of Bridgman. Bridgman, constantly inebriated and chewing on a large black cigar, would rail at his students about the importance of mastering anatomy: "Don't think color's going to do you any good. Or lovely compositions. You can't paint a house until it's built." His students adored him and vied for his approval. In this book the revered instructor explains in nontechnical terms how to discover the vitalizing forces in the human form and realize them in drawing. Topics include movement, light and shade, proportion, and m ovable masses. Nearly 500 illustrations cover every principle and point of instruction. Other Bridgman's standard books on anatomy for artists to consider are still in print via Dover Publications. * Bridgman's Complete Guide to Drawing From Life * Constructive Anatomy * The Human Machine * Heads, Features and Faces * The Book of a Hundred Hands
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Robert J. Krajecki
Watercolor Painting * Egg Tempera * Gouache * Oil
Artist * Teacher
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Robert J. Krajecki
Studio: (630) 557-2027
At a young age, with crayons and coloring book at hand, Bob recalls his mother telling him he was "good at staying inside the lines", and the seed was planted. He became the typical teenage boy, interested in playing baseball and drawing cartoons. Though he was a strong baseball player, Bob chose to pursue his other passion, art.
He began his studies with the Famous Artists Correspondence Course, but midway through the course, he was drafted into the Army. During his tour of duty in the Army Air Corps, training pilots for missions in Viet Nam, he managed to continue his art pursuits by creating a cartoon strip for the aviation newspaper, the Army Flyer.
Once back in civilian life, Bob enrolled at the American Academy of Art, with plans to become a commercial artist. At the suggestion of a fellow student, he sat in on a watercolor demonstration by then Director and President, Irving Shapiro, AWS. Fascinated that a painting of three children, carrying schoolbooks, walking down a country road...in the fall... could be beautifully completed in an hour and a half, Bob was smitten with the watercolor bug, never again to "stay inside the lines".
Including a semester at the Chicago Academy of Art, Bob's journey would lead him to a fine art degree from the American Academy of Art. During a 28-year teaching career at the Academy, he was a fulltime Fundamentals instructor, often taught watercolor classes for Mr. Shapiro, and taught his own watercolor classes for six years. Bob was also the first chair of the Fundamentals department, a position he held for 10 years.
Inspired by John Singer Sargent, Winslow Homer, and Richard Schmid, Bob's philosophy and art reflect realism influenced by impressionism, the core of the traditional instruction offered at the Academy when he was a student.
Recent awards include:
2012 - Danada Nature Art Show-Honorable Mention
2012 - Transparent Watercolor Society of America-Donors Award
2012 - Illinois Watercolor Society-Honorable Mention
2011 - Transparent Watercolor Society of America- Lakes Region Watercolor Guild Award
2010 - Illinois Watercolor Society-Awarded signature membership
2010 - "Watercolor 10" Award of Excellence-Norris Gallery, St. Charles, IL
2009 - Illinois Watercolor Society -Award of Excellence
Bob's work was recently published in the April, 2012 issue of Watercolor Artist Magazine Bob gives demonstrations, offers workshops, and judges shows at many Chicagoland venues. He is an instructor at the Palette and Chisel Academy of Fine Arts in Chicago, and far west of the big city, he holds continuing classes in his small hometown of Kaneville, where old farmsteads and cornfields still dominate the landscape.
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Spending his childhood summers in the Northwoods of Wisconsin, Dale learned to love its colors, textures, denizens and moods. Today, his paintings celebrate these American landscapes and man's humble efforts to tame it.
Trained at The American Academy of Art in Chicago by Director and President, Irving Shapiro, AWS. Dale was deeply inspired by this great American twentieth-century watercolorist. Dale later taught for many years at The American Academy of Art. Currently, he teaches at the prestigious Palette & Chisel Academy of Fine Art in Chicago, and in his own studio. Devoted to both painting and teaching, Dale's work hangs in collections around the country. Recent awards include: 2012 - Art Comp, Chesterton, IN - Award of Merit
2012 - Indiana Heritage Arts, Nashville, IN - Award of Merit 2011- Indiana Heritage Arts, Nashville, IN - Award of Merit 2010 - Indiana Heritage Arts, Nashville, IN - Award of Merit 2006 - Indiana Heritage Arts, Nashville, IN - Award of Excellence � 2012 Paint. Draw. Create � 2012 Robert J Krajecki � 2012 Dale L Popovich All rights reserve.
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