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VINTAGE CAR EXTRA WORK          


 C.P. Casting is SEEKING for the movie "Black Mass"

 
PEOPLE WITH CARS with MODEL YEARS OF 1982 OR EARLIER

 who wish to WORK AS BACKGROUND EXTRAS - WITH THEIR CAR

JULY 9 and/or JULY 14

 

Extras who work with their vintage car are paid $200/day

 

These are scenes shooting on Revere Beach that will be
re-dressed to look like Miami Beach in the Summer of 1982


CONVERTIBLES!    HOT RODS!    REGULAR CARS!

 

To be considered for this work --
Send a recent photo of your vintage car TO:

 

VintageCarExtraWork@Gmail.com

 ______________________________________________________________________


BE SURE TO INCLUDE:

CAR YEAR, MAKE, MODEL, COLOR, CURRENT LOCATION, PHONE NUMBER 

Most cars hired for work will need to be running cars
Please indicate the condition of your car and if it is in good running condition
______________________________________________________________________ 
 

Emails that do not include all the information requested will be discarded
Read your email over CAREFULLY before you hit SEND and be SURE it is COMPLETE
with ALL the details requested and PHOTOS ATTACHED

______________________________________________________________________ 

 

DO NOT EMAIL THE ADDRESS ABOVE ABOUT ANY OTHER WORK ON BLACK MASS

 

  

VOICE-OVER INTENSIVES                

 

Dorothy Gallagher is flying in from CA this month to teach her exceptionally successful 

Voice-Over Intensive workshops with her engineer Brian McKeever over at 
Soundtrack Recording Studios in Boston.  Check out her next class below!

 

For those of you who already completed the Level 1 class, and are anxiously awaiting the 
Level 2 and 3 classes -- Those are posted right now at CPCasting.com

 

CLICK HERE TO SEE THE SCHEDULE

 

Here's what some students wrote to me after the classes last year!

 

> I have to give a grateful thank you to Dorothy Gallagher for sharing such great technical and motivational training in voice over work. I spent time with her, and sound engineer Brian McKeever, last year learning the craft from both of them and it has led to 3 terrific projects including the most recent booking as the voice of FW Webb Company's sponsorship ads (9 spots!) for the Boston Red Sox 2014 Season and will air during games on WEEI in Boston. Thank you Dorothy!

 

> I've recently completed Dorothy Gallagher's voice over intensive classes, levels 1-3, and the experience was amazing!  Thank you so much for hosting her classes through CP Casting.  As a sound designer and engineer with over a decade of experience in the industry, I was particularly impressed with Brian McKeever's engineering chops, and the world-class facilities at SoundTrack Studios. Both Dorothy and Brian made possible a dream I've had since I was five years old, and I am grateful for their professionalism, kindness, and extreme technical competence. 

 

> I just wanted to make sure I thanked you for everything over the past couple days.  I would have said it in person, but you were still working with other people in the class afterwards, which is a testament to your work ethic and dedication!  I was very impressed with both your knowledge and insight into the scripts we looked at, as well as your understanding of the mechanics and technique which allow us to perform our best.  I took a lot of notes!  I'll be reflecting on those a lot.  Not only that, but you pleasant demeanor and good nature was INFECTIOUS, and made the classroom environment safe to try new things!  I really appreciated that.  The class was awesome!  You and Brian are a great team!  and THANK YOU for lighting a fire under me, I really want to pursue voice acting now!

 

> I would of never been able to do what I have without Dorothy Gallagher or Brian McKeever's challenging lessons and always pushing me to the limit even if I didn't think I could do it. I will always remember the "Buy Low Grocery Cart."   I didn't always love how you pushed me into the "uncomfortable" zone but because you did, I booked the spot that just aired during the Tony's, and there are no words that can thank you enough for that.
  

 

VOICE-OVER INTENSIVE / LEVEL 1                  

All Levels [18+]
Voice-Over Intensive / Level 1
2 Day Seminar 
1 Tuesday, 6:00pm-10:00pm  *AND* 1 Wednesday, 6:00pm-10:00pm
Dorothy Gallagher
$299.00
ON JULY 15 & 16

This  course is designed to work on the important fundamentals of voice/over  work, including breath control, resonances, key word analysis,  client-talent etiquette, and how to get the voice within you OUT.  The  practice copy used for the class will cover a range from single to  multiple talent commercial, dramatic, and animation pieces. Students  will have fun finding their voice, and learn to sell!

Dorothy  uses her knowledge and extensive experience in the voice/over work world  to help her students design and build a career in this field.

Every student will practice reading scripts in a professional sound booth at Soundtrack Studios in Boston.

Students  will record one group spot and one single spot and will get one edited  mp3. The spot, engineered by Dorothy and Brian, could be used as a  sample audition piece for producers and casting directors.  

"I highly recommend this class to the many of you who have been asking us  for a voice/over workshop. Dorothy is a rare talent and clients love to  work with her. She is enthusiastic, a smart performer, and a wonderful  person to know. I am very excited that she's back in Boston; She  certainly "raises the bar!" -- Carolyn Pickman  

 

FEATURE FILM ACTOR'S LAB                  

Advanced Actors [18+] 

Feature Film Actor's Lab  
2-Day Seminar  
1 Saturday, 3:30pm-6:30pm *AND* 1 Sunday, 10:15am-6:15pm  
Peter Kelley 
$269.00 
ON JULY 19 & 20

 
This intensive, 3-part, 9-hour workshop is designed to provide a complete experience of creating a film performance while revealing the secrets of how to best make the filmmaking process work for the actor. Part one focuses on the choice making process and how the actor guides him or her self into the text. The scenes are shot during part two: the work is fast and rigorous, two takes per scene, one close-up per actor. in part three the the footage is viewed and critqued with both a directors and editor's eye.  

 

You booked the part! 
....now what?  
How to make the most of the guest-star experience.  
WHEN "THE TOWN" comes to Boston...  
...the Jeremy Renner role is already cast.  And when you travel to NYC for that Law & Order Casting Workshop, they're not looking to replace Jeff Goldblum.  But the roles we ARE casting for are (or should be) just as important to you.  
Your acting career is a marathon, not a sprint.  Incremental steps are the key-- and for most actors, guest star and co-star roles on television, and supporting roles in film, are the most important leaps forward you will make.  How well you do in these roles, and how you prepare for them, is critical.

Peter Kelley has spent the past four years as an on-set acting coach on NCIS-LA and worked on set on over a dozen network shows; during that time, he's watched and coached dozens of actors in roles ranging from a couple of lines to significant, center-of-story guest star roles. Some actors thrive, others stumble - either way, it leaves a lasting impression on the very people the actor wants to build relationships with.  
Peter brings that knowledge to a weekend workshop designed for the experienced actor who wants to be immersed in the complete experience of receiving material, prepping it, and shooting it in the compressed time frame encountered in a network television or studio film environment.  Class size is limited;  each actor will be able to prep, rehearse, and shoot material similar to what they'll encounter in the guest star role.    
As a result, when you do book the role you'll know what's expected and will be able to walk on the set with confidence. 

 

ARE YOU CAMERA READY?  
"The opportunity for Local Actors to be cast in first rate films and TV shows is growing at an exciting level. At C.P. Casting we hire from 10-30 local speaking parts for each project we cast. Local actors are being asked to step into roles that traditionally have been saved for LA and NYC talent who professionally study for years to land these parts. With these jobs, often comes a chance to join SAG-AFTRA. Don't get left behind --- I enthusiastically recommend Peter Kelley's Acting workshop to help you improve and understand your craft." -- Carolyn Pickman