Jason  Mayall,  is the person in charge of the London office of, Smash which organizes and promotes the Fuji Rock Festival  in Japan.  Artist, such as; Red Hot Chili Peppers, Oasis, Bjork, Underworld, Foo Fighters, Manu Chao, and Neil Young, plus hundreds more.  The British office production Palace of Wonder, has helped over many  years to invite the concert lineup, and introduce the colorful performances from around the world to the Japanese audience. Jason also  takes many Japanese musicians on tour in the UK, including Shibusashirazu, Tokyo Ska ,Paradise Orchestra performances in Glastonbury.

As the largest Festival in Asia, the world's third largest outdoor music festival, Fuji Rock Festival is a pioneer of the Japanese rock music festival, a vast range of event space, including Japan and abroad, more than two hundred performers, Japan, the largest outside music events.

                        Allen L. Johnston - The Music Specialist

                                         www.asha.com

This year  I have come to a drastic realization that American Urban based artists, publishers, producers; writers, film makers, label owners, magazine owners and entertainment industry entrepreneurs are wholly under rated and under represented on the world market place. During one of my daily walks around the MIDEM convention exhibition area, I ventured into the Electronic / Urban Village at Midem.  The name suggested that here would be a place where various types of Electronic and Urban based musical products and opportunities would be found. A place where companies from around the world could come and find music, DVD's, film, magazines and digital deals from the best Urban and Electronic makers in the world. Feeling that the Urban marketplace should be overflowing with product by and about people of color I went looking for the best in the world

What I saw was several different spaces occupied by every nationality BUT people of color.  Blatantly missing were American Hip Hop, R&B, Southern Soul, Blues, Jazz and Gospel companies.  In fact I saw NO REPRESENTATION at all from any Black or Hispanic owned company from the United States in this area.  At least 50% of all the music I saw, and heard during MIDEM came from people of color world wide, but there was less than 5% participation from African Americans conference wide and less than 1% booth participation.  The only Hip Hop artist of any notoriety that I saw making meetings and doing deals was Chuck D, and he brought a group of business people with him as a support factor. American Hip Hop has made major influence around the world I saw Death Row Records from Germany and even though South Africa has licensed Little John's music thru TVT there was not another Atlanta based rapper or representative at the conference. 

Countries from around the world were looking for music and DVD products from American based "Urban" companies yet there were virtually none to be found. The Japanese, South Africans, French, Belgium, Swedes and every English speaking country are all looking for American Hip Hop, Jazz, Gospel, Southern Soul and Reggaeton, but once again there were NO representatives of any of the major artists nor any revenue generating INDEPENDENT  COMPANIES available that I saw or heard of.

This has to stop now especially while there is a window open for such great financial and cultural reward.

So I am making the first call to mobilize the American Urban based artists, publishers, producers, writers, film makers, label owners, magazine owners and entertainment industry entrepreneurs.  I have started talking with different companies and organizations to acquire a cadre of African American owned entertainment businesses that will be able to represent their products and make deals on an International basis for MIDEM 2014.

Please take a moment and look at your long range goals, if they include a digital market or an International market lets find some time to talk.  Plan your work THEN work your plan.