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| NEW CLIENT! |
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Marketing Keys is proud to announce a new partnership with new client BioHorizons!
BioHorizons is one of the fastest growing companies in the dental industry. Marketing Keys will be working with BioHorizons' clients to customize marketing campaigns for their dental implant products at dental offices throughout the United States. We will be utilizing a mix of print, radio and TV to promote these programs.
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Marketing Keys Presents:
Cutting Edge Research
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On Wednesday, October 30th, Marketing Keys would like to invite you to view cutting edge research, provided by The Media Audit and presented by Mike Bustell. We will take an unbiased look at your customers and their media habits, as well as your competition.
Session Times:
12pm to 1pm
1pm to 2pm
2pm to 3pm
Space is limited, so sign up for one of the 3 sessions today! Please RSVP to Steph Dreyer at steph@marketingkeys.com or call at (312) 291-4631.
We are located at 150 N. Michigan Avenue, 28th Floor, Chicago, IL 60601
Food and Refreshments are provided for each session.
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KEY REFERRAL! |
Do you know a Business Owner or Marketing Director that would be open to new strategies and ideas to reach your customers through an everchanging media landscape? If so, please forward our newsletter to them. Many of our clients have come to us through your kind introductions to your friends and business associates. In return, please let us know how we can help in terms of referring business back to you! roger@marketingkeys.com. |
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Greetings!
Welcome to the October issue of Key Notes - Marketing Keys' monthly newsletter. We hope everyone's fall season is off to a great start! Our goal is for you to be informed and entertained with the latest media and marketing happenings quickly and efficiently. Enjoy! |
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DON'T TURN THE DIAL ON RADIO!

Recently, digital marketers have been so focused on display, better ad-tech and creating experiences on the ever-expanding list of social platforms that they've managed to largely ignore a traditional medium that's becoming increasingly sophisticated right under our noses (well, our ears): radio.
Radio is ripe for a renaissance. In the early 2000s, radio's significance as a leading advertising channel started to wane -- or at least the perception of it did -- as attention, and then dollars, shifted to digital.
The result? Many bad jingles and poorly executed direct marketing. And while TV and digital may be advertisers' media of choice when it comes to branding, it's worth mentioning that radio retains its place as the most widely used mass-communication channel in the world. The 13,000 radio stations (about 8,800 FM, 5,000 AM) broadcasting across the U.S. together reach over 94% of the U.S. population 12 years and older each week.
As much as we talk about the phone being the second screen to TV and how our audience is multitasking, it's more plausible to think about looking at your phone and listening to the radio at the same time. It's also a lot more interactive than TV. You can call in to shows, do shout-outs, make requests -- pretty interactive!
As formats like Vine, Instagram Video and Cinemagram show, even with zero time restraints, people still are attracted to digestible nibbles of content, a fact that should only make 10, 15 and 30-second radio spots more enticing.
A recent example was Little Caesars' "Do Not Call," an integrated radio and online campaign by Barton F. Graf 9000 that explored customer curiosity and reverse psychology, relying on radio to do a lot of the awareness legwork in the beginning.
And of course there was the popular "Dumb Ways to Die" campaign by McCann Australia, a cause-marketing effort -- for preventing injuries on the country's rail system -- at the root of which was an original and catchy song. The success of that campaign, which won McCann Melbourne a Grand Prix Radio Lion at Cannes, was proof positive that creatives need to reconsider radio as a medium for their clients, too.
Instead of radio being an advertising afterthought, it can be a pretty great source of inspiration. In the age of social media and composing tweets and six-second Vines, radio doesn't seem quite so limiting.
And contrary to the production costs and time associated with TV, radio creative can be executed for a fraction of the cost and in a significantly faster timeframe, giving advertisers the flexibility and agility to adapt campaigns on the fly.
Similar to the best digital campaigns, marketers are now able to tie metadata with GPS, enabling customized, targeted radio ads and content. And while this is obviously easier in digital radio, terrestrial radio is coming along.
We're in the business of investing in new ways of storytelling, so let's reconsider the value of radio in the marketing mix.
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INJECTING STAR POWER INTO YOUR BRAND
In the brave new world of social media, marketers are doubling down on celebrity endorsements, banking on stars' earned media mojo to help their campaigns catch fire.
 Take HTC's splashy, $1 billion campaign starring Robert Downey Jr. or Pepsi's $50 million endorsement deal with Beyoncé. "Pretty much anything she does is covered both in traditional and social media," said William Gelner, chief creative officer of 180LA, which this spring created a popular Pepsi spot starring the singer. Lately, brands like Audi, Honda and Diet Coke have enlisted A-listers like Claire Danes, Nick Cannon and Taylor Swift, fueling their ads with social star power. Often such deals give advertisers a direct line to celebrities' fan followings via their personal Twitter accounts and Facebook pages. The true asset, however, is a star's relevance, buying a marketer the kind of buzzy exposure that only a Hollywood headliner can bring. "A lot of what social allows a brand to do is to piggyback off earned media, utilizing the fans to do the work for you," said Anna Holland, executive group director at WPP's 171 Worldwide, partner on HTC's push with Downey. "He just came off Iron Man 3 and that alone brings awareness." The increased visibility of social also amplifies the potential risk of such deals. A brand may find itself entangled in a fiasco on the scale of the Mountain Dew -Tyler, the Creator dustup, the Rick Ross lyrics controversy, or the Paula Deen meltdown. Still, "it doesn't happen that often," said C. Samuel Craig, Professor of Marketing at NYU's Stern school. YouTube does have its benefits. Brands can get more bang for their buck with longer ads and richer storylines. Fans can watch spots starring their favorite stars on demand-unlike TV where a diverse cross section of viewers watches a celebrity some might not care for, rendering a celebrity-fronted spot less effective. "Celebrities by their very nature tend to be quite polarizing," said Peter Daboll, CEO of Ace Metrix, which measures ad impact. "TV is a very blunt targeting instrument." Putting a star in an ad isn't always a silver bullet. "It really only improves your odds with those people who are fans of the celebrity," said Bruce Clark, marketing professor at Northeastern University's D'Amore-McKim school.
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Hooters Turns 30 With Instagram Bash

This weekend, Hooters, the original chain with hot wings and even hotter servers, will begin pushing its 30th birthday campaign that includes inviting back 300,000 former waitresses to celebrate on Oct. 4. Maybe the women who show up will be scantily clad in their old work uniforms, maybe they won't. Either way, the brand hopes they snap Instagram photos and post them with the hashtag #stepintoawesome.
Hooters and the photo-sharing site seems like a natural fit - just as other male-focused brands that promote female sex appeal like Esquire are embracing Instagram. Hooters has garnered 29,000 Instagram followers in only the last few months by leveraging the aforementioned #stepintoawesome.
Hooter's birthday TV spots will appear during Fox broadcasts of college and pro football games throughout today and Sunday.
Marketing Keys has placed ESPN and NFL Network :30s for Monday Night Football and Thursday Night Football respectively on Comcast locally in the Chicago market.The brand also rolled out a new logo and wants to reshape public perception, though other rebranding details are few.
For months, Hooters has teased out the idea that it's going to change its waitresses' well-known white-low-cut-tanktop-orange-shorts ensemble. It's still unclear what direction the brand is going.
On Oct. 4, it will give away free wings for a year to one consumer on the East Coast and another on the West Coast. In the meantime, to promote its 30th birthday, its ads will highlight 30 percent off merchandise and menu items all through next week.
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Reach Consumers in Real Time
To show consumers the most valuable, rewarding, or entertaining creative executions possible, marketers now need to take advantage of the extensive data that is provided by the uptick of online shopping sites and consumer activity in digital arenas.
Right now, companies are focused on showing their ads to the people they consider their targets, but with the growth of automated ad buying, creative execution is sometimes overlooked in favor of standardized efficiency. While ads get to the right consumers, many of them are neither memorable nor engaging.
Marketers have a chance to combine seemingly disparate data sources to create a cohesive, engaging, creative message for consumers. Not many display ads incorporate user-level data, purchase data or assets from social media in a flexible manner. Think of the opportunities! An ad served could change its color, text, and format to seamlessly match its environment. What about customizing the ad with time or weather data tailored to the consumer's location?
Facebook is making a good attempt at creating a seamless advertising experience served programmatically. The News Feed advertising executed on the Facebook Exchange integrates the look and feel of the rest of the site, and also incorporates users' "friends" in the marketing placements to increase interest from the targeted consumers. This level of targeting and data usage may not be perfect -- it can seem intrusive -- but shaping the creative with multiple data points is a step in the right direction.
Luxury retailers could easily integrate meta-data and social data into their ads. These brands promote consumer engagement through a presence on Facebook, Twitter, Instagram and Pinterest. Consumer- generated posts featuring these retailers are loaded with hash tags, similar to search keywords, but provided by the consumers themselves. The retailer could drill down to the detailed level of consumers looking for #mens #wallets in a #camouflageprint, for example, and spark a retargeting effort aimed directly at those consumers, even if they haven't visited the retailer's brand site.
Another example would be an auto marketer using weather data to play up "It's a beautiful day, go for a drive", or "It's raining out, stay safe with our unique features" types of messaging. Marketers should be thinking about how they can match their creative to consumers' thinking in real time. People say you can't plan for the weather, but in programmatic advertising, you can.
Good advertising is about storytelling, but online advertising has largely focused on the science and technology of delivery instead of the message itself. The art should be given just as much emphasis. Audience targeting gets the marketer to the consumer, but it's the creative that gets the consumer to engage back.
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Did you see that ad in Chapter 3?

You know what would really improve books? Ads on every page! Classics likeWuthering Heights, War and Peace and A Tale of Two Cities tend to drag in the middle. Coupons for Quaker Chewy S'Mores Granola Bars would really brighten up those dull chapters.
Which brings us to the latest self-promotional marketing stunt from Jason Sadler. He's best known for building a business based largely on wearing corporate T-shirts, and was last spotted selling his last name for a year to Headsets.com in exchange for $45,000. Now, he's writing a book called "Creativity for Sale" and selling ads on each of its 200 pages.
An ad on page 1 costs $600. Each successive page is $3 less (page 2 costs $597, page 3 is $594, etc.). Also, the front and back covers are going for $20,000 and $10,000, respectively, and the front and back inside flaps are $5,000 each. The author is aiming for a pre-order date of May 15, 2014 (his 32nd birthday). The hardcover will retail for between $14 and $18, with the e-book version priced around $9.99.
Thirty pages were sold in the first 30 minutes after the project site launched today, along with the inside front flap, purchased by GoStats.com.
The book will contain Sadler's stories, lessons, struggles, mistakes, and successes he went through while building his innovative businesses, like IWearYourShirt.com. Sadler also writes about creative people who are doing things they love and making money doing them, and, of course, the SponsorMyBook project and how he looked at the process of writing and marketing a book in a completely unique way.
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Tweet of the Month
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Until next month, may all of your marketing dreams and goals come true! And - if they don't - we are here to help.
Sincerely,
ROGER KEYS MARKETING KEYS
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