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Metal Clay Academy Newsletter
      
Autumn is upon us!  

Sept / Oct 2013
In This Issue
News
What's Your Inspiration
Did You Know...?
Lynn Cobb
Quick Links
Greetings!

 

Hello!

Well here in Scotland, the nights are drawing in and things are cooling down. If you are in the business of selling your jewellery, then surely the mad making has begun to prepare for your Christmas sales?

If it has, spare a few minutes, grab yourself a coffee and a biscuit, put your feet up and hopefully you will enjoy our latest newsletter featuring Lynn Cobb, a lady with a passion for art and creating beautiful pieces of jewellery. And Jennifer Smith Righter, whose amazing Chain piece has been featured in several publications for its quirky mechanics.

If you'd like to be part of the next newsletter, then drop me an email. We'd really like to hear your views, suggestions and opinions.

Emma Gordon 
News

There has been a few announcements regarding Master Classes in the UK for 2014. Some fantastic names such as Michael Marx, Lisa Barth and Holly Gage are making an appearance at Craftworx in Yorkshire during the year and the fabulous Barbara Becker Simon is coming over to the Cornwall School of Art, Craft and Jewellery in April. Places are limited, so if you're interested, contact the relevant studio to register your interest.

 


What's Your Inspiration?

Jennifer Smith Righter

Jennifer has always been interested in art and mechanics; she studied art and architecture at university in San Francisco. But she obviously had a sneaking love for jewellery making because she also took an elective as part of her course, in Jewellery Fabrication. However, on entering the commercial world of architecture and computer aided drafting, Jennifer found that her passion for that subject was not what she hoped. She says that she didn't like working on a large scale, preferring smaller, handcrafted and mechanical things. This was when she decided to take her Jewellery Fabrication elective cand explore it some more. She says 'I discovered metal clay and was thrilled by its ability to be formed into any shape imaginable. During this phase, I won several awards for my mechanical designs. I enjoyed pushing the boundaries and wanted more!'

 

 

 

During her jewellery making career she has won various awards, including being short listed for the 2009 Saul Bell award in the Metal Clay category. And she openly says 'Being in my studio, and constructing my pieces is a true passion' So the piece that she has chosen to speak to us about, Chain Reaction truly reflects Jennifer's passion for metal clay, mechanics and design and we are sure that you will agree it's so elegant to boot!

'It captures one of my favourite styles,' she tells us. 'I like making necklaces and I like things that have an intricacy to them.' The fact that the gears move in unison is a quirky design feature that 'tickles' Jennifer too. It is made from fine and sterling silver, with the gear plates being created in silver clay.

So why this type of design? 'I just love gears and I had been making things with gears in a static sort of way. But I really wanted to make a piece where the gears actually moved and I also wanted to make something with an industrial theme that was beautiful and feminine at the same time.' Jennifer confides that she spends quite a lot of time in hardware stores, she tells us 'They have always been fun and fascinating for me - I just love them!'

To see more of Jennifer's work, please visit her website or if you want to own a piece of Jennifer's industrial art, visit her Etsy store


Did You Know....?
The Metal Clay Academy has lots of information to browse through and this section just highlights an area you may have missed or have not looked at for a while.

Are you interested in teaching metal clay? The MCA website has a fantastic list of resources which goes into all sorts of detail about teaching metal clay; from standards which are recommended when running a class, suggested cancellation policies through to lesson planning and learning styles, there's a lot of wisdom in these pages. Even if you have been teaching for a while, it's sometimes good to revisit your working practices and see if they still fit your business and your approach. After all, we all still have things to learn!

From the Jewellery Artist newsletter; their take on a good teacher.

Good teachers freely give everything they have
Good teachers guide their students to the next "place of wonder"
Good teachers show, tell, and inspire
Good teachers critique to build up, not to tear down
Good teachers feel pride when students grow beyond their teachings
Good teachers are secure in their roles and keep their egos in check
Good teachers learn from their students
Good teachers create a "safe place" for creativity to flourish

Featured Artist 

  

Lynn Cobb

Lynn has been working with silver clay since 2005. She began her artistic business in the 90s working with polymer clay at first, but when she discovered silver clay, she couldn't resist and now it seems she has found her ideal medium. However, much to her dismay, she does not work on her creative business full time as she currently has a 'proper' job as a paralegal. But she says, she is hopefully going to retire within the next year or so and then it will be full steam ahead, because she can't wait to explore all the ideas flying around her brain!    

 

When I ask her about her style, Lynn says it is pretty hard to pin down. She says she mostly enjoys making beautiful jewellery. From her abstract range of beautiful flowers to her whimsical castle series both different in appearance and construction, it seems Lynn prides herself on her eye to capture beautiful design and it works. One of her pieces was a finalist in the prestigious Saul Bell Awards run by Rio Grande in 2011 with her Silver Flower piece.

  

Lynn's Saul Bell piece 

Preferring to work with PMC3 silver clay over all others, she says that she has not had the time to explore the base metal clays, but this is definitely on her plan when she retires. She feels there's such a steep learning curve with the various brands and types of metal that she needs to immerse herself in learning all about them.

So where does she create her beautiful art jewellery? She tells me she is lucky enough to have studio space in her home. This, she confides, ranges from nicely organised and neat to wild and messy after a few creative sessions. She has a million texture sheets, old buttons, leaves, twigs, bark, shells, carved moulds, enamel powders, not to mention all her tools. Lynn says it all works until she can't find something and then a big tidy up has to happen. And when that is done she finds that the ideas can start flowing. So is that what Lynn does when she hits a creative lull? Not necessarily. 'I sometimes feel it is ok to just let those non-creative times just pass by and not worry about it being some sort of block.' She tells us, 'Ideas are still in there, mulling either consciously or unconsciously and they will emerge. That said, there is something to having a discipline of just going into the studio, even if not feeling inspired, cleaning up, running one's hands over the tools and, surprisingly, a piece will almost just grow out of that lump of clay'  

 

Whimsical Castle Ring series 

She is passionate about art and feels very strongly about women's art in particular. She feels the influences of artists such as Georgia O'Keeffe and Judy Chicago have done a lot to bring female artists into the fore. Lynn says 'I feel that with metal clay, I have finally found the medium that allows me to express myself, in a way that feels very authentic and this flower series, I would like to think, is my own contribution to women's art. Our art, often relegated to the back of the gallery in the past, has begun to truly flower within the art community.'

 

Sea Creatures.

Lynn says that her biggest challenge is managing her time, with so many techniques waiting to be learned and feeling there is still so much to do and to master! But she is also challenged by the age old problem that faces many artists; to cut loose and make whatever her heart desires or to make simpler, more commercially desirable pieces which are not nearly as fulfilling artistically? Whatever her decision on the way forward, once she has more time to create, we are sure that it will be beautifully designed and wonderful to look at!

To view more of Lynn's beautiful work and perhaps buy a piece of your very own, head on over to her Etsy site which can be found here or at her Zibbet Shop here 

 

 

 

Silver Flower Rings 

Lynn's work is also available to buy in various galleries in the San Francisco Bay area and in Scotland at Art Clay Scotland, Edinburgh.

 

Photos credits: Andrew Stevenson