June 6, 2013 
Vancouver Island School of Art Newsletter 


Dear Students and Friends of VISA,
 
The reason I decided to study art as a young person is because I had so many interests that couldn't decide what to study; I had an intuitive feeling that art would lead me to everything else. One my considerations was architecture so I always enjoy when the worlds of art and architecture intersect. This year's Venice Biennale has a focus on architecture with its title being The Encyclopedic Palace derived from the title of a work by self taught artist Marino Auriti. Here is a brief review of the Biennale from the New York Times: Beyond the Palace.
 
The image in the New York Times review (below) is an installation called the 387 Houses of Peter Fritz which is literally a display of 387 miniature buildings first discovered in a junk shop by artist Oliver Croy. The houses were built with materials at hand by a Viennese insurance clerk, Peter Fritz. These architectural buildings compose a near-encyclopedic inventory of all manner of provincial architectural styles, from farmhouses to bank buildings. This artwork is really a curated piece within the larger curatorial framework of The Encyclopedic Palace.  Oliver Croy (who discovered the buildings) and the architecture critic Oliver Elser (who assisted with the installation) being the curators of Peter Fritz's work. Its interesting to think about how the lines between artist/curator and found object/sculpture are getting blurred here. In the context of the Biennale it is Croy and Elser who are considered the 'artists' of this piece. The work in a sense follows the tradition of the Duchampian readymade. The upside down urinal becomes a Fountain in Duchamp's hands. The contents of a container found in a junk shop become an art piece called the 387 Houses of Peter Fritz with Croy's and Elsner's intervention. This work is visually compelling because the idea miniature always seems to enthral, especially when it is combined with an ingenuous use of found materials and impeccable hand craftsmanship. The work is also conceptually fascinating in the way it inadvertently addresses issues of authorship, display and curatorial practice.
 
Renee van Helm is a Vancouver based artist who uses architecture, in particular the idea of modernist architecture as a point of departure for her subject matter. Grahame Patterson is a Canadian artist who made architectural constructions in his Woodrow series (this was on exhibit at the AGGV in 2008). I recently came across the work of architect Perry Kelper on a blog I like to visit regularly called Architecture Sketch. Like Maya Lin, Kelper is an architect who is also a practicing artist. 

One of the things that I have really enjoyed at VISA is to take my personal passions and turn them into subjects for art courses and workshops. The upcoming Architecture as Abstraction workshop is based taking some of the ideas of architectural drawing, such as geometric lines and shapes and making a drawing from this simple starting point. This workshop is just one of the examples of how I can take the things I love to study and make them into a series of exciting projects for partipants to try out. The projects in my workshops are based on contemporary work that I have seen as well as artwork I wish I had the time to make!
 

TONIGHT ARTIST TALK: Jessica Auer
Thursday, June 6 @ 7:30pm

Jessica Auer is a documentary-style landscape photographer from Montreal. Her work is largely concerned the study of cultural sites. From the beaten track to the frontier, she explores places where history and mythology are woven into the landscape, and where contemporary landscape issues emerge. Jessica received her MFA in Studio Arts from Concordia University in 2007 and is the recipient of several awards such as the W.B. Bruce European Fine Art Travel Fellowship and the Roloff Beny Prize, as well as grants from the Quebec Arts Council (CALQ). Her work has been exhibited in Canada and the United States and is held in various private and public collections, including the Musée des Beaux Arts du Québec, the Canada Council Art Bank and the Cirque du Soleil. Jessica is a co-founder and a board member at Galerie Les Territoires in Montréal and teaches photography at Concordia University. She is represented by Patrick Mikhail Gallery in Ottawa.  Talk is in the Slide Room Gallery at the lower level of VISA.

ARCHITECTURE AS ABSTRACTION  
Saturday, June 15, 10am-5pm

 

The focus of this workshop is on using architecture as a source for the development of subject matter and dynamic compositions. The day will include three projects involving drawing, collage and watercolour. 

 

Starting with methods used by the Russian Constructivists to create geometric drawings, students make an abstract drawing based on a few simple parameters. The second project involves creating an architectural collage and making a drawing based on this composition. For the final project, images of room interiors and architectural drawings are traced to create a layered complex surface similar to the work of Julie Mehretu.

 

All these projects start with simple step-by-step instructions suitable for people with little or no experience in art, but who are willing to go on a creative adventure. 

 

All materials are included so you just need to show up and be willing to devote six hours to uninterrupted creativity.

Instructor: Wendy Welch

Cost: $100 +$25 material fee (all materials included)

To register on-line

 

DRAWING GEOLOGY
Saturday, June 22, 10am-5pm

Did you ever collect rocks as a kid or perhaps you still like to collect them as you walk along the ocean? 

 

Geology, or the study of the earth's surface provides an incredible source for the visual artist. This workshop focuses on three components of geology: striations, rock formations and crystal structures as subject matter for drawing. 

 

Examples of artists whose work is inspired by geology will be shown. Projects include using pencils, watercolour and collage. No experience necessary and all materials are provided. 

 

Of course just when you think you have a 'new' idea, something comes along to remind you that if its a good idea, chances are other people have thought of it. Check out this book called: Geology in Art

 

Instructor: Wendy Welch

Cost: $100 +25 material (all materials included)
To register on-line 

 

GOUACHE PAINTING
Saturday, June 22, 10am-5pm 

 

Gouache (pronounced "gwash") is an expressive, opaque water-based paint favoured by 20th century artists such as Henri Matisse, Joan Miro and Francis Bacon. Similar to watercolour, it contains an inert white pigment. The result is paint with a smooth, matte finish that is almost velvety in appearance. Gouache is popular today with many contemporary artists such as Olaf Hajek, Anish Kapoor and Maira Kalman, who appreciate gouache for its lush, saturated colours, and ease of use. It is compatible with other water-based media such as acrylic, watercolour, ink, and markers; as well as the dry media of pastels and coloured pencil. In many ways gouache embodies the finer qualities of watercolour, oils and acrylics while avoiding many of their limitations. Participants will work through a series of imaginative assignments exploring the creative possibilities of painting with gouache. No previous drawing or painting experience necessary. 

 

Instructor: Kate Scoones
Tuition: $100 + $25 material fee (all material included) 

To register on-line

 

INTENSIVE FIGURE DRAWING
July 2-5 (Tuesday-Friday), 10am-5pm

 

All working artists struggle to balance creativity and accuracy. Though a series of working exercises that reveal what is going on during the act of drawing, this workshop will clearly explain what you're up against. The workshop consists of four days of intensive drawing from a life model, and offers practical solutions that will help any artist draw better as well as overcome creative blocks, unhelpful drawing habits and common preconceptions. This is a unique opportunity to experience the teaching of the Denmark-based Canadian artist and writer, Heather Spears. Heather is a renowned drawing instructor and regularly teaches in Europe, Canada and the UK. This course is based on her book The Creative Eye. No previous drawing experience necessary.  

Tuition: $320 + $75 model fee (there will be a model everyday all day long)

To register on-line

GARDEN PARTY FUNDRAISER
July 5 at 5pm 

 

As many of you know, we are not hosting our annual Art Incognito fundraiser in September. Instead we are going to have a festive garden party fundraiser this summer as well as some bigger gala events in 2014 to celebrate our 10th Anniversary.

 

If you like the idea eating and drinking in a beautiful garden stetting while contributing to VISA's financial well-being, then buy a ticket for yourself and a friend for this festive events.

 

Tickets are available at the office for $50. You will receive a $25 donation receipt for purchasing a ticket. Ticket price includes food and complimentary beverage.

 

Music by the Stomp Club Trio

 

Original art will be available for purchase.

 

Location: 3185 Norfolk Road in the lovely Uplands area of Greater Victoria

 

For more information about our courses or events contact
Linda or Jen at the office: 250-380-3500 or info@vancouverislandschoolart.com
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