November 14, 2012 
Vancouver Island School of Art Newsletter

Dear Friends of VISA,

Do you ever think about what you are hearing at any given moment? John Cage's renown piece 4'33 was all about making people aware of the ambient sound around them at any given moment. If you aren't familiar with John Cage, he's definitely a person worth knowing more about. In honour of the 100th year since his birthday, Art Gallery of Greater Victoria and Open Space have exhibitions and/or events relating to John Cage. Sometimes I try and spend time just paying attention to what I hear. I live downtown on the fifth floor of building and I'm always surprised by how little outdoor sound I hear other than the continuous sound of the exhaust outlet fan in the parking lot. That sound seems to go in and out of my attention depending on my state of mind. I notice when I am more anxious, annoying sounds seem louder. Sometimes I play a little game with myself saying that I can't get out of bed in the morning until I hear the sound of a bird. That makes me pay attention to sounds I would normally not hear (or not pay attention if I really don't want to get out of bed). Speaking of birds, there is a rather humourous sound piece by Louise Lawler called Birdcalls done from 1972/1981 where she mocked the inequity between male and female representation in the art market at the time. By recreating the phonetic pronunciation of the names of male artists as sounds that mimicked the cry of birds, Lawler transformed surnames synonymous with success into mating calls. I came across this piece unexpectedly while waiting for elevator at the Seattle Art Museum (it was part of the ELLES exhibition). In trying to find a recording of this piece on-line I discovered an extremely comprehensive website devoted to sound art. On the topic of sound and hearing, I came across an intriguing article in this weekend called The Science and Art of Listening. Stop a moment and discover what you might hear when you listen.

Wendy
The Contemporary Botanical
Saturday Nov 17, 10am-5pm

This is a drawing and painting workshop focuses on creating imaginary botanicals. In the tradition of some of the botanical drawings from the Renaissance period, students create their own fantastical creations. The process starts from a photomontage that is then developed into a watercolour drawing and then a scientific diagram. The workshop focusses on the relationship of nature and science in terms of depiction of imagery while at the same time opening up a very imaginative process for all participants.
All materials are included in material fee so you just need to show and be willing to experience an adventure in creativity.
 
Instructor: Wendy Welch
 
Fee: $100 + $25 material fee.
 

 

 

    

PHOTO SATURDAY Nov 17, 2-5pm Slide Room Gallery
in conjunction with the _backs
pace exhibition

 


ARTIST TALK: Michelle Forsyth
November 22 at 7pm
Michelle Forsyth holds an MFA from Rutgers University (New Brunswick, NJ) and a BFA from the University of Victoria (Victoria, BC). Her work has been included in numerous group and solo exhibitions across north America and abroad, Her work is featured in books including: The Anthology of Art: in Theory and Dialogue, edited by Jochen Gerz; and Carte Blanche, Vol. 2 - Painting, a survey of the current state of Canadian painting. She has taught courses at Pratt Institute (New York, NY); Brooklyn College (Brooklyn, NY); The University of Southern Maine (Gorham, ME); and is currently an associate professor and the head of painting at Washington State University (Pullman, WA).We are honoured to host Michelle for an artist talk in the Slide Room Gallery. Hope to see you there!

Image: Michelle Forsyth and her work
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