negative space drawing w hand Drawing
  Together
Rte Public Library
 
Drawing Together   
Tuesdays  10:00-11:00 am
Downstairs Meeting Room

In This Issue
iPhone Artist's Subway Portraits
Coming up at UNH's MUSEUM OF ART
Art Supply Info
Ellsworth Kelly's Plant Drawings
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Greetings!

I hope you are enjoying sketching on your own and that you are trying some of the 'Techniques of the Week' we've explored in our sessions.

Reminder for Tuesday, Nov. 6: If you would like, bring one or more photos of a person, head and shoulders shot, facing the viewer. It can be from your own collection or from a magazine or newspaper. It might help you if it is larger, rather than snapshot size. I will have lots extras on hand, so don't worry if you forget,
or don't have time. We'll focus on perceiving the proportions of the head and face.

Please enjoy the items of drawing interest that follow.
 

Furbish 2:150.jpg
An iPhone Artist Haunts the Subways

Which is better? Pencil and paper or

an iPhone and your fingertip?

A thought-provoking item from the New York Times.   Click here to read about this iPhone artist. 


Worth a Visit..
University of New Hampshire's
MUSEUM of ART

Upcoming Exhibition

October 27 - December 9, 2012 (Closed November 12 and 21-25)
Opening reception:  Friday, Oct. 26, 6-8 p.m.

Working Model: Figurative Drawings and Sculptures from the Collection
Carter Gallery                                         

This exhibition features figurative drawings and sculptures from the Museum's permanent collection to examine the many and varied ways artists have represented the human form from the early 20th century to the present. Approximately 18 works of art have been selected to illuminate different approaches to working from a live model.


Barbara Swan: Portraits and Still Lifes
Scudder Gallery                                                                                     

Barbara Swan (1922-2003), a well-known Boston artist whose still lifes were widely exhibited and collected beginning in the mid 1960s began her career in the late 1940s as a student of noted Boston Expressionist, Karl Zerbe. This exhibition provides a historical overview of Swan's artistic career, tracing her early work from the late 1940s, her expressive paintings as a new mother and drawings of her friends and fellow artists in the 1960s, to the subject that would dominate her later work: objects transformed through water-filled bottles.   

     
Barbara Swan images: Bottles and Keys,1985,oil on linen, 40" x 30", courtesy of Alpha Gallery; Red House, n.d.,oil on linen, 42" x 50"; Bottles and Spoons, 1973,
watercolor, 20" x 15". Collection of the Museum of Art, UNH, 1975.504


Click to Enlarge
 Art Supply Info
When we drew outside,
I had a folding portable
tripod stool with a carrying strap.
Here is one place to find some:
portable folding stools

 


This may change how you think about YOUR blind contour drawings... 
 

 
Ellsworth Kelly with two of his plant drawings. Photo credit: Philip Montgomery for The Wall

 from a  Bloomberg Businessweek  
Interview with Ellsworth Kelly by James Tarmy
 on August 14, 2012:

Tarmy: You've been drawing plants for over 60 years. Why plants?

Kelly: I chose plants because I could always find them. One of the first drawings I did in Paris -- I wasn't thinking of doing drawings, but somehow or other, I kept drawing -- I bought a hyacinth flower with a lot of leaves, just to make me feel like spring.
So I did a lot of drawings of it, and it just started that way. Then I went out to Brittany for the summer, lived on a little island, and I drew seaweed. Wherever I went, I did drawings of plants.

Tarmy: Have they always sold?
 
Kelly: I sold them for about a thousand dollars in the '70s, but now my gallerist, Matthew Marks, wants a lot for them.

Tarmy: How long does it take you to draw one?

Kelly: My drawings have to be quick. If they don't happen in 20 minutes or a half hour, then they're no good. 

  Click to see Art & Botany: Ellsworth Kelly's Plant Drawings 


Deadly nightshade painting

Deadly Nightshade    acrylic    M. Garland

This work was begun as a blind contour drawing on red background. 


Remember:
 "We are practicing and building our skills."

See you at our next session on Tuesday Nov. 6, at 10 a.m.
            
         Merren Garland
             
Drawing Together facilitator