August 2014
                     
In this issue
College Welcomes New Cohorts of Ph.D. Students
Faculty Spotlight
FAU Comparative Studies Student Association Conference
Alumni Spotlight
Student News
Student Spotlight
Pearls of Wisdom and More ...
Comparative Studies Colloquium in Interdisciplinarity
About This Issue
Kudos to Our Most Recent Graduates!
PhD Executive Committee
Public Voice, Human Rights, and Social Justice
Comparative Studies PhD Student Symposium
Discourses of Peripheral Sexualities in Hispanic Studies Symposium
Eugenics: Race, Public Health and the Science of Nationalism
Submerged: Alternative Cuban Film Festival

COLLEGE WELCOMES NEW COHORTS OF PH.D. STUDENTS

The College's interdisciplinary Ph.D. in Comparative Studies has welcomed two new cohorts of students into the newly revised track, Cultures, Languages and Literatures (CLL), beginning in August 2012. As of this fall, 2014, recruitment efforts have resulted in a total of 28 new students. Thanks to initial funding from the departments of English and Languages, Linguistics and Comparative Literature (LLCL), from the Jupiter Life Long Learning Society, and more recently from an allocation from the Provost's Office, the program has been able to support 18 students with graduate teaching assistantships. The students teach courses in their host departments, gaining valuable experience in pedagogy and providing our programs with excellent instructors. Dr. Richard Shusterman, through the Center of Mind, Body and Culture, has also offered a research assistantship to support a Ph.D. student during his studies in the program. 

 

The first cohort in CLL began its studies with its first Theory and Criticism seminar on the topic of postcolonial theory, taught by Associate Professor of English, Dr. Taylor Hagood. This fall the Theory and Criticism courses are focusing on French theories from the 1960s and '70s, taught by Dr. Fr�d�ric Conrod of LLCL, and the philosophy of culture, taught by Dr. Richard Shusterman, the College's Eminent Scholar in the Humanities. In addition, Dr. Shusterman is offering an Interdisciplinary Perspectives seminar on the topic of pragmatism and the arts. Students will also be taking seminars in several departments from across the College as they pursue their interdisciplinary interests in a variety of fields.

 

We were pleased to award two Presidential Fellowships to complement the GTAships in each of the last two years: Jonathan O' Neil plans to study literary and political essays that address the cultures of the European Union, with an emphasis on Spain and Italy. Candy Hurtado plans to combine her interests in ethnomusicology and Latin American studies to study the folk music and literature of her native Peru. Ms. Hurtado is also a recipient of a prestigious McKnight Fellowship, which will support her studies in our program. Betsaida Casanova will specialize in Spanish-speaking Caribbean literature written inside and outside the Caribbean with a major concentration on Cuban writers. Nancy Jarchow plans to specialize in French literature, with an emphasis on theater and its role in resistance and collaboration during the occupation of France by the Nazis in World War II. For profiles of all of our current students, be sure to visit the program website. 


In addition to this new cohort, students in the tracks of Fine and Performing Arts (FPA), Languages, Literacies and Linguistics (LLL), and Public Intellectuals (PI) continue to advance in the completion of their degrees. A total of 34 students are at various stages of research and dissertation writing. Since 2011, we have graduated twenty-four students from the program.


FACULTY SPOTLIGHT
DR. TAYLOR HAGOOD
The inaugural seminar on Theory and Criticism of the new track in the Ph.D. program (Cultures, Languages and Literatures) was taught by Dr. Taylor Hagood in the fall of 2013. The focus of the seminar was on postcolonial theory.

Taylor Hagood teaches American literature, with specialization in the writing of William Faulkner, African American literature, and the literature and culture of the United States South. His scholarship examines literary and cultural production with an approach informed by postcolonial theory, theorizing of social interaction via secrecy as a cultural item, and disability studies. 

Hagood's books include Faulkner's Imperialism: Space, Place, and the Materiality of Myth (2008); Secrecy, Magic, and the One-Act Plays of Harlem Renaissance Women Playwrights (2010); and the forthcoming volume Faulkner: Writer of Disability. He also edited the recently published Critical Insights: The Sound and the Fury (2014). Additionally, he has published articles and reviews in numerous journals, including 

African American Review, Anthurium, College Literature, European Journal of American Culture, Faulkner Journal, Literature Compass, Mississippi Quarterly, Southern Literary Journal, Studies in Popular Culture, and Walt Whitman Quarterly Review.

 

In the way of current work, Dr. Hagood is pursuing a number of projects. He is an editor with the Digital Yoknapatawpha website, hosted by the University of Virginia (see his video discussing the project).
Journey to the Center of Yoknapatawpha
Journey to the Center of Yoknapatawpha
He is co-editing a collection of essays entitled Undead Souths: The Gothic and Beyond, with Eric Gary Anderson and Daniel Cross Turner. In addition to these projects, his monograph-in-progress is entitled 
Following Faulkner:The Response of Writers and Critics to Yoknapatawpha's Architect, which is contracted as part of Camden House's Literary Criticism in Perspective series and is designed to help guide readers and new scholars through the bewildering and often overwhelming world of Faulkner criticism.

Formerly the Frances Bell McCool Fellow in Faulkner Studies at the University of Mississippi, Dr. Hagood has won multiple teaching awards. From 2009 to 2010 he was a Fulbright Gastprofessor, and in 2011 he was a visiting professor at Ludwig-Maximilians-Universit�t in Munich, Germany. In 2013-2014, he was the Lifelong Learning Society Distinguished Professor of Arts and Letters. He currently serves as a Research Ambassador for the Deutscher Akademischer Austausch Dienst/German Academic Exchange Service.


FAU Comparative Studies Student Association Conference

Focusing on the Post(-):   An Interdisciplinary Perspective

October 24-25, 2014

Florida Atlantic University

Boca Raton, Florida

The CSSA is sponsoring a conference this fall, 2014, with a focus on what it means to be post-, post or Post, or whether anyone, any place or indeed anything can ever be truly "post" after an initial phase. Join us as we explore the state of academic inquiry and discourse in studies that focus on "after" effects, identities and locations. We are interested in examining how the post makes itself known in a variety of disciplines and ideas, and we have conceived the conference in an attempt to allow for papers that wish to focus on the post itself, on the post under erasure, or on the trace of the past as it locates itself within the post in all areas of study.

 

Keynote speaker: Dr. Sherryl Vint

 

Sherryl Vint has published widely on science fiction, including most recently Science Fiction: A Guide to the Perplexed. She is a Professor of Science Fiction Media Studies, Co-Director of the Science Fiction and Technoculture Studies Program at the University of California, Riverside, and an editor for the journals Science Fiction Film and Television and Science Fiction Studies. Her current research is on biopolitics and science fiction. 

 



ALUMNI SPOTLIGHT 
DR. WALTERIA TUCKER

I am currently working as an Assistant Professor of Spanish at the College of the Bahamas in Nassau, New Providence, Bahamas. Here I teach courses from the 100 to 400 levels in the Spanish B.A. program. After graduating from the Comparative Studies Program I worked for a semester teaching Spanish and French at the FAU Honors College. In the spring and summer of 2012 I taught Spanish at the Belle Glade campus of Palm Beach State College. In fall 2013, I moved to Sebring, Florida, after having been hired at South Florida State College as a full-time instructor of Spanish. There I taught Spanish, French and humanities. While there I served on the Presidential Search Committee. I also was given the task of updating the foreign language lab. I participated in a number of educational technology conferences such as the Sloan-C conference and ACTFL. My recommendations for updating the lab and the foreign language teaching programs were accepted by the SFSC administation and the full-scale renovation project has resulted in the creation of a versatile and state-of-the-art multidisciplinary lab (valued at $60,000).

 

I moved to the Bahamas in July of 2013. At COB, I was also invited to evaluate and renovate the Foreign language lab. My research and recommendations were approved, and the lab is currently undergoing renovations. The recommended renovations will be completed by the fall of 2014! I also implemented a series of Sobremesas at the campus Dunkin Donuts, which counts on the weekly participation of beginning and advanced Spanish students, other Spanish faculty and even the Head of the COB Law School.

 

I feel privileged to have had a multifaceted introduction to the practice of teaching and learning foreign languages in the Ph.D. in Comparative Studies Program. During my coursework I acquired the skills and knowledge base necessary for constructing a 21st-century language learning experience. My time as a graduate teaching assistant gave me the chance to acquaint myself with the very real challenges learners and teachers face and to develop my own personal methods for addressing those challenges.



STUDENT NEWS

Gary Brooten (PI) presented two papers at the May 2014 national conference of the Rhetorical Society of America in San Antonio. "The Rhetorical Production of Useful 'Scientific Controversies' in Democratic Political Discourse" was a full conference presentation. He also presented "Scientists Working Their Rhetorical Situations: Guy Stewart Callendar, Gilbert Plass, Roger Revelle and the Construction of a Climate Change Paradigm" in the RSA's Research Network for Students and New Scholars.

 

Skye Cervone (CLL) published an article, "Recovering the Effects of Lord Dunsany on J.R.R. Tolkien" in S.T. Joshi's Critical Essays on Lord Dunsany, and she presented her paper "'Fabulous Blood' and Frightful Slaughter: Unicord Hunting in The King of Elfland's Daughter" at the International Association for the Fantastic in the Arts' annual conference. She was elected as Secretary of the Comparative Studies Student Association and as Student Caucus Representative for the International Association for the Fantastic in the Arts.
 

Daniel Creed (CLL) published an article, "Robert Browning's 'Mesmerism': An In[tro]duction into Gothic Nightmare" in the Explicator, and he has multiple articles under review for forthcoming publication. He presented papers at the International Conference of Fantastic in the Arts and the CSSA Spring Symposium and was elected President of the Comparative Studies Student Association.

 

Marianna de Tollis (CLL) has presented in several conferences. The focus of her research has been to identity issues of women, such as the "body-hybrid" in Sibilla Aleramo's novel Una donna, the "Christological body" in the movie El laberinto del fauno, and the monstrous "Chimeric body" in Dacia Maraini's La lunga vita di Marianna Ucr�a. 


Rebecc
a Karimi (PI) had an article recently selected for publication in an anthology by Cambridge Scholars Publishing. 

 

Edna Lubonja (CLL) presented her paper "Music as the Memory to Keep the Language and Culture Alive for Arb�resh of Italy" at Brown University's Chiasmi Conference on March 7-8, 2014. The Arb�resh is one of the largest minority groups living in the southern part of Italy and the focus of Edna's academic research. 

 

Inbal Mazar (LLL), pictured above, spent the summer of 2013 conducting field research in Guatemala on her dissertation topic, "A Comparative Study of the Impact of Biomedical Care on Guatemalan-Mayan Maternal Care in Rural Guatemala and South Florida."

 

Kudos to all!

 



STUDENT SPOTLIGHT
PETER CAVA

I am a doctoral candidate in the Public Intellectuals track of the Comparative Studies Program. I research trans politics and visual media with a commitment to peace, justice and human rights. For the 2013-14 academic year, the research was supported by the Lynn-Wold-Schmidt Peace Studies Fellowship and the Peace Studies Joan Joseph Foundation Scholarship. During this time, I progressed toward the completion of a dissertation on trans politics and U.S. science fiction television. Meanwhile, I published an opinion piece on trans allyship, a guide to trans etiquette, and a book chapter on trans activism in Trans Bodies, Trans Selves. In addition, I submitted an article on gender privilege for publication in The Wiley-Blackwell Encyclopedia of Gender and Sexuality Studies, an article on trans documentary film for prospective publication in Films for the Feminist Classroom, and a proposal for a book chapter on trans politics and Internet television.

 

While conducting this research, I presented papers at five academic conferences and symposia, including FAU's academic symposium on eugenics. The out-of-state conference travel was funded through the Patricia M. Courtenay Doctoral Fellowship and an FAU Student Government Travel Award. My confirmed upcoming presentations include an activist workshop at the Civic Media Center in Gainesville, Florida, and two papers at the National Women's Studies Association Annual Conference in San Juan, Puerto Rico.

 

My 2013-14 service included co-planning many academic conferences and educational events, such as FAU's academic workshop Nonviolence, Violence, Ethnicity and Religion in Eurasia. Moreover, as an Agora Project Ambassador, I created the Trans* Initiative at FAU. The asterisk in the name signifies the intention to be inclusive of a broad spectrum of gendered embodiments, identities and expressions. The initiative promotes civility and respect toward, and the freedom and engagement of, transgender and gender-nonconforming members of the FAU community. Outside of FAU, I assisted Broward County with its efforts to maximize trans access to its Homeless Continuum of Care, and I entered my third year as the conference planning coordinator of the Transecting Society Conference, an international conference on trans politics.



PEARLS OF WISDOM AND MORE...

Ariana Cascio Bianchi - "My best advice: stick with what interests you most. Know what you like and take courses that fan that interest. Your passion for a subject is what will sustain your academic career."

 

Nancy Jarchow - "I firmly believe that it is never too late to pursue your passion and that every person we meet and every experience we have are meaningful and necessary to a fulfilled life.  As a secondary educator for the past 10 years I have realized that the goal of education is not merely to impart knowledge, but to help students learn how to learn, how to find the answers themselves and then how to question what they have discovered.  Learning can be messy sometimes and the best teachers know how to get out of the way and allow the students to dig in, get their hands dirty and think for themselves. I encourage students of all ages to remember that learning never stops, it is a lifelong process that will reward the student of life over and over again. 


I
nbal Mazar - "I think it's important to write papers that help you narrow your interests and topic for the dissertation. Keep a list of the bibliography you use in classes and a folder of articles that might come in handy for the exams or dissertation." 

 

Elaine Mendelow - "As a student in the new cohort of the FAU Comparative Studies Ph.D. Program, I am grateful and delighted to be living the words of George Eliot: 'It is never too late to be what you might have been.'"



COMPARATIVE STUDIES COLLOQUIA ON INTERDISCIPLINARITY
The Crossing Disciplines colloquia promote the exchange of ideas across disciplines, fomenting our Ph.D. program's philosophy that topics in the arts, humanities and social sciences are most fruitfully understood through comparative modes of analysis that include an ever-changing landscape of theory and methodologies.

The first colloquium, "Cultural Agency and Crossing Disciplines," will be held Oct. 6, 2014, at noon in AH 209 and will be led by Dr. Doris Sommer, Director of the Cultural Agents Initiative at Harvard University. 


The Kudos Newsletter

ABOUT THIS ISSUE

Out of circulation since 2008, this issue represents a new format for the program's newsletter. Kudos go to Betsaida Casanova (CLL), who spent many hours this past summer compiling, designing and editing this edition of what we hope will return to be a bi-annual publication. Please send your news items, photos and updates to

[email protected] for the next edition of KUDOS! We are especially interested in hearing from alumni ... so please send us your news on what you have been doing since graduation ... and from our current students about their scholarly work in progress.


Visit us

Kudos
Comparative Studies Newsletter
Kudos to Our Most Recent Graduates!

Summer 2008

Tai Houser (LLL)

Mind the Gap: Overcoming Dualities in Motor City, USA

 

Margaret (Peggy) Schaller (LLL) 

An Alternative Enlightenment: The Moral Philosophy of Jeanne Marie Le Prince de Beaumont (1711-1780)

 

Carolina M. Seiden (LLL)

Culture as a Factor in the Motivation of Heritage Speakers to Study Spanish at the College Level in South Florida

        Fall 2008

Kathleen Barsalou (LLL) 

The Age of William A. Dunning: The Realm of Myth Meets the Yellow Brick Road

 

Rita Butler (PI)

The Reality of Fiction: Diagnosing White Culture through the Lens of Mother/Nature in Zora Neale Hurston's Seraph on the Suwanee

 

Pamela Haley (PI)

 The Filipina-South Floridian International Internet Marriage Practice: Agency, Structure, and Paradox

 

Alessandra Senzani (LLL)
 Women, Film, and Oceans A/Part: The Critical Humor of Tracey Moffatt, Monica Pellizzari, and Clara Law

 

Lois Wolfe (LLL)
 Toward a Pragmatics of Intent: Cognitive Approaches in Creative and Critical Writing
 

Spring 2009

Jamie Johnson (LLL)
 The Animal in 20th Century Literature 
 

Eloise (Kitty) Oliver (PI)
 
Cross-cultural Stories of Race and Change: 
Re-languaging the Public Discourse on Race and Ethnicity

 

Summer 2009

Valerie Czerny (LLL)
 Let Them Run Wild: Childhood, the Nineteenth-Century Storyteller, and the Ascent of the Moon

 

Cynthia Zaitz (FPA)
 Matters of Life and Death: A Comparative Analysis of Content in Maori Traditional and Contemporary Art and Dance as a Reflection of Fundamental Maori Cultural Issues and the Formation and Perpetuation of Maori and Non-Maori Cultural Identity in New Zealand

 

Fall 2009

Rebecca Kuhn (PI) 
 Preaching to the Choir: The Culture War and the Box Office Success of Mel Gibson's The Passion of the Christ

 

Jeffrey R. Young (PI)
Commodification of Sexual Labor: The Contribution of Internet Communities to Prostitution Reform
 

Spring 2010

Emmanuel Alvarado (LLL)
 Beyond Culture Wars: The Role of Religiosity in the Public Support for Social Safety Net Policies in Contemporary America

 

Jane S. Day (PI)
 Preacher's Cave: Developing a National Heritage Tourism Site in Eleuthera, Bahamas

 

Jerry Durbeej (LLL)
 Existential Consciousness, Redemption, and Buddhist Allusions in the Work of Saul Bellow

 

Fatin Morris Guirguis (LLL) 
 The Vision of Theophilus: Resistance through Orality among the Persecuted Copts

Summer 2010

Andrea Best (PI)
 Beyond Sustainability Narratives: Justice and Complex Systems Thinking for Just Sustainable Viability

 

Jill Kriegel (LLL) 
 Augustinian Virtue in the Dickensian World: The Role of Christian Friendship in the Conversion of Souls and the Move Toward the Heavenly City 

 

Rhianna Rogers (LLL) 
 Documenting Cultural Transition Through Contact Archaeology in T�hoo, M�rida, Yucat�n
 

Fall 2010

David Bethea (FPA) 
 More Branches on the Oldest Tree: Tradition and Experimentation through Improvisation in the Music of Post-Katrina New Orleans

 

Savena Budhu (LLL) 
 
The South Asian Diaspora in the Caribbean: Migration, Nationalism, and Exodus in Contemporary Indo-Guyanese Literature

 

John Silver (PI) 
 Nursing and National Healthcare Implications with the Rise of the California Nurses Association and the National Nurse Organizing Committee

 

Niki Wilson (LLL)  
The Intersection of Gender & Italian/Americaness: Hegemony in The Sopranos
 

Spring 2011

Robert Axberg 
 Empathy as a Function of the Sublime and Beautiful in a Wilderness Environment

 

Walter Burton 
 Improving Communication Based on Cultural Competency in the Business Environment

 

Susan D'Aloia 
 Long-Term Post-Katrina Volunteerism: The Ethics of an Imported Solidarity

Summer 2011

Walteria Tucker 
 Prepare, Process, Package: The Consumption of Haiti in Hispanic Caribbean Literature
 

Fall 2011

Regina Dilgen (LLL)  

Studied Girlhoods: Consciousness, Context, and Negotiation of Identity in the Memoirs of Dorothy Allison, Mary Karr, and Barbara Robinette Moss

 

Kristyl Williams Kepley (PI)

The Modeling of an Ecology of Language: Haitian Creole Among First and Second Generation Haitian College Students in South Florida

 

Jeffrey A. Nall (PI)

Interrogating Social Conceptualizations of Childbirth and Gender: An Ecofeminist Analysis

 

Spring 2012

Ana Zuim (FPA)   

Speech Inflection in American Musical Theatre Compositions

 

Fall 2012

Daniel Copher (FPA)  

Authenticity of Space: An Interdisciplinary Convergence of the Tradition of Sacred Music and Twenty-First Century Sacred Architecture

 

Shane Gunderson (PI)  

Social Movement Momentum, Intellectual Work and the East Timor Independence Movement

 

Nadja Johnson (PI) 

Diasporas as New Twenty-First-Century Transnational Movements: The Case of the Jamaican Diaspora

 Spring 2013

John R. Batey (PI)

Democratization and Exogenous Cultural Influence: Western Mass Media and Democratic Consolidation in Eastern Europe

 

Mark A. Kattoura (PI)

Global Warming in the Microblog Era: A Rhetorical Analysis of Twitter Dialogue between Exxon Mobil and GreenPeace USA

 

Merrie E. Meyers (PI)

Reading, Writing and Privatization: The Narrative That Helped Change the Nation's Public Schools

 

Elizabeth M. Petersen (LLL)

Building a Character: A Somaesthetics Approach to

Comedias and Women of The Stage

 

Nancy Carol Stein (PI)

Using the Visual to "See" Absence: The Case of Thessaloniki

  
Fall 2013

Sally C. Brown (FPA)

A Comparative Study of Current Practices of Selected University-Based Children's Chorus Directors in Relation to Arts Integration

 

Sheryl C. Gifford (LLL)

(Re)Making Men, Representing the Nation: The Anglo-Caribbean Male Writer's Individuation in Works by Robert Antoni, Fred D'Aguiar, and Marlong James

 

Spring 2014

Nazar� F. Feliciano (FPA)

Bodily Knowledge in Dance Transferred to the Creation of Sculpture

 

Jacqueline S. May (PI)

Americans All! The Role of Advertising in Re-Imaging Ethnicity in America: The Case of the War Advertising Council, 1939-1945

 

Jane M. Montonen (LLL)

Libertinage Et Feminisme Dans Les Lettres Du Colonel Talbert (1767) de Fran�oise-Albine Puzin de la Martini�re Benoist

 

Kathryn M. Morris (FPA)

Documentary Theatre: Pedagogue and Healer with Their Voices Raised

Summer 2014

Trudy Mercadal-Sabbagh (PI)

Prison Privatization in the United States: A New Strategy for Racial Control

 

Rosina P. Zimmer (PI)

Dante's Lucifer in the Commedia:  Music, Pride, and the Corruption of the Divine

 

         

 

For a complete list of graduates since the inception of the program, visit our website at http://www.fau.edu/comparativestudies/graduates

 

Ph.D. Executive Committee

The following faculty members generously dedicate their time and energy to the Ph.D. Executive Committee by serving as the program�s admissions and policy and review committee and by teaching in the program. In addition, dozens of other faculty members from the College and University teach graduate seminars, serve as dissertation advisors and serve on dissertation committees. For a list of faculty who regularly participate in the Ph.D. program, please visit our webpage, www.fau.edu/comparativestudies

  

Dr. Michael J. HorswellAssociate Professor of Spanish and Latin American Literature; Associate Dean of Graduate Studies and Research; Director of the Ph.D. in Comparative Studies Program. He specializes in Latin American colonial and post-colonial literature and studies and gender and sexuality studies. He is the author of the book Decolonizing the Sodomite: Queer Tropes of Sexuality in Colonial Andean Culture (2005) and the co-editor of Submerged/Sumergido: Cuban Alternative Cinema (2013). He has published articles and book chapters on Latin American literature and film and is working on a new book project tentatively titled Desiring Pizarros: Colonial, National and Transnational Appropriations of the Conquistador in Spain and Latin America.

Dr. Alan BergerRaddock Family Eminent Scholar Chair for Holocaust Studies; Professor of Judaic Studies; Director of the Center for the Study of Values and Violence after Auschwitz. Among his books are Crisis and Covenant: The Holocaust in American Jewish Fiction (1985)Children of Job: American Second-Generation Witnesses to the Holocaust, (1997) and Trialogue and Terror: Judaism, Christianity and Islam Respond to 9/11 (2012). Among the numerous books he has edited or coedited are Judaism in the Modern World (1994), Second-Generation Voices: Reflections by Children of Holocaust Survivors and Perpetrators (2001) (winner of the 2002 B'nai Zion National Media Award), Encyclopedia of Holocaust Literature (Book List Best Reference Book of 2002 and Outstanding Reference Source of the ALA), The Continuing Agony: From the Carmelite Convent to the Crosses at Auschwitz (2004), Jewish American and Holocaust Literature: Representation in the Postmodern World (2004), Jewish-Christian Dialogue: Drawing Honey from the Rock (2008), Encyclopedia of Jewish American Literature (2009) and Studies in American Jewish Literature V31.2: Festschrift in Honor of Daniel Walden (2012). He has lectured on the Holocaust; Jewish American literature; theology; and Christian/Jewish relations throughout America and in Europe, Australia, South Africa and Israel. His classroom lecture on Art Spiegelman's MAUS was shown on C-Span in January 2014. Dr. Berger edits the series "Studies in Genocide: Religion, History, and Human Rights" for Rowman and Littlefield.  He is on the Reader's Committee for the Elie Wiesel's Prize in Ethics Essay Contest.  Dr. Berger was awarded the degree of Doctor of Letters Honoris Causa from Luther College.

           

Dr. Nancy K. Poulson. Professor of Spanish and Latin American Literature; Director of Graduate Studies, Department of Languages, Linguistics, and Comparative Literature. Dr. Poulson is a recognized scholar on twentieth-century Latin American writers. She is the author of Breaking Traditions: The Fiction of Clemente Palma (1988) and Borges y la posmodernidad: un juego con espejos desplazantes (1994). Among the books she has edited is Argentina 1955-1989 (1989) and Rethinking the Nature of Poverty: Issues and Implications for Developing Countries (1991). Dr. Poulson has numerous publications in academic journals and book chapters. She has also participated as a presenter in conferences and symposiums all over the United States, Latin America and Spain. She serves as the advisor for Sigma Delta Pi: National Collegiate Hispanic Honor Society at FAU. Dr. Poulson was recently elected Vice Chair to the Florida Humanities Council. The mission of the council is to help preserve Florida's rich cultural heritage, promote civic engagement, and foster connections among humanities scholars, cultural organizations and community groups.

 

Dr. Susan Brown. Professor of Anthropology. Her published books include Meeting Anthropology Phase to Phase (2000). She is also the editor of Intentional Community: An Anthropological Perspective (2001). Dr. Brown has also published many book chapters and articles in scholarly journals such as Studies in the Humanities, Americana, Journal of Ayn Rand Studies, Journal of Caribbean Studies, Communal Societies and Critical Review. Dr. Brown was recently awarded the Distinguished Scholar Award at the Communal Studies Association Conference in Pennsylvania. This award honors people who have contributed greatly to the scholarly study of communal societies, both past and present, concentrating on those in the United States. She served as the Director of the PhD program from 2006 to 2008.

 

Dr. Mark Scroggins. Professor of English. Dr. Scroggins is a poet, biographer and literary critic. His books of poetry are Red Arcadia (2012), Torture Garden: Naked City Pastorelles (2011) and Anarchy (2002). He has also authored Louis Zukofsky and the Poetry of Knowledge (1998) and The Poem of a Life: A Biography of Louis Zukofsky (2007). He has edited Upper Limit Music: The Writing of Louis Zukofsky (1997) and a selection of uncollected prose for Prepositions+: The Collected Critical Essays of Louis Zukofsky (2000). He has published poetry and poetry reviews in a wide range of venues, including The RumpusGolden Handcuffs ReviewEpoch, Parnassus, Poetry in ReviewAfrican American Review, Chicago ReviewAmerican Letters & Commentary and Facture, as well as the anthology The Gertrude Stein Awards In Innovative American Poetry. His critical essays and reviews have appeared in among other places Twentieth Century LiteratureAmerican LiteratureShofarStudies in American Jewish LiteratureSagetriebThe Cambridge Companion to Modernist Poetry, and The Blackwell Companion to Poetic Genres.

 

Dr. Anthony GuneratneProfessor in the School of Communication and Multimedia Studies. Dr. Guneratne researches the role that film, literature, and other artistic media play in cultural interactions, as well as the interrelations of written and spoken language, images, and music. His publications include a book, Shakespeare, Film Studies, and the Visual Cultures of Modernity (2008) and the edited anthologies Rethinking Third Cinema (2003) and Shakespeare and Genre: From Early Modern Inheritances to Postmodern Legacies (2012), as well as articles and book chapters on the literature and films of postcoloniality and about contemporary interpretations of history and of Renaissance culture. He is a filmmaker and concert recitalist (baritone), as well as an organizer of exhibitions and film retrospectives. 

 

Dr. Taylor HagoodAssociate Professor of English; Lifelong Learning Society Distinguished Professor in Arts and Letters, 2012-2014. Dr. Hagood teaches American literature, with specialization in the writing of William Faulkner, African American literature, and the literature and culture of the United States South. His scholarship examines literary and cultural production with an approach informed by postcolonial theory, theorizing of social interaction via secrecy as a cultural item, and disability studies. He has written Faulkner's Imperialism: Space, Place, and the Materiality of Myth (2008); Secrecy, Magic, and the One-Act Plays of Harlem Renaissance Women Writers (2010); and the forthcoming Faulkner: Writer of Disability. He also edited the recently published Critical Insights:The Sound and the Fury (2014). Additionally, he has published articles and reviews in numerous journals, including African American Review, College Literature, European Journal of American Culture, Faulkner Journal, Literature Compass, Southern Literary Journal, Studies in Popular Culture, and Walt Whitman Quarterly Review. After receiving a Fulbright fellowship to Germany in 2012, Dr. Hagood was selected to serve as a research ambassador for the German Academic Exchange Service (DAAD) for 2013-14. DAAD is the German national agency for the support of international academic cooperation.

 

Dr. Karen J. Leader. Assistant Professor of Art History. Recent and forthcoming publications include "CAA Advocacy: The Nexus of Art and Politics" in The Eye, The Hand, The Mind: 100 Years of the College Art Association (2010); "Issues of Gender in Courbet's Studio" in Actes du colloque Courbet, Mus�e d'Orsay, (2010); "Connaisseuses and Cocottes: Women at the Salon in French Caricature" in Women in Public Space in the Nineteenth Century (2014); and "Occupy Your Body: 21st-Century Tattoo Culture," (2014). Her current book project is Aesthetics of Laughter: Caricature and Art in Nineteenth-Century France. She has also curated several exhibitions and contributed essays to various exhibition catalogs. Most recently she curated the innovative and interdisciplinary collaboration, "Stories on the Skin: Tattoo Culture at FAU," which included exhibitions, performances, and lectures, as well as a documentary film that she produced.      

Dr. Fr�d�ric ConrodAssistant Professor of Spanish, French and Comparative Literature. His area of expertise is the correspondence between the Spanish Golden Age and the French Enlightenment. He is the author of Loyola's Greater Narrative: The Architecture of the Spiritual Exercises in Golden Age and Enlightenment Literature (2008) and the novel El hijo de Hern�ndez (2012) which was adapted into a film and was released in January 2013. His also edited Beyond Hate: Representations of the Parisian Banlieue in Recent French Film and Literature (2012). Dr. Conrod is the director of the "Madrid Creacci�n" Study Abroad Program.

Public Voice, Human Rights and Social Justice Symposium

 

Examining Public Voice, Human Rights and Social Justice Across Time and Space: A Multidisciplinary Symposium was held on April 5-6, 2013. This interdisciplinary conference explored public voice focusing on the voice of dissent; on those who resist hegemonic forces; and on those who lead others against the status quo, in contemporary society and across cultures and time periods. The symposium engaged a public dialogue by defining and examining the role of public voice and its relationship to public space, with special emphasis on human rights and social justice movements. Some of our Ph.D. students, alumni and faculty were presenters at the symposium: 

  • Dr. Simon Glynn: "The Role of the Publicly-Funded U.S. University in Promoting the Constitution, Rule of Law, and Human Rights: The FAU/GEO Controversy."
  • Dr. Marina Karides: "Neo-liberalism, Private Prison Profits, and the Life of a Southern Public University.
  • Rebecca Karimi participated in the panel Listen! The Voice of Ethnicity and Culture in Creating a Sustaining Peace and Appreciation of Others.
  • Dr. Katy Morris: "With Their Voices Raised."
  • Dr. Jeff Nall: "Striving for Social Change in the Face of Futility: Reasons We Should Confront Injustice, Despite the Odds."
  • Lori Porges: "Pakistan in Turmoil: Controversies in Education; The Failure of the State's Public Education System."
  • Vanessa Salmon: "Applying Critical Rhetoric to the Alignment of Disciplinary Institutions in the FAU/GEO Naming Deal."        
  • Dr. Renat Shaykhutdinov: "Nonviolent Protest and the Formation of Territorial Autonomies."


 

   


 

The plenary speakers at the symposium were as follows:

  • Dr. Alexandra Gueydan-Turek, who presented "The Arts of Revolution: Tunisia and its Creative Spring." Dr. Gueydan-Turek received her master's degree from Georgetown University and her Ph.D. from Yale. She is an Assistant Professor in Francophone Studies and Islamic Studies at Swarthmore College. Her primary area of interest is the intersection of Algerian literature with postcolonial and transnational studies. She is currently finishing a book manuscript, titled Dreams of the Global? Algerian Literature and Films at the Turn of the XXI Century, that focuses on aesthetic strategies deployed by Algerian francophone authors and filmmakers in reaction to implicit or explicit restrictions imposed by the state, by global market forces, and by the critical establishment. 
  • Dr. Dennis Hanlon, who presented "Jorge Sanjin�s's 'All-Encompassing Sequence Shot': From Revolutionary Practice to Indigenismo?" Dr. Hanlon received his Ph.D. in Film Studies in 2009 from the University of Iowa. A specialist in Latin American, South Asian and European (especially German) cinemas, Dr. Hanlon explores the transnational articulations among those cinemas in the period of the 1960s-1980s. His work is most concerned with politically committed film movements, while his work on contemporary cinema focuses on the transnational circulation and mutation of genre films, especially those, like gangster films, that lend themselves to political readings. He is presently co-authoring a monograph on Indian director Manmohan Desai that explores authorship in popular Hindi cinema.  

In addition, prize-winning director Sergio Ramirez presented his film Distancia, a film about a Quiche Maya Indian in Guatemala searching for his daughter who was kidnapped 20 years earlier, during that country's civil war. The screening was followed by a discussion, and the director discussed the relationship between film, activism and human rights.

 

The symposium included the participation of moderators Lilleth Trewick, Kiel Kinsella, Patricia Stefanovic, Mark Kattoura, Elizabeth Cruz Petersen, Rosina Zimmer, Alyssa Brennen, Inbal Mazar, Nicole Chiarelli and Jeff Nall. Douglas McGetchin served as commentator. Dr. Heather Coltman, Interim Dean of the College of Arts and Letters, and Dr. Michael J. Horswell, Director of the Ph.D. in Comparative Studies Program, welcomed the participants to this extraordinary event. 

Comparative Studies PhD Student Symposium

The CSSA sponsored a spring symposium on April 2, 2014, that featured student research in progress. Dr. Karen Leader, Assistant Professor of Art History, gave a keynote address on her interdisciplinary project, "Occupy Your Body: 21st-Century Tattoo Culture." Student presenters included the following:
  • Peter Cava, PI track:  "'There Sure Is a Lot of Ignorance': Trans Experiences in LGBTQ Movements"
  • Skye Cervone, CLL track: "Not Safe for Children: Naughty Elves, Shame, and Cyborg Identity"
  • Daniel Creed, CLL track: "The Fecundity of Life in Modern Fantasy"
  • Marianna De Tollis, CLL track: "The Pen as a Sword: Veronica Franco and So Juana In�s de la Cruz"
  • Valorie Ebert, CLL track: "(Re)Imagining Colonization through the Harry Potter series"
  • Candy Hurtado Bonilla, CLL track: "The Subaltern Speaks: Dance as Performative Mimicry in the Central Peruvian Andes; The Case of Dance-Dramas"
  • Rachel Harrison, CLL track: "Code-Switching in Medieval Drama"
  • Adella Irizarry, CLL track: "Reading Fantasy, Reading Place: Liminality and the Postmodern American Fantastic"

Discourses of Peripheral Sexualities in Hispanic Studies Symposium

 

On April 18-19, 2014, the Discourses of Peripheral Sexualities in Hispanic Studies Symposium was held on campus, co-sponsored by the Ph.D. program. It examined discourses that produce, express, and represent various peripheral sexualities in Hispanic cultures, which have appeared in the Latin American and Spanish traditions long before science began to systematically categorize the practices, having been produced, interrogated by, and represented through discourses of colonialism, slavery, and imperialism and more recently shaped by the forces of globalization, migration and posthumanism, among other influences. Scholars contributed papers that offered new critical dialogues on the artistic, literaryand linguistic forms through which these sexualities have been articulated and on the new centers that peripheral sexualities often establish in the evolution of human sexuality, societal norms and creative uses of language. The keynote address was delivered by Dr. Jos� Colmeiro, Professor and Prince of Asturias Chair in Spanish at the University of Auckland, New Zealand, who has published widely on Hispanic cultural studies, contemporary literature, cinema and popular culture. Dr. Colmeiro presented "Peripheral Revisions: Nation, Homosexuality and Immigration in the Spanish Cinema." FAU Ph.D. faculty presenters included the following:

  • Dr. Fr�d�ric Conrod, Assistant Professor of Comparative Literature: "The Narratives of El Morbo: Understanding Spain's Sexual Borderline"
  • Dr. Nuria God�n, Assistant Professor of Spanish: "Masochism and Redistribution of Powers in La Regenta"
  • Dr. Mary Ann Gosser-Esquil�n, Professor of Spanish and Caribbean Literature: "Fluid Lyrical Sexualities: Julia de Burgos's Water Poems"
  • Dr. Michael Horswell, Associate Professor of Spanish and Latin American Literature: "Transvestisms of National Identity and Decolonizing from Peripheral Spaces: El Museo Travesti de Per�"
Eugenics: Race, Public Health and the Science of Nationalism

 

The Peace Studies and Ph.D. in Comparative Studies programs of The Dorothy F. Schmidt College of Arts and Letters and the Center for Holocaust and Human Rights Education of the FAU College of Education sponsored the Eugenics: Race, Public Health and the Science of Nationalism Symposium, held on February 10, 2014, in conjunction with the exhibition Deadly Medicine: Creating the Master Race, on display at the Schmidt Galleries.

 

Two keynote addresses were delivered by experts on eugenics within two different disciplines:  Dr. Fabiola L�pez-Dur�n, Assistant Professor of Art History at Rice University, presented "Eugenics in the Tropics: Architecture and Race in Modern Brazil," and Dr. Alan Berger, Raddock Family Eminent Scholar Chair in Holocaust Studies and Director of the Center for the Study of Values and Violence after Auschwitz at FAU, presented "Eugenics and the Holocaust: Rehearsal for Destruction."

 

Presenters from our program in this symposium included:

  • Dr. Jane Caputi, Professor of Women, Gender and Sexuality Studies and Communication & Multimedia and Dr. Arthur S. Evans, Professor of Sociology: "Prejudice as a Sense of Group Position: An Illustration of Herbert Blumer's Theory"
  • Peter Cava, Ph.D. candidate, PI track: "Are Intersex and Transsex Medical Interventions Like Genocide and Eugenics?"
Submerged: Alternative Cuban Film Festival

The Ph.D. program co-sponsored the groundbreaking film festival, titled Submerged, showcasing "alternative" films produced over the last decade in Cuba with a variety of genres and format styles. The festival was free and open to the public and screened 18 short, medium-length, and feature-length films. It took place from September 27 through September 29, 2013. It was a collaborative project between Florida Atlantic University, Rice University, Tulane University and Princeton University. The curators were Cuban film critic Dean Luis Reyes and award-winning Cuban filmmaker Miguel Coyula, who also presented the screening and discussion of his film Memories of Overdevelopment.

 

The festival brought to our community films that reflect the changes taking place in Cuba over the last few years, which are being captured on film in unique and interesting ways. The selected films represent an alternative to institutionally sanctioned or sponsored media, as well as a challenge to conventional topics and forms.

   

In addition, FAU's Integrative Arts Outreach Program of the Schmidt Galleries, in conjunction with the Spanish Studies program, produced a professional development workshop for area teachers interested in digital filmmaking, Cuban cultural history and Cuban film history. Ph.D. Presidential Fellow Betsaida Casanova presented the teachers with a comprehensive history of Cuban film and instructional modules for teaching one of the festival's films.The festival program and collection of critical essays, Submerged: Alternative Cuban Cinema, edited by Luis Duno-Gottberg and Michael J. Horswell, is a good source of information about this Cuban alternative cinema and offers scholarly essays by several Cuban critics and filmmakers. For a copy of this book, contact Dr. Horswell.