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September 2015  

Welcome New Members! 
Welcome to all the ISGB members who joined in August:

Northern Territory, Australia
Karan Aitken

Latvia
Laila Strazdina

Nebraska
Julie Paul

North Carolina
Marlene McDonald
Samantha McBride

Ohio
Cheryl Cullison

Pennsylvania
Peter Kaplan

Texas
Brigitte Steinig

Washington
Robin Chamberlain
Sara Olsen 


Rakow Research Library

A world of glass knowledge is at your fingertips. Check out the Rakow Research Library at Corning Museum of Glass! 

Click Here

 



Board Meeting Minutes
Want to keep up with what's happening in ISGB? Board Minutes are available on the forum or you can request a copy from your Regional Director.

 


Bead Release Archives
Bead Release Archives
Looking for a back issue of the Bead Release electronic newsletter? 

Click Here! 

 


 

Contact Us 

 

ISGB

Sarah Riggle, Administrator

85 East Gay Street

Suite 707

Columbus, OH 43215

614.222.2243

admin@isgb.org

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Beads of CourageUse your creativity to help a child through a tough time.
Beads of Courage!

 

 

President's Message
by Jeri WarhaftigPresident


January 1 is the official start of the calendar year but, if you are like me, there is something about September that also signals a new year. Summer camp and vacations are at an end, and the start of school is upon us, even if just because it increases the school bus traffic on the way to work. I hope you are all off to a great start. I am starting my own new adventure this September, my term as ISGB president and my chance to build on the wonderfully strong foundation created by former president Angie Ramey and the presidents before her.

The ISGB is enjoying a vibrant chapter. Our membership is more robust and energized than ever, our chapters are growing, and we are diversifying our mission to embrace the many other creative disciplines that intertwine with glass. I hope you are all aware of the scholarships, exhibitions, and educational opportunities available to our members in the past year. Going forward, keep an eye out for those opportunities and also for other new and exciting offerings that are in the works.
 
This is YOUR ISGB, and in the coming editions of this column I plan to share with you the many projects and initiatives that are underway to expand the embrace of our organization. Behind the scenes, your Board and staff is already at work tying up the loose ends from the 2015 Gathering and re-envisioning the Gathering that will happen in 2016 in New Orleans.
 
As Fall begins, I encourage you to "turn over a new leaf" and seize some or all of the many chances that the ISGB provides to share your glasswork with other ISGB members and the public. Getting published is a great way to advance your art. Sure, it might give you some bragging rights, but it also pushes you to improve your work, to look at it with a more critical eye, and to invite input from peers in the glass art world. Did you know that every issue of Glass Bead Evolution ("GBE") includes a gallery of members' work? Encore submissions go to Babette Cox. Another way for your beads to be seen, and to interact with your fellow glass addicts, is through the ISGB's public Facebook group - are you a member? Check out some of the recent Throwback Thursday posts and consider posting some of your own work on that page. If you aren't ready for "show and tell", consider authoring a tool review or tutorial for GBE (You can reach our Editor in Chief, Stephanie Crider by email) or a send Kiersten Kern a "hot tip" for the Bead Release.
 
All of the information you need to take advantage of your ISGB membership arrives in your email in-box. If you don't regularly receive the Constant Contact messages from our administrator Sarah Riggle, check your spam box. You can email Sarah and she can help you find those messages. She can also help you download the GBE.
 
I'm excited about being the new ISGB president, but I'm also a little nervous and scared. The excitement is the easy part, like a new school year I start this job with a clean slate (I haven't messed up yet) and I have pristine new notebooks and sharpened pencils. How cool is it to take on a job where everyone I work with is also my friend?!
 
It's harder to explain why I'm nervous and scared. After all, our members have stepped up with offers of help and guidance. Angie Ramey remains involved as our past-president, and Kendra Bruno knows the ropes. But I think I feel nervous because I have never filled these shoes before, and because every task I do I'm doing for the first time. I'm scared because the ISGB is very important to me, I want to travel with this group into the wonderful future the Board envisions, and lets face it, there will always be bumps in the road!
 
When I teach beginning bead makers, I always remind them that typically as adults we learn differently than when we are kids. Adults are more afraid to try new things, because they worry they will make a mistake, adults know things can go wrong and childhood innocence is a thing of the past. As the new President, I promise that I will be brave. I will try new things, (even if they might not succeed), and I won't worry that things will go wrong, but instead will carefully plan for things to turn out just right. I ask you all to join me in being brave, don't just read our magazine and our newsletter, submit something to be published, don't just "wish" you could be in our new publication, The Art of Glass - Flameworking Volume 1, take the bull by the horns and go ahead and buy a page, there is still time! PARTICIPATE, even though it can be scary. Don't sit on the sidelines.
 
We have an energized and committed leadership in our organization, but we don't plan to drag our membership anywhere. Instead we plan to ride the ISGB wave that is heading wherever glass, jewelry and art is going next.  When I hand things over to the next president, I want to feel like we have all been on a wild ride filled with excitement, enthusiasm and joy.  That will only happen if we all take this ride together. 
 
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Letter of Introduction
by Terri Carol, Treasurer
 
Hello Beadmakers! My name is Terri Carol and I've been asked to write a
little about myself. On September 1, 2015, I joined the ISGB Board of Directors as the Director of Finance/Treasurer position. If my name sounds familiar, it's because I have held the Treasurer's position between 2009 and 2011. I am looking forward to working with the Board of Directors and membership to help ISGB grow and remain financially solvent.

I started making glass beads in 2005, after taking a class at a bead shop in
Palo Alto, Ca. I worked in my kitchen on a hot head torch for weeks before I decided to jump in and purchase a mixed fuel torch, kiln and tools. I soon set up a studio in a building in my back yard. Now my studio has taken over the garage, I've added a metal bench, jewelry making desk and a glass fusing station. A couple of years ago, I took a break from jewelry and bead making and got into other crafts, such as card making, drawing, watercolors, and fairy gardens. I'll never be bored again! I have worked with numbers and finances throughout my professional career; as an insurance audit examiner, account technician, and bookkeeper over the years.

Just like the other positions I held in my career, the Treasurer's position requires a lot of attention to detail; the numbers must balance, receipts are gathered to document income and expenditures of the organization, filing of reports to the government, Board of Directors and most importantly to our membership. Budgets are created at the beginning of each year, and then spending and income are updated each month to keep the organization on track financially.

In July, I was fortunate to join the Board of Directors for their annual strategic planning meeting. Boy did I like what I heard! There were a lot of great ideas, many discussions on the pros and cons of each idea. Plans on how to implement the ideas, and most importantly a team of dedicated individuals who are working to make ISGB the best organization it can be.

Before closing, I'd like to say thank you to both Deanna Chase and Dorothy Grimes. Both of these ladies served as Treasurer of ISGB between 2011 and 2015. I appreciate your dedication to the position and stepping up to volunteer. ISGB is better because of the service you have provided.




Grand Opening of Bear Paw Studios
by Amy Waldman Smith  

Warm, welcoming, creative, comfortable and inviting are all words that Brett Williams, owner of Bear Paw Studios, uses to describe this brand new studio located in Landing, New Jersey. I was able to attend the grand opening of Bear Paw Studios on Saturday, August 22, 2015 and got a chance to check the place out and chat a little with Brett. I agree wholeheartedly with his description. 

This state of the art studio is totally glass focused. The space is divided into three main areas, torch work, kiln work and cold work. And there is also a beautiful gallery area in the front of the studio, which is filled with a fantastic selection of lampwork beads and other glass creations.

 










 
You enter through the gallery as you come into Bear Paw Studios. Decorated in warm colors and filled with glass displays and a couple of comfy couches, the front room is very inviting and contains large picture windows looking into the studio areas. Brett said he wants people to feel comfortable to just hang out and drink coffee on the couches if that is what they want. But I am sure they will not stay in the lobby/gallery - there is too much to play with out back in the studios.
 
The studios are outfitted with state of the art equipment, even the floor is a unique and inviting mica flake creation. 
 
The flameworking area contains eight Carlisle torches, custom benches and vents also made at the Carlisle factory. There are 15 kilns in total in the studio, including small test kilns, a vitrograph kiln and a 56" clamshell kiln. Tons of glass in wooden display cases - so you can see all those colors, which will inspire you.

 
For the fusing and slumping there are two racks chock full of molds, an enormous 56" clamshell kiln and more Bullseye glass than I have ever seen in one place!  Dave, one of the Bear Paw employees, showed me around when I first arrived and told me that they are stocking almost all the colors of sheet glass that Bullseye makes. They also carry frits and powders and rods for crossover work.

 
There are three sandblasting stations and large worktables for cold working.  One of the sandblasters is a new rayzist sandblaster, which is height adjustable. 
 
Bear Paw Studios wants to set the bar as high as it can be set. This facility is welcoming to people of all levels. The equipment is all top notch. They will be offering many classes, torch rental, general studio rental and hope to attract people from both the glass and local community. Bear Paw Studios is offering introductory and advanced classes; so far the calendar includes classes with Lisa St. Martin, Jim Byrnes and Annukka Ritalathi. In September, Bear Paw will be hosting the Beads of Courage challenge and in October they will host Glass Stock East this coming October. There are also several local area arts events on the calendar - check out the website for details.


 
Brett shares himself and his journey by way of a small case containing his early glasswork. He is bravely sharing these pieces along with a beautifully written piece. These beginner pieces are meant to inspire and they certainly do.  Part of what he writes is: "We all begin somewhere. Never forget who you are and to look around and realize today your river has you in a different place than you were yesterday."
 
The journey that has become Bear Paw Studios is certainly an inspiration.  I look forward to using this creative space myself and seeing what wonders emerge from within its walls.
 
You can see the schedule and find more information on the Bear Paw Studios website

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Beads of Courage National Bead Challenge, September 19, 2015

In September, 20 amazing bead studios across the country have committed to host a National Bead Challenge event to help further the mission of Beads of Courage, Inc., to provide innovative Arts-in-Medicine programs for children coping with serious illness, their families and the clinicians who care for them.  You can learn more about the National Bead Challenge as well as the 20 participating studios here
 
Interested as an artist in participating in National Bead Challenge Day?

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