Spring 2015  
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July 2015    
"TRASHion" fashion

Delta Sigma Theta Sorority Inc, Philadelphia Alumnae Chapter  hosted a reception to celebrate the art work created by the students of the School District of Philadelphia. PAEA board member,
Emilee Taylor, is a member of this organization and co-chair of the arts committee.The reception not only highlighted the visual art submissions of the students, but also incorpora  ted the performing arts with music provided by a student jazz band from the Philadelphia High School for the Creative and Performing Arts. By popular demand,  Jackson Elementary school students  returned this year with their "TRASHion" fashion show modeling the clothing designs made using recyclable materials. PAEA member and art teacher, Christina Franko Uliano, presented wonderful fashions created by her 5th and 6th grade students. They were the hit of the event!



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Preview of Conference 2015: The Feel and Flow of Art Education

Leslie Gates  Conference Administrator

 

The present moment in art education is one of change, movement, and transition. The 2015 PAEA conference will be held at the Hilton Harrisburg, located within a city where major shifts in political, social, and cultural dialogues affect the ecology, education, liberties, and well being of Pennsylvanians. The Susquehanna River flows southward-changing with the landscape, a tributary to the global water network.  Our location here is temporary, ephemeral, and a timeless inspiration for artists and art educators. Various ideas for this conference flowed between artists/educators and committee members until we paused and reflected on what it feels like to be an art educator today. Therefore, we invite you observe with us, "The Feel and Flow of Art Education."

 

The groundwork has been laid for exploration of new territories by theNational Core Arts Standards. Postmodern ideas have deconstructed and begun to replace the modern foundations on which our field has been based for quite some time. Art instruction involves the digitization of media, animation, the expansion of graphic design, and time-based media. Design is said to be the next driving force behind our economy of innovation; design education and media arts loom large.Finally, contemporary art grasps at every tangle of the past in art, and every loose edge of the papier colle' of culture is made with new "rules."


One of the keynote speakers at the conference will be Olivia Gude, whose work in art education, including serving as a writer of the National Core Arts Standards, provides practical examples for art educators making a shift to a more postmodern art education. Olivia's goal as a writer/researcher/artist is "to contribute ideas, methods and examples of art education activities and projects that teachers can use to engage students in critical, pleasurable and joyful learning." You can access Olivia's work on her NAEA ePortfolio. We look forward to Olivia's keynote presentation on Saturday, October 17th at 2 PM. To get more information or to register to attend the conference, visit www.paeaconference.org  

Message from the President . . .
Diane Wilkin

PAEA president-elect, Robin Brewer, PAEA president Diane Wilkin and NAEA President Pat Franklin

After the NAEA Team East weekend with Art Education leaders from 13 northeastern states, I am pleased to say we are a vibrant part of the art education 'scene'. We are active in Pennsylvania, but as you know, the work is never done. Here are three action items for the summer.

  

  • ADVOCATE - Check your email for a message from president@PAEA for more detailed information and a template for your use regarding the Senate vote on July 7th. It is important that the language in the new ESEA Senate Bill 1177 includes Visual and Performing Arts.
  • BUILD - a stronger PAEA. Invite colleagues to join - As an NAEA affiliate, we have the national benefits AND a local presence and connection in our local regions. Here's the link to join/rejoin:  http://www.arteducators.org/community/join 
  • GROW - Enjoy the summer and grow - study, travel, napping - whatever your summer looks like, take time to feed your professional creativity. Plan ahead and join PAEA at the fall conference in Harrisburg. Registration opens mid-summer http://www.paeaconference.org/

 

Have a question? Contact PAEA. We are here to serve the professional art educators in PA.  www.paea.org   

Want to know who you legislator is? - Here's a link:

NEA - Legislative Action Center  

Looking for more points to share anytime?
www.americansforthearts.org Search their site for "facts and figures".  
Spotlight on Jennifer S. Rogers
PAEA member, Jennifer S. Rodgers, Art Teacher at Strath Haven High School in Wallingford, PA

One month after my dad died in March of 2014, I began making art with a specific purpose: to help me navigate through my grief. I had come across the book, The Geography of Loss by Patti Digh. In it, Digh gives a brief writing prompt and art assignment specifically through the investigation of maps. Having an assignment appealed to me since this is often how I teach in my own high school classroom: a prompt/brainstorming, sketching, research and then the creation of a work of art.

 

Throughout the years I had used maps intermittently in my

I Wish You the Sunshine of Tomorrow

work. But this was the first time I used maps with a specific focus. To get started, I splattered a large piece of paper with black acrylic paint and tore it smaller sizes. I began to develop layers using gesso, paint and gouache. My compositions are built up from a layer of chaos and confusion to that of a more organized natural landscape. My goal was to explore my own personal experience with grief through the creation of abstract landscapes.

 

With the school year underway, I decided it was time to start showing my work. As a high school art teacher, it was important for me to teach my students about the process of submitting work to juried shows. My work was selected to be in the Pennsylvania Art Education Association exhibition, Beyond the Classroom: Educator Artists at the Henry Gallery at Penn State Great Valley.

 

My maps explore the cause of my dad's death: sepsis. According to Sepsis Alliance 258,000 Americans die each year from sepsis. It ranks as the third leading cause of death in the U.S. (after heart disease and cancer). Due to my work with Sepsis Alliance, I was approached by NPR Science Correspondent Richard Harris who was doing a story about sepsis. His story investigated the research going on about sepsis. He wanted to include a personal connection with sepsis.

 

As a follow-up to that interview, I had a second interview with NPR. This time Meredith Rizzo, Multimedia Production Assistant for the Science Desk, interviewed me more specifically about my art work. She and I spent about an hour on the phone discussing my art. I realized that it is incredibly easy for me to talk to my students about their art but turning the table onto myself and discussing my own art work proved to be more challenging than I expected.

   

I was so honored to have this opportunity to share my dad's brave experience of a seven month hospitalization on NPR.

 

This process of creating art about a personal experience and then sharing it though exhibitions and on public radio has taught me so much about the power of art. Art has the power to connect people and transform lives. As an art teacher, I cannot think of any greater gift to share with my students: to continue to create and express themselves and to take the brave leap to share that art with the world. 

 

RELATING ART TO STEM: FINDING THE MAKER IN ME

Sandy Corson -PAEA Elementary Division Director 

 

STEM (Science, Technology, Engineering, Math) is the current educational initiative being adopted by many decision makers; yet it can be overwhelming to art educators trying to maintain the integrity of their programs. One avenue that STEM opens for us is to embrace the whole learner without leaving our content behind is through makerspaces. Art has a natural fit with the problem solving nature of math and science. Many districts are exploring makerspaces related to their STEM programs. Makerspaces link design through student discovery in engineering, technology, math or science concepts. There is not one formula for a makerspace because they vary greatly. Over-arching concepts include: a focus on making, hands on experiences and discoveries. The challenge-driven environment of makerspaces encourages students to focus on their authentic interests, both individually and collaboratively. Teachers and students form learning partnerships as they work through the design process which includes the following thinking zones: imagine, plan, create, improve, and share.

 

I was fortunate last year to be part of team that piloted a makerspace in our elementary school. The design model was the central component for both the students and teachers as we created and planned challenges and worked through them together. We took time to plan, meeting together, inviting others at our school to partner, getting parents and community members invested. We worked together and leaned into the individual strengths of each team member. We reflected as we went and made changes as needed. I was leery at first of this "free for all"- but found when clear expectations were defined, students showed an authentic excitement and engagement for learning and discovery. Although many makerspaces are normally conducted in general education classrooms, our team piloted the makerspace program as an after-school enrichment opportunity. Because of this multidisciplinary team focus, many teachers who normally wouldn't have a chance to work together volunteered to collaborate on the team. While we may have identified ourselves as a scientist, artist, engineer, or mathematician to begin with, by the end of the program we learned that we are all makers.

 

Similar characteristics of makerspaces are evident in student-centered art programs. For instance: students are encouraged to explore their own interests, challenged to find solutions, and are provided with choices and a variety of media to complete their projects. At times, we focus heavily on skills, techniques and end products in the art classroom. However, the design learning of the makerspace initiative can offer enriched art experiences for both teachers and students. WE ARE ALL MAKERS. I used to want my students to see themselves as artists, but now I want my students to see themselves as makers, because through the design process, failure is encouraged, accepted and expected.

Differentiated Instruction in the Art Room

Melissa Gallagher - Region 7 PAEA representative  

 

On June 8th and 9th The Trout Gallery, in collaboration with PAEA Region 7 Representative Melissa Gallagher, offered a 2 day workshop on Differentiated in the Art Room. Amanda Newman-Godfrey, Dr. Lisa Kay, Heather Flaherty and Lauren Stichter were invited to present ideas, processes and tools to guide this time with local art educators and museum instructors.
Weaving Our Way to Accessible Art 
PAEA SNAE Chairperson Lauren Stichter & Main Line Art Center Director of Education Stacie Brennan

 

For over 75 years, the Main Line Art Center in Philadelphia has been committed to making visual art accessible for all levels, ages, and abilities, and prides itself as a leader in the field of accessible arts programming. Honoring its long-standing commitment to accessibility, Art-Reach selected MLAC to be a recipient of the 2015 Commitment to Cultural Access Awards.

 

On Saturday May 9th, 2015 Director of Education Stacie Brennan hosted our 2nd quarterly PAEA Special Needs in Art Education Collegial assembly where participants were given a tour of the Main Line Art Center's annual Accessible Art Exhibit followed by light refreshments and a weaving and sewing workshop led by Teaching Artist Jessica Curtaz. Participants learned a variety of weaving and sewing techniques that can be adapted to individuals of various abilities and ways in which to incorporate a wide range of media to create colorful and tactile wall hangings.

 

"I have been a PAEA member for 10 years and greatly value the resources, research and professional development opportunities it provides. I was excited to discover the SNAE group this past year.

 

The Collegial Assemblies offered us an opportunity to meet with other teachers who are doing this important work in the education and community arts field. It was so great to share tools and lesson plan ideas for engaging students of all ages and abilities in a fun and laid back setting.

 

As a member of the SNAE Collegial Assembly, I look forward to future events where we can continue to share ideas and resources with other teachers and administrators for inclusion of students of all abilities in the arts community. The opportunity to bring new teachers and artists into our creative community, and to build awareness of the wonderful arts education and accessible art programs Main Line Art Center provides, is crucial to the diverse population of art makers that we serve." Stacie Brennan.

 

To learn more about PAEA Special Needs in Art Education and to receive invitations to our events you can follow what we are doing on Facebook at www.facebook.com/paeaspecialeducation 

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The Pennsylvania Art Education Association is committed to supporting the work of art educators across the state. We serve to support the work you do with students in the classroom, by providing ongoing recent curricular resources, and professional development opportunities year-round across the state. Check back often to see what is coming up in your region at:  http://www.paeablog.org/