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 Only 3 days left until the conference!
  
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Happy Birthday
  
Palmer Museum 
  
of Art
   
Karen Lintner
  
Region 4 co-rep
 
  
The Palmer Museum of Art is celebrating it's 40th anniversary 
 and is hosting many special events and activities throughout the year.  
Of special interest is the new exhibition "Celebrating 40 Years of Gifts; Works on Paper from the Permanent Collection."  
This exhibit offers a variety of excellent teaching opportunities and includes among the 125 pieces, works by Cezanne, Daumier, Durer, Picasso and Rembrandt.
  
This is a rare opportunity to see artworks that are seldom on display. For more information,  
There is a fund to help pay for buses. 
 
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 Best of the Web
  
Christine Besack
  
Past PresidentArt of the Day Gadget is a gadget that will display a different masterpiece on your computer's desktop everydayClick here.From the Met
  A picture widget featuring the Artwork of the Day from The Metropolitan Museum of Art, New York.    |  
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 EPLC's  Arts and Education Initiative (AEI) will hold a day-long symposium on  Thursday, October 11 at the State Museum of Pennsylvania in Harrisburg,  PA.  More details 
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Trashion Fashion  
Amy Migliore -Design Issues      
 
PAEA has been fortunate to connect with several Project Runway contestants who will be joining us in our first-ever state  Design Challenge on trashion called Project Innovate. Some of our  members participated in our pilot launch in Quakertown, PA where seven  school districts came together and over 30 middle and high school  students designed and wore outfits created by 'trash'. This October, at  the annual conference in Harrisburg, attendees will have the chance to  get up close to some of those student designers and talk to experienced teachers who have piloted the idea already.
  
The  Project Innovate Design Challenge is an exciting way for colleagues to  empower each other and students of any skill level to feel successful!  The quality of construction on the garments and imaginative use of  materials is inspiring and will not fail to bring a sense of renewal to  those of us forging our careers in this tense economic climate. Student  models, a showcase of trashion garments and Project Runway celebrities  will be on hand throughout the day on Saturday October 6th at our annual  conference!
  
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Fall Calendar
  
2012     Click Here. Exhibits, events and workshops during October, November and December. Have an event or news from your region, contact Kris Fontes at kfontes2@gmail.com  
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Guest Editor - James Ritchey 
    
      Videos from YouTube and other online sources have become a source of  entertainment, information, controversy, and sometimes learning and  education. TED talks "is a global set of conferences ... formed to  disseminate 'ideas worth spreading,' (Thank you Wikipedia)." Some are  funny, some courageous. Some are about design and some are about  technology. You can follow your interests at ted.com and/or sign up for their weekly email.  
     If you visit, search for Jennifer Lin, age 14, as she  improvises on piano.For the first five minutes she plays a song by  Hofmann, called "Kaleidoscope." After a few introductory remarks, she  plays  Shumann's "Abegg Variations." Just past 13 minutes into the  video, Jennifer takes the microphone to express her thanks for being at  TED, and shares her thoughts on the theme of the event, "Sync and Flow."  Here is where she talks about how she composes. The first time I  watched the video, all the while she was discussing composition, I kept  thinking how parallel her process is to making art. Turns out, she also  likes to draw and makes a comparison between her composing and her  drawing. I recommend you listen to her presentation for yourself, but I  humbly offer here, my impressions and agreement with her point of view.   
      Her first step is to make a lot of little (musical) ideas. Then she  chooses one of them to become the main theme. After choosing the main  theme, she makes a decision about the style. Then she does research on  great works of the past to give herself some inspiration. Next, she  works on the structure with her teachers. Then she says comes the "hard  part," filling it in with (musical) ideas. And the reason why it is the  hard part is "because then you have to think." When she feels the piece  takes a "solidified" form, she polishes the piece, polishes the details.  And last, she polishes the whole composition. Jennifer also talks about  her state of mind while she is composing or drawing and "working on  it," and how she focuses and how the process does not come naturally.  
 
      Her process not only feels right, but thinks right as well. You can  skip over the first 13 minutes if you want to get to her remarks or  watch the whole 25 minutes and watch her improvisation.    
      In any case, the process she shared sounded very true to me especially  when I compare it to my research and experiences with art and education.   I wonder how my classroom would have evolved if more 14 year old  students came to understand that making art is part inspiration but also  thoughtful decision making. It's work. Fun, but work.  
  
James Ritchey was an art teacher at State College Area Schools for 38 years and is a board member of PAEA. He can be reached at  ritchey2@verizon.net 
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Advocacy Means Being a Face at the Table 
Leslie Ann Kunkel - Middle Level Division Director and   
Region 5 Co- Representative  
 
 
       Sometimes we tend to think of advocacy as posters, art exhibits and  letter writing to our government representatives. But there are many  everyday, natural fit opportunities for advocacy. Since we are looking  at the start of a new school year and find ourselves in a time where  advocacy is most necessary for our content area and our profession, we  thought that it might be helpful to share some advocacy strategies with  you. - Is there an opportunity to be involved as a building representative for your education association?
 - Does your district have a Curriculum Council?
 - Does your district have a Wellness Committee?
 - Are you on the Strategic Planning Committee?
 - Are there opportunities in your community? Does your public library have a Friends organization, or a board opportunity?
 - What professional education organizations are in your area?
 - Have you nominated a colleague for one of the PAEA awards?
 - Are you aware of language? I am not a "special",  I am a "specialist".
 - Do you make a point to collaborate with the other core curricular content areas, such as math and reading?
 - Do you remember that "They see you before they hear you" ?
 - As  we start a new school year, do you attend all academic and content area  meetings, or do you go and work in your room since that "stuff" doesn't  have to do with art? Be at the meetings, be like the other content  areas in your behavior and then expect to be treated in a professional  manner, as the other core curricular content areas. We need to know what  is going on with testing and the data that drives the decision making  in our districts. We can't know that if we are working in our art rooms  while that information is being discussed!
 
 How  can you keep the face of art present at meetings and activities in your  school and community? Now more than ever, we need your face at the  table! Remember, you are a core curricular academic content area  specialist!  |  
 
Practical Applications for Education Policy and Leadership Center's (EPCL) report, Creating Pennsylvania's Future Through the Arts and Education 
Kristin Baxter - Region 10 representative 
  
 
      Last spring, the Education Policy and Leadership Center (EPLC) released  the report, Creating Pennsylvania's future through the arts and  education. As I read it, I asked myself, "what can I do to improve our  circumstances?" The purpose of this article is to encourage you to  perhaps re-read the EPLC report and find meaning in it in your own  teaching contexts, as well.        The first outcome of reading this report was theoretical in nature. It  confirmed questions that frame my thinking as I develop the course of  study for pre-service art educators and develop syllabi. Such as, How  can I teach my course, "Art for the Elementary School," in way in which I  am both an advocate for certified art specialists in schools, yet at  the same time introducing Early Childhood Education students to the idea  that they can (and should) teach art in their classrooms? Am I  undermining what art teachers do when I teach art methods for the  classroom? Additional questions  that this report helped me consider include, "How can I help students  "un-learn" the "make and take" model of art education, with lessons with  few meaningful learning objectives? How can I strengthen students'  understanding of creativity and imagination? How can I help my students  develop authentic assessment strategies in their written lesson plans  and in actual teaching settings, so that the visual arts remain vital to  public schools?" Perhaps this report can help other art educators and  supervisors think about the larger mission or goals of their programs. 
       The second outcome was the need to put ideas for advocacy into  practice. There were clearly practical, "doable" things I could act  upon. For instance, I can: 
- Include this report as required reading in my courses.
 - Challenge my students to think of their lesson plans as creative acts of their own, through which they mindfully and purposefully nurture their K-12 students' creativity, imagination, and meaning-making.
 - Encourage students to join the National Art Education Association.
  
      Finally, this report makes me hopeful for the future, because I choose  to see deficiencies as opportunities. Therefore this report underscored  an interest of mine in one final, not-so-practical project that I hope  to achieve in the future. That is to start a K-12 public school on the  Moravian College campus; this would be a "lab school" with the arts  infused into the curriculum; children would engage in the arts everyday  in meaningful, sustained ways. I encourage you to re-examine the EPLC's  report and see what opportunities could await you. 
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New Teacher Chat - Digital Citizenship 
Lisbeth Bucci - Region 12 co-representative 
  
 
     New Job! Your own classroom! Students! Parents! Paycheck! Benefits! You're  starting a new job and you have used social media forever!  I advocate  for the use of technology, social media and digital citizenship in the  classroom. I love how digitally connected we are. I utilized all aspects  of technology daily in the classroom. As an educator, you now have  responsibilities that reach farther that yourself.Here are some things  to remember in and out of the classroom: 
- If is followed or posted it is considered social media! 
 - Remember  the game of Tag? Well if you are tagged. You know the rest.If it is  deleted, it still takes 6 months to really disappear.
 - A red cup in a photo is still a red cup. Everyone knows it is not lemonade. 
  
      At this point in time your social media profiles and involvements  should be professional, because eventually your students and parents  will find you. Are you checking Facebook while on the job? A big no- no!  It is unprofessional. There are times during the day when you might  find it appropriate, but it can become a distraction and you can be  fired!  Tempted? No self -control? Turn off your phone and put it away.   School issue computer? Talk about Big Brother. Don't risk it? How long  did it take you to land that job? Your own laptop on your desk? Who do  you really think you are kidding? Your students? Administrators? Other  teachers? Is your social media really more important that your students?  Your profession? Your job? Common sense right? Then practice it! Unless  you can justify absolutely 100% that what you are doing is research,  for your students or job related! Stop! don't do it. Never ever post  anything, anywhere that could be hurtful about a student, parent,  co-worker, etc. It is the fastest way for relationships and your  professionalism to be destroyed! You are only as good as your name! 
     Any comments or questions concerning this  article can be directed to Lisbeth.Bucci@gmail.com or Twitter.com@Lisbeth.Bucci  
 
 
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