2012CAHM
                
JUNE 18


NCAHM NEWS & NOTES        
                                         

IDB CREATIVES OF THE CARIBBEAN

Arts Festival

 


  
 
 
 

 

 

IDB CREATIVES OF THE CARIBBEAN 
Arts Festival


Washington, DC


In Collaboration with Caribbean In Transit and the Smithsonian Center for Folk life 
and Cultural Heritage


 
Creative and Cultural Industries:


Despite some definitional variations, the creative industries can be described as "those 

having their origin in creativity, individual skills and talent and have the potential to 

create wealth and employment through the generation of intellectual property."

Central to this paradigm is the fact that creativity, knowledge and access to information 
are increasingly recognized as powerful engines driving economic growth and promoting development in a globalizing world. According to a recent joint study of the Inter-
American Development Bank(IDB), Organization of American States (OAS), and the British Council, calledThe Economic Impact of the Creative Industries in the Americas, creative 
and cultural goods and services are increasingly traded in international markets,
highlighted by growth in creative exports at over 10% per annum for much of the past 
decade. Furthermore, Latin America and the Caribbean account for 14% of world creative exports.
 
These industries involve a diverse array of sectors including film, music, visual and 
performing arts, advertising, crafts, design, fashion and architecture as well as cultural 
goods and services. As such, the developmental impact of the creative and cultural economy has become a leading component of economic growth, employment, trade and innovation, and social cohesion in most large and advanced economies.Unfortunately, however, developing countries such as those in the Caribbean have not yet been able to completely harness their creative capacity to its fullest potential. This may be a reflection 
of weaknesses both in domestic policy and in the business environment. Nevertheless, the creative economy offers developing countries a feasible option and new opportunities to leapfrog into emerging high-growth areas of the world economy.
 
 

More details can be found at the link below:
 

WALL OF FAME

 
Melanie Fiona
 
 
 
 
"Soulful and Sassy"
 
 

 
Melanie Fiona's parents immigrated to Canada from Guyana in the late 1970s, a few years 
before she was born. She grew up in a musical household; her mother sang at home and her father was a professional guitarist. At around 16, Melanie began writing her own songs, and 
two years later, she became a member of an all-girl singing group called X-Quisite. Although 
the group didn't last, Melanie continued to perform, mostly in clubs in the Toronto area. 
In 2005, she traveled to Los Angeles in the hopes of being signed by a major record label.

While working on getting her own singing career off the ground in the mid-2000s, Melanie
 gain work as a songwriter, co-writing tracks for Rihanna and Kardinal Offishall, among 
others. In 2007, she was signed to Universal Motown subsidiary SRC Records. She also 
recorded a reggae song called "Somebody Come Get Me" under the stage name Syren Hall. 
The song was included on the 2008 Reggae Gold compilation.

Fiona is a dramatic soprano. Her voice has been referred to as being both "soulful" and 
"sassy." Some have praised her vocals for being "very passionate, but clean and controlled, 
and not over-the-top singing."

Her debut album, The Bridge, was released in June 2009. The album spawned four singles 
in the U.S., the most successful of which, "It Kills Me," reached No. 1 on Billboard's R&B
/Hip-Hop Songs chart and stayed there for 10 weeks. In her native Canada, the biggest hit 
from the album was the first single, "Give It To Me Right," which reached No. 20 on the 
Canadian charts. Her second album, The MF Life, was released in summer 2011.

http://randb.about.com/od/classicartistsaz/p/Melanie-Fiona-Bio.htm 
http://en.wikipedia.org/wiki/Melanie_Fiona


 

COMING SOON

 
 JUNE 19
 
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JUNE 29

 
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 Calypso is a style of Afro-Caribbean music which originated in Trinidad and Tobago in the beginning of the 20th century. In the mid-1970s Lord Shorty combined the Afro-caribbean calypso with rhythmic elements of Indo-Trinidadian Chutney music to create soca, which would grow to replace calypso as the dominant genre at carnival
 
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