John Truby's
Screenwriting News

Techniques for Narrative Drive & Storewide Sale  
 
June 2014
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In This Issue
It's All About the Narrative Drive
Story for Novelists
Big 4th of July Sale
Sale on Truby Online Classes
Join the Conversation
John Truby on Facebook  
Recent John Truby Articles
How I Use John Truby to Outline Fiction
TV's Revolution in Story


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Many writers are adapting their screenplays to novels and getting published.  In this issue, award-winning novelist Leslie Lehr discusses how to create a strong Narrative Drive for your novel. To learn essential tools for writing a successful novel, don't miss John Truby's STORY FOR NOVELISTS Webinar in two weeks on July 12, co-hosted by John and Leslie (more details below).
 
Now is the time to take advantage of the Truby's Writers Studio Independence Day STOREWIDE SALE for an additional 20% off all Truby diplomas and bundles through Monday, July 7th. Hope you have a great holiday.
 
The Truby Team
 
 It's All About the Narrative Drive by Leslie Lehr
 
"Narrative drive" is a favorite expression of agents, who need to see the engine that drives the story forward.  Literally, what propels the narrative? My latest novel, What A Mother Knows, is a textbook example of the importance of narrative drive in today's fiction marketplace.
 
On July 12, John Truby and I will give a 2-hour webinar on how to maximize narrative drive in your novel, especially if you are using multiple points of view. In this article I'd like to talk about three techniques that turned my novel from a work of literature sitting on the shelf to a real page-turner that sold to a major publisher. Those techniques are:
 
1.  Figuring out the right genres through which to tell the story
 
2.  Breaking the story down into a scene list so that each scene is necessary and builds on the scenes that came before
 
3.  Sequencing the reveals so the story picks up speed as it approaches the end
 
What A Mother Knows started out as a literary masterpiece - or so I thought. I wrote it twenty pages at a time for my thesis project when I earned my MFA. The story is about a woman who wakes up from a deadly car accident only to find she is accused of murder and her daughter, the only one who knows what happened, is gone.  It was fun playing with the prose, and the lead character was a very different person before and after the accident. So I devised two story lines that alternated between past and present until they met up at the end.
 
The result was dark and angsty with fun flips of point of view, and I loved it. But my writer friends had trouble remembering the details from one storyline to the next. My agent wasn't overwhelmed with it either. So I put it aside to write a quick commercial novel, Wife Goes On, which I sold from the outline along with a screenplay on the same concept. But I couldn't let go of this story. So I decided to rewrite it with intense narrative drive to make it more exciting and more accessible to readers and publishers - a marriage of commercial and literary fiction.
 
The first technique was figuring out the right genres with which to tell the story, since genre has more effect on narrative drive than any other decision you make. There are a lot of elements that tell you the best genres for your particular story, but the first one I look for is the desire line of the hero. My hero's main goal was to uncover a mystery: this woman was desperate to find her daughter and to discover what really happened that fateful day. That meant my novel was primarily a detective story. She also had everything to risk, which made it a thriller. And the story was set within the family, which added family drama as well.
 
Time for the wrecking ball. I started by smashing the story apart to make a new scene list, because the scene list is the clearest view of the architecture of the story. With the scene list, the bones of the novel are not hidden behind description and dialogue.
 
Then I put the scenes in the proper structural order. The main story had to be a present time page-turner of a woman relentlessly chasing her goal. I combined past scenes that had the same character having a revelation and used flashbacks only to help the character take action in the present. By reordering, combining, and eliminating scenes that didn't support the goal, the story got stronger. Each character's motivation was clearer, so the plot got thicker.
 
But there was still one more step to accomplish. Especially in a detective story, the revelations need to build and come at a progressively faster pace. So I constructed a revelation sequence, a list of every reveal in the story. I was able to change the order of revelations so they got bigger and came faster. Boom, boom, boom!
 
I thought I was all done. But making the sale always has detours where you have to be able to adjust. My agent loved the new story but asked me to develop the medical and legal themes. So I revised it again. Sure enough, my agent sold the book.
 
But my new editor asked me to take out 100 pages. Of course, you can't just lop off 100 pages of a tightly woven tale, so I went back to the wrecking ball and broke it down, scene by scene, one more time. Again, I made a list of the revelations, to make sure the narrative drive was as intense as it could be. The editor loved the book.
 
Writers are fond of saying, "Writing is rewriting." Wrong. Writing is rewriting with a plan, and that plan is all about increasing narrative drive. Ask any book agent; it's what sells your novel.
 
Click here to join John and me for our webinar on how to get maximum narrative drive in your novel. We hope to see you there.

Story for Novelists
 
John Truby's Story for Novelists webinar shows you how to get the maximum Narrative Drive in your stories, which is the single biggest determinant for success in popular storytelling today.
 
Over 90 jam-packed minutes, John Truby, along with award-winning author, essayist and UCLA Novel Writing instructor Leslie Lehr, takes you through the heart of what every novelist needs to know, including:
  • Understanding every novelist's biggest story challenge
  • Story elements that kill narrative drive
  • 5 POVs and how they work
  • The benefits of multiple POV
  • Story challenges of multiple POV
  • Techniques for increasing narrative drive
  • Much more

The session will conclude with 30 minutes of Q&A.

 

Big 4th of July Sale

Additional 15% off our lowest prices ever on all our Bundles and Diplomas.

Our big sale on everything you need to write your best story starts today and ends Monday, July 7th. Everything from our Writers Film School Diploma to our Genre Bundles are an additional 20% off!
 

Genre Add-ons

Myth software new    

Each genre gives you:

  • Genre story beats
  • Specialized genre maps
  • 4 new genre specific story examples
  • The text from John's all-day class in that genre 
Master your genre with these Hollywood favorites:

 

Action                Masterpiece 

Comedy             Memoir & True Stories
Crime                 Myth 
Detective           Science Fiction
Fantasy             Thriller
Horror                Sitcom
Love                  TV Drama 

 

Individual Genre Add-on    $59

3 Genre Add-ons             $113

6 Genre Add-ons             $212

14 Genre Add-ons             $448   

 

Genre Audio Courses   

 

These courses will teach you literally hundreds of professional techniques. These techniques cover everything you need to create powerful characters, structure great stories, and write compelling scenes.    

 



Additional Diplomas and Bundles on Sale:
Blockbuster, all 14 genre add-ons, all 12 genre audio classes and the Great Screenwriting audio class

Blockbuster, 2 genre add-ons of your choosing, 2 genre audio classes of your choosing and the Great Screenwriting audio class

Blockbuster, Sitcom or TV Drama genre add-on, Sitcom or TV Drama audio class
 
Blockbuster, one genre add-on of your choosing, one genre audio class of your choosing

Great Screenwriting audio class, one genre audio class of your choosing

one genre add-on of your choosing, one genre audio class of your choosing

Whether you work best learning visually, audibly, interactively, or a combination of all 3 styles we have the classes for beginners and seasoned writers alike. So move past the "one size fits all" formula of storytelling and graduate to writing professionally with techniques worthy of your story. 
Sale on Truby Online Classes
Are you familiar with Truby's Writers Studio online classes?

These classes have trained the writers, directors, or producers of some of Hollywood's biggest Blockbusters including The Mask of Zorro, The Negotiator, Outbreak, Sleepless in Seattle, Scream, Star Wars and many, many more.

A Truby Online Class takes you step-by-step through the storytelling process, from one-line idea to final script, so that you can write an excellent work of fiction.  In each of the lessons, you will first study the material and then complete the appropriate writing exercise.

Send your written responses to the exercises to trubystudio@aol.com for comprehensive feedback from your story mentor, working with John Truby. Then proceed to the next lesson. John Truby has designed the lessons in the order that will produce your best work in the shortest amount of time. However, you are free to take the lessons in any order you wish.

You will push your idea through premise, characters, story world, and structure until you have a polished script to take to an agent or production company.

Choose from any of our 8 week genre courses or the Great Screenwriting 12 week course.

Great Screenwriting 
This flagship class of the Truby's Writers Studio, taken by over 30,000 students worldwide, wins awards year after year as the best writing class in America. Don't miss this rare opportunity to master your craft with the one on one guidance of a Truby story mentor.


Action 
Action is the epic hero, the one who changes a nation, who saves the day, no matter how strong the enemy. The best action stories have tricky plots, complex characters and a profound effect on the audience.



Advanced (Masterpiece) 
Advanced screenwriting means creating contradictory and complex characters, inventing your own story structures, tracking the most twisted moral arcs, and expressing the big themes without preaching. The Advanced Screenwriting Online Class is filled with the most detailed professional techniques needed to write a truly great script.  

Comedy 
Comedy is the single most successful story form. But one reason comedy is so difficult is that it has at least eight different structures, each with very different story beats.



Crime 
The Crime Online Class will help you become a topnotch crime writer by helping you build unique heroes, criminals, and crime sequences, as well as showing you the special story beats of every crime story.



Detective 
There have been thousands of detective stories, but with our Detective Online Class you can write an original one that will get you noticed. This form is about the unending search for truth, the struggle to claw through the facades, lies and misdirection of the master criminal.


Fantasy 
Fantasy is an extremely popular genre worldwide, and not just with kids.  It's the form that makes the audience feel terrific, where suddenly everything seems possible.  Fantasy allows us to break free not just from physical slavery or professional drudgery but also from a stiffness of the mind and a death of the spirit.

Horror
Horror is a perennial favorite with audiences, and with our Horror Online Class you can write a horror story that's NOT like everyone else's. The Horror story can be very predictable.  Monster chases, hero flees. But your job is to get inside the form so you can do something different that blows people away.


Love 
Love is the only genre where you need two equally well-defined main characters. It has a plot where surprise must come out of intimacy. And it has a plot that should naturally take only ten minutes. With Truby's Love Story Online Class you'll express your love story to the audience with maximum power.


Memoir-True Story 
Memoir-True Story is a hot genre for books and films right now. But it is a surprisingly difficult story form to do well, and most writers lack the techniques they need to bring their unique story to life. In John Truby's Memoir-True Story Online Class you will learn the simple but powerful "10-10-10 System" that will turn your personal vignettes into a story with universal appeal.

Myth 
Myths show us archetypal characters and life changes that transcend cultures. And the myth form is the basis of more blockbuster films and novels than any other genre by far. The trick is to use one of the ten new myth forms that will change popular storytelling for the next two decades.


Science Fiction 
The most creative of all story forms poses several unique challenges. But our Science Fiction Online Class shows you how to surmount every one.




Sitcom 
The best comedy writing in the entertainment industry is done on sitcoms. But sitcoms are NOT about stringing together a lot of jokes. They are comic short stories, and they have a unique, highly structured form. The trick is knowing the sitcom story structures that actually produce the laughs, writing comedy from character, and playing with the ongoing web of comic oppositions. Our Sitcom Online Class covers all the tools and techniques for writing sitcoms professionally.

Thriller 
Thriller is one of the most popular genres because it combines the criminality and surprise of the detective with the danger and pressure of horror. A good thriller puts the hero in trouble early and never lets up. But thrillers can be tricky because you have to create a lot of plot in a small space with just a few characters. John Truby's Thriller Online Class is specially designed to help you write something unique in this popular but often predictable genre.

TV Drama 
Year in, year out, the best dramatic writing in America is found on television. But this medium is complex, with hit shows in all the major genres. A successful TV writer must know the beats of many genres, as well as how to craft stories with the best in the business. Our TV Drama Online Class is filled with all the techniques you need to know to compete with the finest writers of TV Drama.

For more information email us or call 310-573-9630.

Sincerely,

Truby's Writers Studio