The  New York Philharmonic announced that Jaap van Zweden (Yahp van ZVAY-den), an intense, exacting Dutch conductor, will be its next  music director and guide it through the costly renovation of its hall,  two seasons of exile and, if all goes well, a triumphant return to  Lincoln Center.
 
  
Jaap, who is currently the  music director of the Dallas Symphony Orchestra and the Hong Kong  Philharmonic Orchestra, ends nearly a year of speculation about who  would succeed Alan Gilbert when he steps down from the maestro position next  year.
 
  
Mr.  van Zweden's tasks at the Philharmonic will include more than  music-making. He will be the orchestra's public face as it works to  raise $360 million to renovate David Geffen Hall and to bolster its  endowment; act as the leading artistic voice as the hall is redesigned;  and be charged with making sure that the orchestra manages to retain its  audience when construction, which is slated to start in 2019, leaves it  homeless for at least two seasons.
 
  
"It's a challenging time, but it is also a time where I would say that there are an incredible amount of possibilities."   |   
              
               
                
                
                
                
If you liked this edition of 
Mike Overly's  12 Tone Music Newsletter, forward it to your friends. and
  
'til next time, play and have fun, I'll be listening! 
 
 
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Who owns the first Fender Stratocaster ever made? If you said David Gilmour, you're wrong. The "first" Stratocaster actually bears the serial number 0100.  Vintage guitar expert George Gruhn shows the guitar in this video.  As he explains, the guitar was made in April 1954, about a year before  Gilmour's, making it the first known Stratocaster to bear a serial  number. "This guitar is historically a very, very significant instrument," Gruhn  says, "not only significant in being an early Stratocaster but this is  the . . . 
 
 
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 IN THE BASSMENT
  
Most Recorded BassistWith an incredible total of  2,221  individual  recording credits as of 15 September 2015, legendary   American musician  Ronald Levin Carter aka Ron Carter (USA, b.1937) has   certainly earned  his Guinness World Records title as the Most recorded  jazz bassist in  history. Carter  has played his  elegant and rich double bass  lines on tracks for  numerous big names in  the jazz world, including  Freddie Hubbard, McCoy  Tyner, Billy Joel,  Hank Jones and Billie Cobham  - meaning even if you  don't recognise him  by name, it is likely you  have heard his instrument  on a variety of  famous recordings. 
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Now, this is this is finger style! The  fluidity of the melody along with the perfectly aligned boom-chuck bass  line is truly is something to behold. Chet  Atkins makes getting that clean finger style sound on an electric  guitar look so easy. He is an inspiration to all who play guitar,  or just wanted too. Chet is truly a Country Gentleman and the real CGP . . . 
 
 
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Tommy Emmanuel is one of those rare pickers who can dazzle you,  seemingly effortlessly, when he plays guitar. He's one of the most  dextrous players in the world, but Tommy insists the stories and  emotions that are the soul of music must be a guitarist's first  priority. Aside from being a great entertainer and showman, he's also  the guy who knows a seemingly endless supply of beautiful  songs by heart and plays them with astonishing technical flair and  flourish. And although he's undoubtedly one of the most dextrous players  in the world, Tommy insists it's the . . .   
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 GREAT GEAR
  
The process of modeling a vintage guitar using Variax HD technology  is complex. Every facet of the guitar - including the body, electronics  and metal parts - influences the way the instrument sounds and responds  and must be captured during modeling. By painstakingly analyzing and  capturing every single aspect of the most iconic vintage instruments,  the Line 6 team ensured that Variax guitars deliver the sound and feel of the  world's most coveted instruments with stunning detail. The result is  accurate and realistic tone reproduction that stays true to the original vintage guitar.
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 ARTIST AWARENESS
  
  
Carol Kaye's discography reads like the Encyclopedia Britannica of the  music industry, with entries covering every genre and style. Her studio  career includes sessions with Sam Cooke Joe Cocker, Simon & Garfunkel, Ray Charles, Frank  Sinatra, Lou Rawls, Glen Campbell, the Beach Boys and thousands more. She even played electric guitar and 12-string on Frank Zappa's Freak Out!    Quincy Jones couldn't  imagine booking a session without her. She alsoed work on hundreds of scores,  movie soundtracks and television programs including Mission Impossible and Butch Cassidy and the  Sundance Kid.
  
 
 
 
 
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