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The increased ubiquity of Jazzmasters  is not a  new phenomenon, but it's certainly one that's still going strong. Fender  has expanded their catalog of Jazzmaster options in the past couple  years with a number of new models. The popularity of the body shape and style is  clear, but the question still remains: how has this once overlooked  model earned its station as the go-to axe for countless up-and-coming  bands from an expanding range of genres? Here are some of my theories  based on close observations of the market and first-hand accounts from . . . 
 
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 IN THE BASSMENT
  
  
According to the Wikipedia artcile on the instrument, the Gibson Les  Paul bass "is a bass guitar first manufactured by Gibson in 1969, just  after the relaunch of the Les Paul guitar in 1968." That bass didn't sell well, and was replaced two years later with a redesigned and renamed bass, the Les Paul Triumph. Here's his story behind the instrument . . .
  
 
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 WATCH THIS
  
  
Let's check out the making of a luxurious custom archtop, from the raw  wood to the gleaming, finished instrument. Erich Solomon, makes fewer than 10 archtops per year in his  small shop for a select group of players  including Steely Dan's Walter Becker. The majority  of his guitars are 16-inchers and the smaller body  really works well for his placing the bridge in a more central  portion of the lower bout. Due to the amount of handwork that goes into  his creations, it takes Solomon about 200 hours to make a guitar, and  this doesn't include . . .  
 
 
 
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Here is a recent video from Andre Antunes, one of our favorite  video-making guitarists. His videos are always a treat, thanks to his  creative approach to the material and, of course, his excellent guitar  playing. As anyone familiar with his work knows, Andre is not only  fluent in a diverse range of techniques but also quite adept at  mimicking the styles and tones of many players. In this video, Andre  presents choice excerpts from 10 songs together in one solo. Among the  tunes included are . . .  
 
  
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 GREAT GEAR
  
Here is a list of delay pedals. Whether you  are looking for the inspiring warmth of analog delays or you need the  precision and versatility of digital delays, you can find what you want  in this list. As expected, there are delay pedals that blur the lines between the  two, utilizing genuine analog circuits while employing digital controls.   They offer the best of both worlds, albeit with some minor compromises  like loosing the straightforward plug and play capability of analog  pedals to achieve digital flexibility. Have fun, Have fun, Have fun, Hav . . .  
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 ARTIST AWARENESS
  
  
The Funk Brothers, the Muscle Shoals Rhythm Section, Booker T and The  MGs - most of us have heard of these incredible studio groups. James  Jamerson and Bob Babbit at Motown Studios, David Hood at Fame and Muscle  Shoals Sound, and Duck Dunn at Stax... these session players (and their  respective studio affiliations) have defined what we know to be Motown,  Soul, and R&B. While most of us associate Memphis soul music with  Stax, another studio began churning out hit records with an equally  funky group of players: Royal Studios and the Hi Rhythm Section.  Bringing a sophisticated and syncopated groove to Al Green and Ann  Peebles records, Leroy Hodges is a bass player to know! 
  
  
 
 
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