Mike Overly's 12 Tone Music News
Guitar and Bass News from around the World Wide Web . . .
February 4, 2015
In This Issue
FEATURED ARTICLE


For a man who has lived in the public eye for more than 50 years, Bob Dylan is fiercely private. When he's not on stage - since 1988, he's maintained a performance schedule so relentless it's known as the Never Ending Tour - he slips back into anonymity. But early last summer, Dylan's representatives reached out and told me he wanted to speak . . . 

 

 

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This Strings Attached Preview Episode tracks the daily routines of an eclectic cast of characters, based at Bluesman Vintage Guitars in the Greater Nashville, TN area. Join us as we explore the creation, repair and sales of some of the finest instruments, for some of the biggest names in the industry. In this episode, the guys encounter a Billy Gibbons numbered Pearly Gates Les Paul, Custom Shop reissue that . . . 

IN THE BASSMENT

 

Anthony Jackson is an absolute master of the bass! Listen as he takes over for a nearly six minute exploration of his 6 string electric bass. Notice how he performs bass, melody and accompaniment at the same time through a complex set of chord changes, but more importantly, check out how he makes it music. Give a listen . . .  

PRODUCT SPOTLIGHT 

Bass Fretboard Flashcards 

 
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If your knowledge of the bass fretboard is incomplete, out-of-order, fragmented and disconnected, then be sure to get your deck of Bass Fretboard Flashcards today and begin feeling complete, in-order, whole and connected!


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WATCH THIS

 John Lennon's Strawberry Fields Demos

 

In 1966, John Lennon found himself in Almerķa, Spain working on Richard Lester's film, How I Won the War. Between shots, he began writing Strawberry Fields Forever, a song Lennon later called "psychoanalysis set to music" and "one of the few true songs I ever wrote." Although the song became one of the Beatles' most refined and intricate recordings, it started off simply, with Lennon . . .


From the opening cut on her first album to her most recent release, there's always been something mystical and transcendental about the way Joni Mitchell pulls sounds from a guitar. Unfettered by rules, she seemingly broke them all, devising her own tuning systems and unique chord voicings to accommodate the many-faceted compositions in her vast repertoire. Very inspirational stuff, but unfortunately, anyone attempting to correctly play or transcribe her songs over the past 40-plus years faced a daunting task, since Mitchell's tunings and voicings have, for the most part, remained shrouded in mystery, that is, until now . . . 

GREAT GEAR
Renowned Chilean bassist and regular Bass Player LIVE! appearing artist Igor Saavedra introduces his new Phil Jones signature amp and cabinet - the company's first signature model - at NAMM . . .
ARTIST AWARENESS

 

Jaco Pastorius was a meteor who blazed on to the scene in the 1970s, only to flame out tragically in the 1980s. With a brilliantly fleet technique and fertile melodic imagination, he made his fretless electric bass leap out from the depths of the rhythm section into the front line with fluid machine-gun-like passages that demanded attention. He was also a talented composer, arranger and producer . . .



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