They spent six weeks with us. It was the longest we'd been in the same household since before I left for college. I'd resisted having my parents come to take care of us but could find no alternative. There we were, Jerry and me, with three of our four limbs in casts. Jerry had two broken ankles, a broken hip and sprained wrists. I had one crushed foot and a left arm with multiple breaks, the bones being held together with something that looked like plumbing or mechanical tools. It was called the Hoffman Frame. I couldn't see the pins holding my foot together -except on x-rays. They were hidden beneath the non-walking cast.  

 

But there we were, dependent on my parents to help us dress in the morning, cook for us, clean the weeping around my metal pins that held my arm together and keep us from obsessing about the plane accident that had landed us there. My dad watered trees we'd planted and got us hobbled out of the house on a hill to their van for the 52 mile run for a doctor's visit. They looked after the dogs who were thoroughly discombobulated with extra people around and neither Jerry nor me sleeping in our usual beds. (We were afraid if one of us rolled over with all the plaster and metal that my arm might take out his eye and his casted ankles might break the one good leg between us that was whole.)  

 

It was the oddest feeling having my mom tuck Jerry and me into bed when we decided to try sleeping together again. Pillows under legs, something to hold the sheet off of my arm, selecting just the right blanket weight. She'd settle us in, place Jerry's walker where he could reach it in the night and my adapted crutches so if we had to get up we could...with help. Neither of us could even get out of bed without assistance.

 

I think of my mom especially now in this month of Mother's Day and miss her, grateful that I had those six weeks that changed our relationship from one of fractured interactions to compassionate connection. Her being a nurse helped, I'm sure, as she knew what to do with me as a patient. But our time together went beyond that and like a spring snowmelt, filled hollow places that had never before had the nurture. In later years, after my Dad died, I was grateful again that we had those days on the homestead as reminders of the give and take required in loving another especially in grieving.

 

The daily living continued, of course. There were bills to pay and doing so in front of my parents felt exposed. After I was strong enough to go back to work, I drove their van because it was an automatic and I still had one leg in a cast but now it was a walking cast. And I still had that robotic-looking Hoffman Frame on one arm. I know they worried about me driving two hours to work on the reservation but that was our income then...we hadn't yet had a harvest of watermelons and the cattle and grapes and little rows of words in books lived in the future.

The day came for all the pins and plaster to be removed! We'd been held hostage for nearly two months (my dad said they were hostages as much as we were) and we decided to give them an evening without us and for us to drive the van into Portland, get a motel, go out for dinner and dancing. This was not the wisest thinking. So that I wouldn't be groggy, I asked to have the pins removed without anesthetic. This, too, was not the wisest decision. The pins in my foot remained and would be surgically removed later but the seven in my arm had to be unscrewed out of the bone. An anesthesiologist stood by. After the first one I thought I'd faint! After the second I really questioned my sanity. After the third tortuous removal I said to the surgeon, "Does your mother know what you do for a living?"  

 

The last four pins are memorable only in that when I asked for anesthetic the surgeon said it was really too late and the worst was over. Easy for him to say.

The arm still had to have a cast but we could now walk without the leg plasters. Funny thing, though, we had to relearn walking and found we still needed the walker and the crutches and would for another week or more.

My mom and dad stood next to our car as they watched us get into their van. They waved and I felt a little like when I got on the bus and my mom waited for Tom Cook, the bus driver, to pull out and take me away. Trepidation? Forlorn? She showed that same expression.

 

Once we arrived in Portland, it took us more than an hour to get from my parent's van to the motel room and then only because some kind person held the elevator door for us. By the time we reached the room we were exhausted. We still wanted dinner and thought we'd dress up to do that. A one-arm-panty-hose-puller-upper is not for the faint hearted. Jerry tried to help but it's a one woman job. Jerry described it as watching a beetle try to turn over. I soon forgot about the panty hose and dancing and we went to the caf� in the hotel. It was the easiest way to manage our contraptions. I could only hope my mother and dad had a less eventful evening. But what good people they were to change their lives and stay with us. And how grateful I am now that they taught me the importance of accepting help and learning how to pass it on.

Memory, Memoir and The Memory Weaver  

 

I'm just as anxious as some of you for the release of The Memory Weaver the story of Eliza Spalding Warren and her mother and her life. September can't come soon enough! Eliza's mother was also named Eliza. My working title was "The Two Eliza's" but we chose The Memory Weaver and I love that too. It's really about how our memories are not always a reflection of the way things actually happened. I had the privilege of teaching a memoir-writing class in Burns this past month that helped bring that concept home. Blending story-telling with truth was an important subject. Sometimes people get nervous about creating a scene with a remembered conversation that happened twenty years before. Including dialogue brings a richness to the story-telling so it's good to include conversations in non-fiction writing. I encouraged students to free themselves from torture by reminding themselves (and readers) that in writing a memoir we are recalling past events to the best of our abilities. Someone else may remember that conversation differently - and that's ok. A memoir seeks to write emotional truths of the writer. Your brother can write his own version of your family story that will be very different from yours, and each of your stories will be true. At another workshop I had a woman ask if leaving out something she knew to be true but that would bring pain to another if printed, was lying. "Nope," I told her. "You don't have to tell everything you know to be truthful." At least I think that's how the conversation went...I'm remembering it to the best of my ability. So if you're thinking about writing a memoir, just begin. Weave those memories...and discover things about yourself you didn't know before. 

Burundi Updates   

 

Last month I reported that 688 Batwa people received identity cards and have been registered to vote. They are now preparing for their marriages! Our funded ID kits include the costs of the registration for the weddings and new cloth for each member of the family. This month I can tell you of another wonderful milestone and also a growing concern. The good news is that 388 Batwa children now have birth certificates. They've been printed in a big book and each will also have their own copy.  

 

Bad News - As many of you know, there have been protests, violence and great upheaval in Burundi primarily in the capital, Bujumbura, due to the current president attempting to run for a 3rd term which is unconstitutional. Jean Claude has keep us up to date through Facebook, but now has left the country with his family and gone to safety in Rwanda. An attempted coup has apparently failed and thousands continue to leave the country. Over 100,000 at this writing.   A good source to get the latest news is through the BBC news. Continue to PRAY for the people of Burundi and our friends. Those in the rural areas including the Batwa villages appear to be untouched at this point.

 

 

Word Whisperings

   

 

Your Life is a Book - How to Craft and Publish your Memoir by Brenda Peterson & Sarah Jane Freymann. Sasquatch Books, 2014.

 

 

 

 

Last year, at a booksellers trade show in Seattle (Pacific Northwest Booksellers), I briefly met and had signed a book about writing memoir. I'm not sure why...I hadn't intended to write another memoir figuring Homestead was my first and last. I think it was the enthusiasm of the two authors that made me select the book. And then, voila, I was asked to teach a one day memoir-writing workshop in April. Oh. Wow. Where to begin? I began with reading this book. And what a great read it is, even if you don't ever imagine writing your memoir. This book is full of wisdom, humor, and the celebration of story. Dozens of quotes pepper the pages (beginning with Oscar Wilde's "Be yourself - everybody else is taken" or "In certain ways writing is a form of prayer" a sentiment I've long held to be true.) I think my favorite is a short poem by Mizuta Masahide:  "Barn's burned down, now I can see the moon." I take some heat from my friends for being a Pollyanna-like person and Ms. Masahide's poem explains just why I've chosen that attitude toward life. To affirm that, a friend, Sue Nell Phillips (Out of Red Dirt) former student and published memoirist, quoted that very poem to me the few days before my workshop. She went on to write this moving piece about her parents' home burning to the ground in Colorado years before and how that tragedy served as a later strength. Beautiful and a lovely affirmation that I was supposed to teach that memoir class!  

 

Each chapter in this fine book concludes with writing prompts to improve one's skill and suggestions for publication. Brenda is a Seattle writer; Sarah Jane is an agent in New York so both know things about writing and publishing and they share it with grace. It's more than a book about writing...it's a book about life that ends with these lines: "It's not just telling a better story; its living that more evolved story. And knowing that at every moment a better story is available. Moment by moment, you can transform your life - and your story. And then - us."


A New Collection for  
A Mother's Cry

Sometimes, publishers will recycle stories. Emma of Aurora became a collection of the Change and Cherish series about Emma Wagner Giesy and the Aurora Colony. All three books were repackaged into one by WaterBrook/Penguin-Random House. The entire present-day community of Aurora, Oregon, now participates in a walking tour that features Emma and the shops, houses, events that she experienced. The book weighs 2.1 pounds and opens flat for treadmill-reading. But don't let it drop on your face if you read at night!  

 

Fast forward to a few years ago I was asked to write a story about a midwife. "A Mother's Cry" was the result. I set it in my hometown of Mondovi, Wisconsin in 1859. The story appeared with three other authors' works in Barbour's book called The Midwife's Legacy. Surprise, surprise, my story will have a new life in the American Dream Romance Collection. It'll be beside a number of other authors that I hope my readers will enjoy discovering. And perhaps some of their readers will enjoy "visiting" my home town too. I really like the cover! Look for it in October. 

  

Speaking of memory...

Did I really ask that doctor removing pins from my arm "Does your mother know what you do for a living?" Yes, I'm sure I did. He laughed, as I hoped he would. I remember he said in return, "Where do you live?" I told him we were at the end of Starvation Lane. "On the lower John Day River?" In between grimaces I nodded yes. "I know that place. My brother and I float the river and I always wondered what kind of hardy people could make a life there. Now I know. You're the only patient I've had who let me take the pins out without anesthetic. You are hardy." And nearly twenty years later in 2007 - I broke the same arm right after I told the dog "this is my lucky day!" I got the same doctor. It was my lucky day! He still floats the river....  

 

I hope you celebrate your hardiness as you float that river of story and life remembering the good times. See you next month!

 

 

 

Warmly,

 

Jane Kirkpatrick

 

Remember to check my schedule on the right bar and also on my website for my latest events!
Jane's Schedule
Note: Additional information and/or registration info can be found by visiting Jane's Calendar on her website.  (See link below.)

June 4-5 - Beachside Sisters info@bobwelch.net. Still room for this fun, encouraging, craft-filled workshop for whatever stage your writing is in. Thursday evening read aloud for those who wish. Events held at Five Pines, Sisters, Oregon. On Friday, Jane will leave at 4:00 to catch a flight with Jerry to Orlando, FL for a granddaughter's wedding but she'll give 100% during the time she's there.

  

Jane is busy writing her latest book these following months, but she'll write a newsletter next month!  

 

 Visit Jane's website at  www.jkbooks.com for more information about upcoming events.

 

 

Beachside Sisters 

 

For those in the region, on June 4-5, Bob Welch and I will be teaching a 1.5 day workshop called Beachside Sisters in beautiful Sisters, OR, the quilt capital of Oregon. Quilters, give your writing spouse the gift of a workshop and spend the day in quilt shops! Visit www.bobwelch.net 

for more information.  
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