Each photograph in the series captures a chapter in an open-ended narrative about migration. garcía's eloquent chairs behave like two characters in a photo-novel. They come together by the seashore, pull apart, and stand their ground on the wet sand. They look at the ocean, an archetypal image for an artist raised on an island, or turn inland as if to consider home or family. These two chairs enact the heartbreaking tension created by the desire for unknown worlds and the lure of the familiar. One chair braves the sea and one stays behind, their fluid chain of interactions frozen into moments of heightened emotional tension. She printed her photographs on canvas, which lends them a soft, romantic quality.