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Leaflet eNewsletter                                                                      March 2013 Edition 
In This Issue
Letter from the President
Sowing the Seeds of Change - Mass Hort at the Flower Show
Get Ready for the Flower Show
Meet the Designers
New Youth Initiative at Mass Hort
Children's Education
Plan Your Event at Mass Hort
Cold Frame Workshop
Book Review: Captured Landscape: The Paradox of the Enclosed Garden
March Horticultural Hints
Faith-Based Gardening
This Month at Mass Hort

Thursday, March 7,

7 PM - 8:30 PM

 

Starting Seeds Indoors

Get a jump on the season by starting your plants from seeds - it's cheaper than buying transplants, offers a much broader variety of plants, and can be quite addictive. Whether you are interested in annuals, perennials, edibles, or even shrubs and trees, this lecture will give you the information you need to go from starting a seed to planting in the ground.

 

Instructor: Gretel Anspach, Lifetime Master Gardener

 

Fee: $10 members / $15 non-members

 

Saturday, March 9, 10:00 AM - 12:00 PM

 

Seed-Starting Workshop

This workshop will give you hands-on experience in starting your own seedlings. Each participant will take home a flat of planted seeds-flowers, vegetables, herbs, or a combination. We'll also cover the next step in the process, which is "potting seedlings on", so some seedlings will be available to take home too. All materials will be provided.

 

Instructor: Gretel Anspach, Lifetime Master Gardener

 

Fee: $25 members / $30 non-members

 

Location: Elm Bank, Wellesley, MA

 

Saturday, March 9

2 PM - 3:30 PM

 

Talk and Taste: Cooking With Kale

This month's Talk and Taste will be

"Cooking with Kale" featuring Dr. Sarah Booth, Betty Sanders and Rolando Robledo on Saturday, March 9th at the HNRCA. Registration is required and is limited to 60 participants.
  
Dr. Sarah Booth is a Professor at the Friedman School of Nutrition Science and Policy and an Associate Director at the HNRCA. She is a Senior Scientist and Director of the Vitamin K Lab. Here is a link to her page: http://nutrition.tufts.edu/faculty/Booth-Sarah

Rolando brings to Clover Food Lab, a culinary background that includes the French Laundry in Napa Valley, The Waldorf~Astoria, Lespinasse at The St. Regis Hotel, Aquavit in NYC and Emeril's in New Orleans. He also taught at Johnson & Wales University for 7 years and was the Foodservice Educators Network International (FENI) 2010 Post Secondary Educator of the Year. Rolando is not vegetarian, but cares deeply about the links between the food we eat, health, and sustainability. 
He holds a Masters in Food Service Education ('06), and a BS in Food Service Management ('94), both from Johnson & Wales University and is a Certified Executive Chef (CEC) through the American Culinary Federation.

Betty is an enthusiastic gardener. Over the years she has taken classes at the New York Botanical Garden, the Arnold Arboretum, and the New England Wildflower Society. Betty is a Master Gardener, and holds a lifetime status and is a nationally accredited flower show and horticultural judge. She co-designed and has overseen the maintenance of the 6000 sq ft vegetable garden since its inception.

Location: Human Nutrition Research Center on Aging 711 Washington St. Boston, MA 02111

Volunteers

Volunteer today! Mass Hort is looking for volunteers to help run programs, events, and join committees. Use your management, marketing, and people skills to help Mass Hort deliver its mission.


Learn more about volunteering at Mass Hort

 

Sign up today to volunteer! 

Letter from the President
 
Kathy Macdonald, President of the Massachusetts Horticultural Society  
Photo by Andy Caulfield

 


Dear Friends,

I hope you are ready for spring and color. If so, please head out to the Boston Flower & Garden Show, March 13-17 at the Seaport World Trade Center in Boston.

I know that the designers, volunteers, staff, committee members, and competitors involved with Mass Hort at the Flower Show look forward to your visit. As you will read in the articles in this month's issue of the Leaflet, the Amateur Competitions have great photography, floral arrangement, and horticultural entries for you to enjoy. Mass Hort's exhibit "Sowing the Seeds of Change" will entertain you with a walk through history and horticulture and demonstrate "tipping points" along the way, right through the 21st century.

So download and print your electronic tickets and head off to the show next week. Be sure to stop by Mass Hort's membership booth to pick up a beautiful Flower Calendar 2013. Bring a friend or two.

Enjoy.

Kathy
"Sowing the Seeds of Change"
Mass Hort at the Flower Show 
 

This year, the Massachusetts Horticultural Society's exhibit at the Boston Flower and Garden Show "Sowing the Seeds of Change" will highlight the Society's 184-year legacy leading the charge to bring the fruits of horticulture into the lives of ordinary citizens. The show is open daily from March 13 -17th at the Seaport World Trade Center in Boston.
Flower show color in the greenhouse

The exhibit showcases seven garden vignettes developed in collaboration with several designers and organizations. They include Julie Moir Messervy and Jana Bryan of Julie Moir Messervy Design Studio, Paul Miskovsky of Miskovsky Landscaping, Marisa McCoy of the GCFM,; Marlon Garcia of Whole Foods Market, and four alumni designers representing the Landscape Institute of BAC, including Suzanne Higham, Olga Martins, Darcy Paige, and Dan Stephens.
  
Sponsors for this exhibit are Bartlett Tree Experts and Mystic Scenic.

MASS HORT'S EXHIBIT:

The Beginnings, 1829: Illustrates Mass Hort's agricultural roots and its founders' intent to improve the quality and quantity of fruits and vegetables available at the market stalls in Boston. It will showcase a market cart designed by Whole Foods Market of Wellesley. The 21st Century also finds Mass Hort focusing on contemporary issues such as organic gardening, cultivation, health and local foods, including running the Wellesley Farmer Market.

Mount Auburn Cemetery, 1831: Founded by Mass Hort to address the need for alternate burial grounds in Boston, it introduced the "garden cemetery" concept as a beautiful, landscaped resting place.

Exhibitions, 1843: Tells the story of early exhibitions, where people came together to learn about new and improved varieties of plants, fruits, and vegetables, including the introduction of the Concord grape. A Victorian flower arrangement will illustrate "flower shows" and invite the public to see the floral competitions at today's show in the Conference Center.

Window Gardening Movement, 1878: This charitable effort, started by a Mrs. Harriet Wolcott, was conceived as a way to brighten urban tenement windows with flowers, and help children learn about plants and their care. A "tenement house" and modern day urban green space depict the greening of urban spaces to improve the lives of city dwellers of all backgrounds.
Tenement Building

School Yard Movement, 1891: The Society established a committee on school gardens with Henry L. Clapp, principal of the Putnam School in Roxbury. Mr. Clapp encouraged children to work cooperatively in school gardens and learn about plants and gardening while enjoying the fresh air. This effort continues today at Mass Hort, as well as with the many organizations that are encouraging school gardens and student involvement with plants and the environment.
School Yard Movement
Vegetable Gardens and Victory Gardens, 1930-1940s: During the Great Depression, Mass Hort's members helped establish vegetable gardens in some of Boston's neighborhoods. In the later 1940s, the Society led the charge for Victory Gardens to boost food production and nutrition. Mass Hort is contributing to today's local food movement with its Garden to Table program, which encourages cooking and preserving from the home garden. In 2012, Mass Hort donated over 3,500 pounds of produce harvested from its Chef's and Food Pantry Gardens to local food pantries.

The Gardens at Elm Bank, 1998 - today: Illustrated by the "Bressingham Garden" to invite people of all ages and backgrounds to Mass Hort's 36-acre campus in Wellesley to learn from and enjoy the beauty of gardens and landscapes.
  
PLEASE ALSO VISIT OUR CHILDREN'S EXHIBIT

Children's Exhibit: Mass Hort's children's exhibit will also be located in the Conference Center and feature "The Big Red Chair" (Lily Tomlin-style for those older children), a sensory potted garden and fun activities to engage younger horticultural enthusiasts in the wonderful world of plants.

Please visit all our exhibits at the Flower Show and stop by the membership booth to pick up your 2013 FLOWER Calendar! Remember to download your Flower Show Tickets at http://www.bostonflowershow.com/ and print out your ticket which is required for show entrance.

We hope you enjoy the show!
 

Get Ready For the Flower Show!

 

Are You Ready to Be Impressed?

 

On Wednesday, March 13, the doors open for the Boston Flower & Garden Show at the Seaport World Trade Center. Yes, it's a much needed early taste of spring and just as important, it's an opportunity to see imagination and skill at work.

The Massachusetts Horticultural Society is responsible for MassHort at the Flower Show, all the amateur competitions and exhibits at the show (which is owned and run by The Paragon Group). 'Amateur competition', in turn, encompasses floral design, Ikebana exhibits, miniature gardens, a book store, a photography competition, amateur horticulture competitions including plant rooms, bay windows, individual horticulture exhibits, and junior horticulture, talks and lectures.

The Amateur Competitions are found in the Conference Center - the elegant space behind the glassed rotunda at the rear of the Seaport World Trade Center - but you'll find Mass Hort on the main floor as well, including the 'Sowing the Seeds of Change' garden and exhibit.

Numbers are one way to describe the scope of Mass Hort's efforts. You'll find a total of 120 stunning floral designs between Division I (under the auspices of the Garden Club Federation of  Massachusetts) and Mass Hort's Division II. There will be approximately 30 Ikebana arrangements provided by the Boston Chapter of Ikebana International. Those three activities are located in the Conference Center Ballroom and its adjoining spaces.

There are 36 photography entries (located in the Conference Center lobby) and seven 'structures' exhibits for Amateur Horticulture. AmHort Chair Martha Clouse expects about 300 individual entries for this year's 73 classes. Those can be found in the Conference Center's Beacon Hill Suites.

"It is an amazing effort," Carrie Waterman, chair of Mass Hort at the Flower Show Amateur Competitions and Exhibits, says. "Our part of the Boston Flower & Garden Show is the product of hundreds of volunteers working on the show and all the individuals displaying the pride of their plant collections. It's teamwork by extraordinary people who share Mass Hort's mission."

Numbers, though, tell just part of the story. Just as important is the skill and the imagination of everyone who participates.

Take the floral design competitions, for example. Division I's entries are built around the theme, "Coined in the USA" and each entry illustrates a distinctly American phrase. Using garden and exotic tropical flowers, each entry explores the changing landscape of floral design. You'll see historical designs inspired by the Pilgrims in "Blaze a Trail" and the cutting edge of creative design in "Prest-o Change-o". How about a children's birthday party table, titled "Piece of Cake"? Or whimsical door designs reflecting the theme, "Goody, Goody Gumdrops"? As an added bonus, each class of entries is accompanied by the historical source that inspires the name; from a 1936 Merrie Melodies cartoon to a 1962 fashion article from the New York Herald Tribune. 

WAmHortExhibit2012hat's new for this year? Division I Chair Yvonne Capella says, 'creative armatures'. "We're especially excited about introducing a new class to the design competition world, A Creative Armature Form Design." How will you be able to spot them? Look for the eight-foot-tall backdrops and a Chuck Jones cartoon.

In Division II, the theme is 'Seeds of Inspiration', and you'll see entries representing 'love', but not just romantic love. Classes will be inspired by love of the holidays, love of home, love of style (it involves a hat), love of color, love of the Orient and, last but not least, love of bling. That last category asks designers to create a necklace and earrings from dried plant material. Just in case you're thinking 'old wrinkled seed pods', think again. See the photo nearby of such a confection created by the incomparable Gloria Freitas Steidinger.
Gloria Freitas Steidinger's jewelry


What's new in Division II? New faces, says Chair Julie Pipe. "As a result of the floral design course offered by Mass Hort this past fall, there will be eight new designers taking part in Division II, as well as several other first time entrants. All that new talent should make the Novice Award very exciting."

The photography competition, now in its third year, has emerged as a show-stopping 'must see' exhibit, and the 2013 edition promises to live up to its growing reputation. You'll see entries showing extreme close-ups of seeds, food preparation, architecture, and nature in action. One class of entries requires creatively manipulated monochrome in shades, tints and hues of green only. Another must be a black-and-white image.

What's new in photography? Chair Beth Hume says the decision to make the exhibit a 'juried show' adds to the quality. "More than three hundred digital images were received by the January deadline. Then, a panel of professional photographers juried or judged those digital images, selecting the best six for each of the six classes. The result is that the quality of photographs being shown in this year's  show is outstanding. We wanted to present photographers with topics that challenged their skill and imagination, while ensuring that the resulting photos also were fun to see. I believe we've hit the right balance." 


Flower Show Speakers

In addition to our exhibits, Mass Hort schedules select speakers for the main stage. Mass Hort's speakers will include: Paul Fletcher of Bartlett Tree Experts on Wednesday, Kerry Mendez of Perennially Yours on Thursday, Paul Miskovsky of Miskovsky Landscaping on Friday, Barbara Pierson on White Flower Farm on Saturday, and Wayne Mezitt of Weston Nurseries on Sunday.

The show is open from 10 a.m. to 9 p.m. on Wednesday, Thursday and Friday; from 9 a.m. to 9 p.m. on Saturday, and 9 a.m. to 6 p.m. on Sunday.  


Meet the Designers

 

Massachusetts Horticultural Society's Exhibit at the flower show, "Sowing the Seeds of Change", is a collaboration of several designers and organizations to bring a compelling horticultural story together for the public to enjoy.


With great appreciation for their creative work, we thank Julie Moir Messervy and Jana Bryan of JMMDS, Paul Miskovsky, Miskovsky Landscaping, Marisa McCoy floral designer, Marlon Garcia of Whole Foods Market, and three alumni designers representing the Landscape Institute of BAC: Suzanne Higham, Olga Martins, Darcy Paige, and Dan Stephens.

At our Children's Exhibit in the Conference Center, you will find a fun exhibit designed by April Daley of Mass Hort.

Garden Vignette: Mount Auburn Cemetery

Julie Moir Messervy, Principal

Julie Moir Messervy Design Studio 

Julie Moir Messervy's vision for composing landscapes of beauty and meaning is furthering the evolution of landscape design and changing the way people create and enjoy their outdoor surroundings. The author of six books, with over three decades of experience to her credit, Messervy is an innovative leader in landscape and garden design theory and practice.

Jana L. Bryan, Landscape Architect

Julie Moir Messervy Design Studio

 
Jana works at JMMDS as a landscape architect and team designer on many projects. She holds degrees in Fine Arts and Landscape Architecture from Rhode Island School of Design. She finds creative inspiration from patterns and colors in nature, gardens, weaving and other fiber arts.

Julie and Jana's deep understanding of the requirements for an inspiring and inviting public space informs the vignette on Mount Auburn Cemetery.

The Gardens at Elm Bank - Bressingham Garden

Paul Miskovsky, Founder and President

Miskovsky Landscaping, Inc.

 
A graduate of the UMass Stockbridge Floriculture Program, Paul Miskovsky is a regular exhibitor at the The Boston Garden and Flower Show and the Rhode Island Flower Show. Working with Adrian Bloom, he was instrumental in the construction and planting of the Bressingham Garden at Elm Bank. He is a driving force behind the continuing development of this garden.

His vignette, The Gardens at Elm Bank, is designed to captures the spirit of Mass Hort's 36-acre campus in Wellesley.

EXHIBITIONS

Marisa McCoy

Floral design instructor, floral designer for weddings and special occasions

MarisaMcCoy 
A nationally accredited Master Flower Show Judge with awards for design and horticulture at local, state, and national levels, Marisa McCoy of Wellesley holds certificates through Grade Three, Sogetsu School of Ikebana. She has chaired the Flower Committee for Trinity Church in Boston, and served as head gardener for its cloister garden.

Her vignette for Exhibitions, 1843, a Victorian flower arrangement, evokes the concept of "the flower show" as it originated to inform the public about new plants and new ideas on planting.

THE BEGINNINGS- Founding of Massachusetts Horticultural Society

 Marlon Garcia of Whole Foods Market
will design the market cart

The Landscape Institute/ Boston Architectural School

 
Massachusetts Horticultural Society has partnered with The Landscape Institute on three of the garden vignettes in the exhibit. The Landscape Institute is a distinctive education program providing courses, workshops, and special programs in landscape design, history, horticulture and preservation. The Institute is part of the Boston Architectural School.


Alumni, representing the Landscape Institute:

VEGETABLE AND VICTORY GARDENS

Olga Martins, AOLCP

Principal

OVM Landscape Design

 
An engineer turned landscape designer, Olga Martins sees gardens not only as beautiful places but as usable, functional rooms. Her designs of edible landscapes and vegetable gardens, as well as, her focus on medicinal herbs reflect a passion for blending the ornamental with the practical.

This vision animates Martins' vignette honoring the Vegetable Gardens and Victory Gardens, 1930-1940s, when Mass Hort members helped establish vegetable gardens in some of Boston's neighborhoods. Martins' flair for creating gardens designed to produce nutrient-dense crops in small spaces perfectly captures the spirit of this historic, and timely, initiative.

WINDOW GARDENING MOVEMENT

Darcy Paige, MEd, MCH, AOLCP

Certified Landscape Designer

Laurel Garden Design

 
Darcy Paige and her company, Laurel Garden Design, create and maintain ecologically sound landscapes, connecting people with the natural world. Blending her love of color, whimsy, and nature, Darcy designs gardens that offer beauty and refuge for people while providing food and shelter for birds, butterflies, and other wildlife.

For her design for the Mass Hort Flower Show Exhibit recognizing the Window Gardening Movement, she turns to vertical gardening, and expands the notion that our gardens can and must begin to use all available surfaces. Her exhibit contrasts a 19th century view of planting flowers in pots, with a contemporary notion that every surface can be considered plantable, transforming our increasingly limited urban space into a source of beauty, food, and natural habitat.

SCHOOL YARD EXPERIMENT

Dan Stephens

Dan Stephens
Dan Stephens was for 20 years the caretaker of Farandnear, the 85-acre private estate of the Goodspeed/Banks family in Shirley, Massachusetts, where he helped design and build a nationally recognized conifer collection and gained an understanding of how horticulture and ecological systems affect one another. Since leaving Farandnear, Dan has been working commercial landscaping, consulting on projects for several privately held properties  throughout New England and making time for his favorite hobby, nature photography. Dan is currently a candidate for a Graduate Certificate in Landscape Design Studies at the Boston Architectural Center.

Suzanne Higham 

Owner

Frog Hollow: Landscape Design, Build and Maintenance


  Suzanne specializes in using horticulture and landscape design to help build healthy communities through outreach. Working with local landscapers and growers, she organized a horticulture and landscape service-learning event for a local Boys and Girls Club. The children were able to gain hands-on experience installing a walkway and garden.


Dan Stephens and Suzanne Higham will be designing the vignette for the School Yard Movement, 1891, which encouraged children to work cooperatively in school gardens and learn about gardening, while enjoying the fresh air.

And don't forget to visit our children's exhibit in the Conference Center.

THE CHILDREN'S EXHIBIT AND THE BIG RED CHAIR

April Daley

Education Coordinator for Mass Hort

 
April Daley is education coordinator at Mass Hort and current president of the Massachusetts Master Gardener Association. April has a special interest in teaching children how to garden. Mass Hort's Children's Exhibit is designed to highlight components of our children's programming and to engage visitors of all ages in interactive displays that demonstrate creative ways to involve kids in horticulture and gardening. The exhibit includes our trade mark Big Red Chair as well as two potted gardens and five interactive displays.

 

We look forward to your visit to the Mass Hort exhibits at the show.

 

Thanks again to our design team!  

                       


New Youth Initiative at Mass Hort 

By April Daley, Education Coordinator                          

In February Mass Hort unveiled a new program to help middle and elementary schools to install on-site teaching gardens. Called the Garden Classroom, this program is aimed at creating a permanent long term resource that can be used by teachers to provide hands on connections between lessons in the classroom and the natural world.

I joined Mass Hort as Education Coordinator in November of 2012. From the first week, I have received requests from schools and community organizations for assistance with school gardens. The concept is not new but has regained new life in recent years with the local food movement and an increased emphasis on environmental education through school systems.
From this continuous stream of requests came the realization that, locally, there was a large piece missing in the establishment of outdoor education resources. While there are many organizations, Mass Hort included, available to provide in classroom education to schools, and also many resources for educators to learn environmental curriculum, there is very little in the way of physical resource development for schools. Many of those seeking to develop these resources get stuck between the "we want to do it" stage and the actual installation.

In trying to offer assistance to individual schools, a template was worked out to try to address this on a wider level. Next, Mass Hort designed a plan to partner with green industry businesses to assist with installations, through site clearance, soil preparation, or material deposits, such as wood chips for garden paths, compost for garden beds, tree stumps and similar natural elements for play spaces.

This partnership offers a local connection for garden centers and landscapers that will benefit the community as well their industry by supporting youth development and recognition for their work in that community.

At New England Grows, a horticultural trade show and education symposium held in Boston each February, Mass Hort invited attendees to become Garden Classroom Partners in support of this initiative. Response from the green industry was overwhelmingly positive and took us by surprise. Forty three partners signed on to assist with this endeavor in their communities.
Typically, the actual installation of garden beds is the easy part. Site assessment, garden design, resource availability, ownership, and garden usage and curriculum are the real issues to be worked out before garden installation can begin.

By offering a template for garden planning and working through that template with educators and supporters, Mass Hort hopes to be a resource to the schools. We will then offer support of that resource through curriculum aimed not just at the life sciences, but at the fundamentals of early education such as reading, writing, and math. Once installed, educators have the ability to use the garden as an expansion of all their classroom lessons.

Lessons about living things, habitats, and the rhythms of life and death, once experienced in childhood rambles, fall more and more into the area of what schools must teach. As schools struggle with tight budgets, meeting standards, and test scores, they also struggle with meeting the expanding needs of their students. The Garden Classroom program strives to provide a safe place where these life lessons can be experienced, while at the same time offering a solid resource for all levels of education and both short and long term community connections.
  
Educators, school officials, or community organizations interested in the Garden Classroom Program or in finding out more information about the benefits of school gardens should contact me directly at adaley@mashort.org, or at 617-933-4973.

Information can also be found at on our website at

www.masshort.org.

Mass Hort Educating the Next Generation

Massachusetts Horticultural Society's Plantmobile is on the road this winter including a February vacation week visit to Boston Parks and Recreation, Park Science Day at Franklin Park.

Kids learned about plant life cycles through seed and seedling dissection, and then more than 120 kids planted their own sunflower seeds to take home with them.
Even though it was a cold day, many families picked up the scavenger hunt, put together by Mass Hort's Education Coordinator April Daley, and headed outside to search for plants in the winter landscape

 

 

 

Recently engaged? Looking for that perfect venue for a Wedding? MassHort offers 36-acres with 9 gardens and our 100 year old historic Carriage House for your celebration!

 

For more info, please click here or contact Jen Courtney at 617-933-4921 or functions@masshort.org.

 

TicketInstructions  DOWNLOAD AND PRINT YOUR FLOWER SHOW TICKETS TODAY! CLICK HERE.

Gardeners Welcome Spring with a Cold Frame Workshop                              

 
Gardeners who wanted to get a jump on spring planting worked to build their own cold frames. On Saturday, March 2, Gretel Anspach, Mass Hort Trustee and Master Gardener, led a workshop on making cold frames. Approximately fifteen people participated in the workshop and learned how to assemble a cold frame for their gardens. With visions of starting seedlings and plants outdoors to get a jump on spring, workshop attendees got busy working as amateur carpenters.
 
With all cuts premade by Gretel, it was a lesson in assembling, drilling, and screwing boards together. Two and one half hours later, participants, newly confident in cold frame construction, were loading their new creations into their cars.

 

       

 

 

 

 

Book Review: Captured Landscape: The Paradox of the Enclosed Garden
by Kate Baker
(New York : Routledge, 2012)
Reviewed by Patrice Todisco

What does it mean to capture a landscape? Is it truly possible to do so? 

In Captured Landscapes: The Paradox of the Enclosed Garden, British architect Kate Baker explores the history and evolution of the enclosed garden, also known as hortus conclusis. Mediating between the built and natural world, the enclosed garden contains both architectural and horticultural elements - a hybrid between a building and a landscape. Integrating the inner and outer world, the enclosed garden is an ambiguous space. Thus, the paradox.

The book is divided into six chapters. In each Baker begins by recounting a visit to a landscape that illustrates the concepts to follow. Featuring locales that range from Mottisfont Abbey in Great Britain to the rural Chilean Village of Toconao, these anecdotes create a dialogue with the reader elucidating Baker's belief that to understand such gardens requires an immersive experience that is both spatial and sensory. Baker's experiential descriptions are augmented with objective analysis and an extensive use of diagrams, plans, photography and excerpts from literature.

In the first chapter, elements of the enclosed garden are introduced, including containment, climate and adaptation. This is followed by an overview of the principles involved in integrating garden space into built form. Examples are provided from both historic and modern precedents with a primary focus on Britain, the Mediterranean, Japan and South America.

The earliest enclosed landscapes are attributed to the Persians from which the word "Paradise" originated. A translation of an ancient Persian word describing a place surrounded by walls, a "Pairidaeza" was either an enclosed area for hunting or a fertile site in the middle of the desert that, through the diversion of water, had the capacity to support human habitation by providing shade, shelter, safety and sustenance.

Baker traces the history of the enclosed garden from a place of refuge and utility to one with spiritual meaning and metaphorical significance throughout the Persian, Roman, Islamic and Medieval worlds. In a concluding chapter the history of enclosed spaces that are detached from buildings is detailed, including botanic gardens, giardini segreto, kitchen gardens, city retreats and refuges.

One of the strengths of the book is the diversity of case studies that are included, reinforcing the versatility of the enclosed garden as applied to different cultures, climates, landscapes and historic periods. Examples include classical gardens, such as the Alhambra, Sissinghurst, Villa Lante and Ryoan-ji, to contemporary designs such as the old farmyard at Bury Court in Surrey, designed by Piet Oudolf and Maggie's Center at Charing Cross Hospital, London, designed by Rogers Stirk Harbour and Partners. This mix of old and new reinforces the importance of the enclosed garden throughout time and lays the foundation for a discussion about why the form remains relevant today, as urban environments adapt to the challenges of climate change.

Captured Landscape: The Paradox of the Enclosed Garden can be purchased in either hard cover or as a paperback, the version that I have read for this review. The paper book is just under two hundred pages in length and measures approximately six and three quarters inches by nine and three quarters inches in size, limiting the quality of the extensive photographs and illustrations.

Although written primarily as source and reference book for designers, Captured Landscape: The Paradox of the Enclosed Garden succeeds on many levels and is relevant to anyone with an interest in "the phenomenon of capturing the landscape, and converting it, through architecture and architectural elements, into memorable places."

Patrice Todisco writes about parks, gardens and the public realm at www.landscapenotes.com. 

March Horticultural Hints

   

by Betty Sanders

BettyOnGardening.com

Repot Houseplants Now. Days, even indoors, are getting longer and houseplants feel that too. Now is a good time to report them, removing any soil with salt build-up (the crusty stuff on top) and some of the old soil around the roots. The Salt on a pot  pot should be only 1-2 inches larger than the current pot, clean and filled with an appropriate soil mix. Most houseplants are happy with commercial or homemade potting mixes, but I add sand to the mix when transplanting succulents or cacti and small bark chunks to orchid pots. Once they are securely in the new home, water them with a diluted fertilizer solution to help them settle in and get off to a growing start.


Count before you Sow. If you have your vegetable or flower seeds and are anxious to get going, check the packages or online instructions for the best time to start. It is generally not safe in Southern New England to assume the last frost date will have passed before June 1.
Hot weather crops want warm soil (at least 70 degrees) and warm air temperatures. Last year, the Mass Hort Garden-to-Table vegetable garden lost melon seedlings when the temperature dropped into the 50's for a couple of nights in early June. It makes no sense to start tomatoes
in early March and then keep them indoors for three months before they can safely go in the ground. Wait until April to start most vegetables and flowers. 

Soil that is ready to plant should crumble like cake.

Squeeze before you Sow. Traditionally pea planting time in New England is St. Patrick's Day. I think it may be delayed this year. Our three weekends of snow have left the soil covered with a lovely white blanket which, when it melts, will leave the soil too wet to plant immediately. The home gardener's test is to take a small handful of soil and squeeze. If it holds together as a wet clump, or heavens forbid, water squeezes out, you need to wait and hope for sunny dry days.
Seeds put into cold wet soil will rot. Soil ready to plant should crumble apart like chocolate cake. Working wet soil with tiller or spade will destroy its structure. But as soon as it is ready, plant peas and turnips, onion sets and spinach, salsify, cabbage and lettuce.

Strawberries. Late March is the time to set out your strawberry plants. If you didn't prepare the bed last fall, do so as soon as the soil can be worked. Or, start a new raised bed by creating a bed 8 (or more) inches deep with a mixture of good soil and aged manure or compost. The soil should be tested and have a ph of 6 or less, as strawberries do best in soil that is slightly acid.

Make the holes 12 inches apart and about 8 inches deep; then, create a small mound of soil in the hole. Fan the roots over the mound so they are spread throughout the hole. Be certain the crown of the strawberry is placed so that it half under the level of the bed and half above when the soil has been firmed in place. This way it will not be likely to rot or smother. Water thoroughly and mulch. Plant rows three feet apart. Heat-treated shredded straw makes an excellent weed free mulch that also keeps developing berries clean.

Roses. It is too early to remove the protective mulch you put around your roses last fall but, as soon as the soil is ready to be worked, it is the right time to begin planting dormant roses. Dormant or bare-root roses come with the roots exposed and need to get into the ground early. Dig the hole wide enough to spread the roots out, deep enough to plant the bud union (the bump where the hybrid variety you want is grafted onto a hardier rootstock) two inches below the level of the bed. Creating a soil mound and draping the roots over it will allow you to check the height as you work. Half-fill the hole with soil, patting it down with your hands. Add water and, when it has settled, continue filling the hole. Firm it again, add more water and make certain the bud union is still 2 inches below grade. Then create a saucer using soil to form a lip just outside the root zone. Now you can water your new rose without the water or soil running off. But don't feed the rose until the roots have had some time to establish themselves.

Get Ready. Send your mower and tiller in for tune-ups now, if you didn't in the fall. Finish sharpening your pruning tools; we will have a lot of clean-up including pruning to do after the snow has melted. And look for new ideas, plants and products at the Boston Flower & Garden Show.

You can catch Betty at the Boston Flower & Garden Show on Wednesday, March 13. She will be speaking in the Lecture Hall at 12:30 p.m. on 'Life Cycle Gardening'. Look for more gardening hints at BettyOnGardening.com.  

Faith-Based Gardening

By Neal Sanders

Leaflet Contributor  

The small box arrived in the mail from White Flower Farm in early December.  In the box was a large, dull bulb in a pot, hidden by a small pad of Spanish moss.  The instructions said to place the pot in a sunny window, keep it watered, and wait.

 

We waited through Christmas and the New Year; the bulb did nothing.  It wasn't until the end of January that a green nodule peeked up a quarter inch.  It was a leaf.  Then, a fatter nodule began to emerge.  A flower stalk.  More weeks followed.

 

Finally, the last week of February - twelve weeks after the bulb arrived - we were rewarded for our patience.  Amaryllis 'Red Peacock' opened its first flower: a huge, double scarlet bloom with a thin white accent line running down the middle of each petal.  The red is so startling that it is visible from across a room.  And, wonder of wonders, what has bloomed thus far is just the beginning of a show that will go on for weeks.  Four more flowers are just beginning to open on one stalk, and a second stalk is just now rising out of the bulb.

Amaryllis 'Red Peacock'

 

When we garden, we take a leap of faith that, sometimes, waiting is the right thing to do.  We could have purchased a red amaryllis, already in flower, from a store; but that's not gardening.  The pleasure is in seeing what comes from our efforts.  Everything else is just 'accessorizing with plants'.

 

Just as 'Red Peacock' was opening its first flower, a truck came down our driveway bearing a large box of seeds from Johnny's of Maine.  It is not yet March yet we are already taking the first of a series of leaps of faith that we believe will lead to a summer's worth of vegetables.  This first leap is just an economic one: we have paid for some seeds. 

 

Those leaps will get higher and harder as time goes on.  We will plant in May having no guarantees that we won't encounter a Memorial Day frost, or that we will not have a re-run of a few years ago when it rained incessantly in June, washing out our first vegetable crop.

 

We garden by experience.  We sense that this season will start earlier (or later) and that this week - whatever week that is - is the right one to put those seeds in the ground.  We can eliminate much of the risk by starting seeds indoors (or purchasing them as plant sets).  Sometimes, as with tomatoes, the length of the growing season virtually demands that we dispense with starting with seeds in the ground.  But, on the whole, we play the odds.  At heart, gardeners are gamblers.

 

We are also savers.  When 'Red Peacock' has strutted its last bloom, we will follow a different set of instructions and store the bulb in our basement.  It will take at least a year, and it may take several, but we will try to coax a new set of blooms out of the bulb.

 

Many years ago, my wife told me that buying roses for Valentine's Day

First they were pots of hyacinths

was a waste of money.  I asked what she would rather have.  "Hyacinths," she said.  And so, for a dozen years, I have brought home pots of blue hyacinths.  For a week or longer, they fill the house with perfume.  When they become ungainly, they're cut and placed in a vase where they provide further enjoyment.

 

But in the spring, those hyacinth bulbs get planted in our garden.  A year later (sometimes two), the hyacinths bloom again, and again.  After a dozen years, we have a bed that has a startling number of blue hyacinths in it.  Visitors look at the bed and see a pleasing array of flowers.  I look at it and see memories of Valentine's Days past - and leaps of faith taken.

Hyacinths in beds in early spring
Neal Sanders is a frequent contributor to the Leaflet.
Neal's newest mystery,  Deal Killer, has just been published. You can learn more about it here. That book, plus his five other mysteries, can be ordered through Amazon.com.