Banner
 VOLUME 10, NO. 6
November 16, 2012 
In This Issue: 

Immigrant Artists, Culture and Community Health: ACTA at Grantmakers in the Arts

Of Monkeys and Mermaids: The Cambodian Cultural Dance Troupe of San Jose

About Us:

The Alliance for California Traditional Arts promotes and supports ways for cultural traditions to thrive now and into the future by providing advocacy, resources, and connections for folk and traditional artists and their communities.

Learn More:
Mission & History
Programs & Services
Find Artists & Communities
Board of Directors
Funders
Support ACTA
Contact ACTA

Alliance for California Traditional Arts
Holly Calica
November 14, 2012

Holly Calica
October 16, 2012

View all funding opportunities...

Upcoming Events
View all events...

List your event or exhibit



 firstDear Friends of ACTA's Apprenticeship Program: A Letter from Master Artists
Gloria Amiling DeGuzman teaches Kayla Lay the art of backstrap weaving.
Jennifer Bates (left) with her apprentice Jeri Scambler holding the basket Jeri made during their apprenticeship.

Friends of ACTA's Apprenticeship Program:

 

As you know, our economy puts increased stress on our ability to support traditional art forms, often the last to be considered in private and public arts funding.  In the past 5 years, ACTA has been forced to reduce the number of awards for the Apprenticeship Program from 24 in 2009, to 23 in 2010, to 21 in 2011, to 17 in 2012.  While these numbers dwindle, the number of qualified master artists and apprentice applicants continue to increase.  This year, ACTA has funding to support only 15 Master/Apprentice pairs.

 

Support from this program was so important to our success and many other Master/Apprentices.  We hope that you will join with other Masters, Apprentices, and their families and friends to support just two additional Master/Apprentice pairs in 2013.   The immediate goal is to raise money for two $3,000 awards (a total of $6,000) to have an equal number to the 17 pairs that were funded last year.  We have each donated $10 or more and ask that you do the same.  The ultimate goal for 2013 is to raise enough money to get the program back to the 24 pairs we supported in 2009.  To donate to this campaign, go to:   http://tinyurl.com/support-apprenticeships.

 

Please show your support by also passing this message on to your family, friends, and colleagues.

 

Thank you.

 

Master Artist Jennifer Bates
Miwok Basket Weaver

Tuolumne Me-Wul Rancheria, Tuolumne, CA

 

Master Artist Patricia Montgomery
African American Quilter

Oakland, CA

 

Master Artist Corey Chan

Chinese Lion Dance and Lion Head Construction

San Francisco, CA 

 

******************************************************************************

 

Jennifer Bates: It was a reward to receive recognition and compensation for the time, travel and work done with my apprentice, Jeri Scambler.  The Apprenticeship Program allowed us to work together without constraints.  It was also most fulfilling to be able to share the knowledge I was given, to an eager apprentice who was committed to learning and will share with her tribe what she learned and pass it along.  The rewards of this program are outstanding! 

Patricia Montgomery (right) with her apprentice Helen Anderson and the quilt Helen made during their apprenticeship.
Patricia Montgomery (right) with her apprentice Helen Anderson and the quilt Helen made during their apprenticeship.
Patricia Montgomery: As a Master Artist in 2011 working with my apprentice, Helen Anderson, the ACTA Apprenticeship Program provided an opportunity to pass on the skills and the tradition of African American quilting. It is so important to continue this type of programming since it keeps the traditions alive.  So many of the quilters, that are a part of the African American Quilter Guild learned quilting and sewing from family members.  Since I taught myself how to sew and quilt it was an honor to pass down my skills, encourage creativity and produce story quilts with Helen, who will continue to share and tell about the African American experiences through quilting. 
Corey Chan (left) with his apprentice Chris Low and the lion head in the process of restoration.

 

Corey Chan: ACTA's Apprenticeship Program made it possible for me to spend time with my apprentice, Chris Low, who desired to deepen his knowledge of traditional Chinese lion head making. His wonderful documentation of the process (never before presented in such painstaking detail) has already been made available on the Internet for the purpose of preserving and promoting this disappearing art. Lion dance culture and lion dancers everywhere owe a debt of gratitude to Chris for his tireless efforts and to ACTA for its support of this worthy project. 

secondImmigrant Artists, Culture and Community Health: ACTA at Grantmakers in the Arts 
Cesar Castro uses a drill press to begin to carve out the sound box of a jarana jaroca.
Master artists Charya Cheam Burt (left) and Juana Gomez, who presented with ACTA at the Grantmakers for the Arts conference in Miami in October 2012. Photo: Amy Kitchener

By Russell Rodr�guez, Apprenticeship Program Manager  

 

The Alliance for CA Traditional Arts (ACTA) is part of a professional organization known as Grantmakers in the Arts (GIA), which annually convenes to discuss issues of philanthropy and service to the field.  As part of a pre-conference this year on the topic of arts from immigrant communities, ACTA's executive director, Amy Kitchener, served as moderator for the State of the Union panel, "Arts in Immigrant and Refugee Communities," and we were also privileged to organize a panel to reflect this wide topic which reflects so much of our constituency of traditional artists, the majority of whom are part of immigrant communities.  While ACTA has developed relationships and knowledge of many immigrant communities throughout California, we felt it was important and compelling to bring the artists themselves as first voices to represent this topic at the Miami conference last month.

 

Visit ACTA's website to read more about ACTA's participation at the Grantmakers in the Arts conference. 

 

third Of Monkeys & Mermaids: The Cambodian Cultural Dance Troupe of San Jose
Duet between Hanuman, the Monkey King, performed by Saranorrin Pheng, and the Golden Mermaid, performed by Charya Burt during act five of the Echoes of the Royal Court..
Duet between Hanuman, the Monkey King, performed by Saranorrin Pheng, and the Golden Mermaid, performed by Charya Burt during act five of the Echoes of the Royal Court. Photo: Josie Lepe, San Jose Mercury. Reprinted with permission.

By Lily Kharrazi, Living Cultures Grants Program Manager

 

"Without knowing the past, the present cannot be as deep and rich an experience.  For the Cambodian community that is awakening from the trauma of a culture that was almost destroyed, the Living Cultures Grant and ACTA gave the Cambodian community an opportunity to form a living culture of Cambodians here in America."

 

Such reads a passage in a letter to ACTA from the Cambodian Cultural Dance Troupe of San Jose.  On September 2, 2012, the troupe presented a full theater production of Echoes of the Royal Court, supported in part by ACTA's Living Cultures Grants Program.

 

Visit ACTA's website to read more about the Cambodian Cultural Dance Troupe's production of Echoes of the Royal Court. 

 
Contact ACTA
[email protected]
559-237-9812

   The Alliance for California Traditional Arts is the California
   Arts Council's  official partner in serving the state's folk &
   traditional arts field.