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June 1, 2014                                                                Vol. 2, No. 2
      
SUCCESSFUL ELEMENTARY SCHOOL RESIDENCEY DRAWS TO A CLOSE
Foundation Lauded For Community Involvement

The Earl Wentz and William Watkins Foundation's foray into the public school classroom wrapped up its starting initiative the week of May 25 with an audience-interactive play written and developed by our second-grade students based on their studies throughout the 18-week program.  
  
Twenty-one 7- and 8-year old students participated in the program at Charlotte, NC's Winterfield Elementary School, which focused on development of the imagination, learning to present in front of  groups, and the integration of song and movement with story.  Drawing on educational techniques
Drawing and note from a student to William Watkins, "Thank you for showing me how to act and sing."
created by Earl Wentz and others, which have been honed and adapted by William Watkins and the foundation's education team, we created a progressive and challenging curriculum to meet the needs of these students, most of whom had never participated in the creative process previously.  These needs were identified in consultation with Winterfield Elementary School principal Regina Boyd and by our Summer Musical Theatre instructors and align with the foundation's goals of
  • developing excellent technique;
  • fostering individual and group esteem through participation in the arts;
  • expanding the vision and ability of young artists; and
  • building community through active participation in the arts and interactions with individuals from diverse backgrounds and perspectives.
Initial class work began with getting students to recognize and use their five senses daily and to create and share their own small stories.  Students learned several age-appropriate songs and put their own movement to them, while learning to tie these into the stories. 
  
Law and Order:  Goldilocks
Eventually moving to explorations of various fables from differing cultural perspectives, our ultimate project was in two parts and titled with a smile, "Law and Order:  Goldilocks".  The students themselves recognized that the actions of the main character in the Goldilocks fable included some pretty dangerous undertakings for a little girl:  Goldilocks disobeys and wanders off; she talks to strangers in the forest.  Ultimately, she ends up entering the home of strangers (the three bears), stealing their food, and damaging their property (inadvertently breaking the chair of "Baby Bear").  For our students, this called for action! 
    
And we got it.  Thanks to the help of some outstanding officers from the Charlotte-Mecklenburg Police Department (CMPD), who came to the school at the request of William Watkins, "deputized" two of our students, and then investigated the "crime scene".  At the home of the Three Bears, the officers discovered "evidence" that included fingerprints (and paw prints), bowls of porridge that had been partially or completely consumed, a broken baby chair, and most-incriminating of all -- strands of gold hair by the porridge bowls and at the site of the broken chair.  CMPD Officers Tricia Edwards, Wes Propst, Bill Bostick, Jose Campos, and Karl Knudsen explained police investigative procedures, talked about what is good evidence, discussed fingerprinting procedures and what happens when crimes are reported to the police.  They also took questions from students and explained what to do if a student sees evidence of a crime or is approached inappropriately by a stranger.  These officers did outstanding work and not only helped make our learning experiences come alive in ways that students will remember but also put real, caring, compassionate faces to the police and the larger community.
  

But what to do with all that new knowledge?  We improvised.  Or rather the students did by taking the "evidence" to a mock courtroom and questioning Goldilocks, the Three Bears, the police, and various other characters from the woods who either saw Goldilocks or say they witnessed her engaging in various stages of mischief.  We then took the students' improvised dialogue and crafted our own play, The Trial of GoldilocksOur students acted the various roles, including a judge, lawyers, and courtroom personnel, to hear testimony from the "witnesses" and consider the evidence and the credibility of the various witnesses.  The "jury", comprised of the audience from other classes, then considered the sometimes contradictory evidence and had to come to a conclusion about Goldilocks's "guilt" or "innocence", supporting their decisions with the evidence presented in the play. 

 

The excited and enthusiastic students did an amazing job in presenting their decisions and, in two separate showings of the play, on May 27 and 29, both "juries" declared Goldilocks "guilty", although the minority decision of "innocent", based on the facts that "she's just a little girl", "the bears left their door unlocked and open", "she was hungry and naturally curious", and "she didn't mean to break the chair" were rather compellingly argued by these astute second-graders.

 

Student teacher, Ms. Kinnell; second grade teacher, Zoe Riebli; Officer Wes Propst; Officer Tricia Edwards; Officer Bill Bostick; Officer Jose Campos; Officer Karl Knudsen; William Watkins; principal Regina Boyd; and some of our amazing cast members. 

The punishment one student suggested -- "Send her to juvie!" -- was argued down by the first group, although ultimately "Goldilocks #1" (Tuesday), herself, declared, "I should go to jail!".  Thursday's Goldilocks wisely remained silent on her own fate and our "judge" of the day, after considering the three options presented by the students, decided, in a victory for "an eye-for-an-eye" justice, that "someone should go to her house and eat her food and break her chair."  

 

Did we have fun? Without a doubt.  Are we proud of and grateful to our spirited and talented CMPD police?  You bet.  (And our students, all of whom received "badges" from the police, were still sporting them by the end of the day.)  Did our students learn and did we accomplish our goals?  We'll let the pictures on this page and just a few of the notes we received from our students and principal Boyd (to whom, along with our Winterfield teachers, we also gratefully acknowledge a first-rate working partnership) speak for themselves.

 

 

 

A thank you note from one of the students, given to William Watkins on the last day of our program reads in part, "Thank you for teach[ing] me how to not be shy."
  

To inquire about a residency at your school with one or more of our teaching artists using our unique approach, please click here to e-mail us at educationalinquiries@ewwwf.org.

 
SUMMER MUSICAL THEATRE WORKSHOP   REGISTRATION IS NOW UNDERWAY
Hurry!  Register Now to Assure a Space
  
With some students already planning to travel approximately 30 miles to us to attend this summer, excitement is growing for our Summer Musical Theatre Workshop for young people ages 8 to 14,  We are registering students now for the August 4-15 program in Charlotte.  Please click here to download a full-color application and brochure. 
  
Thank you for your help in making this program a possibility again this year through your contributions to our scholarship program.  All students must pay something but most are not able to meet the full fee of $300 for the two-week program.  (The fees we collect do not come close to covering the full cost to the foundation to present this program.)  That's where our joint efforts come into play.  Because of this, students who would otherwise never be able to receive high-caliber instruction for music and drama are able to participate.  Those who can pay the full fee also help to subsidize the costs for those who cannot.  We work together as a community to make it happen!
  
Broadway musical director and Juilliard School graduate John Coffey, William Watkins, and former Twyla Tharp dancer Stephanie Foster will be back from New York to instruct the 20 students who will participate in this two-week intensive workshop that immerses young people who have shown interest and ability in the performing arts into the creative process. At press time, we are also talking with other guests artists about bringing their skills to us, too.  Stay tuned!

 

Be sure to download the full application brochure for all the information and instructor bios.   

Students will participate in theatre games, discover the relationship between sound and text in storytelling, develop small scenes and monologues, explore stage movement as a means of expressing character, and work on vocal technique and the integration of singing with acting and movement in producing a short theatre piece. 
 
  

Financial data for students and their families is kept strictly confidential. 
  
   
  
Completed applications may be mailed, along with a check made payable to "The Earl Wentz and William Watkins Foundation" to us at 1233 The Plaza, #5075, Charlotte, NC  28299.
 
THANK YOU!


Thanks to you our donors, we can extend our programs further and more quickly and also are able to provide more scholarships for students-in-need!

 

We gladly accept donations towards our work at any time and will make use of them in our program offerings as quickly as possible. 

 

Please remember to check with your company's human resources department to see if they will match your gift towards our work. 

 

Thank you!

  

To inquire about sponsorship opportunities and corporate support, please click here.

 

To make a tax-deductible financial contribution of any amount, please click here.

Donate ButtonThe Earl Wentz and William Watkins Foundation is qualified as a charitable organization under Section 501(c)(3) of the Internal Revenue Code. Contributions to The Earl Wentz and William Watkins Foundation are tax-deductible to the extent permitted by law.

Contributions to the Foundation support our mission in creating the kind of outstanding programs you've read about above.
  
Board of Directors: William Watkins -- Chairman; Loretta Washam -- Secretary; Russell Norris -- Treasurer; Peggy Larkin Kelly; Robert Rutt
  

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