On Friday evening, April 10th, the Concert Choir of Georgetown University filled our church with the ethereal music of Mozart's Requiem Mass. Twenty-seven young voices under their director, Professor Fred Brinkholder, sang parts of Mozart's masterful piece of music. This is the second year that GU's Concert Choir has come to offer a wonderful evening of fine music for parishioners and friends. At the same time that we have enjoyed listening to them, Professor Brinkholder assures us that the choir loves coming to St. Ignatius. We already are planning on booking a date for next year.

What is worthy of note is that the president of the Concert Choir is Anebi Adoga, Jr, a parishioner, along with his family, at St. Ignatius Church. Presently, he is a third-year student at Georgetown. Through his assistance we have been able to host the choir. Recently, Sabrina Kayser, one of the writers for The Georgetown Voice, did a feature story about the Concert Choir. For the article she interviewed Anebi. With permission from both, I am publishing the piece (below) that appeared in The Voice on April 15th as well as a photo of the choir and conductor standing in our sanctuary.

Gratefully in the Risen Christ,

P.S. - Be sure to check out to TWO VERY TIMELY ARTICLES:

1. Tom Fox's piece on the joint agreement between the Vatican's Congregation of Doctrine of the Faith (CDF) and the America sisters Leadership of Catholic Women Religious (LCWR) entitled Going Forward: LCWR After the 'Doctrinal Assessment'.
    
2. Father Tom Reese's column about the legislation on human rights for gays and lesbians and on freedom of religious conscience which recently passed in both Republican-controlled houses of the state of Utah and received the Republican governor's signature. This column is entitled Catholic Bishops Should Learn From the Mormons.

 Now on to the promised Georgetown Voice article.... 

Georgetown University Concert Choir: Bringing Mozart Bach         by Sabriana Kayser

For many Georgetown students, McNeir Auditorium is a bit of an enigma. Aside from the occasional lecture or small performance, it's a space that often sits empty during the day. On Monday and Wednesday evenings, however, the space fills with the sound of student voices as the Georgetown University Concert Choir gathers for their weekly rehearsals.

As members of Concert Choir, one of the three choral music groups sponsored by the Department of Performing Arts, students have the opportunity to hone their vocal technique. Under the tutelage of their director Frederick Binkholder, Visiting Assistant Professor of Music, the choir has had the opportunity to perform masterpieces from musical history in locations on and off campus, ranging from Gaston Hall to St. Ignatius of Loyola Church in Baltimore to the Verizon Center.

Students join the choir, which counts as a one-credit course, for many reasons.

"It's very nice to meet people who share your interests," soprano Xinlan Hu (COL '18) said. For alto Rosa Cuppari (SFS '17), "it's been a place to just de-stress and let go after working hard all week while still creating beautiful works."

"I think people join because they want to sing really good music. We sing Mozart. It doesn't get much better than that," baritone and President of the Concert Choir Anebi Adoga (COL '16) said. "Mozart, Brahms, Bach-we sing some of the most critically acclaimed music ever written."

The singers have nothing but praise for Director Binkholder. "You have a director-instructor who really, really cares about bringing the best out of each individual person, so you end up sounding way better than you ever thought you could," Adoga said.

Professor Binkholder's students appreciate not only his musical instruction, but also the concern he shows them as individuals. He "always makes sure that we are feeling well as people and not just pupils," alto Rosa Cuppari (SFS '17) said.

Additionally, Professor Binkholder stresses the importance of art as part of being a well-rounded person. "What I want to give them is the space to allow art to be in their lives, because I think that that's a perpetual goal, not just a collegiate idea, I want it to be a lifelong goal," he said.

The director has many goals for the choir. "I've tried to take it back to its original thought of doing major works," he said. According to Binkholder, one of strengths of a program like the choir is that it allows students to not only see grand works of art and to look at them from an intellectual sense, but to also get a chance to perform them.

During their final concert of the semester on Sunday, the Choir plans to perform Mozart's Requiem Mass in D Minor in Dahlgren Chapel-a complex and ornate piece the famous composer never finished due to his untimely death. A requiem is a funeral mass, and the challenge in performing Mozart's piece lies not in the work itself, which is relatively straightforward for the voice, but rather in capturing the intense emotion of such a heavy work. Such a challenging piece is only done through a group effort. "You could never imagine doing this work on your own. It was a group effort, and it enabled you to be involved in the creation of a masterpiece, which was wonderful," Hu said.

Every year, in addition to concerts that feature bigger musical works, the choir performs Christmas carols at the Georgetown Lombardi Comprehensive Cancer Center during the holiday season. Last December, the group held its fourth annual charity concert for the Lombardi Center which raised about $500 for cancer research.

Adoga reflected on the experience of singing at Lombardi. "What was really touching was in the beginning when we could see some people who were there waiting starting to sing along. Family members, some patients too, singing along with us," he said. "It was really emotionally heavy, very inspiring as well. Heartbreaking, but kind of in a good way, that we were able to help these people find joy in these difficult situations."

Moving forward, Professor Binkholder hopes to make further integrate service into the choir's schedule. "[It gives] the students a chance to latch onto something greater than themselves, and I think that seeing that would be a really nice goal for the ensemble. We do it a little bit, but I would like to make it a structural part," he said.

When asked about his favorite part of being director, Professor Binkholder smiled. "I love the absolute brilliance of my students," he said. "They keep me on my toes ... it keeps me young."