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Information & Inspiration for WordSmiths
December 8, 2012

 

A book is like a baby.  
A book is like a baby.
You take it home and then all you do is change it.    
Gene Perret  
 

  

Now that National Novel Writing Month is done, I understand two manuscript truths.

First, generating 50,701 words that present settings with characters who move a story from introductions to conflict and toward resolution is work, especially in twenty days (I did some procrastinating). Writing that awaits muse-blessed inspiration now looks hobby-esque.  

Second, humorist Gene Perret was right about change, change, change. I heard of an author who can compose a book in her head and then tap out a finished manuscript. I take the Book of Genesis approach. I write clay, then try to shape something.

Throughout November, I told myself, "You're making clay, here. The finished thing comes later." With December, later has arrived.

 

Sandra Gould Ford
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Click picture for de Maupassant quotes
     

Through this series that revisits 19th century authors, BriteLitesBiz invites discussion of topics that remain important to WordSmiths. The intro stated,

 

Although Henry James one time observed that "in dissertation M. de Maupassant does not write with his best pen," this discussion of the novel is one of the few really lucid essays on the subject.  

 

Thank goodness! 
 
  

 

 

Critiquing the Critic  5th of 5 Parts 

From Guy de Maupassant's introduction to Pierre et Jean 

 Then, after the literary schools which have sought to give us a vision of life deformed, superhuman, poetic, tender, charming or superb, comes a realistic or naturalistic school which has professed to show us the truth, nothing but the truth, and all of the truth.

 These different theories of art must be admitted with equal interest, and the works which they produce must be judged solely from the point of view of their artistic merit, with the acceptance a priori of the general ideas which gave them birth.

To contest the right of an author to compose a poetic work or a realistic work is to wish to force him to modify his temperament, to challenge his originality, and to deny him the right to use the eye and the intelligence which nature has given him.

To reproach him for seeing the beautiful or the ugly, the small or the epic, the gracious or the sinister, is to reproach him for being formed in such or such fashion and for not having a vision that accords with ours.

Let us leave him free to comprehend, to observe, to conceive, as he pleases, provided he be an artist. Let us lift ourselves to poetic heights when we judge an idealist, and show him that his dream is mediocre, commonplace, not mad enough, not magnificent enough. But if we judge a naturalist, let us show him in what respects the truth in life differs from the truth in his book.

 

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Next Issue:  Du Maupassant on The Novel  

 

Martin Amis - Writing Advice
Worth A Look 
Literature is a war against cliche.

 

In this two-minute, Charlie Rose interview, award-winning British author Martin Amis  discusses cliche.  
  

 

Nominate a video for "Worth A Look."  When published, receive art from  the BriteLites Gallery.
Chatham University
Seeks Associate Director for MFA Program

 

The MFA Program in Creative Writing at Chatham University seeks a dynamic individual to serve as Associate Director with special focus on the Low Residency program. Chatham seeks a director with experience in distance learning and who can contribute to building a sense of community.  

 

See www.chatham.edu/careers and follow the application directions.  

Support BriteLitesBiz 

 

A book is like a baby.Each week, BriteLitesBiz delivers information and inspiration for WordSmiths. 

 

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Sandra Gould Ford creates and presents art for healing and high achievement.
 She has taught and exhibited nationwide. Most recently, Gould Ford developed a Creative Writing program at the Allegheny County Jail.  
She is devoted to exploring human potential through literary and visual art. 
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