Life on the Road: BalletBoyz to Tour with New Work
| Photo credit: Tristram Kenton |
This month, BalletBoyz will be touring with a new piece, Life, featuring new works by choreographers Javier de Frutos and Pontus Lidberg. In this interview BalletBoyz co-founders Michael Nunn and Wiliam Trevitt discuss their inspiration for Life, the choreographers' ideas and processes, and more.
Please tell us about Life. How was the idea for the project was first developed?
We imagined a show called Life, a title that would be very open ended in terms of meaning, but that would spark an idea in the minds of the choreographers. They were both given the title and asked to use it in any way they wanted. What you will see is the result of that spark. There are predictable ways to create for a group of ten young men, but we were looking for something beyond the obvious. In Life, we have been delighted to find to solutions to the challenge that couldn't be more different.
How did this collaboration come about?
Variety has always been important to us. In the past we have wanted the two acts of a double bill to be in complete contrast to one another, but for Life we were looking for more of a connection between the works. Javier has had a fascinating career ranging from small scale dance works to huge National Theatre productions. It is a great thrill to get to work with him, whereas Pontus was much less known to us. We had seen his work in some really beautiful dance films and thought that we would have at least a connection with him on that level. Our dancers have proved themselves creative artists in their own right, collaborating on two unexpected and wholly original works, which in strange way are mirror images.
By Tamara Johnson
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Does It Really Matter What Floor I Dance On?
Yes! Whether you are a professional dancer, an aspiring student, or you're looking for the right school for your child to study dance--yes, what floor everyone dances on is vitally important.
There's a reason all the top companies in the world--American Ballet Theatre, New York City Ballet, The Royal Ballet, Paris Opera Ballet, The Bolshoi Ballet, National Ballet of Canada, Australian Ballet, Alberta Ballet, Hong Kong Ballet, Alvin Ailey American Dance Theater, Houston Ballet, Pacific Northwest Ballet, Joffrey Ballet, Riverdance ...--dance on Harlequin floors. They want to protect their dancers, maximize their performance, and make sure their careers last as long as possible. It's impossible to name all the companies, schools, studios, theaters, and universities dancing on Harlequin floors. The list goes on forever including School of American Ballet, ABT JKO School, Juilliard, Walnut Hill, UArts, USC Kaufman, countless dance physical therapy facilities... and hopefully, your local studio. Why does it matter? Because the floor you--or the dancer you love--dances on can enhance peak performance, and make you dance stronger and for longer. The right sprung floor protects dancers' joints and tendons. The right vinyl (marley floor) provides a surface safe for the type of dance you're performing. It's not sales-speak, it's science. Read more about how your dance floor relates to dancer safety, longevity, and injury prevention.
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Celebrating Culture Through Dance
| Ladahki Chartses dance celebrating the return of migratory birds and the change of seasons |
Dance instructor Bopho Padma watches his dancers in rehearsal as they make their way offstage. "Good use of your upper body," he tells one dancer whose shoulders and torso were particularly engaging. "The audience can still see you!" he chides another dancer who has stopped dancing and started pulling at her costume prematurely. When all thirty dancers have made it into the invisibility of the wings (actually a room through a door, in this case), Bopho calls everyone back to review his observations and corrections. The dancers listen solemnly and, at an encouraging clap from Bopho, jump up to go through the last piece one more time --this time focusing more on their footwork. The rehearsal follows basically the same pattern of every rehearsal I've ever seen, but these dancers are 13-16 year old school students learning the traditional folk dances of their Ladakhi culture.
"For us, these dances are a very important part of our identity and history. But it's becoming less and less common for people to learn them. We want to be able to do them well so we can share them and pass them on," says one of the students.
"Many of our traditions are no longer alive. Maybe a lot of young people don't think it's important and want to live in an easier way. Even I have a cell phone, but that doesn't mean our culture shouldn't be important to us!" says another student, his voice firm with conviction.
Throughout the world, dance plays a vital role in keeping culture alive. Click to read more.
By Tamara Johnson
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Heading to Finals? Harlequin Scholarship Winners Share Advice to Make the Most of Competitions
"The first thing I would say is that a dancer should never enter a competition expecting to "win" something from it. Whether it be a medal, or money, or a job offer. When I entered my first competition I was going for two reasons; I wanted more stage experience, and I knew that if I worked hard enough I would make drastic improvements. By starting the process with this in mind, it was inevitable that I would be happy with my results as long as I put the work into it. I don't know if I would've been offered to join HNB's junior company if it weren't for all the changes that I made, especially during 2015. Competing was so good for me because I learned about how to manage my nerves, how to stand out on stage, how to work hard, how to search for the details, and how to fully immerse myself in my work. You need a good mindset to survive in the ballet world and competing opened my eyes to how I should be mentally: determined, honest, humble, happy, organized, and hard-working." -- Melissa Chapski, January 2016 Judges' Choice
"I have been to hundreds of competitions in my years and I have grown to learn one thing: It's not always about the trophy. Competition is a broad thing. There are so many dancers around the world and each and every one of them dances completely differently. My advice is to be yourself. It's easy to lose yourself while competing because of the pressure to win or the perceived intimidation from other dancers. My main saying is that it is not always about winning, it's about being yourself and loving every second of what you do." -- Madison Lynch, January 2016 Judges' Choice
"My competition days are definitely what drove me to be the best I could be. For me, competitions were never about competing for trophies. Rather, they enabled me to connect with people who furthered my development. I first met Chloe Arnold through the competition world, and ever since then, she has been one of my biggest inspirations. I got to be a small part of her show, Syncopated Ladies: Live in NYC, directed by Ted Louis Levy. I suggest to always use competitions as a tool for improving, and not to focus too hard on the awards." -- Michelle Carter, June 2015 Judges' Choice
Craving a few words of encouragement? Some great advice? Like to learn from other dancers? Head to TheWorldDances.com 24/7 to get your dance fix!
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TheWorldDances E-Newsletter Team
Publisher: Karla Johnson
Editor: Tamara Johnson
Producer: Ester Rodriguez
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June 3, 2016
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Meet the May 2016 Harlequin Floors Scholarship Winners
In appreciation and celebration of all dancers, their teachers, and their families--Harlequin Floors awards $1000 in scholarships every month to deserving dancers. As every month, it was a tough decision for the judges in May. Congratulations to winning dancers Kayla Thomas, Aleksandra Shkurigan, Heather Wolle, and Sage Evans-Rainey. Please enter the June 2016 Harlequin Floors Scholarship Video Contest now for your chance to win one of this month's scholarships. Harlequin Floors has been supporting dancers and their dream for decades with scholarships. Thank you to all of you who share your passion and wonderful dancing on TheWorldDances.com.
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Judges' Choice
Harlequin Scholarship Winner
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|  | Kayla Thomas Dance of the Night |
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Judges' Choice
Harlequin Scholarship Winner
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|  | Aleksandra Shkurigin Paquita variation |
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Viewers' Choice
Harlequin Scholarship Winner
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|  | Heather Wolle Pop! |
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Viewers' Choice
Harlequin Scholarship Winner
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The World Dances
more inspiring photographs of dance from around the world.
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Time for a New or Better Job?
Check out more than 70 jobs listings in the arts! Axis Dance Company seeks a rehearsal director. Ballet Met is looking for the right academy director. Are you a great salsa instructor? Maybe you're the right fit for the open position at Jessica Lang Dance Center! Ready for the big time? NYCB is looking for teaching artists. Alberta Ballet has an opening for a technical director. San Francisco Ballet School is adding to their ballet school faculty. You'll find these and dozens of other openings on TheWorldDances.com. We wish job seekers and employers the very best in finding excellent matches.
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Manhattan -5 or 10 Absolute Beginners Hip-Hop Dance 1.0 Classes
at Hip Hop Dance Junkies
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