Enter the May Harlequin Floors
Scholarship Contest
The May 2014 Video Scholarship Contest is underway. Click here to enter your video today for a chance to be one of four $250 scholarship winners this month!
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Will Audiences Pay?
In a recent piece considering the impact of the Internet on dance, dance companies and dance audiences, choreographer/writer/technology consultant Sydney Skybetter asks, "Who among us envisions a near future with more stages for dance, not fewer? Who among us argues that dance will be less dependent on the Internet, not more?"
These questions have enormous consequences for everyone in the dance world -- from dancers to company directors to presenters. Will people pay to go watch performances when they can watch YouTube for free? Or dance reality TV? On the other hand, it's hard to imagine reaching new audiences in this day and age without a presence on the Internet.
There are some great examples of dancers, companies, and schools making forward-thinking and innovative use of the Internet to their advantage. The English National Ballet, especially since coming under the direction of Tamara Rojo, has a genuinely engaging Internet presence. ENB's blogs, social media, and videos introduce dancers and pieces in a way that leaves the "virtual audience" wanting more. A number of individual dancers have excellent social media feeds. Daniil Simkin (@daniil) shares a particularly fun mix of pictures, video, company updates and personal statements. The School of American Ballet recently launched Strictly Ballet, a web series with Teen Vogue about life and training at the prestigious institution. Will such efforts translate into an increased audience base who support live performing arts? "I see it as a good thing that's happened," says Judy Morr, Executive Director of Southern California's Segerstom Center for the Arts. "It raises the interest level and I'm happy about it. In fact, I suppose the number of young people taking dance lessons has increased because of the [web and television] shows."
It will be interesting to see what new ideas arise as the dance community navigates a balance between traditional forms of presentation and adaptation, and as dance audiences find their own balances between convenience and the thrills of live performances.
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Daniil Simkin uses humor and dance to create engaging web videos promoting his work.
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By Tamara Johnson
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2014 USA International Ballet Competition June 14 -29 in Jackson, Mississippi
North America's oldest international ballet competition will celebrate 35 years and its 10th quadrennial competition. The USA IBC is a two-week, "olympic-style" competition where tomorrow's stars vie for medals, cash awards, company contracts and scholarships. The event is designated as the official international ballet competition in the United States by a Joint Resolution of the Congress. Presented under the auspices of the International Dance Committee, International Theatre Institute of UNESCO, the USA IBC is held every four years in Jackson, in the tradition of sister competitions in Varna and Moscow. Ninety-nine dancers, representing 20 countries, have accepted the USA IBC's invitation to participate in the 2014 competition. "Dancers invited to compete in the USA IBC know they have a chance to test their skills against the highest international standards," says Sue Lobrano, USA IBC executive director. "The level of artistry and technique that this group of competitors will bring to the USA IBC stage will certainly be thrilling to watch. The USA IBC is synonymous with the discovery of new talents and the launching of careers. We look forward to hosting these competitors as they experience the United States' premiere ballet competition."
Complexions Contemporary Ballet will perform Innervisions (2013), a work that combines artistry and rhythmic dance moves with bold physicality, all set to the R & B music of Stevie Wonder when they take the stage to open the 2014 festival on Saturday, June 14th. Tickets to the USA IBC's opening ceremony, including the competitors' Parade of Nations and Complexions Contemporary Ballet performance, range from $35 to $60 and may be purchased at www.usaibc.com. Tickets for other individual performances during the three rounds of competition are priced from $7 to $70 and may also be purchased via the website.
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Featured Video
A sneak preview of Justin Peck's latest ballet Everywhere We Go, with music by Sufjan Stevens. The ballet premiered at NYCB's Spring Gala on May 8, with additional performances on May 22, 29, 31 Mat and Eve at David H. Koch Theater, Lincoln Center, NYC.
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TheWorldDances E-Newsletter Team
Publisher: Karla Johnson
Editor: Tamara Johnson
Producer: Kae Lani Kennedy
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