Why Tarzan will always be racist
:: Sex and Race in Education 3 May. Mobile Phones and Cancer 10 May
:: Grenadan Revolution 17 May. Bob Marley Breakdown Part 2 1st June
:: Terry Jervis Masterclass 8 June. African Hair Police Reviewed
Black History Walks, Talks & Films
12 Years of Education Through
Film

 

 Black History is longer than a month..
31 April 2014

  Tarzan's  racist  history   

    

    

Serena Williams Explains Some Aspects of How Racism (White Supremacy) Works
Serena Williams talks on racism in sport, being a Sister and success. Mega producer Terry Jervis will speak on his experience of working with the Williams family, Diana Ross, Michael Jackson, Spike Lee, Luther Vandross as well as his involvement in Iron Man, Spider Man, Black Panther and how he got 2.5 billion people to watch his show. Cottons Caribbean restaurant 8th June. Click
Terry Jervis Masterclass to book

 

Saturday 17 May  2pm BFI Southbank, Waterloo

(50% seats already sold) 

   

 On 25 October 1983, Ronald Reagan sent 8,000 members of the US Armed Forces to invade Grenada, an island with a population of just over 100,000 people, in an operation which he named 'American Fury'. It is an operation he had been planning ever since the bloodless revolution of 1979 had displaced the US-anointed tyrannical Prime Minister, Eric Gairy.

'Forward Ever' is for this and future generations anywhere one of the most important historical creations that tell the story of the Grenada Revolution and its demise. It provides for those who were too young to remember and those not yet born, but for whom the name 'Maurice Bishop' resonates with those of Patrice Lumumba, Samora Machel, Amilcar Cabral and more, a gripping visual account of the Grenada that shaped Bishop's politics and gave rise to the overthrow of the tyrannical and murderous Gairy regime, the Grenada that was on a historic developmental path, propelled by Grenadians that owned the process of government and the Grenada that experienced a volcanic eruption when those same people determined that the revolutionary process which could not persist without them was not going to be hijacked by a clique  in the 'People's' Revolutionary Government, who had usurped the power and dismissed the wishes of the people and placed their revolutionary leader and Prime Minister under house arrest. Plus Q and A with Professor Gus John and Colin Prescod

 

This film is another feature of the
African Odysseys film programme which for 7 years has screened rare  African/Caribbean films at the British Film Institute on London's South Bank. The films are sourced and selected by the African Caribbean Consultative group which is comprised of grassroots organisations with a history of pro-active black film screenings. The BFI is the only cinema in the country to offer monthly screenings of African/Caribbbean films. The films are often complemented with talks, workshops and Q and A's. Join the Black History Walks mail list HERE for regular updates. Click HERE
  for our full film programme to June 2014  
 

Missed the last edition of this newsletter ? Click HERE to catch up  To add yourself to the mail list click HERE

It was standing room only  at Cottons for the X Men breakdown with Andrew Muhammad !!!

  • Bob Marley: The Breakdown Part Two (part one was sold out and the people demanded more !)      

Sunday 1st June at 3pm to 5.45pm 

Cottons Caribbean Restaurant, 70 Exmouth Market, Islington EC1. Tube: Angel

 

Pay on the door.  £8.00 First come, first served.Be aware this venue is much smaller than our usual venues so it really is first come first served! 

 

Black History Walks is working with Cottons Caribbean Restaurant to showcase African/Caribbean history and promote excellent African/Caribbean food. Analyse great movies, have stimulating debates, meet nice people and  sample the delicious weekend buffet. Due to popular demand we will be repeating

  • Avatar
  • Blade
  • X Men
  • Captain America the Winter Soldier

   

This is the second time I have taken my students on the Black History Walk around Notting Hill, and both times my students have told me that it has been one of the best aspects of the course. Our guide, is personable, kind, interesting and passionate about the importance of 'seeing' the black history, along with racism and resistance to racism, that is all around us, part of our everyday life. His knowledge and integrity shines through - we all learnt so much.    
Kavita Bhanot, Lecturer of Creative Writing and Literature, Fordham University

 

Guided walks on the 3500 years of African  history in London

Full description of each walk click HERE 

 

Listed Top Ten walks in London by the Guardian HERE  

The walks cover  World War 1 and 2, Ancient African civilizations, gentrification, Sou Sou /Partner and Sus, the National Front, African troops of the 18th century, Freedom fighters, black revolutionaries, African inventors, education, architecture,finance, politics and much, much more. Get a group of friends/students together and have your own private walk at a time to suit. Email info@blackhistorywalks.co.uk
Elephant & Castle Walk 11am Bank Holiday Monday 26 May 
St Pauls/Bank Walk  2pm Bank Holiday Monday 26 May
Trafalgar Square Walk 12pm Sunday 18 May  
Notting Hill Walk 3pm Sunday 18 May 
Fitzrovia/Soho Walk: 12pm Sunday 25 May
 
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Queen Nzingha lecture (14) African Hair Police, reviewed by Nikki Farquharson.

My cousin and I were very keen to attend the African Hair Police event held by Black History Walks, as we are both currently on our own challenging but fulfilling natural hair journey. However, the talk did not only focus on just the politics of Black hair, but extended the context of that by showcasing how much of today's negative attitudes towards Black skin tones, other physical features and Black culture stems from past events in history, using examples of colonialism, international prejudice and the abusive treatment it
 lead to within several countries. The talk also included a powerful promotional trailer of the feature film, "Beauty Is" by Toyin Agbetu, in which many people of colour share their personal feelings on how it is to live within a society that consistently promotes Eurocentric beauty ideals. Kandace Chimbiri discussed the troubling erasure regarding the science of Black hair from the education of our children and how she aspires to change that with her new book, "Secrets of the Afro Comb". Natural hair blogger, Crystal Afro, gave a quick and sharp presentation on both pointing out the unfairly disproportionate coverage of well-known British Black women (especially those with natural hair) in contemporary media while revealing her own moving and very relatable natural hair journey. The talk concluded with a lively and active Q&A session involving all the speakers that nicely rounded off this educational event. 

Queen Nzinga Lecture Series (15)
 

Queen Nzinga lecture (15)  Sat May 10, 4.30 to 7pm 

Mobile Phones and Cancer: What the data really shows   

 

For decades the tobacco industry argued that smoking did not impair your health. Is  the mobile phone industry on a similar path ?

Abi Begho (previously Ajose-Adeogun) has  given talks on Black Women and Breast Cancer to packed houses. She is the founder of the Lake Foundation  which aims to improve the health of the African/Caribbean population.  She will use her scientific and public health background to explain the facts about what the research data shows on cancer and mobile phones, if/how they can be dangerous and what you can do to protect yourself.

click HERE to book your FREE ticket 

gifted
Neil Mayers wrote Gifted at Primary, Failing by Secondary about how and why black children do so well in primary school only to 'drop off' in secondary school

 

Sex and Race in the Learning Space: 'Outstanding' Academies ? The secrets of English Schools    

Sat 3 May 2 to 5.00pm 

 

 

 

 

 

If the education sector, government and OFSTED all agree that most of these new academies are delivering excellent standards of education and these schools can be confidently labelled as 'outstanding' schools, why are African, Caribbean and Mixed Race children underachieving in larger numbers than ever before?  When a Black child is excluded from a school that has 'outstanding' status, what does that say about the child
and their parents?

 

Neil Mayers, education consultant and author explodes some of the myths surrounding these new academies as well as providing practical and proven strategies of success for children of all background. He will cover

  • Light skin supremacy in the classroom: How it works 
  • How teachers who get outstanding results are hounded out of the system
  • 10 things parents can do to improve their child's performance
  • How he got his students to teach themselves and still pass their exams two years ahead of schedule with 'A' stars 
  • How history impacts mathematics 
  • What goes on in the staff room that affects your home 
  • How to spot a racist school
  • Click HERE to book your FREE ticket 
Black VenusBlack Venus

Petition to get Black History on the Curriculum. Please sign. We need 100,000 to get a debate in parliament   
    

Stephanie Pitter is  a school Governor . She is campaigning for Black History to become part of the Primary school curriculum and for secondary schools to fully embrace the teaching of Black History 

Black History is a topic that children of all ethnic backgrounds should learn. It also covers spiritual, moral, social and cultural understanding that supports Ofsted findings.

Sign the petition HERE Please pass on to ten friends. 
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Special thanks to Elsa O'Toole, Paul Bucknor and in particular, Foss from Karmazoo who has just edited the new African Odysseys trailer    

 www.karmazoomedia.com  

 

 

"This is the house of Tarzan, the killer of beasts and many black men" .This is how Tarzan introduces himself to Jane in the book Tarzan of the Apes. Later in the book he rescues Jane (who was originally an American woman from the South) from a 'black ape rapist'

 

 

Tarzan started off as a character written by Edgar Rice Burroughs (1875-1950)   in a 1912 magazine before becoming a series of books and movies. The basic story is that the aristocratic offspring of Lord Greystoke is orphaned as a child in Africa, raised by apes in the jungle and becomes the King of that jungle and all who dwell in it. Tarzan, which means white skin in 'ape speak' is faster, stronger and more intelligent than the native Africans. For readers at the time and perhaps even now, whiteness equals civilization.  In addition he can

Tarzan swings an African as a weapon.

speak to the animals a skill which the local Africans do not have. Tarzan is a comic superhero, long before the appearance of Superman, he can wrestle lions, crocodiles and gorillas with his bare hands.

Edgar Rice Burroughs was born in Chicago, Illinois and had never been to Africa. This is why lions and tigers often pop up in his African jungle despite the fact that lions live exclusively in the savannah and tigers are not found in Africa at all.

It would not be so bad if these were the only factual errors but Burroughs portrays all the Africans as savages and inferior to Tarzan and any other whites. The original books are full of the 'N word' and racist stereotypes informed by the rampant colonialism of the period.  Black people are routinely described in the worst possible way.

"[The little black boy] had seen Tarzan bring down a buck, just as Numa, the lion, might have done... Tibo, the little black boy, lacked the divine spark which had permitted Tarzan, the white boy, to benefit by his training in the ways of the fierce jungle.  (From Jungle Tales of Tarzan)

Bearing in mind Burroughs lived in the 'sundown town' of Oak Park, Illinois (a sundown town was a place where all blacks had to be out of the town by sundown or face severe physical consequences) it is very disturbing that his Tarzan character chooses to hang his black victims from trees with vine ropes around their necks . Lynching was common in America up until the 1960's.

Like many of his contemporaries, writes his biographer, John Taliaferro author of Tarzan Forever, Burroughs "believed in a hierarchy of race and class. In the Tarzan stories, blacks are generally superstitious and Arabs rapacious." Meanwhile, Burroughs was "extremely proud of his nearly pure Anglo-Saxon lineage "In his book, Taliaferro uncovers Burroughs' lifelong belief in eugenics, "the radical fringe of Darwinism," the notion that undesirable people -- the ill, the criminal, and the racially "impure" -- should be sterilized.

 

Black people are 'privileged' to work for free in this Tarzan comic

In 1918 Tarzan made his first movie appearance in Tarzan of the Apes and the written stereotypes were transferred onto the big screen where they influenced millions more people

Possibly the most well known Tarzan was Johnny Weissmuller an Olympic athlete who made a number of Tarzan movies between 1932 and 1948. These movies were shown all other the world and were popular on British TV up the 1990's. They were also broadcast in African and Caribbean territories prior to independence. When Marcus Garvey's Back to Africa movement was gaining momentum, British colonial authorities hired mobile cinemas and drove into countryside areas in places like Jamaica to show Tarzan and other racist propaganda films. The idea was to convince people that Africa was a 'dark continent' full of 'savages' and they should therefore be happy they were colonised by Britain and ignore Garvey's message.

Ron Ely from the 60's/70s TV show.

Black children who grew up in England in the 60's, 70's and 80's were force- fed Tarzan. The 1940's movies or the 1960's TV series starring Ron Ely were scheduled as Saturday morning entertainment for kids.  Black Britons gained ideas of African history and culture from watching Tarzan at a time when there were hardly any black people on TV. It was common for children with parents from the Caribbean to watch a Tarzan jungle scene where black people were shown as cowardly, stupid and wicked to then ask their parents "Is that where you come?"

Marvel and DC Comics had a brief run of Tarzan in the 70's. In 1981 Bo Derek popped up as Jane in Tarzan the Ape Man starring Miles O'Keefe. Then there was Christopher Lambert in the 1984 Greystoke the legend of Tarzan.

Despite the passage of time since 1912 the stench of racism permeates all the Tarzan spin offs as they always portray black people in a negative manner. The only possible exception is George of the Jungle (1997) starring Brendan Fraser where black people were given some of the best lines and turned the stereotypes upside down.

In 1999 Disney decided to re-invent Tarzan as an animated movie with Tony Goldwyn as the voice of Tarzan. Disney consulted the source material and had a problem..how would they deal with the racist portrayal of black people in the original literature ? Their solution was simple; remove all black people from the story.  So even though Tarzan is set in Africa if you watch the film you will see lions, elephants, giraffe, hippos, crocodiles etc but not one single African person. When questioned about this situation in the Spokesman film review of June 30 1999 the response was:

 

'Co-directors Kevin Lima and Chris Buck have said that the absence of minority characters in Tarzan was a consequence of the desire to keep the story simple. The pair wanted to concentrate on Tarzan's choice of being animal or human. And with the need to create Jane and characterize the animals the only kinds of black characters that could be squeezed in would have been minor.

 

The white supremacy is so blatant; they were more concerned with giving character to the animals than the African people. Of course a simple solution to the racist problem would have been to make both Tarzan and Jane black but clearly this was too complicated as they would then have to create adventure and love scenes for an African couple set in Africa and when has Disney ever done that in its 90 year history?

The much lauded Lion King (1994) could easily have been done with a full cast of animated African people but that did not happen. Why not ?

The idea of removing black people from a movie to make things simple did not die in 1994. Ari Handel the writer of current blockbuster Noah explained why there no black people in his film by saying this:

 

 

"From the beginning, we were concerned about casting, the issue of race. What we realized is that this story is functioning at the level of myth, and as a mythical story, the race of the individuals doesn't matter. They're supposed to be stand-ins for all people. Either you end up with a Bennetton ad or the crew of the Starship Enterprise." Read the full comment HERE   

 

 

 

So in the 21st century it was just too distracting to have any black people in a film about the Biblical origin of the world and white people represent the whole planet !  

From 2001 to 2003 Disney persevered with the Legend of Tarzan animated TV series. It is

Queen La and the 'leopard men' from 2001 TV series Legend of Tarzan. What colour is Queen La ?

noticeable that Queen La, Tarzan's enemy, despite her white hair and green/blue eyes has a different skin colour to Tarzans. Queen La's evil troops are called the  Leopard men and are portrayed as non-human. What is not well known is that Burroughs original Leopard men were Africans who wore leopard skins, see photo.

It took until 2009 for Disney to green light a movie with a black lead, The Princess and the Frog, but again they refused to endorse a loving black couple. After African-Americans complained when the initial scripts stated that Disney's first ever black princess Tiana, (played by Anika Noni Rose a black woman) would be given a white boyfriend, Disney responded by giving her an apparently non-white boyfriend but he was played by the white actor, Bruno Campos.

 In all Disney's 90 year history  they have never given any of their white princesses a black or non-white boyfriend ? So why the sudden insistence on a mixed relationship for the first ever black princess ? Maybe the directors had flashbacks to the days when white men had sexual access to black women whether they liked it or not and black men were lynched for just looking at white women.

Those who thought that Princess and the Frog meant that Disney had embraced  black people would only be disappointed with their next movie Tangled (2010)  A modern take on the Rapunzel story  which featured  a blonde princess with super-powered hair and of course, a white boyfriend. Not a single black person can be seen in the 84 minutes of the movie

In 2013 Disney released the blockbuster hit Frozen. Yet again we see that even in fantasy environments where young ladies can freeze entire countries and build ice castles with a wave of their hands, it is impossible for Disney to put even one black person in their movie. The interest in portraying mixed relationships has also vanished.

The most recent version of Tarzan is a German production but it would be naïve to think there will be an authentic black presence in it. Given the source material one wonders why  there is such a sustained interest in resurrecting this colonial figure of  white supremacy in the 21st century.

Warner brothers have scheduled their version of Tarzan starring Alexander Skarrsgard and Samuel L Jackson for a 2016 release. The plot involves a Tarzan based in Victorian London who sheds his clothes to go and fight greedy explorers in the Congo.When will the promotion of white male supremacy in Africa via childrens' cartoons and movies stop ? 

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Editor
Black History Walks