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Issue 13 - July 7th 2013
Mojo Monday with Glenda Waterworth


This week I am showing you how you can use clear embossing as a really effective resist technique.  If you are new to heat embossing, then I recommend you read last week's heat embossing tutorial first.

The lesson is presented as a video and it is my first time using Vimeo, so if you have any problems with it, please let me know.

Glenda  
Contents
What you need
Watch the Video
Close Ups
Jacob's Coat
Faux Batik
2014 Artwork
The back story
Where to buy
What you need

  • You can also get great results with Dylusions Sprays and Splash Inks.  Just make sure you have kitchen towel to hand to wipe over your embossed areas.

 

Products are available at www.chocolatebaroque.com 

 

Watch the Video
 
You will need to enter a password to watch this video.  The password is resist



 

The Close Ups
 
Using clear embossing on white card is one of the best ways to get a crisp white image from your stamps. 

You can colour the background with inks, sprays or watercolours, but be careful with acrylics as they can cover up the embossing.

embossed resist sample
stamp from Paisley Elephant stamp set

Jacob's Coat Technique

You can take this technique one step further by working on a coloured background rather than a plain white one.  Emboss with clear powder in exactly the same way, then colour over the top with a darker or stronger contrasting colour to make your embossed areas stand out.  This is sometimes referred to as the Jacob's Coat technique.

embossed resist sample
stamp from Paisley Elephant stamp set

embossed resist sample
stamp from Artist's Baubles stamp set

Faux Batik

Creating a realistic batik effect is a more complex process than the simple embossing resist I have shown you here, but the term is often used when you remove the shiny embossed area with an iron.

Below is an example of why you might want to do that - the image on the left shows the simple resist with some colour shading around it (including a path created with masking paper). 

On the right you can see that by ironing off the embossed area, I was able to colour over the stamped image with markers before stamping the rest of the garden around it.  If I had simply stamped in white, I could not have created the shading without also colouring the image.

birdbath resist
Birdbath resist coloured in

2014 Artwork by Lesley

My take on Glenda's resist embossed background involves stamping an image onto plain white cardtsock with Versamark. Cover with White Pearl embossing powder, tap off the excess and heat. Allow the card to cool and then spritz the image all over with clean water. Tap off any excess with a paper towel, you want the image damp but not soaking (damping the card allows the inks to spread and blend easily).

Next spray the image with spray inks using complimentary colours - I used Dylusions Bubblegum Pink and Lemon Zest. TIP: because you don't dry the inks between colours use only two or three at most or you will get the dreaded muddy blend!. Whilst still wet wipe over the whole image with a paper towel to remove the excess ink and to allow the white to show through. Once completely dry trim the image, mat onto black card and add a sentiment.

A final note, if your card has warped with the whole heating, spritzing and drying thing, once it is completely dry 'press' it between two heavy books or simliar before trimming etc.

The back story
I originally ran this series in 2013 and this time round, I am using my own tutorials to inspire me to create a new piece of artwork to share with you each week. 

I love to create and I am also passionate about inspiring and enabling others to create too.  I hope that this email gets your mojo working and you feel motivated to get into your crafty space and have a go.




Glenda

PS - if your creation features Chocolate Baroque stamps, then why not share on our Facebook Group or our wonderful private forum. In both places you will find a wonderful community of like minded Chocolate Baroque fans.         
Where to buy
Chocolate Baroque Logo
Materials used in this project are available online at