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HALAU I KA PONO is proud to present its
PREMIERE
Breath of Hawaii - A History of Hula
Hula is the breath and heartbeat of the
Hawaiian people. Ancient Hawaiians had no written language. Chant and hula served to record such important things as genealogy, mythology, history, and religion. Join us for a Hula journey through time and timelessness.
May 28, 2016 - 7:30 - 9:00 pm May 29, 2016 - 2:00 - 3:30 pm
Madison Street Theatre
1010 Madison Street
Oak Park, IL
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A wonderful way to feel the energy of Hawaii, strengthen the mind-body connection, gently tone your body and your core, and enjoy dancing to beautiful Hawaiian music. No experience necessary. Men, Women age 16 years and older welcome! Tuesdays 11 am - 12 noon Saturdays 8:30 - 9:30 am
Kahiko or classical hula is dance to Hawaiian chanting. It's a deeper dive into the stories of the dance, the translations and application to life. Prerequisite -
2 months Beginning Hula Classes or permission of Kumu.
Age 16 years and older Men and Women welcome Wednesdays 8 - 9 pm
Dance to the melodic melodies of Hawaii. Men, Women aged 16 years and older
2 months experience or
Wednesdays
7 - 8 pm
All classes are held at our
sister organization:
38 Lake Street
Oak Park, IL.
For more information call 708-297-6321 or email
Check our
for the most current Schedule of Classes
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Sons of Halawa Premiere a Success!
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Jason Poole singing his song "Healing Waters" and Halau i Ka Pono dancing at the Gene Siskel Film Center last month.
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Mahalo nui loa to everyone who helped make our collaboration with the Foundation for Asian American Media, Pacific Islanders in Communication and the Gene Siskel Film Center such an amazing sold-out success for Sons of Halawa! We're so proud of our brother Jason Poole, his teacher Pilipo Solatorio and Matt Yamashita, the filmmaker. Sons of Halawa is playing on PBS so check your local station for air time.
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MAHALO NUI LOA !!!
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MAHALO NUI LOA
(thank you very much) for
April Kokua (Generosity) to:
Czerina Salud, Lori Murphy, Nicole Sumida, Sarah Evans, JoEllyn Romano, Gene Siskel Film Center, Foundation for Asian American Independent Media (FAAIM), Matt Yamashita, Jason Poole, Pacific Islanders in Communication, Michael Cicchetti, Julie Kase, Tim Hugh, Hoda Boyer, Purdue University Hawaiian Club, NAECC (Native American and Educational Cultural Center), AAARCC (Asian American and Asian Resource Cultural Center), Dairius Kawewehi, Michelle K. Ohumukini, Felica Ahasteen-Bryant, Rebecca Wong, Victoria Loong, Joyce Ogura-Yamamoto, G. Brad Lewis
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|  | After last month's Purdue Luau Performance with Dairius Kawewehi |
My hula students and I are embarking on a great journey. We are presenting our first major performance at the Madison Street Theatre on Memorial Day weekend - May 28th and 29th.
And it's testing all of us. I've often spoken about Hula as a sacred or spiritual practice. Believe me spiritual practice really helps in high pressure situations.
When I think of spiritual practice, I'm reminded of the five expectations that my la'au lapa'au teacher, Henry Allen Auwae, had for those of us learning to heal by using Hawaiian medicinal plants. He said healing was 80% spiritual and 20% the plants. Practicing these expectations together with steady meditation practice strengthens my spiritual practice. Now, I ask my serious hula students to also practice these expectations in their lives.
1. Ho'olohe - to listen. To listen is to be able to learn. Listening works two ways: you listen externally to your teachers (including everything in your environment), and you listen internally to your clear gentle voice underneath all the chatter. It's nearly impossible to listen when there are so many thoughts, opinions and judgments going on in your mind. Both mindfulness meditation and hula practice are great for clearing out chatter.
2. Ho'omakaukau - to be prepared. There's a lot of preparation involved with the practice of Hula. Many hours go into practicing and memorizing the chants and dances that we learn. If you haven't established a regular schedule of practice at home, then you've been procrastinating. And it will show up in class.
I've begun teaching our Zen Life & Meditation Center's Primer Classes this season. These foundational meditation classes empower you to live a Zen-inspired life of openness, empathy and clarity. Neuroscience research has shown that regular mindfulness meditation can strengthen the pre-frontal cortex of your brain, the part which helps with emotional balance, fear modulation and flexible response. The pre-frontal cortex also helps you approach things that you might normally avoid. Regular hula practice does the same in addition to strengthening your bodies.
3. Ho'omanawanui - to be patient. With the speed of computers, iPhones and our constant use of them, we've begun to think that our bodies are like digital devices. I mean we expect things to happen right away. We don't have any patience when it takes time for our bodies to learn new things. This is a major obstacle to practice. We are not digital. We are analog. That means we need time for processing by telling stories, by feeling the wind on our face and the earth under our feet. We need real time to learn dances and chants by heart. Hula practice takes patience and is a gift you grow within yourself and then it naturally spreads to others.
4. Ho'omaikai - to respect all. Disappointment, irritation, and anger can all be great learning opportunities. We need to respect these difficult feelings when they arise and use them to learn. In Zen we teach that it's important to be comfortable with discomfort. Sitting still in meditation strengthens the ability to do this.
5. Ho'olauna i ka maika'i - to sacrifice. What can we sacrifice in our lives that no longer serve us? Being right all the time? Too much busyness which keeps us from practicing hula or zen? Too much TV? Too many conditioined thoughts that tell us we're not good enough?
You take care of and respect yourself and others when you practice these five expectations. Even if you practice just one of them well, you are really practicing them all.
I'm so very grateful for all of my teachers, my Hula and La'au Lapa'au 'Ohana (Family), my Zen Sangha (Community), my blood relatives and the many kupuna (ancestors). All support me as I travel the great road of life.
Malama pono (take care of your body, mind and heart),
June Kaililani Tanoue
Kumu Hula and Sensei
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Ab Kawainohoikala'i Valencia
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| Kumu Hula Ab Kawainohoikala'i Valencia |
Kumu Hula Ab Kawainohoikala'i Valencia was born and raised in Honolulu, O'ahu, in the Liliha area, and grew up in Kalihi-Pālama.
His mother is Naomi Kapuanani Kalua Valencia, a full Hawaiian. His father is Benito Felipe Valencia, Sr., from the Philippines. They were married during WWII.
His maternal grandmother, Veronica Heleloa, is from Hilo. His maternal grandfather, Isaac M. Kalua, is from Ewa, O'ahu. They met on O'ahu after his grandmother paddled in a canoe from Hilo to Honolulu. Our family lived in the Pālama area of Honolulu where he attended Farrington High School then UH Mānoa. Ab transferred to the University of Kansas, in Lawrence where he studied and worked in architectural design, drafting and construction technology.
Ab Kawainohoikala'i Valencia: Growing up I was always surrounded by Hawaiian music and culture. I didn't get involved in hula until my adult life. One evening, I attended a music concert at UH. A male hālau hula was one of the performers: Robert Cazimeroʻs Hālau Hula Nā Kamalei. It was an exciting event and it piqued my interest.
My first hula lesson was in 1979 at an adult education class at Kamehameha School in Kapālama, O'ahu. The kumu hula was Māpuana de Silva. Needless to say, I was immediately hooked! Kumu de Silva invited me to come to her hālau, Hālau Mōhala 'Ilima, in Lanikai which I did.
I went to Hālau Hula O Maiki in 1981, joining a new beginning men's hula class. It was here that my love for hula became my life's passion and where my journey began in an ever unfolding lesson in life of learning and sharing Hawaiian culture. With Aunty Maiki's permission, I began training in hula kahiko.
After her passing, I studied and uniki'd as an 'olapa and ho'opa'a from Kumu Edward Kalahiki. I 'uniki'd as kumu hula in 1991 from Kumu Mae Kamāmalu Klein. In 1996, with blessings and a hālau name from Kumu Kamāmalu, I began Hālau Hula Kalehuaki'eki'eika'iu (the majestic lehua high above) in Kaka'ako, O'ahu. The hālau continues today at our home in Volcano, Hawai'i.
Since moving to Hawai'i Island and to Volcano in 2004, one of the activities my wife Pua and I enjoyed was becoming volunteers at Hawai'i Volcanoes National Park. Kīlauea, Kalua-o-Pele, Pelehonuamea mā, including the entire life and breath of the 'āina (land), ke ao nani (the beautiful world), are important aspects of our daily lives. We are fortunate to be able to participate as kokua (volunteers), as workers, as students and as teachers who are allowed to share our understanding and knowledge with visitors and residents of the 'āina.
We both worked for non-profit organizations that support Hawai'i Volcanoes National Park and we continue to share our traditional knowledge with visitors and residents. I am sometimes called upon to provide traditional cultural protocol for groups visiting Pele; lead cultural hikes and walks through different areas of the volcano; share native hula plant knowledge and the cultural aspects and protocol of hula adornments: including gathering and hands-on experience of traditional lei making.
June Kaililani Tanoue: Tell me about your halau and your philosophy of hula.
Ab: Hālau Hula Kalehuaki'eki'eika'iu is a non-competitive, inclusive place where one can learn Hawaiian culture and understand its values and practices as it is revealed and expressed through mele (songs) and dance. As quoted by Aunty Maiki Aiu Lake: "Hula is the Art of Hawaiian dance expressing all that we see, hear, smell, taste, touch and feel." Hawaiian values are universal values of respect and courtesy. We are all learners. We all wish to experience life. "Hula is Life." Hula is meant to be fun; at the same time it should always remain respectful. Hula is not simply dance: it involves all aspects of the Hawaiian culture, and the hālau becomes a learning place, one of many learning places, that encompass the sharing of hula.
June: What is it like to practice hula in Volcano, HI - the home of Pele?
Ab: We feel privileged, honored and blessed that we can live and dance hula here at Kīlauea, at Kalua-o-Pele, for Pelehonuamea, in honor of Pele mā, and especially in respect of our kupuna (ancestors). I am humbled by the forces of nature that surround us, that envelope us and allow us to become a part of its expression. I am thankful to my teachers, my kupuna and all the others who have shared their 'ike (wisdom), mana'o(thoughts) and aloha that we may continue the legacy of Hawai'i at this very special ka wahi kapu (sacred place). Mahalo ia ke Akua (Thanks be to God).
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About Us
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Successful Halau Fundraiser with Hawaiians Kumu Michael Pili Pang, Keikilani Curnan, Davin, Al, Ryan
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Halau i Ka Pono means School that Cultivates the Goodness. We teach Hula which we define as the art of Hawaiian dance expressing all that we see, hear, taste, touch, and feel.
Hula and healing go hand in hand in our Halau. The dance connects us to the grounding energy of the earth and opens us to the warm spirit of Aloha (love).
Come join us! We have wonderful introductory classes for adult beginners! No experience necessary.
Contact Kumu June at june.tanoue@zlmc.org for more information. May your lives be full of aloha blessings!
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