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Dancing in the Sea of Life  
Halau i Ka Pono Hula Newsletter                                           October 2013
 
  
The Hudson River, New York
Ka nahele hihipe'a o Paliuli.
The impenetrable forest of Paliuli.
Paliuli, in Hilo, was like a mirage - at times seen and at other times unseen.

'Olelo No'eau - Hawaiian Proverbs & Poetical Sayings, #1491

Collected, translated and annotated by Mary Kawena Pukui   

In This Issue
Koncha Pinos-Pey


OCTOBER 2013

  HULA CLASSES  

 

A wonderful way to feel the energy of Hawaii, gently tone your body, strengthen your core, and enjoy dancing to the beautiful music of Hawaii. No experience necessary. 

Saturdays

8:30 - 9:30 AM 

Mondays

6 - 7 PM  

 
Beginner Keiki (Children's)
Hula Class

Mondays

  6 - 12 year olds   

5 - 6 PM   

 

 Auana (Modern Hula) 

Men, Women aged 16 years and older.  6 months experience or permission of Kumu.  Dance to the melodic music of Hawaii.  

Wednesdays 

7 - 8 PM  

 

Kahiko (Classical Hula)

Go deeper into the culture of Hawaii through the chants and hula of Hawaii.      

 

Fridays

10 - 12 noon   

Men and Women
aged 16 years and older.  
1 year experience or permission of Kumu.

 

  Wednesdays    

6 - 7 PM     

Men and Women
aged 16 years and older.

6 months hula experience or permission of Kumu.


All classes are held at our sister organization:   

 Zen Life & Meditation Center 

38 Lake Street  

Oak Park, IL.   

Call 708-445-1651 or email 
june.tanoue@zlmc.org

 for info or to register. 

 



Hula Association
of the Midwest
Hawaiian Hula Days

October 4 - 6, 2013
Kumu Hula Keith Awai
Hula Workshops, vendors
and more!


Ho'ike (Performance)
October 5th  6:30 pm
$10/person

WESTIN CHICAGO NORTHWEST
400 Park Blvd
Itasca, IL 60143


Halau i Ka Pono
Performances

Hula Assn of Midwest
Ho'ike
Oct. 5th  6:30 pm
Westin Chicago Northwest
400 Park Blvd  Itasca
 
Slide Show of HIKP photos at the Itasca Nature Center performance with Native Americans and Aztecs in September.  Click here for mobile phones.
 Moondust  
by Shay Niimi Wahl

MAHALO NUI LOA! 

A heartfelt mahalo (thank you) to everyone who helps Kumu June and Halau i Ka Pono.  Your aloha and support makes a wonderful difference!   

         

Special September Mahalos:  

Joe Podlasek and the Trickster Art Gallery, Czerina Salud, Joellyn Romano, Sarah Evans, Nicole Sumida, Kevin Niemiec, Shay Niimi Wahl, Hoda Boyer, Sam Ohu Gon III.  
Quick Links 
About Halau i Ka Pono 

in Oak Park, IL.  Kumu Hula June Kaililani Tanoue established the school in 2009 and has been teaching hula since 2003.

 

Hula is the art of Hawaiian dance expressing all that we see, hear, taste, touch, and feel. Hula and healing go hand in hand in the halau.  The dance connects us to the grounding energy of the earth and opens us to the warm spirit of Aloha (love).  Come join us!

 

We enjoy hearing your comments and thoughts! 
Email Kumu June.   

Mahalo nui loa!  

 

One translation of Paliuli is a legendary land of plenty and joy, said to be on the Big Island of Hawaii. It is a beautiful place only seen when you are in the right frame of mind.

I just returned from a remarkable weekend conference sponsored by the Lenz Foundation and the Presencing Institute, called "Contemplation, Collaboration and Change."  Essentially it was about the art of contemplative collaboration.

The workshop brought 85 of us together from all over the country to learn at the beautiful Garrison Institute (formerly the Franciscan Monastery of Immaculate Mary) in Garrison, NY.  The monastery overlooks the banks of the Hudson River.  Across the river is West Point Military Academy nestled in green trees atop a cliff of solid rock.

Every morning we started our day with a half hour meditation held in a large room with high ceilings. I could feel that many hundreds of thousands of hours of meditation and prayer had happened in this room.  That feeling made it easy to sit and experience the spaciousness that happens in such a blessed place.  

One evening, we formed a circle to discuss the Sacred Feminine. Each of us talked about what the Sacred Feminine meant as we went around the circle.  When it was my turn, I got up and danced and chanted the hula
Ke Ha'a La Puna (Puna is dancing in the wind).  

For me the hula is an important manifestation of the sacred feminine.  

The dance tells us that sometimes it is difficult to really listen to our inner voice.  We can feel tossed about so easily by our distracted minds with so much going on around us.  The dance reminds us of the beautiful
Hopoe, the human best friend of the goddess Hi'iaka and how Hopoe loves to dance the hula - even in the direst of circumstances.  She dances no matter what!  It's something to aspire to.

What I especially loved was the bit of scheduled free time we had on Sunday for a solitary activity. I took the opportunity to walk in the woods that surrounds the monastery.  The land is peaceful, and I spent quiet time with the trees, the moss, the rocks and the plants.

The earth felt soft under my feet and I walked slowly and mindfully to fully appreciate each precious moment.  I felt safe as my body took in the different shades of green, dappled sunlight, flowers growing out of stone, and the many smells of the forest. Nature nourished me like sweet water does a woman parched by thirst.

I came to a beautiful stone gazebo set in the woods that overlooked the Hudson.  I was moved to chant
Oli Kahea (a chant asking permission to enter) and a small breeze came up and rustled the leaves.  It was exquisitely quiet except for occasional bird song.  I listened intently to nature around and within me.  It was as if I had entered Paliuli.  I was content beyond measure.

Malama pono (take care of body, mind and heart),     

 

June Kaililani Tanoue

Kumu Hula     

 

P.S.  Here's a slideshow of my time in Garrison, NY. Click here for mobile phones. 


Koncha Pinos-Pey 
 

 

Dr. Koncha Pinos-Pey

 

Dr. Koncha Pinos-Pey is a researcher, mother, grandmother, flamenco dancer and PhD who teaches at Barcelona University in Spain, doing research on the impact of compassion on the brain at different levels.  Her PhD is in international politics focused on women and ethnic minorities in Central Asia.  

She has worked with the United Nations as a veteran human rights reporter working in Afghanistan, Iraq and Burma for fifteen years.  It was her spiritual teacher, the Dalai Lama who suggested that she study Neuroscience at the Mind and Life Institute in Dharamsala, India when he saw that she was burning out at her job.

I met Koncha at the Contemplation, Collaboration and Change Conference this past weekend in Garrison, NY.  We had a chance to speak one evening about mindfulness, healing and dancing.

June Tanoue: Let's talk first about your work with the brain and healing where you have found that in addition to mindfulness, kinesthetic practices are very important.  

Dr. Koncha Pinos-Pey:  When I first heard the word neuroscience [from the Dalai Lama] I had a strong resistance because I thought that is not for me.  I am not good in math. I am not good in anything, only in abstract concepts.  But slowly I understood that these people are looking for truth the same as us.  They are looking at ways to understand human behavior.  

So I started to study mindfulness.  And I did a Master's in clinical intervention in mindfulness.  But that was not enough.  Mindfulness is like the icing on the cake.  You need something more: maybe chocolate, maybe cream, maybe cherries.  

Through my research, I met people at Harvard studying multiple intelligences.  So I started studying multiple intelligences and its correlation with mindfulness and clinical intervention.  How can we create therapy or a protocol using both of them? We discovered during research that there are three principle intelligences that can release the stress in the amygdala for a trauma.

The first intelligence is percussion - the musical intelligence.  That means all the ancient tribes and ethnic minorities who are using percussion - drums, gourds, voices - are doing something very useful.  They are releasing the trauma from their brains - their amygdala.  They are not only releasing the trauma at a singular level but at a community level. 

We now know more about the brain and its neuroplasticity.  When trauma is not a singular trauma, it can still be in your brain, family, community for decades.  So you need to release this energy.

Second is kinesthetic intelligence which means movement.  First you need to connect with percussion, because percussion is like the heart of the mother when you are in the womb.  After that you need to move the energy - that means dancing. 

Through the study of anthropology, tribes use drums and dancing for healing.  They are doing a primary and very powerful therapy.  Even now we cannot understand what they do.  But they have done this all over the world in different countries and different areas.  It works.

JT: But those countries or indigenous groups don't necessarily have mindfulness.

KPP: Well, what is mindfulness?  Mindfulness is just to be awake, to pay attention.  What happens and how.  When they did a study in Central Asia and of the native people of North America, I saw the similarity they have in a strong connection with Nature.
The Mediterranean, Barcelona, Spain
That is the third intelligence. The naturalistic intelligence.  Because they have this strong connection they can read the clouds, they can read the wind, they can understand the spirits, the holy spirits.  That is something like navigating in a big google or in a big internet.  We cannot do it now because we have lost this power.  We have the ability to do it because we have three brains: the first brain is the amygdala, the second brain is more social and the third brain is the neocortex.

So we discover the neuroplasticity of the brain, the mirror neurons. We know that people are not healing the way they think they are.  They think because they go to the doctor, they are healing. But they are really healing because they are healing the trauma in their amygdala and creating more resiliency. They can be more compassionate with themselves.

To be continued
Kupe'e