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Dancing in the Sea of Life  
Halau i Ka Pono Hula Newsletter                                                 August 2013
 
  
Heart Mountain, Wyoming
Photo by Deborah Thoreson
Ka home kaupoku 'ole.
The home without a ridgepole.
A prison, ship, or any place that is occupied but is not actually a home.

'Olelo No'eau - Hawaiian Proverbs & Poetical Sayings, #1315

Collected, translated and annotated by Mary Kawena Pukui   

In This Issue
Czerina Salud


AUGUST 2013

  HULA CLASSES  

 

A wonderful way to feel the energy of Hawaii, gently tone your body, strengthen your core, and enjoy dancing to the beautiful music of Hawaii. No experience necessary. 

Saturdays

8:30 - 9:30 AM 

Mondays

6 - 7 PM  

 
Keiki (Children's) Hula Class

Mondays

New Beginners

6 - 12 years old 

5 - 6 pm 

Wednesdays

  6 - 12 year olds  

5 - 6 PM   

 

  Auana (Modern Hula)  

Dance to the melodic music of Hawaii.   

Wednesdays 

7 - 8 PM  

 

Kahiko (Classical Hula)

Go deeper into the culture of Hawaii through the old chants and hula of Hawaii.     

Fridays

10 - 12 noon   

Prerequisite:    
1 year experience or permission from Kumu.

 

  Wednesdays    

6 - 7 PM     

Prerequisite: 
6 months hula experience or permission from Kumu.


All classes are held at our sister organization:   

 Zen Life & Meditation Center 

38 Lake Street  

Oak Park, IL.   

Call 708-445-1651 or email 
june.tanoue@zlmc.org

 for info or to register. 

 

MAHALO FOR SUPPORTING
Halau i Ka Pono's
Talent Show Case!

Here is a slideshow of our Hula Weekend with music by Israel Kamakawiwoole.  Click here if you are on your mobile unit.
Mahalo to all the wonderful performances!!!

Mele (Hawaiian songs) sung by New York baritone, Jason Poole, (a.k.a. the Accidental Hawaiian Crooner) and Chicago mezzo, Czerina Salud

World Fusion Dance presented by tribal dancer, Danielle Meijer

Folk songs by Zen Priest and songwriter, Alan Senauke

Hula Kahiko (classical) and Hula Auana (modern) from the dancers of
Halau i Ka Pono
Heart Mountain

The Summit

Special Mahalos again to all the contributors to the Heart Mountain Fund! We surpassed our goal and ideas for a second pilgrimage next year are being planted.     

 

Here is a slideshow of this year's pilgrimage and a some photos of Cody.  Click here for mobile phones.  

 

Mahalo nui loa to Pilgrimage Supporters: 

Amanda Hartman, Anne Rediske, Annie Markovich, April Carvalho, Barbara Helynn Heard, Brian Tanouye, Carolyn Skippen,  Casey Groves, Charlotte Bunce, Dave & Cheri Levenson, Diana Conley, Edwin Yoshimura, Elizabeth Allen, Erika Comrie, Genro Gauntt, Gina Bilotto, Jacqueline Baker, Jeana Moore, Julie Moravec, Kay Ishii, Laura Fields, Lori Murphy, Louise Akamine, Margi Gregory, Martha Jean Tressler, Mary Lou Kobayashi, Mary Susan Chen, Molly Sutton, Pearl Ratunil, Peter Cunningham, Randy Allyn Baird, Robert Althouse, Sandra Fliegelman, Sarah Evans, Sharon Ankrum, Skye Lavin, Stephanie Mahelona and the Ladies of Ladies of Na Pua O Ku'ulei, Swami Saradananda, Whitney Laughlin   

 Moondust  
by Shay Niimi Wahl

MAHALO NUI LOA! 

A heartfelt mahalo to everyone who helps Kumu June and Halau i Ka Pono.  Your aloha and support makes a huge difference!   

         

Special Mahalos to: 

JoEllyn Romano, Czerina Salud, Betsy Puig, Joy Morgan Nicole Sumida Jason Poole, Danielle Meijer, Alan Senauke, Sarah Evans, Tasha Marren, Deborah Faith Mind Thoreson, Wendy Egyoku Nakao, Betsy Enduring Vow Brown, Sally & Bill Kimura, Kevin Niemiec, Julie Kase, Mieko Waldorf, Karen Mansfield, Katie and Grace Iammartino , Shay Niimi Wahl, Robert Althouse, Hoda Boyer.  
Quick Links 

 Etegami by
Shay Niimi Wahl
Part I

I was curious about Heart Mountain.  My uncle had mentioned it a few times when I visited him in the late 80's.  He, his wife and daughter were interned there during WWII. Internment is a polite word to describe the imprisonment of 110,000 people of Japanese ancestry in 10 concentration camps during the war.  62% were American citizens.  My uncle and 19 other relatives were part of the 10,000 people "relocated" at Heart Mountain - people uprooted from their daily lives in Los Angeles because of racial prejudice.

The internment camps were not as bad as the Nazi death camps in Europe, but as Dr. James Hirabayashi, Professor Emeritus and former Dean of Ethnic Studies at San Francisco State University, wrote in 1994, "...[this fact] does not negate the reality of the unconstitutional incarceration of Japanese American citizens."

My uncle was very angry and not just about the loss of material things.  I inferred what he was most bitter about was that he, an innocent man, was not respected as an American citizen.  He spent three years of his life in this forced relocation.  When I asked what he did at Heart Mountain - in his calmer moments - he said he farmed potatoes.  And that's about all he shared.  No one else in my family brought it up or talked about it.  It seemed like Heart Mountain had never happened.

My father was a medic in the Army and requested a furlough four times to go and visit them.  He was denied every time.  The fifth time he just went to visit them without permission.  He told me that he couldn't believe what he saw - the barbed wire and guard towers.  And when he asked the guard, "How come I'm fighting for our country and my family is here behind barbed wire?"  The guard just turned red and couldn't say anything.

Those were the only stories I ever heard about Heart Mountain.  When I thought about Heart Mountain, tears streamed from my eyes.  Why?  I wasn't sure.  But it was a sign that my heart was speaking, and I had to listen.

Thanks to the generosity of many contributors, I went on the Heart Mountain Pilgrimage, flying into Cody, Wyoming in mid-July.  I had never heard of this town - founded by the famous Buffalo Bill Cody in 1895.  The first thing I did after the airplane landed was stand on the runway to look for Heart Mountain.  I saw it in the distance.  It's hard to describe what i felt.

At 8,123 feet high, Heart Mountain is just north of Cody.  The Native Americans thought the mountain looked like a buffalo heart, and so one story says that's how it got it's name.  

350 million year old limestone covers the 50 million year old rock that is the bedrock of Heart Mountain.  We saw that aged limestone on the summit.  The stone was light tan with small patches of orange lichens growing on it. That image brought to mind how our ancestors surround and embrace us.

Cody is high desert country, drier even than Tucson, AZ.   There had been a nice rain during my first night there.  A true blessing. The rain caused an uncommon humidity the next day when we hiked to the top of Heart Mountain.  I love humidity - it reminds me of Hawaii.  
Standing on the side of the Heart Mountain Interpretive Center with the Mountain in the background.  June Tanoue, Betsy Brown, Wendy Egyoku Nakao, Deborah Thoreson.

My roommate on this trip was Wendy Egyoku Nakao, another Big Island girl, who is also the abbot of the Zen Center of Los Angeles.  Her Facebook post alerted me to the pilgrimage and sharing a room lessened the cost of the pilgrimage for both of us.  I appreciated Egyoku's calm, grounded presence.  We sat meditation together each morning.  She embodied clarity and fearlessness - a support for me.

Our first challenge was climbing to the summit of Heart Mountain.  We saw a golden eagle soaring in the distance as our 4-wheel drive jeep moved slowly on a one lane dirt road to the base of the mountain.  Miles and miles of fragrant sage brush dotted the landscape. We drove carefully since the road climbed over small ridges with sharp drops on either side.  

We arrived at the mountain's base after about an hour.  It was green and quite lush.  A light breeze gently shook the leaves of the quaking aspens which reminded me of the Hawaiian 'olapa trees in the forest above Waimea.  We walked through a riot of wildflowers in bloom: red Indian paintbrush, yellow coneflowers, and bushy tall goldenrods.  There were many trees with wonderfully shaped pine cones.  It was a challenge climbing the mountain at that altitude.  I thought there were parts of the trail that even a sure footed donkey might have some trouble climbing.  

But slowly and steadily we climbed to the top.  It was both exhilarating and frightening to be so high on the peak.  Exhilarating because of the vastness of space - scary because there were no ropes or railings.  I noticed many times I imagined tripping and falling down the mountain or the wind coming up suddenly and blowing me off the peak.  

Part II coming in September.

Malama pono (take care of body, mind and heart),   

 

June Kaililani Tanoue

Kumu Hula    


 

 

Czerina Salud

 

Czerina Salud was born and raised in Chicago. Her parents were born in the Philippines and then immigrated here in the 70's. Her mother's immigration to this country was unexpected, as she was only visiting the states while on vacation. During her visit Ferdinand Marcos (the president of the Philippines at the time) declared martial law following a series of bombings in Manila. Her grandfather advised her not to come back since it looked like the country was on the brink of civil war. Her mother took his advice and started a new life in Chicago.

 

Czerina currently works in marketing for a commercial real estate firm that manages iconic buildings in the Chicago area like Willis Tower, the School of the Art Institute and the Harold Washington Library. She is a singer and actor in Chicago's theatre and music community. Some recent and upcoming projects include staged readings of "Conference of the Birds" (June 2013) and "Yasmina's Necklace" (coming in September 2013) with the award-winning Silk Road Rising Theatre Company, and the 2013 Spring choral season at Holy Name Cathedral (parish church of the Archbishop of Chicago).

 

She is married to Dwight Sora who is from Eleele, Kauai where he proposed and they got married.

Czerina talked about her passions and hula story.


"I think at the end of the day what I'm actually most passionate about is people and communities. I have a lot of seemingly divergent interests I dedicate time to - hula, singing, kung fu, theatre. The common thread sewn through all these interests is the opportunity to both contribute and learn from all these amazing communities.

Through the hula community I'm learning how to filter the world through Hawaiian eyes and bring that vision of aloha into other parts of my life. Through the music and theatre communities I become part of the vehicle to tell stories about the world we live in and the ideals we hope for. Through the kung fu community I'm constantly reminded to exercise respect, not only towards the people around me but for myself as well.

It was initially the music that drew me to hula, but it was the values connected to the practice of hula that drove me to seek a process-oriented study of hula. After just my first class at Halau i Ka Pono, I was immediately impressed by the depth of knowledge that the hula students of this school had. They knew their kahea, they knew their oli, they knew the stories behind their hula. 

I also saw in these students not just the practice of hula, but the practice of aloha as well - they were welcoming, they were humble, they were persistent and hard-working; qualities I'd always hoped to find at a school.

I once described the pursuit of hula in Chicago as miraculous as a flower blooming in the desert. In the desert there is seemingly no environmental support to sustain the development of floral life. Not enough water, too much sun, too much heat, etc. Hula is like that in Chicago.

There is no ingrained sense of value of its cultural significance in the mainstream public (most mid-westerners tend to assume hula is a vegas-style throwback).

There's a saturated marketplace for dance instruction that a hula school will inevitably compete for attention against (if you Google "dance classes in Chicago" Google maps returns over 1,000 possible results).

There is no localized, broad network of Hawaiian musicians to support the presentation of hula with live music.

Hula in Chicago is primarily seen as a form of entertainment rather than as a practice of cultural preservation (again Google doesn't lie - search results for "Chicago hula entertainment" outnumbers the search results for "Chicago hula instruction" by a little over half a million results).

These are not exactly fertile conditions for hula to flourish in.
I'm amazed at the halau's persistence to continue the practice of hula as a process of cultural and value-based education in an environment that is inherently structured to offer little or no support of this practice.

I study at the halau partially to support the practice of the values I believe in, but also in part to learn just what it is that makes this desert flower able to survive in such harsh conditions.

If I ever figure that part out, I feel like I'll have something worth passing on someday.
About Halau i Ka Pono 

in Oak Park, IL.  Kumu Hula June Kaililani Tanoue established the school in 2009 and has been teaching hula since 2003.

 

Hula is the art of Hawaiian dance expressing all that we see, hear, taste, touch, and feel. Hula and healing go hand in hand in the halau.  The dance connects us to the grounding energy of the earth and opens us to the warm spirit of Aloha (love).  Come join us!

 

We enjoy hearing your comments and thoughts! 
Email Kumu June at june.tanoue@zlmc.org.  Mahalo nui loa!