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...Radu and his forces -- including Roxborough
harpsichordist Bronwyn Fix-Keller -- acquitted themselves more than honorably if not quite
spectacularly...by the second and third parts of "Judas Maccabeus," [Radu] was eliciting exciting singing from his choir, ...good playing from his baroque orchestra, and several excellent performances from his soloists. 

...the most
convincing renditions were the three solo concerti: the Oboe Concerto in G minor with soloist Sarah Davol, the Flute Concerto in D major with Steven Zohn,
and the Suite in D for Trumpet, Strings & Continuo with Elin Frazier. Davol expressively projected the intimate sweetness of tone of the mellow baroque oboe. Zohn proffered such delicacy of color and eloquence of phrasing with the wooden baroque flute that one truly lamented its modern replacement by silver, gold or platinum. And Frazier proved that the baroque trumpet produced a singing, rather than a ringing, tone. In all three works, Radu led the period
instruments of the Camerata Ama Deus with sensitivity to his soloists'
interpretations.