ToolkitSmall

A computer newsletter for translation professionals

Issue 9-9-149
(the one hundred forty-ninth edition)
Contents
1. Singing Translations (Premium Content)
2. Dark Room!
3. This 'n' That
4. Spamolot
5. A Löve Story (continued)
The Last Word on the Tool Kit
We're all unique!

This past week at the BDÜ conference in Berlin I realized more then ever before how varied the world of translation is. And how many translation markets there are. And how little can be said with absolute certainty about what our work is like. And, for that matter, how little one should generalize about technology. More on that in this newsletter.

Jeromobot came along, of course, but he had to keep a low profile because my 10-year-old daughter was with me as well and she is not overly fond of him (i.e., she is terribly embarrassed by him). In the interests of full disclosure, perhaps I should admit that she is not the only one. My wife's best college friend called to ask whether she should revise her opinion of me as a half-way intelligent person considering that I was still clinging to my relationship with Jeromobot. Well, some people like broccoli and others don't, I guess. But can you imagine what would happen if we were to give up on our patron saint now that we've found him? And Jeromobot continues to receive a plethora of fan mail, like this comment from Adam Warren: "The antics of Jeromobot make my knees turn to helpless jelly with laughter!"

Here is one Berlin impression of Jeromobot.

1. Singing Translations (Premium Content)

At the BDÜ conference I went to just a few presentations -- like most of you, I tend to get more benefit from talking to colleagues than from the actual sessions. Still, I tried to fit as many sessions on translation technology into my schedule as I could. With some I was frankly a little disappointed, especially the CAT-tools-are-really-cool- or -are-really-bad presentations. However, some were very stimulating, in particular a podium discussion titled "Who killed creativity? Do we really need TM?" This discussion was coordinated by Terry Oliver (who has been mentioned in this newsletter a number of times), and he was joined on the panel by some highly distinguished and experienced translators. Here is the write-up of this session from the proceedings:

To deny the blessings of technology would be absurd in an age like ours which benefits so much from the accuracy of laser surgery, the convenience of microwaved foods and the speed of broadband access. But in all these cases we still need the skill of the surgeon to guide the laser scalpel, the experience of the cook to set the heat and timer on the oven, and the discernment of the individual to sift, sort and select the information presented.

Voice recognition and computer-assisted translation tools can no doubt offer the same advantages of accuracy, speed and consistency. However, while it is irrefutable that translation memory (TM) software can improve terminological consistency and reduce confusion by standardizing forms of expression, the downside is often a less fluent, a stilted, or even a syntactically flawed translation. For certain types of text this signals a significant deterioration in quality of the end result.

Translation buyers and translators themselves need to be aware that, in many instances, the quicker and less considered the initial translation, the more extensive and time-consuming the process of self-editing becomes. TM tools are merely a means to an end and not an end in themselves. As such, they do not necessarily lead to overall cost savings on the scale that is frequently anticipated.

Like many of the other technological aids that surround us today, TM tools relieve us of much of the burden of our work, but they can never relieve us of our professional responsibility for producing an end product that is in every way as fit for purpose as it is possible for it to be.

The debate

Why is it that some people, once they start using TM, stop creating translations that "sing"? Does the TM approach improve process quantity at the expense of translation quality? Does the man-machine interface actually affect the thought processes of those using it? Is there anything we can do to prevent translation quality suffering? Are there certain kinds of texts that TM tools should not be used for on principle? Are people forgetting that TM tools are merely a means to an end, not an end in themselves? These and related questions will be discussed by a group of experienced translators who work in widely differing fields and who range from the highly skeptical to the convinced user of TM tools.

Most of the members of the panel spoke quite strongly against the use of translation memory technology (they actually spoke about "translation memory tools" -- but more on that later) in their particular fields of translation. Their arguments were so passionate that several folks approached me afterward to ask why I hadn't stood up to say something in defense of translation memory. The answer is that there wasn't much that could be said.

We so often make the mistake -- and I am as guilty of it as anyone -- of assuming that "translation" needs to be approached in a certain way. Yes, we know that there is literary translation, and we (I) by implication exclude that from our deliberations on how to translate. However, we (I) tend to lump all functional translations together in one big, well, lump. The fact is that there are so many fine and shady lines between the areas of "functional" and "literary" translations that this distinction may very well not make sense. For instance, panel member Chris Durban said that her financial translations need to be not only informative but also interesting and fun to read or the reader loses interest and puts the unread report aside. And there are many other examples where the repeatability and consistency that translation memory technology promises (and delivers) is not only undesirable but actually needs to be avoided.

But then, of course, there are many, many areas of translation where these are highly desirable traits. (There are also areas where a rough machine translation is all that is needed if it communicates the core concepts -- think of Microsoft's machine-translated knowledge base and the usability approach to translation.) The fact is that the majority of translators (and this will be especially true for subscribers of this newsletter) benefit (or could benefit) from certain aspects of translation memory technology, provided that they learn how to use it adequately. Yet it's also a fact that there are many translators who feel that translation memory technology clips their wings (to stay with the "singing" metaphor from the introduction to the panel).

Here is the only thing I would like to add to this discussion (and what I should perhaps have added during the discussion in Berlin): We are not doing ourselves a favor by calling tools like Trados, Transit, Swordfish, Fortis and the many others "translation memory tools." Granted, translation memory is a feature of these tools, but so is terminology management, quality assurance, file management/conversion/protection/accessibility, access to any former translation, and on and on. Very few tools are "translation memory tools" -- in fact, I can think of only a couple: Snowball and AnyMem. Most of the others are tools that provide a wide range of features to aid the translation process, creating a complete translation environment. I would also suggest that those who -- possibly rightly -- assume that translation memory in its core functionality (re-using perfect and fuzzy matches) hinders rather than helps them, would benefit from some of the other features of a translation environment tool.

Interestingly, there was a good discussion on the ATA's Language Technology Division's email list about the merits or drawbacks of the use of the term TEnT (as in "translation environment tool"). But I gotta say that, especially after once again seeing the misconceptions created by terms like "translation memory tool" at the Berlin conference, I think "TEnT" is rather helpful.

Oh, and speaking of conferences, it would be fun to see some of you in Warsaw in a couple of weeks!

2. Dark Room!

Every once in a while you might feel overwhelmed by all the bells and whistles of your word processor. Yes, you could just write on the white background of the MS Word canvas (or, for that matter, on a blue background with white characters in Word 2003 and below -- under Tools> Options> General), but you might find the mere presence of menus, toolbars, and other clutter annoying. Even Word's View> Full screen option might not cut it. At those times, you might want to look at Dark Room. And dark it is when you first start it. Plus, it's magnificently feature-free.

Here is how the developer described it:

Dark Room is a full screen, distraction free, writing environment. Unlike standard word processors that focus on features, Dark Room is just about you and your text.

Basically, Dark Room is a clone of the original WriteRoom that is an OS X (Tiger) exclusive application. It is a child of necessity, as there were no viable alternatives in Windows to produce the same behavior. Sure, you can kind of emulate the behavior by jumping through a bunch of hoops in Word/Writer, but it isn't the same.

It was really eye-opening for me to open this application for the first time. It took me back to what it felt like when I had to write something and all I could do was stare at a white piece of paper. Only in this case, it is completely black (you can change that by pressing Ctrl+,) and I'm not staring at paper but at the computer screen. So now it's all up to me. No distractions. Just me and the keyboard.

Quite honestly, I'm not sure how much this will help a translator who is used to working with TEnTs and likes to rely on terminology, translation memory, and formatting, but for someone who translates or writes just plain text this is quite the experience.

In case you feel caught in the program and need a way out, Ctrl+Esc will do the trick and even display a minimalistic menu bar. (Another shortcut that might prove handy: Ctrl+S to save.)

And you probably guessed this: yes, it's free and no, there is no separate installation necessary.
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3. This 'n' That

Uwe Scholz pointed me some time ago to a product called NXPowerLite. This product, much like its competitors FILEminimizer Office and PowerShrink, allows you to compress MS Office files without losing much quality. I have admittedly not tried any of these products, but one area where I could see an immediate use would be to shrink PowerPoint files, which can be obscenely large, or of course Word files.

For the obsessive-compulsive among us who just CANNOT HANDLE all these open applications on the desktop, there is WindowTabs, a tool for Windows XP and above that allows you to organize the different application windows into a tabbed interface, comparable to a tabbed browser interface, so that you can easily see what you can switch to. And if you have an application that you want to take out of the tabbed interface, you can just drag it out of the group (which, by the way, you can also do with almost all browsers, except Internet Explorer).

Another thing that some browsers are good at and others are not is something I recently stumbled on: web fonts. What? Well, we all know that the number of fonts we can use for web pages is very limited (and, incidentally, all owned by Microsoft). The reason for that is that a font of a web page needs to be installed on the computer of the user who views the website or else the computer switches to a default font which typically messes up the design of the website.

To allow for more versatility in designing web pages, a relatively new technology has been introduced that allows for the download of fonts alongside web pages so that the designer of the webpage knows what font will be used, regardless of whether the user has it installed or not. The one downside to this is that most fonts are registered entities that belong to someone, and this technology makes it relatively easy to share these fonts willy-nilly, thus violating the font owner's copyright. That's why Microsoft has been rather hesitant to support this technology (it does this only through its proprietary Embedded OpenType fonts -- you can read here how to make this compatible with others browsers).

However, other browsers, including the newly released Firefox 3.5, Safari 3.1, and Opera 10, support .ttf font files, making it possible to view pages like this, this, or that. But again, this will not work in any other of the main browsers or in lesser versions.

Some may think that this is geeky and irrelevant - but I think it's beautiful; to tell the whole geeky truth, it makes my heart beat just a bit faster!

(By the way, this is naturally not possible in Chinese, Japanese, or Korean where the fonts would be too large to download.)

And to finish this whole thing with fonts and browsers off, I just found this very clever freeware tool called FontList. This tool opens your default browser with a list of all the fonts that are installed in your system in their actual representation so you can have a great overview of what you have or don't have. Alongside the individual fonts you can find little buttons that even allow you to look at them in italics or bold.

Once you run FontList, your default browser is started, which may or may not be a good thing. You see, in this case it is Internet Explorer that is superior to other browsers since, unlike them, it is able to display non-Unicode fonts alongside Unicode fonts. But, no worries, even if Opera or Firefox are the browsers in which the first view is generated, a copy of that file is saved in My Documents where you can then open it in IE.
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4. Spamolot

There was a time when I received between 1200 and 1500 spam messages a day. Though 99% were caught by my anti-spam program, it was still extremely annoying. Extremely annoying! Fortunately for me this has come down to only a couple of hundred, but they are still not particularly welcome. So it's helpful that Czech translator and publisher of the jobs-translators list Radek Pletka sent us a very helpful list of email addresses that you can use to report spam, if you receive undesired mails from these providers. Here they are:

  • Yahoo: abuse@yahoo.com
  • Microsoft: report_spam@hotmail.com, report_spam@live.com, report_spam@msn.com
  • eBay: spoof@ebay.com
  • PayPal: spoof@paypal.com
  • Google: gmail-abuse@google.com
Radek also advises you to forward not only the email but also the header info (for those who don't know how to access the header info, you can check here -- this list is a little outdated so if you don't find appropriate info for your email client, you might have to google for it). Radek has tested most of these addresses and reports quick action of the side of the provider.
5. A Löve Story (continued)

Here is the next in the series of characters I really like. It's the one that connects The New Yorker magazine with heavy metal. Kind of.

If you have a Javascript-enabled browser, hold your cursor over the character for a definition.
The Last Word on the Tool Kit

If you would like to promote this newsletter by placing a link on your website, I will in turn mention your website in a future edition of the Tool Kit. Just paste the code you find here into the HTML code of your webpage, and the little icon that is displayed on that page with a link to my website will be displayed.

Last week this reader added a link:

www.lokanath.de

© 2009 International Writers' Group