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Newsletter                                                                  October 2009
In This Issue
Early Decision & Early Action
The Admissions Audition
Now Enrolling Juniors
Connect with Educational Advocates
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Early Decision & Early Action: What You Need to Know
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If you are a senior in high school, you are most likely in the final stages of narrowing your college apply list. You may have noticed that some colleges offer early action and early decision deadlines. Before you decide on a decision plan, it is important to understand the benefits and disadvantages of early applications.  Here are some frequently asked questions about early action and early decision:
 
What is the difference between early action and early decision?
 
Early action applications are typically due in early November or December, and students get an admission decision as early as the third week of December. However, students may still apply to other colleges on an early action and regular decision basis, and they decide where they want to matriculate once they receive all of the admission decisions by April 1. Early decision (ED), however, is binding. If a student applies ED, they sign a contract committing to the school. This contact cannot be broken except sometimes in the case of a student not receiving enough financial aid from the college.
 
What are the advantages of early action and early decision?
 
It can be a relief for students to apply early action and find out before the holidays that they have been admitted to one school. One former client has this advice for seniors, "Apply to an EA school where you think you will get in and that you like. You will have one application out of the way, plus it will force you to have your essay done by November, which is very important!"
 
For early decision, some colleges and universities admit a larger percentage of applicants in the early pool than in the regular applicant pool. As a result, it can sometimes be slightly less competitive to get admitted if you apply early decision. Of course, you must fall within the academic profile of typically admitted students and be a viable candidate.
 
What are the disadvantages of applying early action or early decision?
 
At certain colleges such as Boston College, applying early action can be more competitive since they hold early applicants to a higher standard than those in the regular applicant pool. Therefore, it is important to carefully review the college's early policies on the website and to call or email the admissions office with any questions.
 
The risks for early decision are that sometimes students decide to apply ED for the wrong reasons. Students who are stressed by the burden of completing applications sometimes see ED as way to get an answer fast and get the process over with. However, since students do not receive a decision until two weeks before most other college deadlines, they leave themselves very little time to complete other applications if the decision from the ED school is a disappointing one. (This is why we require our clients to complete all other applications by early December so they are ready to submit at the tap of a button if necessary.) For some students, applying ED narrows their options too early. Many seniors report that they changed their perspectives about colleges more than they anticipated between fall and spring of senior year. Those that have applied ED and get admitted must withdraw all other applications and commit to the ED school. Sometimes students get "buyer's remorse" and wish they had not committed to one option so early. Students must be absolutely sure that their ED school is the only place for them, and that they cannot imagine themselves anywhere else. If they cannot do this, then ED is not the right option.
 
The effect on aid awards is another disadvantage. Unless you are accepted into a college that guarantees to meet financial need with grants instead of loans, you risk getting a poor financial aid package or little merit money when you apply ED. While this is not the case at all colleges, less wealthy institutions have little incentive to award grants to a student if they are committed to coming anyway. In short, ED is sometimes only an option for those who can afford to pay a significant percentage or even the full cost of attendance.
 
I am an athlete and the coach wants me to apply early decision. What should I do?
 
It is true that many college coaches are trying to fill out their rosters. In return for a commitment to recommend you to the admissions office, they want you to commit to their program by applying early decision. If you decide not to do so, then you risk the coach no longer being interested in you for his team come April. Again, you need to be sure that you like the school to apply ED, however, if playing your sport in college is very important to you then you might have to go the early decision route, provided that you are offered the financial aid for which you are eligible.
All Acting, All Singing, All Dancing: The College Admissions Audition
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Even for the most seasoned performer, an audition can be daunting. When added to the already stressful college admissions process, admissions auditions, often used at universities with competitive programs in dance, drama, and music, can seem like an insurmountable and sometimes confusing challenge. To help you navigate this complicated process, we've gotten advice from Laura Skaug, a professor at the Theatre and Dance Department at Belmont University in Nashville, TN, and Halley Shefler, a consultant at The Arts Edge and the Dean of Admissions at Boston Conservatory. Here is what they had to say:
 
Choose Your Material Wisely
Many theatre auditions ask that you prepare two contrasting monologues that are under a certain time limit (usually two to three minutes). While this might seem straightforward, there are a number of things to consider when selecting a piece. The two monologues you choose should be:
  • Age (and gender) appropriate. Both Laura and Halley cautioned against selecting monologues that are obviously meant for a much more mature performer or are meant for someone of the opposite gender. If you are a girl, selecting a monologue for Romeo from Romeo and Juliet or Orsino from Twelfth Night is a risky idea.
  • Adhere to the stated time limits. Laura notes, "No school will ever be upset if you are under time but because audition days are often long if you go long it can be a disadvantage." While you may have only a few minutes onstage alone, auditions are an endurance test for the evaluators.
  • Well-written. Halley suggests starting with Shakespeare or Moliere when looking for classical pieces, and Arthur Miller, Tennessee Williams, Edward Albee, William Inge, and Sam Shepard for modern, post-war pieces.
When considering monologues, you should also take the time to read each school's audition information. Oftentimes, schools will give specific information on selecting a piece, including things they don't want to see. Schools like Marymount Manhattan even offer a list of suggested monologues and monologues to avoid.

Practice, Practice, Practice
While practice might not make perfect, it is a key to having a successful audition. Besides determining the length of your pieces, rehearsing lets you get a better sense of the monologues and allows you to figure out how to play it in front of an audience. You should also consider rehearsing with your drama teacher or fellow drama students. Not only will this give you the opportunity to practice in front of an audience, but getting additional notes and critiques also can help you improve your performance and delivery.
 
Besides practicing your monologues or songs, you should also be familiar with their context and how they fit within the larger work. Not only might this come up during your audition or interview, but it also is obvious when a student knows the monologue but does not understand how it fits within the play as a whole. Halley says, "Too often, students come in and they have no idea what the story is about and what they are singing about." In this vein, Laura advises against using monologue books, since they are "the first place inexperienced actors go to look for material" and they can contain pieces that are overdone. Instead, students should discuss appropriate monologues with their drama teacher and, in particular, consider monologues from plays in which they have previously played roles.
 
Be Ready for the Unexpected
Admissions auditions can be unpredictable, and each college runs them differently. In some cases, you may be asked to do some improvisation work by yourself or with other students, or the professors in attendance might give you some direction regarding your monologues and ask you to perform them again. If you are auditioning for a musical theatre program, the auditions usually include a dance or movement workshop. Some schools, such as New York University, have an interview in addition to the audition. Be prepared to go with the flow and participate in anything that is asked of you.
 
Come Prepared
Although the audition process can be unpredictable, a little research can give you some idea of what to expect or at least help prepare you for whatever might happen. Prior to the audition, look up each of your school's audition websites to see if there are any specifics on the audition process. New York University's Tisch School of the Arts gives clear guidelines of what to expect on audition day.
 
In general, you should come to auditions with:
  • A performing arts resume
  • A clear photograph of you (a headshot is ideal)
  • A clean copy of your monologues
  • A copy of your sheet music in the proper key
  • Appropriate attire for a movement workshop (especially if you have a dance audition)
  • A bottle of water
  • A good attitude
  • Lots of focused energy - some auditions can last several hours
Have Fun
Laura's most important piece of advice for students who are auditioning is to "Go into the audition as if there is no place else in the world they would rather be. It's OK to be nervous but if it feels like they don't want to be there it shows!"
 
Halley Shefler of The Arts Edge conducts audition workshops and rehearsals for students. For more information, contact her at info@theartsedge.com.
Juniors: It Isn't Too Early To Start Thinking About College

We are now enrolling juniors for college planning. With a range of different services and packages, we strive to offer the support you need during the college application and admission process. Call us at 617-734-3700 for more details.
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Joan Kelleher Casey, President
jcasey@educationaladvocates.com
Newsletter editorial staff:
Joan Casey
Terri Suico