| "My Days as a Princess" |
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Katherine Goldman, a senior at Los Altos
High School and past president of PYT's Youth
Advisory Board, wrote this essay about
performing in PYT's first production of "A Little
Princess" to accompany her college applications. She
hopes that reprinting it here will encourage other
young people to audition for PYT shows.
This summer, PYT will be putting on a production of
A Little Princess. It will be a small show, with
local children singing, dancing and acting their hearts
out through this timeless story. I will be in that
audience for a number of reasons: I will know many of
those children. I will relate to the adventures that those
children will have gone through. And I will know the
show, inside and out, because I was in that particular
production, six years ago from the day I see it.
I was 11 when PYT did this show for the first time.
Through some stroke of luck, I managed to get the
starring role. It was the first time I had a lead, one of
the first times I had a solo. I had a lot of solos: I was
Sara Crewe. I loved the experience. Throughout the
rehearsal process, I became my character: a
kind, sweet girl who befriended everyone.
The opening show was a blur. I remembered my lines
and my songs; I went through the dances like a
delicate little princess. The show ended with a rush of
emotion: excitement. Joy. Pride. I did it! I was the little
princess! I ran out to the lobby to greet my family and
my friends, to jump up and down, and giggle with utter
delight. Everyone there was equally excited. My mom
smothered me in hugs, and my dad had a beaming
grin. I stood with them, talking, taking in the moment.
As my initial glee began to die down, my mom pointed
out a little girl behind me, holding a flower. She
couldn't have been any older than 5. She walked up to
me and gave me the flower. I had never seen her
before, but it didn't matter. What mattered was that
she came up to me and gave me that flower, with a
little note attached. A week later, I sent her a thank-you
card. It was the kind of thing that Sara would do.
In the spring of 2006, I did another show. I wasn't the
lead in this one, nor did I have a hundred solos. I was
simply a supporting actor, but that same excitement
that stirred through my veins in A Little Princess
stayed with me in this new show.
Then, one day, as a parent helped me put my
microphone on, he said something interesting: "I'm
here because of you." Mike Cobb told me that
his daughter was doing this show because she had
seen a performance here five years ago. Amanda
loved the show and the girl who played the lead,
who had been kind enough to send her a thank-you
note for a flower. That memory was so strong that she
eventually decided to try it for herself.
I turned pink when he told me this, but not from
embarrassment. It was from pure joy. I had touched
someone, even if it was a 5-year-old from five years
ago. I had changed someone's life. I got her to think a
little about what she wanted to do with herself, and
even if it was just a small change, it still made her
different. And all thanks to me.
Because to me, the stage is something special. It's
not just a place to go and sing a song, to do a dance,
to get applause. All that is great, sure, but it's also the
place to enter a new world, and eventually learn
a lesson about the world they're actually in. As an
actor, I've already gone through that kind of process.
I've thought about myself and what I can bring to the
role, then I pour that emotion into whatever part I'm
playing, be it Grizabella from Cats or the
Scarecrow from The Wizard of Oz. The
audience gets to enjoy this new place, and the
laughter and applause prove that I've actually changed
them, just a little. Their energy is my energy; they fuel
me into becoming an angrier cat, or a floppier
scarecrow, or a sweeter little princess. And I live off
that energy. I need it the way a sleep-deprived person
needs caffeine. Theater shows people at their finest
moments, both onstage and off. Pouring your soul into
a song is a powerful feeling, but once someone is
there to feel it with you, that feeling elevates to a new
level. And that's when it all feels right: You're changing
someone, and they're changing you. It's a win-win
situation.
Both Katherine and Amanda can be seen in the
Manolo Blahnik cast of "Cinderella," where Katherine
plays the title princess.
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| Cameron Veterinary Hospital |
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Peninsula Youth Theatre would like to acknowledge
Cameron Veterinary Hospital of Sunnyvale for
its logo sponsorship of the 2006-07 season. The
animal hospital has been a PYT sponsor for the past
three seasons.
Mary Kate Cameron, a doctor of veterinary
medicine, opened Cameron Veterinary Hospital in
April 1999 to provide the best veterinary medical
service possible by listening to clients and
understanding exactly what they want in terms of
lifelong care of their pets, and by communicating
genuine caring to patients and owners alike. Kate
graduated with honors from the School of Veterinary
Medicine at the University of California-Davis in 1982.
Her special interests include internal medicine,
endocrinology, geriatrics and unusual pets. Kate's
exceptional rapport with patients, and tireless
willingness to explain disease entities and health
issues to their owners, has won her a large and
faithful clientele. She is supported by a caring and
well-trained staff that is committed to providing
optimum care.
Dr. Cameron's family has participated in PYT
productions since 1998, when son Zack
danced the "funny bunny rag" in The Velveteen
Rabbit. Zack, now 16, has performed in numerous
CenterStage shows and plays percussion in the
orchestra. Daughter Mackenzie, 12, has
performed in a dozen productions, including playing
Toto in The Wizard of Oz. Kate's husband,
Peter Froeberg, has played trumpet and
fluegelhorn in the orchestra for countless PYT shows.
Kate herself played accordion in this season's
Fiddler on the Roof.
Cameron Veterinary Hospital is in the Westmoor
Shopping Center at 1285 Mary Ave., Sunnyvale. The
phone number is (408) 733-7501, and the Web site is
www.cameronvet.com. Hours are 9 a.m. to 5:30 p.m.
Monday-Friday and 9 a.m. to noon Saturday.
PYT would not be able to continue with its mission to
provide outstanding theatrical experiences to our
community without the support of sponsors like
Cameron Veterinary Hospital. If you or your business
is interested in sponsorship opportunities, please
contact Emily Wu, development director, at
(650) 988-8798, extension 305, or ewupyt@gmail.com.
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| Alumni Plan Cabaret Night/College Roundtable |
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The Alumni Association Council, chaired by
Stephanie Ringstaff, is busy preparing for two
events this summer: its second Cabaret Night and its
first college roundtable.
Steppin' Up, Moving Out, the 2007 Cabaret
Night featuring song and dance numbers from favorite
musicals, will begin at 7:30 p.m. June 30 at King's
Academy, 562 N. Britton Ave., Sunnyvale, with a
reception immediately following. Performers expected
to participate include Kendall Bartlett,
Sarah Cook, Christopher Custer,
Blythe Faxon, Tony Feenan, Neev
Garbi, Sarah Goer, Alisa Healy,
Dan Hurst, Alison Koch, Andrew
Krach, Sean Kranz, Justine
Lauren, Fiona Lawson, Kyle
Nielsen, Megan Putnam, Jessica
Uher and Peter Woolhouse.
Advance tickets cost $12 for adults, $10 for seniors 62
and over and children 12 and under. Orders can be
dropped off at PYT or sent to Stephanie Ringstaff,
1705 Oak Ave., Redwood City, CA 94761, no later than
June 25. Checks should be made payable to the PYT
Alumni Association. Tickets also will be sold at the
door for $14 for adults and $12 for seniors and
children. Proceeds will fund future alumni events and
PYT benefits.
The council also invites high school students and
their parents to a college roundtable/supper social at
5 p.m. June 9 at PYT. Alumni will field questions
ranging from the application process, to academics
and performance opportunities, to college life.
Schools expected to be represented include Loyola
Marymount University, New York University, Santa
Clara University, Stanford University, UC-Berkeley, UC-
Davis, University of Southern California and Yale
University. If you are interested in this event, please
RSVP by June 1 with your name, phone number and
the number attending to PYT Development Director
Emily Wu at ewu@pytnet.org or (650) 988-
8798, extension 305. For an updated list of colleges
that will be represented, or if there's a specific school
you'd like to have represented, contact Stephanie at
(650) 743-2154 or pyt_alumni@yahoo.com, and she'll
see what she can do.
Besides Stephanie, the Alumni Association Council
consists of Emily Borromeo, Dan, Sean,
Diana Partridge, Nic Rouleau and
Jessica.
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| Order "Harry Potter" and Support PYT! |
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Thanks to the efforts of PYT Board secretary Carol
Doup Muller and
the generosity of Hicklebee's bookstore in
San Jose, PYT has the opportunity to raise $7 for each
Harry Potter And the Deathly
Hallows that we pre-sell. You may return the form
to the PYT offices or fax it to (650) 988-0823.
If you haven't already pre-ordered your book, now is
the time to do so. Please ask your friends and
relatives if they would like to pre-purchase a copy and
support PYT!
You will be able to pick up your copy on or after July
21 at the PYT office.
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| Volunteers Needed |
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Interested in working behind the scenes? PYT needs
energetic and enthusiastic volunteers to join the
publicity and development committees. For more
information, contact Karen Simpson at
ksimpson@pytnet.org.
Do you "wanna be a producer"? PYT is seeking
friendly and detail-oriented volunteers to join the
production team. For more information, contact
Joan
Adelman at pytmom@aol.com.
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Clock Ticks Down to "Cinderella" |
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Audiences looking for a ball should step out for
Peninsula Youth Theatre's spring production of
Kate Hawley and Gregg Coffin's
madcap panto Cinderella, running May 12-
20 on the MainStage of the Mountain View Center for
the Performing Arts. Blending fairy tale, vaudeville,
stand-up and revue, it's a god(mother)send for
children and adults alike. Think Mother Goose meets
Monty Python, Stephen Sondheim and Bob Fosse!
Cinderella was developed by Shakespeare
Santa Cruz, where it premiered to great acclaim in
1999 and has been a favorite since. Hawley (book and
lyrics) and Coffin (music) drew their inspiration from
British pantomime, a holiday staple in merry old
England since the mid-1880s that has nothing to do
with mum Marcel Marceau types and everything to do
with boisterous fun. Cinderella was so
successful that Hawley went on to write three more
pantos: Gretel & Hansel, with music by Craig
Bohmler, and The Princess and the Pea and
Sleeping
Beauty, both set to music by Adam Wernick.
Hawley grew up in Los Altos and received her
theatrical training at the University of California -
Berkeley, American Conservatory Theater, UCLA and
UC-Santa Cruz. Since 1982, she has performed with
such companies as Shakespeare Santa Cruz,
Cabrillo Stage, Actors Theater and San Jose Civic
Light Opera (now American Musical Theatre). Her
writing credits include the plays Messages,
Simply the Thing She Is and Diva Days,
as well as the award-winning screenplay Who
Would You Rather Sleep With?
Coffin wrote the book, music and lyrics for the
musicals Five Course Love, Convenience and
East of the Sun/West of the Moon. An associate
artist at Shakespeare Santa Cruz and Geva Theatre
Center in Rochester, N.Y., he also composed the
music for The Wind in the Willows (adapted by
Paul Whitworth) and the incidental scores for
productions throughout North America. As an actor,
Coffin has performed with Shakespeare Santa Cruz,
Geva Theatre Center, Sacramento Theatre Company
and PCPA TheatreFest. Coffin holds a bachelor's
degree from Oberlin College and a master's from
Southern Methodist University.
Cinderella is directed by PYT artistic director
Dexter Fidler, with choreography by Katie
O'Bryon and musical direction by Christine
Nielsen. Gentry Magazine, Cameron
Veterinary
Hospital, Daniel D. Meyers and
Foothill Disposal are
the show sponsors, along with the Cobb, Healy
and
Murphy families. Show times are 2 and 7:30
p.m. May
12, 13 and 19; 7:30 p.m. May 18; and 2 p.m. May 20.
Tickets cost $18 for adults, and $15 for kids 12 and
under and seniors 62 and over. Discounted weekday
matinees will be held at 9:30 a.m. May 17 and 18.
Tickets for those performances cost $7. To order, call
(650) 903-6000 or visit www.pytnet.org .
Click HERE for tickets and information!
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Funding provided by:
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