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The BMX- NY Gatekeepers  e-Newsletter

JANUARY  20th, 2012
Black Men's Xchange-National

 
In This Week's Gatekeepers Issue
This Friday's BMX-NY Topic:
Speaking the Unspeakable: Having Voice in the Black Community and Beyond
Friday Forum Recap (12|23|11): "AM I ALL THAT I OUGHT TO BE?" - A Kawaida Kwanzaa Primer
Upcoming Topics: BMX- NY 2012 Winter Calendar
Community Corner Announcements
SGL Black Heroes:
Countee Cullen
The Bawabisi SGL Symbol
About The BMX-NY Chapter...
BMX Mission Statement
Black Men's Xchange National Gatekeepers e-Newsletter Archive Homepage
 
 

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When & Where Are Our Chapter Spaces?
 
BMX-New York Chapter:
730 Riverside Drive
(@150th Street)*
Suite 9E
Harlem, New York 10031
212-283-0219
Website: BMXNY.org 


*PLEASE NOTE:
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Time:
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Email:
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Phone: 212-283-0219

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.Welcome To The Black Men's Xchange National Gatekeepers e-Newsletter. This e-newsletter is for the BMX-New York chapter gathering  on Friday, January 20th, 2012.


 

Brothers, please if you would take the time and tell us about your experience at a BMX-NY meeting. This is a confidential Survey with no names required. We appreciate your time and comments as we continue to try and make your experience at BMX-NY one of true community. 

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BROTHERS! Although not required, BRINGING A POTLUCK DISH AND/OR BEVERAGE of your choosing would be a generous offering for the repast after the group discussion! Your offering defrays a cost to the organization.  Also, end of gathering DONATIONS are also greatly appreciated, too. THANK YOU!

ACHE!

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BMX- NY  Topic  For  This  Friday,  January  20th,  2012  

 

PERCEPTIONS OF MY BROTHER:

A Conversation Among African-Americans,

Africans and Afro-Caribbean Men  

          

Facilitated by GM Green       

                  

Africa Continent Collage

What role do geography, national origin and shared historical events play in how we identify?


Is it important to know African American History as a Diasporan countryman?


To what extent might our perceptions about differences between us from one part of the Diaspora to the next be shaped by mass media?


What happens when we attach SGL to African or Afro-Caribbean?


Does white supremacy differentiate between our different identities?


How can we build solidarity across our differences?  Should we?  Why?


           

  

 

 

Friday  Forum  Recap

(BMX- NY  Topic  Hi- lites  From  Friday,  January  13th,  2012) 

 

EDUCATION & BLACK MEN: Moving Forward  


Facilitated by L. Jett Wilson    

 

 

In a new year, new you kind of focus, the men of The Black Men's Xchange-New York pondered our relationship to education in the following questions::   

 

 

While it's true that 'college isn't for everyone,' what is education for?


"We need to understand who we are...We are natural men...We are very creative...We have the intellectual capability to be leaders...[We need to] have voice..."


{Facilitator says, "Each of those things [you propose about us] is a process...What are the resources needed to take up those processes?...Can you learn without a teacher?..."}


"By us being in this room [with each other right now,] we are learning from one another...We are all teachers...You don't have to be certified...I did a research study on why [Black youth] use the 'n-word'...[For my part] I didn't have role models... All I had were the club scene and Christopher Street..."


"Yes...A lot of thoughts come through this room...I have notebooks full...It kind of reminds me of our African American story...Where we were not allowed to learn to read, but we learned [anyway] and then we advanced ourselves...That's what we have to do [as SGL men]...the education is never going to be for us...My formative development wasn't here, but I wanted to come here to learn because everyone I saw who came [and studied] here were just brilliant..."


{Facilitator says, "Can we change the system?[so that the education is for us?]...Do we want to?..."}


"Yes...Every year in the spring in Harlem, there's a lottery...and hundreds of parents come and wait and see if their kids get picked for charter schools...Vouchers is what give the parents power..."


{Facilitator says, "That's changing how the monies [for education] are distributed...But, the system [under that framework] is the same..."}


"You just made me think...What I could do is take the bibliography we use in the library every year during Black History Month and book-mark it...And, because not everyone reads, make a list of Youtube videos people can go to where people who look like us will be teaching...that's one thing that I can do to change the system...Using the neighborhood as an instructional tool, instead of just having a flat list of sites next to the book you're not interested in..."


{Facilitator asks, "How is it that [on average] two-thirds of Black men don't graduate from high school [nationally?]...The logical next step after high school is college or a career...and more young Black men are in prison than in college?..."}


"All colleges are not for everyone...Back in the 70s when so many kids petitioned to get into City College, they didn't have the right skills...Let's go back to high school......If they don't sit a certain way...or act a certain way...[the message they get from the teacher is] I don't want you here...While they don't say it outright...the grades tell them that...So, let's not just look at the child or the individual...Let's look at what's in the environment...What happens when people are supposed to help you and they don't..."


"Education is learning...When you mention [what] is the reason there are more Blacks in prison than In college...Is that by design?...Yes...When we were protesting [for better education we didn't reallize]...The system works on dollars and cents...The rules are made up to protect the people who set them up...We don't even talk among ourselves...the way we should..."


"I am a school teacher...What [somebody] started saying about, they're taking away school supplies...that is true...The budget has been reduced...And when the budget is reduced [certain items] are going to be cut..."


{Facilitator says, "That's not true...[What get's cut] is a matter of the leadership...the school Principal['s choice]..."}


"The budget has been reduced...So, what's  been said about teachers not getting paid...We haven't gotten a raise in three years...[Reading] In the dictionary it says {education is] 'Instruction and training in an institution of learning'...So, it's saying the only way you can learn is in an institution...Some kids learn at different paces...Like me...I can't learn by just having something told to me...I have to see how something works...let me see how you make the bike and watch me make the bike...I work with this autistic kid...You're going to hear about him...He draws...He's already in the Metropolitan Museum of art...We all have different gifts..."


{Facilitator asks, "Where do we find ourselves as a people...As teachers?...Leaders?...Policy-makers?..."}

 


How would you characterize your educational experience, historically?


When I was in high school, my family was an integrationist family...Everywhere we moved, we were the first Black family in the neighborhood...I used to play hooky...The LGBT Center was Maritime High School...I loved it because it was all-male...My maternal grands' had a school in North Carolina, and [racist Whites] burned it down...My grandfather was rebuilding it and they killed him, and [then] my grandmother had a heart attack and died...In 2004, the 50th anniversary of Brown vs. Board of Education, I went to a celebration [where they shared that] the first names on the Clarendon County subpoena were my family...The reason for education was economics...The way they did the Native Americans...they could either kill them or let them put them on the reservations where they controlled the schools...We always had our own Black schools...We have to have our own schools...They never educate us...They have no interest in educating us..."


"Everyone can go to college...Not everyone wants to go to college...I was not the smartest kid...I was in the skills program...I got left back twice...It was hard for me to learn...My mom made me sit down and read until I got it...No TV during the week...I had to sit down and read until I got it...[But, in the end] I got a regents diploma..."

 

{Facilitator says, "Let's factor in our experience as Black men and the secret that most of us carried through school..."}


"I went to a Seventh Day Adventist School here in Harlem...not because we were [Adventists,] but because it was a parochial school...It was all Black, and they did a damned good job...I left and went to P.S. 186 and the difference was night and day...I was at the top of the class...Kids were acting out...I didn't have a Black teacher again until [I was in] the military...Now I'm an adjunct...I've learned there are different modes of learning...At 186 I didn't trust what the teachers were teaching...Some people have great memories...Education isn't for everyone, but it is for a lot of people...If they really had an interest, they might do well...But, if it doesn't seem relevant to you...Because of the way I used language, they would say I was either gay or White, which was the same thing as gay in their view...


"When I went to college, it wasn't relevant...I had an aptitude for computer science, and that's what I took...But, they have these core classes...And they certainly didn't have African Studies, except as electives...And there was the money [they were charging me]...I have to go to college and I have to pay for it and I'm not taking anything I want...I had a History course...They were talking about Napoleon...I wasn't in the least interested...[I wondered] 'Where am I in all this?'...The second thing is, I learned better through visual representation...There's the theory about right-brain, left-brain orientation and how Black people tend to be more right-brain..."


{Facilitator says, "Four Brothers have described four different learning styles...In school, we are expected to sit still...be attentive...raise your hand...be polite...these qualities are attributed to White girls...What is education?...People say all the time, 'I'm not religious, I'm spiritual'...So, when I think about education versus learning...the system is not attentive to our needs...and then I'm not being taught anything about myself...Paolo Freire conceived a methodology called pedagogy of the oppressed..."}


"I came by a Baldwin quote in a wonderful book I'm reading which goes as follows, [Reading] 'The paradox of education is precisely this - that as one begins to become conscious one begins to examine the society in which he is being educated.  The purpose of education, finally, is to create in a person the ability to look at the world for himself, to make his own decisions, to say to himself this is black or this is white, to decide for himself whether there is a God in heaven or not. To ask questions of the universe, and then learn to live with those questions, is the way he achieves his own identity.  But no society is really anxious to have that kind of person around.  What societies really, ideally, want is citizenry which will simply obey the rules of society.  If society succeeds in this, that society is about to perish.  The obligation of anyone who thinks of himself as responsible is to examine society and try to change it and to fight it - at no matter what risk.  This is the only hope society has.  This is the only way societies change.'...So, education is to facilitate our forging an identity...Like self-determination...'I will name myself, define myself, create for myself and speak for myself...As opposed to being named, defined, created and spoken for by others'...That's the challenge for us..."


"The purpose of education...You get education to get the job...Or, is it about self-realization?...While college may not be for everyone, it's a good damned jumping off place..."


"I heard people say college is not for everyone...They usually wind up dropping out of high school..."


"We shouldn't encourage our kids to believe that [college isn't for them]...We should encourage them that there are no limits to their intelligence...The people who do go to college, on average do much better...Most of us will not be Jay Z or Steve Jobs who can drop out and become a billionaire...Napoleon was the one who went to Egypt and started teaching that Egyptians were White...So that, all history is connected..."

 


Is there anything you could learn that might help you to be a freer, more empowered same gender loving man?


"I wanted to come here because I think it's important to bridge the generations...There's stuff I want to learn from you, and there may be stuff you can learn from me too..."


{Facilitator says, "You talk about bridging the generations...You are twenty...Even for me, [a different generation] we are oftentimes in the prison of our own minds...When we talk about systems, we're talking about schools, libraries, media...Change starts with self...When you think about [one's] world view, where does that world view come from?...When we talk about formally changing the system, [that] leads to assassination...[Some questions we have to ask ourselves are] Whose developing curriculum?... Why?...What is their agenda?......There are many teachers...Time is a teacher...When I speak to you, you are teaching me..."}


"You can learn a lot from great civilizations...They taught their history...{This Brother] was saying his core curriculum was not allowed to be African History...That's where we  as same gender loving men come in...If you believe Mis-education of the Negro is real, we don't need to go back...We need to go forward...[and insist] 'I don't feel this [African History] should be an elective...this should be part of the core curriculum..."

 


What, if anything, should SGL youth be taught to prepare them for success?


"What we can do to prepare SGL youth...I've been studying LGBT History...there was a guy who helped Martin Luther King, and he was gay...You have to teach yourself [so that] you can show them that there is another way of life beyond the clubs and voguing...[We] were part of the Harlem Renaissance...In the groups we normally go to we talk about HIV and all this relationship stuff all the time...But, at the end of the day, do we really know anything about ourselves that is empowering?..."


"You go to college 1) to get an education, and 2) Society demands that you get an education...When I was in high school my parents sent me to an Afro-centric community school...Uhuru Sasa...what I gained from that was a sense of self-worth...[I have questions about] the Teaching Fellows [Program]...the whole idea of Cathy Black coming in [as Chancellor] and the mistakes Bloomberg keeps making...It's a joke...We need to teach our own children...The Jews have their own schools in addition to the Department of Education..."


"I was thinking about that Baldwin quote yesterday and it occurred to me that being an American African, you mission, should you choose to accept it, is to puzzle together an identity...Create an integrated, actualized self from a fragmented...partial self...I'm determined to find out which part of Africa... which cultures my ancestors are from...Because education and self-determination are connected...Education is to help us fashion our identity..."

 

 

 

 

 

 

 

 

 

Upcoming  Topics:  BMX- NY  2012  Winter  Calendar          
 
(PLEASE NOTE THAT TOPICS ARE SUBJECT TO CHANGE; 
WEEKLY E-NEWSLETTERS WILL REFLECT ANY NEW CHANGES) 



Friday, January 27th, 2012 
"Staying Fit for the Game" Health and Wellness
(Facilitated by Tommie Thompson)
 


Friday, February 3rd, 2012 
I Am Who I Say I Am: Trans Sisters
(Facilitated by L. Jett Wilson)
 


Saturday, February 4th & Sunday, February 5th, 2012
 
CTCA {Critical Thinking, Cultural Affirmation} LEADERSHIP TRAINING Retreat
(Facilitated by Cleo Manago)
 
(TIMES TO BE ANNOUNCED SHORTLY) 


Friday, February 10th, 2012
Black in Latin America  - The D.R. & Haiti - documentary film screening
(Facilitated by JM Green


Friday, February 17th, 2012
Post-Blackness:  What is it?  Is it Compatible with SGL Values?
(Facilitated by L. Jett Wilson & Clark Jackson)


Friday, February 24th, 2012
Youth Speak - Open Mic/Spoken Word Event
(Facilitated by JM Green)

 

    

 

 

 

 

 Community  Corner  Announcements


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SGL  Black  Heroes 

Countee Cullen  (1903  -  1946) 

 

 Countee Cullen 2

  

Cullen was an American poet and a leading figure with Langston Hughes in the Harlem Renaissance. This 1920s artistic movement produced the first large body of work in the United States written by African Americans. However, Cullen considered poetry raceless, although his 'The Black Christ' took a racial theme, lynching of a black youth for a crime he did not commit.
Yet Do I Marvel

Countee Cullen 1As a schoolboy, Cullen won a city-wide poetry contest and saw his winning stanzas widely reprinted. With the help of Reverend Cullen, he attended the prestigious De Witt Clinton High School in Manhattan. After graduating, he entered New York University (NYU), where his works attracted critical attention. Cullen's first collection of poems, Color (1925), was published in the same year he graduated from NYU. Written in a careful, traditional style, the work celebrated black beauty and deplored the effects of racism. The book included "Heritage" and "Incident", probably his most famous poems. "Yet Do I Marvel", about racial identity and injustice, showed the influence of the literary expression of William Wordsworth and William Blake, but its subject was far from the world of their Romantic sonnets. The poet accepts that there is God, and "God is good, well-meaning, kind", but he finds a contradiction of his own plight in a racist society: he is black and a poet.

Cullen's Color was a landmark of the Harlem Renaissance. The movement was centered in the cosmopolitan community of Harlem, in New York City. During the 1920s, a fresh generation of writers emerged, although a few were Harlem-born. Other leading figures included Alain Locke (The New Negro, 1925), James Weldon Johnson (Black Manhattan, 1930), Claude McKay (Home to Harlem, 1928), Langston Hughes (The Weary Blues, 1926), Zora Neale Hurston (Jonah's Gourd Vine, 1934), Wallace Thurman (Harlem: A Melodrama of Negro Life, 1929), Jean Toomer (Cane, 1923) and Arna Bontemps (Black Thunder, 1935). The movement was accelerated by grants and scholarships and supported by such white writers as Carl Van Vechten.

A brilliant student, Cullen graduated from New York University Phi Beta Kappa. He attended Harvard, earning his masters degree in 1926. He worked as assistant editor for Opportunity magazine, where his column, "The Dark Tower", increased his literary reputation. Cullen's poetry collections The Ballad of the Brown Girl (1927) and Copper Sun (1927) explored similar themes as Color, but they were not so well received. Cullen's Guggenheim Fellowship of 1928 enabled him to study and write abroad. He met Nina Yolande Du Bois, daughter of W.E.B. DuBois, the leading black intellectual. At that time Yolande was involved romantically with a popular band leader. Between the years 1928 and 1934, Cullen travelled back and forth between France and the United States.

By 1929 Cullen had published four volumes of poetry. The title poem of The Black Christ and Other Poems (1929) was criticized for the use of Christian religious imagery - Cullen compared the lynching of a black man to the crucification of Jesus.

As well as writing books himself, Cullen promoted the work of other black writers. But in the late 1920s Cullen's reputation as a poet waned. In 1932 appeared his only novel, One Way to Heaven, a social comedy of lower-class blacks and the bourgeoisie in New York City. From 1934 until the end of his life, he taught English, French, and creative writing at Frederick Douglass Junior High School in New York City. During this period, he also wrote two works for young readers, The Lost Zoo (1940), poems about the animals who perished in the Flood, and My Lives and How I Lost Them, an autobiography of his cat. In the last years of his life, Cullen wrote mostly for the theatre. He worked with Arna Bontemps to adapt his 1931 novel, God Sends Sunday into St. Louis Woman (1946, publ. 1971) for the musical stage. Its score was composed by Harold Arlen and Johnny Mercer, both white. The Broadway musical, set in poor black neighborhood in St. Louis, was criticized by black intellectuals for creating a negative image of black Americans. Cullen also translated the Greek tragedy Medea by Euripides, which was published in 1935 as The Medea and Some Poems with a collection of sonnets and short lyrics.  

 

 

Poetry  

"I Have a Rendezvous With Life" (1920s, poem)

Color Harper & brothers, 1925; Ayer, 1993, ISBN 9780881431551 [includes the poems "Incident," "Near White," "Heritage," and others], illustrations by Charles Cullen      

Copper Sun, Harper & brothers, 1927


The Ballad of the Brown Girl Harper & Brothers, 1927, illustrations by Charles Cullen    

The Black Christ and Other Poems, Harper & brothers, 1929, illustrations by Charles Cullen     

Tableau (1925)    

One way to heaven, Harper & brothers, 1932    

 Any Human to Another (1934)     

The Medea and Some Other Poems (1935)     

The lost zoo, Harper & brothers, 1940, Illustrations by Charles Sebree    

My lives and how I lost them, Harper & Brothers Publishers, 1942    

On These I Stand: An Anthology of the Best Poems of Countee Cullen, Harper & Brothers Publishers, 1947     

My Soul's High Song: The Collected Writings of Countee Cullen (1991)      

Countee Cullen: Collected Poems, Library of America, 2011, ISBN 9781598530834 

 

 

Prose
One Way to Heaven (1931)    

The Lost Zoo (1940)     

My Lives and How I Lost Them (1942) 

 

 

Drama
 St. Louis Woman (1946)

 

 

 

 






The Bawabisi SGL Symbol

Bawabisi SGL Symbol (Partial Transparency)

The SGL symbol, the Bawabisi, is inspired by Nigerian Nsibidi script and West African Adrinkra symbols. The two facing semi-circles represent unity and love. The figure has been split symmetrically in half to suggest parts of a whole that mirror each other. Dots are often used in Adinkra symbols to represent commitment and pluralism. The split and dots, with the addition of color, suggest the concept of gender. The circle encompassing the figure reinforces the idea of connectedness despite duality, suggesting the idea of two-spirited.





About  The  BMX- NY  Chapter...
 
  



THE BLACK MEN'S XCHANGE - NEW YORK (BMX-NY) was founded in Harlem in 2002 and is a gathering for same gender loving (SGL) and bisexual Black men to powerfully and respectfully address issues that impact their lives, and to connect with one another in a positive, affirming, nurturing and transformational environment. Ages 18 and up.

BMXNY.org 

 



BMX  Mission  Statement

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THE BLACK MEN'S XCHANGE (BMX) was founded in 1989 by activist, writer and behavioral health expert Cleo Manago, as an instrument of healing and empowerment for same gender loving (SGL) and bisexual African descended men. The mission of the Black Men's Xchange (BMX) is to affirm, heal, educate, unify and promote well-being and critical thinking among Black people - 18 and up - diverse in sexuality, class, culture and philosophy.  Black Men's Xchange (BMX) conducts activities that promote healthy self-concept, sexual health, constructive decision making, and cultural affirmation among same-gender-loving (SGL), bisexual and heterosexual Black populations. BMX affirms and educates Black men (and the community at-large) while providing tools for self-determination, community responsibility, self-actualization and the prevention of health threats (e.g. HIV, isolation, substance and other addictions, and mental instability). BMX creates an environment that advances Black culture and involves identifying and unlearning ingrained anti-homosexual and anti-black male and female conditioning.

 

BMX is built on a philosophy that embraces same gender loving experience as intrinsic to everyday Black life.  Integral to BMX's approach is the understanding that, in order to decrease internal and external anti-homosexual thinking, and demystify differences around diverse ways of living and loving Black people must engage in supportive dialogue with each other and the community.

 

At BMX we believe that self-determination is crucial in achieving success toward healing and empowerment.  We understand that our cultural and experiential uniqueness requires a uniquely focused and precise approach.  Affirming strategies born out of our own experience is powerful; hence, the adoption of the terms, Black, African American and Same Gender Loving (SGL).

 

The Term Same Gender Loving (SGL)... 

 

READ MORE...  

 

   

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The Black Men's Xchange-New York And Our Allies At The Millions More Movement (MMM) In Washington, DC
(October 15th, 2005) 
 
 

 

 





 
 

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