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The BMX National Gatekeepers  e-Newsletter

NOVEMBER  25th, 2011
Black Men's Xchange-National

 
In This Week's Gatekeepers Issue
This Friday's BMX-NY Topic:
NO BMX-NY GATHERING THIS WEEK
Friday Forum Recap (11|18|11): SEEKING APPROVAL or SELF-ACCEPTANCE
Upcoming Topics: BMX- NY 2011 Fall Calendar
Community Corner Announcements
SGL Black Heroes:
Richmond Barthé
The Bawabisi SGL Symbol
About The BMX-NY Chapter...
BMX Mission Statement
Black Men's Xchange National Gatekeepers e-Newsletter Archive Homepage
 
 

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When & Where Are Our Chapter Spaces?
 
BMX-New York Chapter:
730 Riverside Drive
(@150th Street)*
Suite 9E
Harlem, New York 10031
212-283-0219
Website: BMXNY.org 


*PLEASE NOTE:
THE DOOR ENTRANCE IS
LOCATED ON 150th STREET.
Ages 18 and up. 

Time:
8:00 PM - 11:00 PM
(Every Friday night, except for our hiatus month in August)
   
Directions: 
Take the #1 Train to 145th Street or the M4, M5, M101 or M100 to 149th Street & Broadway
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Contact Us

Black Men's Xchange-NY

730 Riverside Drive
Suite 9E
Harlem, New York 10031


Email:
blackmensxchangeny@gmail.com
Phone: 212-283-0219

Official BMX-NY Website:
BMXNY.org



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.Welcome To The Black Men's Xchange National Gatekeepers e-Newsletter. This e-newsletter is for the BMX-New York chapter gathering  on Friday, November 25th, 2011.


 

Brothers, please if you would take the time and tell us about your experience at a BMX-NY meeting. This is a confidential Survey with no names required. We appreciate your time and comments as we continue to try and make your experience at BMX-NY one of true community. 



PLEASE be advised that there is no BMX-New York gathering for this Friday, November 25th, 2011 due to the Native American Genocide Day festivities. Our gatherings will resume on Friday, December 2nd, 2011.

However, in this week's e-newsletter below we have put together the usual recap (of last Friday's gathering - SEEKING APPROVAL or SELF-ACCEPTANCE).


ACHE!

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NO BMX-NY GATHERING THIS WEEK 

 

 

 

  
 

 

 

Friday  Forum  Recap

(BMX- NY  Topic  Hi- lites  From  Friday,  November  18th,  2011) 

 

SEEKING  APPROVAL  or  SELF-ACCEPTANCE    

 

Facilitated by JM Green  

Dependent (transparent)

 

 

 

 

 

 

   Self-Acceptance















   

During the most recent Friday night forum, same gender loving Brothers looked at their relationship to Self-Acceptance through the following lenses:

 

   

What is self-acceptance?

 

"A complete love of one's self..."

 

"Accepting that I am a flawed human being..."

 

"It doesn't matter what you think of me...I spent a lot of time letting others rent space in my head...what matters is that I love myself..."

 

"Self-love and self-acceptance are very different..."

 

"Self-acceptance is a very humble place...a place of humility..."

 

"[It is] Giving myself permission to do what I want to do...I allow myself to do what I want to do and feel what I want to feel..."

 

"Taking inventory as to who I am and accepting [that stuff]..."

 

{Facilitator says, "Conducting self-inventory...being introspective...is an important step on the way to self-acceptance...and by the time I can take inventory of myself and not stand in judgment of myself, I can be said to have achieved self-acceptance..."}

 

"[It is] to accept yourself unconditionally..."

 

{Facilitator asks, "'Unconditionally' is a popular sentiment...Unconditional love, for instance...I suspect mothers may tend to love unconditionally...and, not all mothers...God loves unconditionally...unconditional self-acceptance might be an aspiration...or might it give us to settle for being less than our best selves?..."}

 

"Self-love is the nurturing of one's self..."

 

"Unconditional love is not a blind eye...It's loving enough to fix something that requires it..."

 

{Facilitator says, Thanks for that clarification...I believe there are gradations...On the way to self-love is self-acceptance..."}

 

 

Are you defining yourself, or letting the world define you?

 

"I didn't begin to love myself till I was in my mid-forties...I hated everything about myself...nobody had to hate me...I did it for them...I had a cousin who told me when I was twelve, I needed to stay out of the sun because I was no longer even black...I was blue...Thanks to BMX and a shrink that I like, I've [begun learning self-acceptance]...I never liked the word 'gay'...I heard same gender loving, and it made sense to me...it told me that I can love..."

 

"You never allow others to define your experience...As of now, I define myself...I wasn't crazy about myself [as a kid]...I was a nerd...They used to call me fartmasterflex...I used to hate myself...When I got my first friend, I let her define me...'You're not gay, it's a phase'...When I first tried my first guy, I was happy that I wasn't doing what everyone else wanted me to do and was doing what I wanted to do..."

 

"None of us can define ourselves until others have defined us...Once the world defines you, then you can define yourself...We need people to define us and criticize us...[in order to find our voices]..."

 

"When I look and listen to the language about Black men who have sex with men, it's usually negative...How can you use the language of the oppressor to define yourself?...There's definition, but there's also giving meaning to something...I can tell you how to drive a car, but you won't know how to drive it until you sit behind the wheel...I don't want to use the same language that oppresses me to define myself..."

 

"The gay versus same gender loving thing...A lot of people have negative associations with gay...When I use same gender loving, it's an opportunity to be more encompassing...It forces us to look at the relationships we have amongst one another...It allows for genuine respect and concern for other men"

 

"I can tell [if I'm letting the world define me] if I'm saying, 'I wish I were...I'm learning to adapt SGL...""For me, [defining myself is] a constant process...How much I participate in other people's definition of me can set how much I am defined by others..."

 

 

What do you want to change in your life?

 

"I want to change...I want to stop being so presumptuous about [thinking I know] who people are in the face of how they define themselves..."

 

"How do you change people's perception of you?...People assume I'm a bottom all the time..."

 

"The whole blind thing...You're less than a man...less capable...Is there's a method for combating [negative perceptions?.]."

 

{Facilitator says, "A reason the role-playing term 'bottom' has a negative connotation is because we live in a patriarchy...and a fundamental part of patriarchy is misogyny...the fear and hatred of women...One of the things that makes us so powerful...and that makes a lot of people afraid of us is that we have access to our male and female energies...But, because of misogyny, we are discouraged from accepting, embracing and celebrating our female energy...So, if you would change people's perception of you, a good place to start might be in changing your perception of you...Of taking up some process of self-acceptance on the way to integrating all your sources in such a way as to be able to celebrate them all...and watch everybody else fall in line..."}

 

"One of the things I would like to change about myself is my attitude...I [have] always felt like I was under attack...[So] I'm very defensive..."

 

 

What's holding you back?

 

"[What's holding me back] basically is fear...When  you change, you wonder will people like the change?...If they don't, it's kick drop...But now, I'm over it..."

 

 

How do we unlearn unhealthy beliefs about being Black and SGL?

 

"I'm really more intelligent than I thought I was...You don't have a spec of an idea what you really might be...You have to create a track in which your thoughts, ideas and dreams are so you can remember them...So that you can begin to work on them...Unless you get to find out the stuff about yourself...you'll never know how [powerful you are]...Your ideas are sacred..."

 

{Facilitator says, "Something that some of you have identified is that self-acceptance...to the extent that we are not self-accepting...involves a process of change...and change oftentimes entails pain...For me it involved a decade's worth of therapy with a few different therapists and other processes like support groups like GMAD and HEAL and Adodi...and involved moving from attempting to live my life in accordance with others' needs and expectations...When I moved here, I was married [to a woman]...and was getting ready to get married to another woman...But, for those processes...I moved from acceptance of my same gender lovingness, to embracing it, to celebrating it..."}




 
 

 

 

 

 

 

Upcoming  Topics:  BMX- NY  2011  Fall  Calendar          

(PLEASE NOTE THAT TOPICS ARE SUBJECT TO CHANGE;
WEEKLY E-NEWSLETTERS WILL REFLECT ANY NEW CHANGES)

                 

 

Friday, December 2nd, 2011

Valuing Our Lives as Black Men: A Dialogue with Hetero Brothers  

(Facilitated by Cleo Manago)

 

 

Friday, December 9th, 2011

The Gift of SGL Sex   

(Facilitated by Kyle Doyle)



Friday, December 16th, 2011

And I Am Telling You, I'm Not Going: SGLs & The Black Church  

(Facilitated by L. Jett Wilson & Chad Franklin)



Friday, December 23rd, 2011

In the Spirit: Embodying the 'L' in SGL - Observing the Divinity in Same Gender Lovingness

(Facilitated by Dyron Holmes)



Friday, December 30th, 2011

KWANZAA
(More Info To Be Announced Later)
 

 

 

 

 

 

 

 Community  Corner  Announcements

Saturday, October 15th, 2011 - Sunday, November 27th, 2011



Stanely Bennett Clay (b&w headshot)
Stanley Bennett Clay

presents 

 ARMSTRONG'S KID
 
Armstrong's Kid (poster)


A homosexual schoolteacher (Stanley Bennett Clay) is falsely accused of child molestation by his best friend's fourteen-year-old son and spends nearly a year in prison before the truth is revealed. Eleven years later the now-grown accuser (Thandiwe Thomas De Shazor) seeks forgiveness, resulting in an evening of turmoil, revenge, regret and shocking revelations.


Three time NAACP Theatre Award winner, Six time Drama-logue Award winner, and Best Actor Image Award winning novelist, playwright, actor and filmmaker Stanley Bennett Clay makes his New York theatrical debut after nearly forty years as a celebrated fixture of Los Angeles' black and gay theatre with the production of his "Armstrong's Kid."   

 

 
Written, Produced, and Directed by Stanley Bennett Clay

Executive Produced by Chas. Floyd Johnson


Length: 1 hr 30 mins
Intermission: None
Seating: General Admission

 

Roy Arias Theater  
300 West 43rd Street (@ 8th Avenue)
5th Floor
New York City, NY 10036

  
SGL  Black  Heroes 

James  Richmond  Barthé  (1901  -  1989) 

 

 Richmond Barthé 1

  

Born in Bay St. Louis, Mississippi in 1901, Richmond Barthé moved to New Orleans at an early age. Little is known about his early youth, except that he grew up in a devoutly Roman Catholic household, he enjoyed drawing and painting, and his formal schooling did not go beyond grade school. From the age of sixteen until his early twenties, Barthé supported himself with a number of service and unskilled jobs, including house servant, porter, and cannery worker. His artistic talent was noticed by his parish priest when Barthé contributed two of his paintings to a fundraising event for his church. The priest was so impressed with his art that he encouraged Barthé to apply to the Art Institute of Chicago and raised enough money to pay for his travel and tuition. From 1924 to 1928, Barthé studied painting at the Art Institute, while continuing to engage in unskilled and service employment to support himself.

 

 

Richmond Barthé 3 (Supplication, Mother and Son) 

Supplication, Mother and Son 

 

 

Richmond Barthe (Boxer Sculpture)Even though he mainly studied painting, Barthé's talent as a sculptor was recognized by his fellow students and local critics in Chicago. In 1928, he put on a one-man show that was sponsored by the Chicago Women's Club. He eventually moved to New York City, locating his studio in Greenwich Village and creating art - and socializing - with central figures of the Harlem Renaissance, including Langston Hughes, Alain Locke, Augusta Savage, and Carl Van Vechten. While he rejected the circumscription of his art within racial boundaries, his most well-regarded work had a strong racial content. Feral Benga and African Dancer, the latter of which was purchased by the Whitney Museum of American Art, celebrated the black body and African culture, while The Mother contemplated the horrors of lynching. Of particular inspiration to Barthé's art was the black male body, a reflection of his comfort with his homosexuality, according to one of the foremost scholars of Barthé. 

 

Richmond Barthé 2 


Barthé continued to create sculpture well into the 1960s, some of which was commissioned as public art. He sculpted an American eagle for the Social Security Building in Washington, D.C. and a bas-relief for the Harlem River Housing Project. In 1949, the Haitian government commissioned him to create monuments to the revolutionary leaders Toussaint L'Overture and Jean Jacques Dessalines in Port-au-Prince. In addition to spending time in Haiti, Barthé lived in Jamaica before returning to the United States and settling in southern California. He died in 1989. 

  

Richmond Barthe' Harlem Renaissance Sculptor  

Website:

Richmond Barthé Exhibition: Harlem Renaissance Sculptor

(Click The Image Above To View Exhibit)

 

 

 

 

 

 

 

    
The Bawabisi SGL Symbol

Bawabisi SGL Symbol (Partial Transparency)

The SGL symbol, the Bawabisi, is inspired by Nigerian Nsibidi script and West African Adrinkra symbols. The two facing semi-circles represent unity and love. The figure has been split symmetrically in half to suggest parts of a whole that mirror each other. Dots are often used in Adinkra symbols to represent commitment and pluralism. The split and dots, with the addition of color, suggest the concept of gender. The circle encompassing the figure reinforces the idea of connectedness despite duality, suggesting the idea of two-spirited.





About  The  BMX- NY  Chapter...
 
  



THE BLACK MEN'S XCHANGE - NEW YORK (BMX-NY) was founded in Harlem in 2002 and is a gathering for same gender loving (SGL) and bisexual Black men to powerfully and respectfully address issues that impact their lives, and to connect with one another in a positive, affirming, nurturing and transformational environment. Ages 18 and up.

BMXNY.org 

 



BMX  Mission  Statement

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THE BLACK MEN'S XCHANGE (BMX) was founded in 1989 by activist, writer and behavioral health expert Cleo Manago, as an instrument of healing and empowerment for same gender loving (SGL) and bisexual African descended men. The mission of the Black Men's Xchange (BMX) is to affirm, heal, educate, unify and promote well-being and critical thinking among Black people - 18 and up - diverse in sexuality, class, culture and philosophy.  Black Men's Xchange (BMX) conducts activities that promote healthy self-concept, sexual health, constructive decision making, and cultural affirmation among same-gender-loving (SGL), bisexual and heterosexual Black populations. BMX affirms and educates Black men (and the community at-large) while providing tools for self-determination, community responsibility, self-actualization and the prevention of health threats (e.g. HIV, isolation, substance and other addictions, and mental instability). BMX creates an environment that advances Black culture and involves identifying and unlearning ingrained anti-homosexual and anti-black male and female conditioning.

 

BMX is built on a philosophy that embraces same gender loving experience as intrinsic to everyday Black life.  Integral to BMX's approach is the understanding that, in order to decrease internal and external anti-homosexual thinking, and demystify differences around diverse ways of living and loving Black people must engage in supportive dialogue with each other and the community.

 

At BMX we believe that self-determination is crucial in achieving success toward healing and empowerment.  We understand that our cultural and experiential uniqueness requires a uniquely focused and precise approach.  Affirming strategies born out of our own experience is powerful; hence, the adoption of the terms, Black, African American and Same Gender Loving (SGL).

 

The Term Same Gender Loving (SGL)... 

 

READ MORE...  

 

   

BMX-NY MMM Photos 11
 
The Black Men's Xchange-New York And Our Allies At The Millions More Movement (MMM) In Washington, DC
(October 15th, 2005) 
 
 

 

 





 
 

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Want To Browse Our Archive

And Read Any Previous
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