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The BMX National Gatekeepers  e-Newsletter

NOVEMBER  11th, 2011
Black Men's Xchange-National

 
In This Week's Gatekeepers Issue
This Friday's BMX-NY Topic:
STRIPPERS, ESCORTS & PORN STARS: SGL Brothers In The Adult Entertainment Industry
Friday Forum Recap (11|04|11): BABY BOY: Navigating The Matrix As Young Men Who Love Men
Upcoming Topics: BMX- NY 2011 Fall Calendar
Community Corner Announcements
SGL Black Heroes:
Richmond Barthé
The Bawabisi SGL Symbol
About The BMX-NY Chapter...
About The BMX-Baltimore Chapter...
BMX Mission Statement
Black Men's Xchange National Gatekeepers e-Newsletter Archive Homepage

 

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When & Where Are Our Chapter Spaces?
 
BMX-New York Chapter:
730 Riverside Drive
(@150th Street)*
Suite 9E
Harlem, New York 10031
212-283-0219
Website: BMXNY.org 


*PLEASE NOTE:
THE DOOR ENTRANCE IS
LOCATED ON 150th STREET.
Ages 18 and up. 

Time:
8:00 PM - 11:00 PM
(Every Friday night, except for our hiatus month in August)
   
Directions: 
Take the #1 Train to 145th Street or the M4, M5, M101 or M100 to 149th Street & Broadway
GOOGLE MAP
 
No. 1 Train

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BMX-Baltimore Chapter:

1609 Saint Paul Street*

(Between East Lanvale and East Federal Streets)  

Baltimore, Maryland 21202

GOOGLE MAP

 

*We are located across the street from the Amtrak train station. Our space is designated by the RED DOOR.Ages 18 and up. 



Time:

6:00 PM - 9:00 PM
(Every Sunday night)


Contact Us

Black Men's Xchange-NY

730 Riverside Drive
Suite 9E
Harlem, New York 10031


Email:
blackmensxchangeny@gmail.com
Phone: 212-283-0219

Official BMX-NY Website:
BMXNY.org




=====================


Black Men's Xchange-Baltimore 

1609 Saint Paul Street

Baltimore, Maryland 21202


Email:
BMXnational@gmail.com
Phone:
410-637-3016


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Greetings Brothers!                
Bawabisi SGL Symbol (Partial Transparency)
"Bawabisi" African SGL Symbol

.Welcome To The Black Men's Xchange National Gatekeepers e-Newsletter. This e-newsletter is for the BMX-New York chapter gathering  on Friday, November 11th, 2011.


 

Brothers, please if you would take the time and tell us about your experience at a BMX-NY meeting. This is a confidential Survey with no names required. We appreciate your time and comments as we continue to try and make your experience at BMX-NY one of true community. 

Indonesian BBQ













BROTHERS! Although not required, BRINGING A POTLUCK DISH AND/OR BEVERAGE of your choosing would be a generous offering for the repast after the group discussion! Your offering defrays a cost to the organization.  Also, end of gathering DONATIONS are also greatly appreciated, too. THANK YOU!

ACHE!

BMX National

BMXnational.com  

         

 

 

 

Many Men, Many Voices Logo 1   

In collaboration with GMHC, BMX-NY Director of Operations, John-Martin Green will co-facilitate a

Many Men, Many Voices HIV Prevention Intervention

 at GMHC, 466 West 33rd Street (@10th Avenue),

New York City, beginning Wednesday, Novemebr 9th, 2011;

 

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 And, in collaboration with HARLEM PRIDE,

John-Martin Green will moderate a community forum titled,

WHAT IS SGL

@ Countee Cullen Library, 104 West 136th Street

(between Lenox Avenue & Adam Clayton Powell, Jr. Blvd) in

Harlem, NYC on Saturday, November 12th, 2011 from 2 to 4 PM.

 

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 John-Martin Green

 

 

 

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BMX- New York  Topic  For  This  Friday,  November  11th,  2011 

    

STRIPPERS, ESCORTS & PORN STARS:

SGL Brothers In The Adult Entertainment Industry   

 

Facilitated by L. Jett Wilson, JM Green

with Special Guest Usher Richbanks 

 

 

Usher Richbanks 2     

Usher Richbanks



Have you ever paid for it?

 

 

What is your relationship to pornography?

 

 

How "real" is the action on screen? What's really going on?

 

 

Who's in charge (producers, directors, etc.,) and running the industry? And, does it matter?

 

 Film Shoot

Have you ever been approached to "do a shoot" or "be an escort?"

 

 

Does male adult entertainment lead to sexual objectification of men?

 

 
Usher (Button Off Jeans)
 
In what, if any, ways does our engagement (as consumers or providers) of adult male entertainment impact us?

 

 

What, if anything, might you be willing to trade sex for?

 

 

Is adult entertainment a viable career path?
 
Usher (NYC Outdoors)

 

 

 

 

  
 

 

 

Friday  Forum  Recap

(BMX- NY  Topic  Hi- lites  From  Friday,  November  4th,  2011) 


BABY BOY:

Navigating  The  Matrix  As  Young  Men  Who  Love  Men

   

Facilitated  by  JM  Green  &  Joseph  Owens

 

   

During last week's BMX-NY dialogue, Brothers focused on what it's like Navigating The Matrix As Young Men Who Love Men from the following angles:

 

Matrix Wormhole    

  

 

Morpheus - Red or Blue Pill (The Matrix) 

 

Is the Matrix a fantasy? If not, what is it in real terms?

 

"[The matrix is] A world one creates for themselves...a fantasy world..."

 

"The read that one has of the world that they live in...The way they see, feel and experience the world..."

 

"A trance we exist in within a patriarchal society..."

 

Sophia Stewart - The Third Eye Book Cover {Facilitator says, "How many people have seen, The Matrix [movie(s)]?..."}  

 

All but a couple of people raise their hands

 

{Facilitator says, "What the Planning Committee were thinking about in conjuring up the imagery of the matrix is what we refer to around here when we talk about the hegemony of White supremacy...Interestingly, the Matrix and The Terminator films are said to have been conce iSophia Stewart ved by a Black woman named Sophia Stewart...Somehow it makes perfect sense that a Black person would have thought up the Matrix...To make sure we're on the same page, let's define hegemony..."}

 

"Hegemony is cultural manipulation..."  

 

"Mind control..."

 

Red Pill - Blue Pill 

{Facilitator reads dictionary definition, "'Dominance of leadership, especially of one nation over others'...It's a flimsy description, but the word dominance is the operative one there...Hegemony involves the domination, in all areas of experience, political, educational, economic, etcetera, of one culture by another...also known as colonization, imperialism...and, by our reckoning, the infrastructure of the hegemony, or matrix under which we live is an infrastructure comprised of white supremacy, undergirded by patriarchy and capitalism..."}

 

"For me, success is liking what I do and doing it well...This is my matrix...I believe all of you are created for me...The matrix is about taking back our lives..."

 

2nd Annual Harlem Pride (Lo Rez LR Edits)-33 

 

In the absence of formalized rites of passage, e.g., one's [socially sanctioned] first boyfriend, first meaningful sexual experience, first job, apartment...when does a boy become a man?

 

"I keep thinking about how our potential strength is being washed away... the way they use 'nigga'...In order to change that, we have to come together..."

 

"I realized we don't have rites of passage...When we turn sixteen, we don't start dating a boy...So, for me...I guess when Uncle Sam started taking out a big chunk of my paycheck..."

 

"I find that rites of passage are lacking in our community...I grew up in a traditional Haitian, Catholic family...I had my first [sexual] experience with a man at nineteen...The man I'm with now is my first boyfriend...So, I'm still unlearning the things I was taught about homosexuality..."

 

"The first time I was penetrated, or penetrated a man, I felt like [I had become] a man..."

 

"When I was cruising Prospect Park the first time was the first time I saw homosexual men like me who weren't effeminate...not that anything is wrong with effeminacy...so, that helped me feel like a man..."

 

"When I was able to come out to myself and my family... And I wasn't able to do that until I came here [to BMX]...I came here with bright eyes and big dreams...But, I was afraid in other parts of myself...I saw a guy here named Karamo Brown who had been on The Real World, and that inspired me [to be true to myself]...And, that's when I felt like I started becoming a man..."

 

"Graduating, sexuality, getting a paycheck are matrix reinforcing...How do I teach you that 'nigga' is bad if [I'm standing outside of the matrix]...Part of what the hegemony reinforces is that 'nigga' is one thing...When we talk about femininity and masculinity, that's the patriarchal part of the matrix...That's why some people prefer the matrix...because then, you get to stay asleep..."

 

"I came out in the nineties and into myself in the two-thousands...My younger self got caught up in [superficial things]... As I read a lot of self-help books...learning who I was and letting myself shine [was how I became a man]..."

 

"For me, becoming a man...I look at the greatest man [of all] was Jesus Christ...and other men like Martin Luther King...For starters, the idea of sexuality...A boy becomes a man...that's life...the sequence is uninterrupted...Capitalism is about [consuming things] and taking care of my own interests...For me, growing into manhood involves me serving other people's [needs] instead of my own...Jesus Christ was the greatest man [of all]...Jesus Christ washed other people's feet...What will help SGL youth is knowing we care about them...You have to be self-sacrificing..."

 

"As for me, who my whole life never experienced the concept of naming yourself before I entered this room...nobody ever asked me before who I was...or who I thought I was...It was a revelation...Maybe we shouldn't tell young people not to use the 'n' word, but rather ask them what it means to them..."

 

 

How do we build bridges for mentoring and mentorship?

 

"When I was twenty-six one of the things I knew I didn't want to be was some of the men I saw sitting around in bars trying to belie their age...They had very shallow mentalities...There's this big debate about the difference between gay and SGL...I get into it on line sometimes...What it means to be a real man is principles...There are certain things I will not do...I will not use my position to abuse other people...For me, there is a kind of spiritual awakening [in cultural identity]...That's what SGL is for me...It is about being anti-capitalist and many of the things this society tells us it means to be a man..."

 

"What that ['n'] word means comes of not knowing the history...That word was used to dehumanize us...The noose and nigger...My kids went out one day and said, 'Daddy'...[mimes smoking weed]...I lit into them...If they mimic drug use, if they mimic [intoning] 'nigga,' it's wrong because of what it holds..."

 

"They know that 'nigga' was used as a derogatory term..."

 

{Facilitator says, "Knowing 'nigga' was used as a derogatory term is a very different event than understanding what that term embodied in the lives of the people who were called 'nigga'...For instance...When I was a kid... and I'm not a hundred years old...all over the country, including in New York State...every day of their lives Black people were called nigga by White people...and as they did, there was implicit in that epithet the threat that, if the Black people dared challenge the identification that they, and their mother, and their children could be [destroyed]..."}

 

"Part of the hegemony is replaying the 'n' word...or insisting that it only has one meaning...You just dropped a hegemony bomb in the room...Young people use the 'n' word in four different ways...and when we keep insisting on only one way, that's what keeps us from focusing on what's important [in the here and now]..."

 

"What we're talking about is respecting ourselves...All I know is, when I thought of myself as nigga, I hated myself... I thought I would die long before now when I thought of myself as nigga...I can't sit on the train and not engage them [youth] about it...[When I do] some of the adults are afraid...Others sit there in amused contempt...I'm not afraid of the kids...I can't sit there and not say anything...If nothing else, I deserve respect...One of the biggest bridges for me was beginning to learn my history...We're all community leaders...It's about creating a new epidemic... a new movement [of self-respect] that spreads from all the people..."

 

Editor's Note: While the concern or fear that being mired in the past can impede our capacity to be forward Post Traumatic Slave Syndrome  moving, by the same token, 'he who fails to learn the lessons of history is doomed to repeat it. '  We aspire to a balanced focus in which we reflect on how past events impact present dynamics as we strategize different outcomes in the future.  And, the Critical Thinking & Cultural Affirmation (CTCA) model, on which the work of BMX is founded, involves a process for resolving traumas which exist among Black people as a function of Post Traumatic Slave Syndrome (PTSS).  Now, we are entitled to believe that PTSS is not real, or, that there are better ways to deal with it, but that is the rationale for our historical perspective; to arm ourselves with our own 'Never Again!' credo, as it were.

 



 

 

 

 

 

 

 

Upcoming  Topics:  BMX- NY  2011  Fall  Calendar          

(PLEASE NOTE THAT TOPICS ARE SUBJECT TO CHANGE;
WEEKLY E-NEWSLETTERS WILL REFLECT ANY NEW CHANGES)

                

Friday, November 18th, 2011

Seeking Approval or Self-Acceptance? 

(Facilitated by JM Green)



BMX-NY WILL NOT BE MEETING FRIDAY, NOVEMBER 25th, 2011

 

 

Friday, December 2nd, 2011

Valuing Our Lives as Black Men: A Dialogue with Hetero Brothers  

(Facilitated by Cleo Manago)

 

 

Friday, December 9th, 2011

The Gift of SGL Sex   

(Facilitated by Kyle Doyle)



Friday, December 16th, 2011

And I Am Telling You, I'm Not Going: SGLs & The Black Church  

(Facilitated by L. Jett Wilson & Chad Franklin)


 

SEE EXTENDED CALENDAR...

 

 

 

 

 

 

 Community  Corner  Announcements

Saturday, October 15th, 2011 - Sunday, November 27th, 2011



Stanely Bennett Clay (b&w headshot)
Stanley Bennett Clay

presents 

 ARMSTRONG'S KID
 
Armstrong's Kid (poster)


A homosexual schoolteacher (Stanley Bennett Clay) is falsely accused of child molestation by his best friend's fourteen-year-old son and spends nearly a year in prison before the truth is revealed. Eleven years later the now-grown accuser (Thandiwe Thomas De Shazor) seeks forgiveness, resulting in an evening of turmoil, revenge, regret and shocking revelations.


Three time NAACP Theatre Award winner, Six time Drama-logue Award winner, and Best Actor Image Award winning novelist, playwright, actor and filmmaker Stanley Bennett Clay makes his New York theatrical debut after nearly forty years as a celebrated fixture of Los Angeles' black and gay theatre with the production of his "Armstrong's Kid."   

 

 
Written, Produced, and Directed by Stanley Bennett Clay

Executive Produced by Chas. Floyd Johnson


Length: 1 hr 30 mins
Intermission: None
Seating: General Admission

 

Roy Arias Theater  
300 West 43rd Street (@ 8th Avenue)
5th Floor
New York City, NY 10036

  
SGL  Black  Heroes 

James  Richmond  Barthé  (1901  -  1989) 

 

 Richmond Barthé 1

  

Born in Bay St. Louis, Mississippi in 1901, Richmond Barthé moved to New Orleans at an early age. Little is known about his early youth, except that he grew up in a devoutly Roman Catholic household, he enjoyed drawing and painting, and his formal schooling did not go beyond grade school. From the age of sixteen until his early twenties, Barthé supported himself with a number of service and unskilled jobs, including house servant, porter, and cannery worker. His artistic talent was noticed by his parish priest when Barthé contributed two of his paintings to a fundraising event for his church. The priest was so impressed with his art that he encouraged Barthé to apply to the Art Institute of Chicago and raised enough money to pay for his travel and tuition. From 1924 to 1928, Barthé studied painting at the Art Institute, while continuing to engage in unskilled and service employment to support himself.

 

 

Richmond Barthé 3 (Supplication, Mother and Son) 

Supplication, Mother and Son 

 

 

Richmond Barthe (Boxer Sculpture)Even though he mainly studied painting, Barthé's talent as a sculptor was recognized by his fellow students and local critics in Chicago. In 1928, he put on a one-man show that was sponsored by the Chicago Women's Club. He eventually moved to New York City, locating his studio in Greenwich Village and creating art - and socializing - with central figures of the Harlem Renaissance, including Langston Hughes, Alain Locke, Augusta Savage, and Carl Van Vechten. While he rejected the circumscription of his art within racial boundaries, his most well-regarded work had a strong racial content. Feral Benga and African Dancer, the latter of which was purchased by the Whitney Museum of American Art, celebrated the black body and African culture, while The Mother contemplated the horrors of lynching. Of particular inspiration to Barthé's art was the black male body, a reflection of his comfort with his homosexuality, according to one of the foremost scholars of Barthé. 

 

Richmond Barthé 2 


Barthé continued to create sculpture well into the 1960s, some of which was commissioned as public art. He sculpted an American eagle for the Social Security Building in Washington, D.C. and a bas-relief for the Harlem River Housing Project. In 1949, the Haitian government commissioned him to create monuments to the revolutionary leaders Toussaint L'Overture and Jean Jacques Dessalines in Port-au-Prince. In addition to spending time in Haiti, Barthé lived in Jamaica before returning to the United States and settling in southern California. He died in 1989. 

  

Richmond Barthe' Harlem Renaissance Sculptor  

Website:

Richmond Barthé Exhibition: Harlem Renaissance Sculptor

(Click The Image Above To View Exhibit)

 

 

 

 

 

 

 

    
The Bawabisi SGL Symbol

Bawabisi SGL Symbol (Partial Transparency)

The SGL symbol, the Bawabisi, is inspired by Nigerian Nsibidi script and West African Adrinkra symbols. The two facing semi-circles represent unity and love. The figure has been split symmetrically in half to suggest parts of a whole that mirror each other. Dots are often used in Adinkra symbols to represent commitment and pluralism. The split and dots, with the addition of color, suggest the concept of gender. The circle encompassing the figure reinforces the idea of connectedness despite duality, suggesting the idea of two-spirited.





About  The  BMX- NY  Chapter...
 
  



THE BLACK MEN'S XCHANGE - NEW YORK (BMX-NY) was founded in Harlem in 2002 and is a gathering for same gender loving (SGL) and bisexual Black men to powerfully and respectfully address issues that impact their lives, and to connect with one another in a positive, affirming, nurturing and transformational environment. Ages 18 and up.

BMXNY.org 

 



About  The  BMX- Baltimore  Chapter...
 
  
Young BMX-Baltimore Bruthaz 1


THE BLACK MEN'S XCHANGE - BALTIMORE was founded in 2008 to provoke critical thinking; to teach Black men how to unlearn internalized oppression, and to give Black men the tools to deal with these issues. Ages 18 and up.

  

 



BMX  Mission  Statement

BMX Logo (Black)
THE BLACK MEN'S XCHANGE (BMX) was founded in 1989 by activist, writer and behavioral health expert Cleo Manago, as an instrument of healing and empowerment for same gender loving (SGL) and bisexual African descended men. The mission of the Black Men's Xchange (BMX) is to affirm, heal, educate, unify and promote well-being and critical thinking among Black people - 18 and up - diverse in sexuality, class, culture and philosophy.  Black Men's Xchange (BMX) conducts activities that promote healthy self-concept, sexual health, constructive decision making, and cultural affirmation among same-gender-loving (SGL), bisexual and heterosexual Black populations. BMX affirms and educates Black men (and the community at-large) while providing tools for self-determination, community responsibility, self-actualization and the prevention of health threats (e.g. HIV, isolation, substance and other addictions, and mental instability). BMX creates an environment that advances Black culture and involves identifying and unlearning ingrained anti-homosexual and anti-black male and female conditioning.

 

BMX is built on a philosophy that embraces same gender loving experience as intrinsic to everyday Black life.  Integral to BMX's approach is the understanding that, in order to decrease internal and external anti-homosexual thinking, and demystify differences around diverse ways of living and loving Black people must engage in supportive dialogue with each other and the community.

 

At BMX we believe that self-determination is crucial in achieving success toward healing and empowerment.  We understand that our cultural and experiential uniqueness requires a uniquely focused and precise approach.  Affirming strategies born out of our own experience is powerful; hence, the adoption of the terms, Black, African American and Same Gender Loving (SGL).

 

The Term Same Gender Loving (SGL)... 

 

READ MORE...  

 

   

BMX-NY MMM Photos 11
 
The Black Men's Xchange-New York And Our Allies At The Millions More Movement (MMM) In Washington, DC
(October 15th, 2005) 
 
 

 

 





 
 

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Want To Browse Our Archive

And Read Any Previous
e-Newsletter Issue?

 
Bawabisi SGL Symbol (Partial Transparency)

Click The

 "Bawabisi" AFRICAN SGL SYMBOL Above To See The
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e-Newsletter Archive Homepage



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