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The BMX National Gatekeepers  e-Newsletter

OCTOBER  28th, 2011
Black Men's Xchange-National

 
In This Week's Gatekeepers Issue
This Friday's BMX-NY Topic:
ROCK The VOTE For WHAT?: Is There An SGL Political Agenda?
Friday Forum Recap (10|21|11): Celebrity DL: Calling All SGLs
Upcoming Topics: BMX- NY 2011 Fall Calendar
Community Corner Announcements
SGL Black Heroes:
Richmond Barthé
The Bawabisi SGL Symbol
About The BMX-NY Chapter...
About The BMX-Baltimore Chapter...
BMX Mission Statement
Black Men's Xchange National Gatekeepers e-Newsletter Archive Homepage

 

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When & Where Are Our Chapter Spaces?
 
BMX-New York Chapter:
730 Riverside Drive
(@150th Street)*
Suite 9E
Harlem, New York 10031
212-283-0219
Website: BMXNY.org 


*PLEASE NOTE:
THE DOOR ENTRANCE IS
LOCATED ON 150th STREET.
Ages 18 and up. 

Time:
8:00 PM - 11:00 PM
(Every Friday night, except for our hiatus month in August)
   
Directions: 
Take the #1 Train to 145th Street or the M4, M5, M101 or M100 to 149th Street & Broadway
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BMX-Baltimore Chapter:

1609 Saint Paul Street*

(Between East Lanvale and East Federal Streets)  

Baltimore, Maryland 21202

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*We are located across the street from the Amtrak train station. Our space is designated by the RED DOOR.Ages 18 and up. 



Time:

6:00 PM - 9:00 PM
(Every Sunday night)


Contact Us

Black Men's Xchange-NY

730 Riverside Drive
Suite 9E
Harlem, New York 10031


Email:
blackmensxchangeny@gmail.com
Phone: 212-283-0219

Official BMX-NY Website:
BMXNY.org




=====================


Black Men's Xchange-Baltimore 

1609 Saint Paul Street

Baltimore, Maryland 21202


Email:
BMXnational@gmail.com
Phone:
410-637-3016


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.Welcome To The Black Men's Xchange National Gatekeepers e-Newsletter. This e-newsletter is for the BMX-New York chapter gathering  on Friday, October 28th, 2011.


 

Brothers, please if you would take the time and tell us about your experience at a BMX-NY meeting. This is a confidential Survey with no names required. We appreciate your time and comments as we continue to try and make your experience at BMX-NY one of true community.      

SPECIAL NOTE:
 
Join BMX-NY For A Contingent Of Unity At The
Occupying Wall Street Resistance Rally At
Zuccotti Park (aka Liberty Plaza)
in New York City
 
This
Saturday, October 29th, 2011 @ 1PM

1, 2, 3, 4, 5, 6, A, C, E, J, N, R or Z train to Wall Street Area
GOOGLE MAPS (DIRECTIONS with All Train Info)
mta.info

WE'LL SEE YOU THERE BROTHERS!!! 

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BROTHERS! Although not required, BRINGING A POTLUCK DISH AND/OR BEVERAGE of your choosing would be a generous offering for the repast after the group discussion! Your offering defrays a cost to the organization.  Also, end of gathering DONATIONS are also greatly appreciated, too. THANK YOU!

ACHE!

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BMX- New York  Topic  For  This  Friday,  October  28th,  2011 

    

ROCK The VOTE For WHAT?

Is There An SGL Political Agenda? 

 

Facilitated by Cleo Manago    

 

   
Rock The Vote


Do same gender loving men tend to be apolitical? If so, why?
 
 
Do you follow the news about political races?
 
 Rock The Vote (Chicas Project Romeo PSA)

From what sources do you draw information regarding political candidates?
 
 
Do you believe politicians care about issues you face?
 
 
Which, if any, issues would you like to see politicos take up?
 
 Black Wall Strret Protester

In an increasingly corporate-controlled government, do you believe voting makes any difference?
 
 
Do you think the new 99% Movement may have any impact on politicos' platforms? If so, is there a place for us in that Movement?
 
 
What would insure that you'd vote?

Rock The Vote - Diddy Vote or Die
 
  

 

 

 

 

 

Friday  Forum  Recap

(BMX- NY  Topic  Hi- lites  From  Friday,  October  21th,  2011) 


CELEBRITY  DL:  Calling  All  SGLs

   

Facilitated  by  JM Green

      

 

Last time the Black Men's Xchange focused on the shortage of avowedly same gender loving celebrities from the following perspectives:

 

Will Smith 1Queen Latifah   

  

 

 

 

 

 

 

 

 

 

 

 

Luther VandrossNick Ashford 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For years we whispered about Will Smith, L.L. Cool J, Eddie Murphy, Luther Vandross, Queen Latifah, and Nick Ashford: What will it take for us to be able to stop whispering?


"Queen Latifah is not the person that you see...When you talk about celebrities, you're talking about business entities...They're representing so much more than themselves...[In Hollywood] We've always known who each other were, and we've always had a wink [system of acknowledgement]..."

"When I decided to embrace my attraction to other men, I discovered it was a process...It takes time..."

"What I know about her [Latifah] is that she lives her life pretty authentically..."


"Why did we leave Tyler Perry off this list?..."

{Facilitator says, "Unless we've slept with them, or know them personally, all the celebs we've listed are conjecture, so, Tyler can be here too..."}


"[The reason we speculate about celebrities' homosexuality] could just be people's having an interest in having their tribe increased..."

"Some of these people are not even out with their families...[so, what makes us think they would or should be out with the public?]...How many people here are out with their families?..."

All but a few people raise their hands...


 "I don't really care who's in or out...My brother's a Hollywood actor, and he used to go to these parties [at which there were lots of DL celebs] and he would never take me because he would say, I would tell everybody...He was wrong, I wouldn't have...[But] He's out in Hollywood in that DL way..."

{Facilitator says, "He's 'out in that DL way' sounds oxymoronic, no?..."}


"No...Everybody in Hollywood knows the community...[There's a tacit understanding and agreement that homosexuals are permitted their privacy]..." 

 

Harlem Pride [1st Annual] (Lo Rez - LR Edits)-19 

   

Does it matter if same gender loving youth have SGL role models?


"The people in Hollywood who hurt the SGL community most are those who lie about their sexuality...Like Tyler Perry talking about having been molested...and saying it made him feel this, or do that...but not acknowledging his sexuality...Donnie Mc Clurkin standing in the pulpit [condemning] homosexuals... Kirk Franklin going on Oprah talking about [how] he was addicted to porn, but not saying what kind of porn it was..."

"One of the big questions we're talking about or talking around is, 'What's at stake here?'...One of the things that AIDS did [was inspire the slogan] 'Silence = Death'...If these images have power and have force...the idea of whether someone is gay or straight...[We should weigh the potential benefit to the community of their acknowledging their sexuality]...I have a nephew who went on line and [wrote] "I'm gay and I take it up the ass"...I didn't want to tell him on the phone, that's not the way to affirm your sexuality...I have to wait until I see him...All over the country there are SGL kids who kill themselves because they don't know it's okay to be who they are...If you're a public figure, you're being manipulated, as are other people [who look up to the public figure]...In my neighborhood I've had an egg thrown at me...Actually, that's a hate crime...Because people have been given to believe that I don't matter...That, I'm not worthy of respect..."

{Facilitator says, "That question is key...'What's at stake here?'...We anticipated drawing a sizeable crowd for this topic because...for good, or ill...the potential voyeurism and the gossip are contagious...But, for our purposes, beyond those considerations,  the question of what's at stake is vital to our becoming self-determined...And, there's risk involved...Just as our acknowledging our sexuality to our families involved risk...When the stakes entail careers and wealth and fame, and the machinery of Hollywood or the music industry, the stakes are heightened exponentially..."}


"I don't come out at work...I am an Emergency Room physician...I have to manage a large staff under life and death conditions...They have to respect me at all times...I cannot come out because I work in the public..."

{Facilitator says, "For my part, I don't think in terms of 'coming out,' but rather, I've found that as I respect myself...my whole self...including my sexuality...and regard my sexuality as a gift...and part of the gift that I am...wherever I am...I tend naturally to command the respect of others...even people who might otherwise tend to be disrespectful..."}


"I know motion pictures and theatre...I've worked in the industry since '68, and came out in '69...Everybody knew that Rock Hudson and Jim Neighbors were going out for years...Everybody in Hollywood knows [who's homosexual] ...There are agents who protect them and put them with women...Back in the day they would even conceal the fact that some [heterosexual] stars were married...I did a film in '77 called Minstrel Man...And I wound up on the cover of some magazines, and was invited to give out an award at an awards show...I was married to a man...We got married at the Metropolitan Community Church in Hollywood in '76...My agent found an actress to go to the ceremony with me...My husband was sitting in the back of the theatre, and the girl was at my side...And, it ruined my relationship...and I quit...I said, 'That's it!'...I couldn't pass..."

{Facilitator says, "[You mean you couldn't pass] as heterosexual?"}


"Yes..."


{Facilitator says, "Thank you...You're a trail blazer... a pioneer...Thank you...As you say, there is a long tradition in Hollywood and the music industry in which part of agents' and managers' jobs were maintaining secrecy around the homosexuality of their homosexual clients...and back in the days of the Hollywood studio system, elaborate ruses were crafted and maintained for the life span of actors' careers...And while someone like Elton John is so rich, he could come out as a Martian [and be unscathed]...Something has happened that so many film and music stars have acknowledged their sexuality...[After all] There [really] is a gay mafia...Remember what happened to Isaiah Washington when he dissed that Knight guy?...How is it that we haven't evolved a same gender loving mafia?..."}


"[We don't have a sense of] Entitlement..."

 

50 Cent (Split Screen) 

 


What, if any, connection might there be between Black people's relationship to manhood and our reluctance to embrace our sexual diversity?


"BMX can serve a purpose that may be greater than me...I heard you when you spoke of why you feel it's important for you to [keep your sexuality secret]...You were born and people took care of you when you could not do for yourself...When you walk into my life and you make things go right, you are a light...Doctor, if my life was saved by someone who was gay, I would know that actually, gay people do things good as well [as hetero people]...You are a force of light that is glowing...I hope, before it's over you get to a place where you can say, I've done well, this thing I've done for so many years [and I am worthy of respect for my contribution]...[The same goes for] The Tyler Perrys and the Donnie Mc Clurkins...If I have a light in me...A talent...And I let people know I am SGL, I become an ambassador..."


"I outed myself on my job...I work in a warehouse, where men are [hypermasculine]...There was this guy [who] I couldn't stand...I had had sex with a guy who'd left a hickey on my neck the night before, and when I was in the locker room with this guy the next day, he made a remark about what I must have done to the girl who gave me the mark, and I said, 'What makes you so sure it was a girl?'...Since then, they've stopped with the fag jokes because I went to management and told them I don't like it..."

 


What is the Black community's attitude toward homosexuality now?


"Something we haven't spent enough time talking about is same gender loving entitlement...It's about unlearning lies...I think it's wrong that there are no SGL celebs present...I think it's important to see Black on Black love...We are participating in a mutually accepted delusion...We are participating in a lie...My mother is dying...My mother and I love each other...but we couldn't stand each other [when I was growing up]...The church  told her it [homosexuality] was an abomination...And she abused me...Now, she's on her death bed and the church is nowhere to be found...One of the reasons White gays are in the position they are is because they have entitlement consciousness...We are people who are in the Black family who should be loved and respected!...and, we won't be until we stand up [for ourselves]...Will and Jada are not helping...They're building a Scientology school, and nothing for the people who made them who they are..."

 

Black Family (Love Portrait) 

 

 

How do we inspire the Black family's supporting us in our sexuality?

 

"You can take an elephant and put a chain on his leg to keep him going beyond a certain line...And if you keep the chain on him for long enough, when you take the chain off, he still won't move past that line...He'll think the chain is still on him...[The same applies to us]...We need to take the chains off our minds..."


{Facilitator says, "That process is called Learned Helplessness...and it very much applies here, when we think in terms of what's at stake, and what may be preventing us from taking the kinds of risks necessary to move past the line most of us have observed for so long..."}


"Being here for the past five years has had a tremendous impact on every layer of my life...I would not be where I am...Not that I'm rich and powerful...But, I'm doing well...For me, everybody here is doing the work of becoming a stronger leader...I don't know if that is part of the mission of the organization, but I see it happening...I am present now wherever I go and I know that I am entitled to be who I am because of what you're doing here...and I think it needs to be said..."


"If my co-worker can talk about the pussy he fucked, I can talk about the ass I fucked..."


Cheers...

 

Tevin Campbell (''I'm Ready'' Album Cover) 1 


If the answer is not in 'outing' our celebrities, then how do we support our celebs coming in to the community?


"When you are able to make the cause to come from your true self, there are effects that come from that...Some we're conscious of, some we're not...[If] Patience and tolerance is all we want for our being...We may have to ask, is that enough?...You may not see the result of your putting a cap on [putting blinders on in the face of disrespect]...[But] You're getting some residue from not being able to be your full self...There are two [forces] on the planet...love and fear...I cannot tell you the suffering I experienced as a little kid for not being able to share my same gender lovingness...They [my family] would say they loved me...and I kept saying [to myself] 'How can they love me?...They don't know me!'...[One day] When I was seventeen, I was down in the basement with a friend of mine who I messed around with...My father came down and caught us and I thought the world was ending...My friend was older, and I let my father think he had made me participate [in the sex]...My father picked up the phone and was calling his parents...And I said..."Don't call...He didn't make me do it...I've been doing this"...I was just tired of the lies, and the gaming and the girlfriends...Some I liked..." Laughter...  "But, everything changed in that moment...I stood on those steps at seventeen and I was reborn for days after...I couldn't believe how light I felt...[I felt like] I was alive [for the first time]...So, I'm going to not participate in the salvation of my people because of a paycheck?...No, we have to make choices about [who we are and what we're doing here]..."


{Facilitator says, "In your moment of truth with your father, you realized that what was at stake for you was [either] continuing to suffer as you had all your life, lying and playing games and having people you loved not really know you, or risking being known...For those of us who raised our hands when asked who among us are present in our sexuality with our families, we've already taken the first step on the way to creating a community where it's safe for all of us to be fully who we are...As we muster the courage to risk being present in other areas of our lives, step by step, we get stronger and stronger...And, as we gain more and more respect for ourselves [for having taken the risks]...before you know it, enough of us will be present and strong enough to support our celebrities feeling safe to be who they are too..."}  

 

 

 

 

 

 

 

 

 

Upcoming  Topics:  BMX- NY  2011  Fall  Calendar          

(PLEASE NOTE THAT TOPICS ARE SUBJECT TO CHANGE;
WEEKLY E-NEWSLETTERS WILL REFLECT ANY NEW CHANGES)

                 

 

Friday, November 4th, 2011

TO BE ANNOUNCED  

 

Friday, November 11th, 2011

Sons and Godsons in the SGL Community: Mentoring SGL Youth

(Facilitated by Chad Franklin)

     

 

Friday, November 18th, 2011

Seeking Approval or Self-Acceptance? 

(Facilitated by JM Green)



BMX-NY WILL NOT BE MEETING FRIDAY, NOVEMBER 25th, 2011

 

 

Friday, December 2nd, 2011

Valuing Our Lives as Black Men: A Dialogue with Hetero Brothers  

(Facilitated by Cleo Manago)



SEE EXTENDED CALENDAR...

 

 

 

 

 

 

 Community  Corner  Announcements

Saturday, October 15th, 2011 - Sunday, November 27th, 2011



Stanely Bennett Clay (b&w headshot)
Stanley Bennett Clay

presents 

 ARMSTRONG'S KID
 
Armstrong's Kid (poster)


A homosexual schoolteacher (Stanley Bennett Clay) is falsely accused of child molestation by his best friend's fourteen-year-old son and spends nearly a year in prison before the truth is revealed. Eleven years later the now-grown accuser (Thandiwe Thomas De Shazor) seeks forgiveness, resulting in an evening of turmoil, revenge, regret and shocking revelations.


Three time NAACP Theatre Award winner, Six time Drama-logue Award winner, and Best Actor Image Award winning novelist, playwright, actor and filmmaker Stanley Bennett Clay makes his New York theatrical debut after nearly forty years as a celebrated fixture of Los Angeles' black and gay theatre with the production of his "Armstrong's Kid."   

 

 
Written, Produced, and Directed by Stanley Bennett Clay

Executive Produced by Chas. Floyd Johnson


Length: 1 hr 30 mins
Intermission: None
Seating: General Admission

 

Roy Arias Theater  
300 West 43rd Street (@ 8th Avenue)
5th Floor
New York City, NY 10036

  
SGL  Black  Heroes 

James  Richmond  Barthé  (1901  -  1989) 

 

 Richmond Barthé 1

  

Born in Bay St. Louis, Mississippi in 1901, Richmond Barthé moved to New Orleans at an early age. Little is known about his early youth, except that he grew up in a devoutly Roman Catholic household, he enjoyed drawing and painting, and his formal schooling did not go beyond grade school. From the age of sixteen until his early twenties, Barthé supported himself with a number of service and unskilled jobs, including house servant, porter, and cannery worker. His artistic talent was noticed by his parish priest when Barthé contributed two of his paintings to a fundraising event for his church. The priest was so impressed with his art that he encouraged Barthé to apply to the Art Institute of Chicago and raised enough money to pay for his travel and tuition. From 1924 to 1928, Barthé studied painting at the Art Institute, while continuing to engage in unskilled and service employment to support himself.

 

 

Richmond Barthé 3 (Supplication, Mother and Son) 

Supplication, Mother and Son 

 

 

Richmond Barthe (Boxer Sculpture)Even though he mainly studied painting, Barthé's talent as a sculptor was recognized by his fellow students and local critics in Chicago. In 1928, he put on a one-man show that was sponsored by the Chicago Women's Club. He eventually moved to New York City, locating his studio in Greenwich Village and creating art - and socializing - with central figures of the Harlem Renaissance, including Langston Hughes, Alain Locke, Augusta Savage, and Carl Van Vechten. While he rejected the circumscription of his art within racial boundaries, his most well-regarded work had a strong racial content. Feral Benga and African Dancer, the latter of which was purchased by the Whitney Museum of American Art, celebrated the black body and African culture, while The Mother contemplated the horrors of lynching. Of particular inspiration to Barthé's art was the black male body, a reflection of his comfort with his homosexuality, according to one of the foremost scholars of Barthé. 

 

Richmond Barthé 2 


Barthé continued to create sculpture well into the 1960s, some of which was commissioned as public art. He sculpted an American eagle for the Social Security Building in Washington, D.C. and a bas-relief for the Harlem River Housing Project. In 1949, the Haitian government commissioned him to create monuments to the revolutionary leaders Toussaint L'Overture and Jean Jacques Dessalines in Port-au-Prince. In addition to spending time in Haiti, Barthé lived in Jamaica before returning to the United States and settling in southern California. He died in 1989. 

  

Richmond Barthe' Harlem Renaissance Sculptor  

Website:

Richmond Barthé Exhibition: Harlem Renaissance Sculptor

(Click The Image Above To View Exhibit)

 

 

 

 

 

 

 

    
The Bawabisi SGL Symbol

Bawabisi SGL Symbol (Partial Transparency)

The SGL symbol, the Bawabisi, is inspired by Nigerian Nsibidi script and West African Adrinkra symbols. The two facing semi-circles represent unity and love. The figure has been split symmetrically in half to suggest parts of a whole that mirror each other. Dots are often used in Adinkra symbols to represent commitment and pluralism. The split and dots, with the addition of color, suggest the concept of gender. The circle encompassing the figure reinforces the idea of connectedness despite duality, suggesting the idea of two-spirited.





About  The  BMX- NY  Chapter...
 
  



THE BLACK MEN'S XCHANGE - NEW YORK (BMX-NY) was founded in Harlem in 2002 and is a gathering for same gender loving (SGL) and bisexual Black men to powerfully and respectfully address issues that impact their lives, and to connect with one another in a positive, affirming, nurturing and transformational environment. Ages 18 and up.

BMXNY.org 

 



About  The  BMX- Baltimore  Chapter...
 
  
Young BMX-Baltimore Bruthaz 1


THE BLACK MEN'S XCHANGE - BALTIMORE was founded in 2008 to provoke critical thinking; to teach Black men how to unlearn internalized oppression, and to give Black men the tools to deal with these issues. Ages 18 and up.

  

 



BMX  Mission  Statement

BMX Logo (Black)
THE BLACK MEN'S XCHANGE (BMX) was founded in 1989 by activist, writer and behavioral health expert Cleo Manago, as an instrument of healing and empowerment for same gender loving (SGL) and bisexual African descended men. The mission of the Black Men's Xchange (BMX) is to affirm, heal, educate, unify and promote well-being and critical thinking among Black people - 18 and up - diverse in sexuality, class, culture and philosophy.  Black Men's Xchange (BMX) conducts activities that promote healthy self-concept, sexual health, constructive decision making, and cultural affirmation among same-gender-loving (SGL), bisexual and heterosexual Black populations. BMX affirms and educates Black men (and the community at-large) while providing tools for self-determination, community responsibility, self-actualization and the prevention of health threats (e.g. HIV, isolation, substance and other addictions, and mental instability). BMX creates an environment that advances Black culture and involves identifying and unlearning ingrained anti-homosexual and anti-black male and female conditioning.

 

BMX is built on a philosophy that embraces same gender loving experience as intrinsic to everyday Black life.  Integral to BMX's approach is the understanding that, in order to decrease internal and external anti-homosexual thinking, and demystify differences around diverse ways of living and loving Black people must engage in supportive dialogue with each other and the community.

 

At BMX we believe that self-determination is crucial in achieving success toward healing and empowerment.  We understand that our cultural and experiential uniqueness requires a uniquely focused and precise approach.  Affirming strategies born out of our own experience is powerful; hence, the adoption of the terms, Black, African American and Same Gender Loving (SGL).

 

The Term Same Gender Loving (SGL)... 

 

READ MORE...  

 

   

BMX-NY MMM Photos 11
 
The Black Men's Xchange-New York And Our Allies At The Millions More Movement (MMM) In Washington, DC
(October 15th, 2005) 
 
 

 

 





 
 

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And Read Any Previous
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