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The BMX National Gatekeepers  e-Newsletter

OCTOBER  14th, 2011
Black Men's Xchange-National

 
In This Week's Gatekeepers Issue
This Friday's BMX-NY Topic:
What's Occupying Wall Street Got to Do with Us?
Friday Forum Recap (10|07|11): Growing Older and Thriving in the SGL Community
Upcoming Topics: BMX- NY 2011 Fall Calendar
Community Corner Announcements
SGL Black Heroes:
Richmond Barthé
The Bawabisi SGL Symbol
About The BMX-NY Chapter...
About The BMX-Baltimore Chapter...
BMX Mission Statement
Black Men's Xchange National Gatekeepers e-Newsletter Archive Homepage

 

Want To Browse Our Archive

And Read Any Previous
e-Newsletter Issue?

 
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When & Where Are Our Chapter Spaces?
 
BMX-New York Chapter:
730 Riverside Drive
(@150th Street)*
Suite 9E
Harlem, New York 10031
212-283-0219
Website: BMXNY.org 


*PLEASE NOTE:
THE DOOR ENTRANCE IS
LOCATED ON 150th STREET.
Ages 18 and up. 

Time:
8:00 PM - 11:00 PM
(Every Friday night, except for our hiatus month in August)
   
Directions: 
Take the #1 Train to 145th Street or the M4, M5, M101 or M100 to 149th Street & Broadway
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BMX-Baltimore Chapter:

1609 Saint Paul Street*

(Between East Lanvale and East Federal Streets)  

Baltimore, Maryland 21202

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*We are located across the street from the Amtrak train station. Our space is designated by the RED DOOR.Ages 18 and up. 



Time:

6:00 PM - 9:00 PM
(Every Sunday night)


Contact Us

Black Men's Xchange-NY

730 Riverside Drive
Suite 9E
Harlem, New York 10031


Email:
blackmensxchangeny@gmail.com
Phone: 212-283-0219

Official BMX-NY Website:
BMXNY.org




=====================


Black Men's Xchange-Baltimore 

1609 Saint Paul Street

Baltimore, Maryland 21202


Email:
BMXnational@gmail.com
Phone:
410-637-3016


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Greetings Brothers!                
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.Welcome To The Black Men's Xchange National Gatekeepers e-Newsletter. This e-newsletter is for the BMX-New York chapter gathering   on Friday, October 14th, 2011.


 

Brothers, please if you would take the time and tell us about your experience at a BMX-NY meeting. This is a confidential Survey with no names required. We appreciate your time and comments as we continue to try and make your experience at BMX-NY one of true community.       

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BROTHERS! Although not required, BRINGING A POTLUCK DISH AND/OR BEVERAGE of your choosing would be a generous offering for the repast after the group discussion! Your offering defrays a cost to the organization.  Also, end of gathering DONATIONS are also greatly appreciated, too. THANK YOU!

ACHE!

BMX National

BMXnational.com  

     

 

 

SPECIAL NOTE:

Join BMX-NY and the Men of ADODI for a day at the theater

Saturday, October 15th 2011 @ 3PM 
 

 

Stanely Bennett Clay (b&w headshot)  

Stanley Bennett Clay

presents   

 ARMSTRONG'S KID    

 

Armstrong's Kid (poster)  

 

 A homosexual schoolteacher (Stanley Bennett Clay) is falsely accused of child molestation by his best friend's fourteen-year-old son and spends nearly a year in prison before the truth is revealed. Eleven years later the now-grown accuser (Thandiwe Thomas De Shazor) seeks forgiveness, resulting in an evening of turmoil, revenge, regret and shocking revelations. 


Three time NAACP Theatre Award winner, Six time Drama-logue Award winner, and Best Actor Image Award winning novelist, playwright, actor and filmmaker Stanley Bennett Clay makes his New York theatrical debut after nearly forty years as a celebrated fixture of Los Angeles' black and gay theatre with the production of his "Armstrong's Kid."   

 

 

Written, Produced, and Directed by Stanley Bennett Clay


Executive Produced by Chas. Floyd Johnson


Length: 1 hr 30 mins
Intermission: None
Seating: General Admission

 

 

Roy Arias Theater  

300 West 43rd Street (@ 8th Avenue)
5th Floor

New York City, NY 10036 

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 Purchase Tickets Here   

  

  

 

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Brooklyn Bridge of New York (Night Skyline)

   

BMX- New York  Topic  For  This  Friday,  October  14th,  2011 

    

What's Occupying Wall Street Got To Do With Us?

 

Facilitated by JM  Green    

 

Wall Street (Street Sign)

 

  Black Wall Strret Protester

    

 
Is Wall Street guilty of anything, or is it just our imagination?

Black Job Fair Line

51% of Black men were unemployed in Harlem before the recession. Does it matter?

Wall Street - Obama


From maligning Obama, to last-hired first-fired, to prison industrial complex executions of Black men, are we numb to the disrespects leveled at us on a regular basis? Is there any connection?


How do Wall Street's financial policies impact our community?

Wall Street - NYSE

Should Social Security and Medicaid be privatized?


Even with A-plus credit, if you wanted to start a business, could you find the backing?


Can you afford to go back to school to enhance or build new skills? If not, why not?


Do you owe education loans?


What, if any, changes would you like to see come out of this process?


Should SGL men be present in this protest? 




 

 

 

 

 

Friday  Forum  Recap

(BMX- NY  Topic  Hi- lites  From  Friday,  October 7th,  2011) 

  

Growing  Older  and  Thriving  in  the  SGL  Community

 

Facilitated  by  Tommie  Thompson  &  Eugene  Howell

  

   Older Wise Black Man

 

During Friday's Xchange, Brothers considered possibilities around thriving as we grow older through the following lens...   

  

 

Is there really any such thing as aging gracefully?

"Looking at the ad [for this week's topic] in the newsletter, I thought, there's a future in it [growing older]...and I see what the future looks like for me...and being willing to be of purpose [to the community] it looks good..."

"In the newsletter ad, all the men pictured looked like geezers to me...as in upwards of ninety...and it scared me...I'm an elder now, and I don't look like those men...none of my friends look like those men..."

Older Black Man 2

 "As one of the questions says, we live in a youth obsessed culture...It's a Eurocentric obsession...White people got into our families through slavery...Our history goes back thousands and thousands of years...Africans revered their elders...When I look at those photos of old men, I see them as beautiful..."

"I'm an older SGL Brother...I don't party so much now...I have a lot of young people in my family and they look up to me and I feel great...Thanks to organizations like BMX, I never deny who I am any more...I participated even back in California..."

"You age gracefully if you're a role model...If you're a role model, the only way people can look [when they look at you] is up...The way they speak ...in their dignity [is inspiring]..."

"Who gets to determine what constitutes aging gracefully?..."

"I had to find where my grace was...Listening to people and not judging...I can listen more tolerantly [now]..."

{Facilitator asks, "For the purposes of this conversation, if people feel comfortable, would you say your age as you share your perspectives?..."}

"I'm thirty today...and when I have conversations with my peers, a lot of them say, 'Once you're over twenty-five, you're over the hill'...and I wonder if, when I get older, if I'll be able to wear it well, and not look my age...Some people don't want to come forward with their age...like it's some kind of deep secret...BMX has taught me about self-preservation and loving myself...so, I think I'll be okay..."

"I'm twenty-two, and I wonder why does this age have to define who they are...Age is just a number...It really is just a number..."

"I still have trouble saying my age out loud because I wish I had accomplished a whole lot more by now...I got sick in '02 and it changed the course of my life...I wanted to go back to grad school and I applied and I got rejected by form-letter, and I went to bed and I stayed there...I just woke up..."

"Before I came to BMX, I hated myself...I lied about my age...I was ashamed about my effeminate energy...All the forces that are in place to keep us down...the double standard that we're up against because of racism...We don't like to say it...But it's real...You see the way Obama is treated every day...We're wonderful...The reason they attempt to hold us down is because they fear us...I'm forty-five, and people tell me I'm doing the best work in my life..."

"I'm twenty-four...I guess I look to my grandparents [as a gauge]...I guess grace has to do with a positive attitude and how you carry yourself..."

"In families, I guess people can age gracefully as a function of accomplishments...But, discrimination is real...I'm sixty-nine..."

"I don't think it's just an SGL thing...I think it's reflective of society in general...I think it's a beautiful thing to be seventy...I'm twenty-two..."

{Facilitator says, "What age and matriculating through life may mean for one-to-the-next of us, with all the Euro-centric ideals we've acculturated [is likely to vary]...so, let me ask,  To the extent that the sex drive doesn't disappear as same gender loving men age, how does one maintain his capacity to be alluring?..."}

"I'm twenty-seven, and when you say your age, [for many] people, it's less about age and more about how they live their lives...My life is not what I thought it would be...It's about the life you choose to create for yourself...It's about creating what you want for yourself..."

"As a child I never felt comfortable around people my age...I always felt more comfortable around my grandmother..."

"I'm a depression-baby...I was born in March of 1929...I spend a lot of time with young people, and something they know about me is there are two things I don't tolerate...Using the 'N' word and calling me, 'Pops,'...We get along great with each other..."

"I think it's really dangerous when society tells you [to devalue age]...When people tell their age, right away a picture comes to mind [of what they're supposed to be]...If I can just be quiet and be in the presence of me...Then I can be quiet and be in your presence and appreciate you for who you are...Age doesn't really exist...Some people die at twenty, and some people die at ninety...Some people die at twenty while they're still alive...Just be your essential self...Just make sure next Sunday is not a repetition of last Sunday...I am an instrument...I have a song to play...I have a friend who is a few years older than I am...and when we walk down the street together, he does things I wish I was young enough to do...In Africa, they say that when an elder dies, it's like a library has burned down...Be very protective of your soul space...One has to be very careful of their age..."

"Having the capacity to "just be quiet in the presence of me" sounds wonderful...The reality, more likely, in this culture of distraction where most of us learn to value ourselves in relationship to things...and comparing what we have with that of others', is that I don't know how to be quiet in the presence of myself...I'm fifty-six, and for much of the first forty years of my life, I hated myself...I believed the lies they told me about being an African homosexual man...And disabusing myself of those myths took me a good decade's worth of processes, including therapy and other introspective methods...Now, I love me and respect me and am leading a purpose-driven life...I love what I do, and am frequently paid handsomely for what I do...[But] For many of us, that inner-quietness may be an important aspiration yet..."

"In terms of maintaining the capacity to be alluring, I say, 'teeth and money'...Use one to invest in the other...I want to be with someone, but I don't want to be poor together...I like Armani...I like Mercedes...I was pricing one yesterday...Part of the hesitation around age is [that] it's the countdown to death...[That's] why people don't like to say their age...Part of maintaining my capacity to be alluring involves resources...[For instance] I have to create the resources to maintain my mother [who is aging] in another place...She's in a home for the aging or a rehab...depending on what state she's in... and it may be the thing to do for some people, but I'm not changing my mother's diapers... She can't come here...She can't...The most un-alluring thing in the world is a mama in the next bedroom...I don't want to be alone...I want to be with somebody cute, and that takes money...I don't want to look back and remember when I was a whore...I want to go out a whore...and that takes money...I have to think about who dies first...I have to think about that before the other one dies [to ensure that I have resources in place for any eventuality]...Age isn't that cute in a disenfranchised community..."

"[When talking about mamas] They cleaned our diapers, and I say, we should clean theirs when the time comes...I will clean my mother's diapers [if I have to]..."

"As a person who's waiting for the other shoe to drop because I just got news that my mother, who has diabetes, has three months [to live]...My mother loved me, but she also traumatized me, following the church [doctrine she was immersed in] she demonized me because I was homosexual...She is sorry for the way she treated me...But our relationships to our parents are different..."

"A while ago, I asked what constitutes growing old gracefully...It sounds as if people are trying to decide for others what growing old gracefully looks like..."

"The saddest situation is when someone is growing old and they don't like old people..."

{Facilitator says, "I didn't hear anyone speaking about not loving their mothers...I want to urge you to do your best to give yourselves the opportunity to have the conversation you came here to have...The last question was, to the extent that the sex drive doesn't necessarily disappear as we age, how do we maintain the capacity to be alluring?..."}

{Other Facilitator says, "For me, regarding being alluring, the man I'm with...what attracted him [to me] was not so much what I looked like, but the fact that I am the leader of an organization for Black men...You first have to get to a stage where you love where you are to be alluring to others..."}

"I tend to date older men...I don't think the sex drive necessarily changes...Just being who you are [is alluring]..."

"I look for transparency...I'm never introduced [by a suitor] as a friend...That thing we did last night makes us more than friends...I'm not going to play that game any more...I always look at my progression as, 'How am I going to raise my children?'...When I look at a man I'm walking along with, 'DL' is some bullshit...It's some slavery bullshit...[Be] discreet for who?...So, I look at aging as not compromising my identity any more...Who's in a relationship in here?...And, if you're not and you want to be, [maybe it has something to do with how transparent you're capable of being]..."

"I'm twenty-seven...what concerns us as we grow older...I'm in a relationship for the past four years...My boyfriend is forty-eight...His parents are in their eighties and he takes care of them...My parents are in their fifties and sixties...I'm in grad school...When I finish, I'll be thirty, and I don't want to have children..."

"Regarding being 'DL,' I'd rather be a live dog than a dead lion...Me and my husband or my boyfriend are a little nervous about being out in the world...One time we were on the train platform and there were like ten "thugs" who were calling us faggots and a whole lot of other things, and we decided to walk towards them...We decided, 'If we're going to get beat, somebody's going to get a black eye...a broken jaw'...But it was scary..."

Older Black Men (art)

In indigenous cultures, the elder's role is to guide the community . Are our elders observing that role? Are we permitting them that observance?

"We talked the other week about rites of passage for SGL folk...A lot of this disruption in our ability to simply be who we are and to develop healthy relationships with each other is because of the fact that we haven't created rites of passage which are ceremonies the community observe together to honor members' moving through the different phases of life...Adolescence is when heteros in the culture get to go to proms, possibly graduations, and learn how to mate with each other...Because our love is forbidden, and because we didn't have the rite of passage from childhood to manhood, a lot of us come to adulthood and to the mating game socially and emotionally retarded...A friend of BMX, a West African shaman and scholar named Malidoma Some' shared with us that, in his culture...The Dagara people of Burkina Faso, there is a group of people they call Gatekeepers...He said, "not all gatekeepers are SGL, but all same gender loving people are Gatekeepers...The Gatekeepers' charge is, when there is crisis in the community, taking cues from nature and the ancestors, to restore harmony and balance to the community...That's why so many of us are the ones in our families who are the rocks in our families...the voice of reason... the ones who the family relies on to when the shit hits the fan....Our community is in crisis, but there's hope because we have the power to heal first by having the courage to find our own balance...to heal and love ourselves... We have among us, brothers who have studied different kinds of divinity, including indigenous forms...We are going to work with them to create rites of passage to assist us along these lines"

"Thanks to BMX and finally finding a shrink I like, I've finally started disclosing [my sexuality]...A lot of people tell me, they never guessed...I decided, if they don't know, they suspect...I decided, from here on in,  if people ask if I'm gay, I'll say, 'No, I'm same gender loving'...I'm taking it on a case-by-case basis..."

"We are suppressed people...That's why we don't feel like kissing each other...I'm flamboyant as hell...If you feel comfortable to be you, why the hell can't I feel comfortable to be me?...I'd rather go down fighting...I'm not going to let someone suppress me...I' twenty-two...You're allowing people to suppress you when you go on the 'DL'..."

 

Older Black Gentlemen 

  

  

 

    

 

Upcoming  Topics:  BMX- NY  2011  Fall  Calendar          

(PLEASE NOTE THAT TOPICS ARE SUBJECT TO CHANGE;
WEEKLY E-NEWSLETTERS WILL REFLECT ANY NEW CHANGES)

             

Friday, October 21st, 2011

Baby Boy: Navigating the Matrix as Young Men Who Love Men

(Facilitated by JM Green & Joseph Owens)

 

 

Friday, October 28th, 2011

I Am Who I Say I Am: The Dilemma of Drag Queens

(Facilitated by Anthony Truly)

 

 

Friday, November 4th, 2011

Rock the Vote for What?: Is There An SGL Political Agenda?

(Facilitated by Anthony Truly & Cleo Manago)

 

 

Friday, November 11th, 2011

Sons and Godsons in the SGL Community: Mentoring SGL Youth

(Facilitated by Chad Franklin)

     

 

Friday, November 18th, 2011

Seeking Approval or Self-Acceptance? 

(Facilitated by JM Green)



SEE EXTENDED CALENDAR...

 

 

 

 

 

 

 Community  Corner  Announcements


New BlackFest, The (logo)


SATURDAY, OCTOBER 15th, 2011 at 6PM  

    

New Black Conversation:

The Future of Progressive Culture

In a Capitalist Society  

Curated by The Festival of the New Black Imagination

with playwright/panelist Dominqiue Morisseau and more

and special ringShout readings w/ Lynnette Freeman,

Axel Avin and Danielle Brooks  

Location: Long Island University (Brooklyn campus)
Zeckendorf Health Sciences Center, Room 107
GOOGLE MAPS

 

Purchase tickets for event here!
 

    

SUNDAY, OCTOBER 16th, 2011

New Black Plays and Playwrights - Part 1

Black Picasso
by Zakiyyah Alexander

A young visual artist struggles to find creative freedom
in the commercial art world.

A fresh commentary on what it means to be
Black and gifted in a capitalist America.

Time: 2PM

Location: The Shabazz Center/Audubon Ballroom
3940 Broadway
(between 165th and 166th Streets, Upper Manhattan)

Suggested Donation:  $5 at door


 

 

 Just Me, You and The Silence
by Judith Adong

It's present day Kampala, Uganda.
One man launches a series of vicious campaigns
to scare the gay community and promote his anti-gay bill.

Time: 7PM

Location: The Shabazz Center/Audubon Ballroom
3940 Broadway
(Between 165th and 166th Streets, Upper Manhattan)

Suggested Donation:  $5 at door


 

 

MONDAY, OCTOBER 17th, 2011 at 6PM

New Black Conversation:

The Struggle for Gay Rights in Africa

with writer Judith Adong and Cheikh Traore,

UN Senior Adviser on Sexual Diversity

moderated by actress/activist Bridgit Antoinette Evans 

Location: New York Theater Workshop
79 East 4th Street

(Between Bowery and 2nd Avenue, Lower Manhattan)

 GOOGLE MAPS    

 
 

 

 





SGL  Black  Heroes 

James  Richmond  Barthé  (1901  -  1989) 

 

 Richmond Barthé 1

  

Born in Bay St. Louis, Mississippi in 1901, Richmond Barthé moved to New Orleans at an early age. Little is known about his early youth, except that he grew up in a devoutly Roman Catholic household, he enjoyed drawing and painting, and his formal schooling did not go beyond grade school. From the age of sixteen until his early twenties, Barthé supported himself with a number of service and unskilled jobs, including house servant, porter, and cannery worker. His artistic talent was noticed by his parish priest when Barthé contributed two of his paintings to a fundraising event for his church. The priest was so impressed with his art that he encouraged Barthé to apply to the Art Institute of Chicago and raised enough money to pay for his travel and tuition. From 1924 to 1928, Barthé studied painting at the Art Institute, while continuing to engage in unskilled and service employment to support himself.

 

 

Richmond Barthé 3 (Supplication, Mother and Son) 

Supplication, Mother and Son 

 

 

Richmond Barthe (Boxer Sculpture)Even though he mainly studied painting, Barthé's talent as a sculptor was recognized by his fellow students and local critics in Chicago. In 1928, he put on a one-man show that was sponsored by the Chicago Women's Club. He eventually moved to New York City, locating his studio in Greenwich Village and creating art - and socializing - with central figures of the Harlem Renaissance, including Langston Hughes, Alain Locke, Augusta Savage, and Carl Van Vechten. While he rejected the circumscription of his art within racial boundaries, his most well-regarded work had a strong racial content. Feral Benga and African Dancer, the latter of which was purchased by the Whitney Museum of American Art, celebrated the black body and African culture, while The Mother contemplated the horrors of lynching. Of particular inspiration to Barthé's art was the black male body, a reflection of his comfort with his homosexuality, according to one of the foremost scholars of Barthé. 

 

Richmond Barthé 2 


Barthé continued to create sculpture well into the 1960s, some of which was commissioned as public art. He sculpted an American eagle for the Social Security Building in Washington, D.C. and a bas-relief for the Harlem River Housing Project. In 1949, the Haitian government commissioned him to create monuments to the revolutionary leaders Toussaint L'Overture and Jean Jacques Dessalines in Port-au-Prince. In addition to spending time in Haiti, Barthé lived in Jamaica before returning to the United States and settling in southern California. He died in 1989. 

  

Richmond Barthe' Harlem Renaissance Sculptor  

Website:

Richmond Barthé Exhibition: Harlem Renaissance Sculptor

(Click The Image Above To View Exhibit)

 

 

 

 

 

 

 

    
The Bawabisi SGL Symbol

Bawabisi SGL Symbol (Partial Transparency)

The SGL symbol, the Bawabisi, is inspired by Nigerian Nsibidi script and West African Adrinkra symbols. The two facing semi-circles represent unity and love. The figure has been split symmetrically in half to suggest parts of a whole that mirror each other. Dots are often used in Adinkra symbols to represent commitment and pluralism. The split and dots, with the addition of color, suggest the concept of gender. The circle encompassing the figure reinforces the idea of connectedness despite duality, suggesting the idea of two-spirited.





About  The  BMX- NY  Chapter...
 
  



THE BLACK MEN'S XCHANGE - NEW YORK (BMX-NY) was founded in Harlem in 2002 and is a gathering for same gender loving (SGL) and bisexual Black men to powerfully and respectfully address issues that impact their lives, and to connect with one another in a positive, affirming, nurturing and transformational environment. Ages 18 and up.

BMXNY.org 

 



About  The  BMX- Baltimore  Chapter...
 
  
Young BMX-Baltimore Bruthaz 1


THE BLACK MEN'S XCHANGE - BALTIMORE was founded in 2008 to provoke critical thinking; to teach Black men how to unlearn internalized oppression, and to give Black men the tools to deal with these issues. Ages 18 and up.

  

 



BMX  Mission  Statement

BMX Logo (Black)
THE BLACK MEN'S XCHANGE (BMX) was founded in 1989 by activist, writer and behavioral health expert Cleo Manago, as an instrument of healing and empowerment for same gender loving (SGL) and bisexual African descended men. The mission of the Black Men's Xchange (BMX) is to affirm, heal, educate, unify and promote well-being and critical thinking among Black people - 18 and up - diverse in sexuality, class, culture and philosophy.  Black Men's Xchange (BMX) conducts activities that promote healthy self-concept, sexual health, constructive decision making, and cultural affirmation among same-gender-loving (SGL), bisexual and heterosexual Black populations. BMX affirms and educates Black men (and the community at-large) while providing tools for self-determination, community responsibility, self-actualization and the prevention of health threats (e.g. HIV, isolation, substance and other addictions, and mental instability). BMX creates an environment that advances Black culture and involves identifying and unlearning ingrained anti-homosexual and anti-black male and female conditioning.

 

BMX is built on a philosophy that embraces same gender loving experience as intrinsic to everyday Black life.  Integral to BMX's approach is the understanding that, in order to decrease internal and external anti-homosexual thinking, and demystify differences around diverse ways of living and loving Black people must engage in supportive dialogue with each other and the community.

 

At BMX we believe that self-determination is crucial in achieving success toward healing and empowerment.  We understand that our cultural and experiential uniqueness requires a uniquely focused and precise approach.  Affirming strategies born out of our own experience is powerful; hence, the adoption of the terms, Black, African American and Same Gender Loving (SGL).

 

The Term Same Gender Loving (SGL)... 

 

READ MORE...  

 

   

BMX-NY MMM Photos 11
 
The Black Men's Xchange-New York And Our Allies At The Millions More Movement (MMM) In Washington, DC
(October 15th, 2005) 
 
 

 

 





 
 

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