CRITICAL THINKING. 
CULTURAL AFFIRMATION.  SELF-DETERMINATION.


BMX Logo (Black)

NATIONAL



ATLANTA BALTIMORE CHICAGO DETROIT

LOS  ANGELES  MIAMI NEW  YORKOAKLAND / BAY AREA  

 

 

BMX National Photo Collage Header 



The BMX National Gatekeepers  e-Newsletter

SEPTEMBER  9th, 2011
Black Men's Xchange-National

 
In This Week's Gatekeepers Issue
This Friday's BMX-NY Topic:
African-Centered Rites of Passage for Same Gender Loving Men
Friday Forum Recap (06|24|11): How Do We Flex Our Political Muscle?
Upcoming Topics: BMX- NY 2011 Fall Calendar
This Sunday's BMX-Baltimore Topic:
N/A
Upcoming Topics: BMX-Baltimore 2011 Fall Calendar
Community Corner Announcements
SGL Black Sheroes:
Jewelle Gomez
The Bawabisi SGL Symbol
About The BMX-NY Chapter...
About The BMX-Baltimore Chapter...
BMX Mission Statement
Black Men's Xchange National Gatekeepers e-Newsletter Archive Homepage

 

Want To Browse Our Archive

And Read Any Previous
e-Newsletter Issue?

 
Bawabisi SGL Symbol (Partial Transparency)

Click The

 "Bawabisi" AFRICAN SGL SYMBOL Above To See The
BMX National Gatekeepers
e-Newsletter Archive Homepage




When & Where Are Our Chapter Spaces?
 
BMX-New York Chapter:
730 Riverside Drive
(@150th Street)*
Suite 9E
Harlem, New York 10031
212-283-0219
Website: BMXNY.org 


*PLEASE NOTE:
THE DOOR ENTRANCE IS
LOCATED ON 150th STREET.
Ages 18 and up. 

Time:
8:00 PM - 11:00 PM
(Every Friday night, except for our hiatus month in August)
   
Directions: 
Take the #1 Train to 145th Street or the M4, M5, M101 or M100 to 149th Street & Broadway
GOOGLE MAP
 
No. 1 Train

No. 1 Train Logo Symbol





BMX-Baltimore Chapter:

1609 Saint Paul Street*

(Between East Lanvale and East Federal Streets)  

Baltimore, Maryland 21202

GOOGLE MAP

 

*We are located across the street from the Amtrak train station. Our space is designated by the RED DOOR.Ages 18 and up. 



Time:

6:00 PM - 9:00 PM
(Every Sunday night)


Contact Us

Black Men's Xchange-NY

730 Riverside Drive
Suite 9E
Harlem, New York 10031


Email:
blackmensxchangeny@gmail.com
Phone: 212-283-0219

Official BMX-NY Website:
BMXNY.org




=====================


Black Men's Xchange-Baltimore 

1609 Saint Paul Street

Baltimore, Maryland 21202


Email:
BMXnational@gmail.com
Phone:
410-637-3016


Africentric Affirmation
Community Links
 
AmASSI Logo (Improved)

Cinematiq Mag Premiere Cover (WInter 2011)

Harlem One Stop Logo Image

Harlem Pride Logo

Millions More Movement Logo Image

Millions More Movement Logo Image

Sisters Uptown Bookstore Logo

   

Healing, Strategic, Discovery, Black Love (Vertical Strip Banner)


 
Facebook Logo (transparent)

Black Men's Xchange National

 






Join Our Mailing List
Greetings Brothers!                
Bawabisi SGL Symbol (Partial Transparency)
"Bawabisi" African SGL Symbol

.Welcome To The Black Men's Xchange National Gatekeepers e-Newsletter. This e-newsletter is for the BMX-New York chapter gathering on Friday, September 9th, 2011.


 

Brothers, please if you would take the time and tell us about your experience at a BMX-NY meeting. This is a confidential Survey with no names required. We appreciate your time and comments as we continue to try and make your experience at BMX-NY one of true community.       

Indonesian BBQ













BROTHERS! Although not required, BRINGING A POTLUCK DISH AND/OR BEVERAGE of your choosing would be a generous offering for the repast after the group discussion! Your offering defrays a cost to the organization.  Also, end of gathering DONATIONS are also greatly appreciated, too. THANK YOU!

ACHE!

BMX National

BMXnational.com  

     

 

Facebook Logo (transparent)

Black Men's Xchange National

 






Join Our Mailing List




 

Brooklyn Bridge of New York (Night Skyline)

   

BMX- New York  Topic  For  This  Friday,  September 9th,  2011       

 

African-Centered Rites of Passage

For Same Gender Loving Men

(Part II) 

 

Facilitated by JM Green

 

African Tribal Painted Warriors  


If the 5 major African rites of passage include  

birth, adulthood, marriage, eldership and ancestorship,

as SGL African-American men, where are we?

 


What is a rite of passage? What is its purpose for same gender loving men?


Are rites of passage necessary for men who love men?

Afrikan Warriors 3

 

In the absence of rites of passage specifically geared for men who love men, do we value our lives differently?


What, if any kinds of rites of passage have you participated in?


What might rites of passage look like for us as SGL men?


Rites of Passage - Boys Through The Passage to Manhood

New Jersey's S.T.E.P. (Striving Together Equals Progress) Program

Takes Boys Through The Passage To Manhood

Link:

To Kill a Lion, Become the Lion:  

The Need for Rites of Passage Programs

 

 

 

Can rites of passage specifically designed for SGL youth prime them for roles of responsibility in the community?


Are there rites of passage that could ease the transition of growing older in the SGL community?


Can rites of passage break the 'Niggas ain't shit' yoke in the Black community?


If marriage is a major rite of passage, how might a ritual or rituals specifically designed by us and for us facilitate us in building healthy relationships?


 

 

 

 

 

 

Friday  Forum  Recap

(BMX- NY  Topic  Hi-lites  From  Friday,  June  24th,  2011) 

  

 How  Do  We  Flex  Our  Political  Muscle?   

      

Facilitated  by  Anthony  Truly   

   

During Friday's dialogue we looked at the extent to which same gender loving men flex our political muscle from the following angles:  

 
 

Define political.

 

"To advocate for causes..."

 

[Participant reads dictionary definition] "'Pertaining to public policy; concerned with the administration of government: a political system: Engaged in or taking sides in politics...'"

 

 

What does it mean to be political?

 

"Having a voice and using it everywhere I go...And now, learning to use it as a gay, same gender loving, HIV+ man...It's phucking freeing...I came to this [disposition] by almost losing my life..."

 

"[Being political means] If it's not documented, it doesn't exist...It's the ability to make sure things are documented...The police harass us [with impunity]...I call Internal Affairs...I call CCRB...I hold them to account...[That's being political]..."

 

 "Being political is challenging the status quo...Seeing something is wrong or unjust and setting out to right the wrong..."

 

 

What is political capital? How is it garnered?  Do we have any?  Where?

 

"[Having] some kind of clout..."

 

"Capital...The assets, the gains and abilities we have in unity...Resources, numbers, people...BMX could be considered capital because here we are a group of men...We don't have a lot of political capital as Black men because of what we were told by our parents...That we were wrong...It's slowly growing..."

 

{Facilitator says, "That's important...You said Black men don't have a lot of political capital because of what we were told by our parents...Can you elaborate on that?..."}

 

"We were taught into shame..."

 

"That's a great point...That we are not present to our political capital because we have been taught to be ashamed of who we are...Being political presumes worthiness..."

 

"We all have political capital...It's about whether or not we choose to use it..."

 

"Once you give gay, SGL, or whatever [people] the right to marry, you're legitimizing the group...As long as you don't, you're robbing them of their political capital..."

 

"It's not gay, SGL or whatever...Especially where we're talking about political clout...capital...[What I call myself involves] self-determination...It's connected to [having a] voice, and the things that impede our capacity [to find our voice...and take political action]..."

 

"{Facilitator says, "[Same gender loving in the name of] A self-determination movement [which] is crucial...We came out of slavery only a moment ago...We are still in the process of defining ourselves..."}

 

"That's so true...My mother died in January... And as I was preparing for her home-going, it occurred to me that she was born fewer than fifty years after Emancipation...I was born fewer than a hundred years after Emancipation...The reason we went from Nigger to Colored, to Negro...And, I remember, as a kid, for a moment between Negro and Black, some among us identifying as Afro American...Malcolm founded the Organization of Afro American Unity, I believe it was...And I remember Black people arguing amongst ourselves as we opted to shift from Negro to Black...And now, we are in another transition...As homosexual Black folk stand up with Same Gender Loving...The reason we have continually shifted from one identification to the next is because we have continually opted to redefine ourselves in the face of definitions that were imposed on us...So, yes...in terms of gaining political capital, it matters what we call ourselves...Do you think it's an accident that we may be within hours of marriage equality in the State of New York?...No, gay works for the people who coined it...Something I learned growing up through all of that is that, the way you can tell if an identification works for a people is that, it impels them to act in their own interest..."

 

 

Is being pro-Black and pro-SGL radical?

 

"Radical is stepping out of the preconceived notions of normal...I always hated being considered a minority...There ain't nothing minor about me..."

 

"[Radical is] taking a clear and distinct position..."

 

"I think SGL is a way of further separating us..."

 

"The reason I like SGL is because, when I say it, people say, 'What is that?'...And it gives me the opportunity to reflect on things about me...to say some things about who I am [that gay doesn't]..."

 

{Facilitator reads definition, "'Radical...Favoring fundamental or extreme change; Specifically, favoring basic change in the social or economic structure'"...}

 

 

Does the gay liberation movement address our issues?

 

"Do the things the gay movement are fighting for address my needs?...No..."

 

"Yes and no...One time I went down to the LGBT Center...There was a [game night]...People were playing games...It was an open thing...It was all White except for one guy...and this guy [who was running it] kept making all kinds of excuses for why we couldn't play...On Logo, "Noah's Arc was the highest rated show they had, and yet, they still haven't replaced it..."

 

"They don't address our issues...Police profiling...the spread of HIV and AIDS...In some places in Africa, it's up to fifty percent..."

 

"With mainstream society, you know what they say, 'If you can't beat 'em join 'em'..."

 

{Facilitator says, "It's not about beating 'em, it's about being our best selves collectively..."}

 

""Your parents were taught not to oppose White people...Your grand parents were taught not to oppose White people...You have been brainwashed to not even choose your own name on the threat of death...We were also taught to settle for whatever they gave us...And we have only been allowed to have about 30 -years of having a voice...You cannot change 450 years of training in 30- years...That's why there has been no revolution...Why we will kill each other rather than them...We wait for them to tell us what to think...Even as we look at marriage equality, they look at it differently than we look at Civil Rights...They look at it as [a] resource right to be able to transfer property and inheritance..."

 

{Facilitator says, "White gays don't have entitlement issues based on PTSS [Post Traumatic Slave Syndrome]...Their entitlement issue is, 'I don't have enough'..."}

 

"We have already been separated, that's what slavery did...we're not separating ourselves...gay marriage or unions is only good for people who can use it..."

 

"If you can't beat 'em join 'em?...No, I'm not joining 'em..."

 

"[I recently realized] I haven't been operating with a full set of emotions...Where did that come from?...I was raised in a household where you were not allowed to express anger...My grandmother is 97...Her mother was born a slave...They were not allowed to express anger...We were raised not to be angry...But there are others of us who may be missing other emotions like love...the ability to love ourselves and each other...This idea that we have been trained to accommodate White people and that we must come together to heal ourselves is very serious...So, all our lives we are taught as Black men that we are not worthy...We are not worthy...Years ago, I was a science reporter...I chronicled Act Up for Newsweek Magazine from the beginning of the movement...I took a plane with them down to Atlanta [and the Centers for Disease Control] where they planned to [disrupt] shit and get thrown in jail...It was a Civil Rights Movement strategy...The difference is they had the money to bail each other out...There was this one Black guy, and my sense was that he was somebody's sex object...And I thought, what's going to happen to him?...When he goes for a job and has to say, 'Yes, I was arrested once, but it was part of a political movement'...Is he going to get the same kind of consideration as his White counterparts?..."

 

"The notion of unity is false...There are two kinds of racism...Systemic and identity...We have not been taught how to deal with racism...Jewish people have set the template for having voice after [having been conquered]...The concept of DL means not having a full identity...We have been [enculturated] not to take power...Power is [saying] 'No,' no matter who it pisses off..."

 

 








Upcoming  Topics:  BMX- NY  2011  Fall  Calendar          

(PLEASE NOTE THAT TOPICS ARE SUBJECT TO CHANGE;
WEEKLY E-NEWSLETTERS WILL REFLECT ANY NEW CHANGES)

             

 

Friday, September 16th, 2011

Internet HOOKUPS & Booty Calls: Is It Just Sex, or A Setup for Failure in Intimacy?

(Facilitated by Anthony Truly)

 

 

Friday, September 23rd, 2011  

"SEED" by Radha Blank  

(play outing - venue and time to follow)

 

 Seed (Poster) by Radha Blank

 

 

Friday, September 30th, 2011

NO ROOM AT THE INN: The Marginalization of Same Gender Loving Youth (Facilitated by Kyle Doyle)

 

        

 

 

 

 

 

Baltimore Night City                 
BMX- Baltimore  Topic

 

Be Back Soon (Male Brutha) 

      


Upcoming  Topics:  BMX- Baltimore 2011  Fall  Calendar      

(PLEASE NOTE THAT TOPICS ARE SUBJECT TO CHANGE;
WEEKLY E-NEWSLETTERS WILL REFLECT ANY NEW CHANGES)


TO BE ANNOUNCED


                

 

 

  Under Construction (Man Hole)

 

 

 

 Community  Corner  Announcements


The Classical Theatre of Harlem

&

Hip-Hop Theater Festival   

 

Presents

 

The World Premiere of  

 

SEED

 

A New Play By Radha Blank

 

Directed by Niegel Smith

 

 

Seed (Poster) by Radha Blank

 

 

"The streets grow you son"

- Chee-Chee

 

 

Burnt-out social worker Anne Colleen Simpson decides to write a book detailing the child welfare case that brought her acclaim. But when Chee-Chee, a gifted ten-year-old from the last "projects" in Anne's gentrified neighborhood collides into her life, she is forced to confront the shadows of her past. As an unconventional friendship brews between Anne and Chee-Chee, his young mother Latonya becomes threatened, leading to an explosive encounter.

 

 

This compelling new drama presented by Classical Theater of Harlem, insightfully examines the class an cultural fault lines that exist in one of New York's most prominent Black communities.

 

 

Featuring:

 

Bridgit Antoinette Evans 

 

Nikiya Mathis 

 

Tremayne Rollins 

 

Warner Miller

 

Pernell Walker

 

 

September 6th - October 9th, 2011 

 

Wednesday - Sunday @ 8:00PM

 

Saturday @ 2:00PM & 8:00PM 

 

Sunday @ 3:00PM & 8:00PM  

 

 

Dr Barbara Ann Teer's

National Black Theatre

 

National Black Theatre NYC Flag  

 

2033 5th Avenue (between 125th & 126th Streets)
 Harlem, New York City

 

Directions: Take the 2, 3, 4, 5, or 6 trains to 125th Street

 

 GOOGLE MAPS

 

 

FOR TICKETS & INFO  

Go to www.seedtheplay.com 

 

or call 866-811-4111

 

Tickets $20 - $48

 

Group Tickets Avaialble:

Call 718-492-4282 or Email: GROUPS[at]HHTF.ORG

 

SEED





SGL  Black  Sheroes 


Jewelle Gomez  (1948  -  ) 

 

 

Jewelle Gomez 2Jewelle Gomez, born 1948 in Boston, Massachusetts, is a writer and activist and the author of the double Lambda Award-winning novel, THE GILDA STORIES from Firebrand Books. Her adaptation of the book for the stage "Bones & Ash: a Gilda Story," was performed by the Urban Bush Women company in 13 U.S. cities.  The script was published as a Triangle Classic by the Paperback Book Club.

   

She is the recipient of a literature fellowship from the National Endowment for the Arts; two California Arts Council fellowships and an Individual Artist Commission from the San Francisco Arts Commission.

 

Jewelle Gomez 1Her fiction, essays, criticism and poetry have appeared in numerous periodicals. Among them: The San Francisco Chronicle, The New York Times, The Village Voice; Ms Magazine, ESSENCE Magazine, The Advocate, Callaloo and Black Scholar. Her work has appeared in such anthologies as HOME GIRLS, READING BLACK READING FEMINIST, DARK MATTER and the OXFORD WORLD TREASURY OF LOVE STORIES.

   

She has served on literature panels for the National Endowment for the Arts, the Illinois Arts Council and the California Arts Council.

   

She was on the original staffs of "Say Brother," one of the first weekly, Black television shows in the U.S. (WGBH-TV, Boston) and "The Electric Company" (Children's Television Workshop, NYC) as well as and on the founding board of the Gay and Lesbian Alliance Against Defamation (GLAAD).  She was an original member of the boards of the Astraea Foundation and the Open Meadows Foundation.

   

Jewelle Gomez - The Gilda Stories Cover Her first novel, THE GILDA STORIES, celebrates its 20th year in print in 2011 with readings at the Museum of the African Diaspora and at the Queer Arts Festival.  Her other publications include three collections of poetry: THE LIPSTICK PAPERS (1980) and FLAMINGOES AND BEARS (1986), both self published and ORAL TRADITION from Firebrand Books (1995). She edited (with Eric Garber) a fantasy fiction anthology entitled SWORDS OF THE RAINBOW (Alyson Publications (1996) and selected the fiction for THE BEST LESBIAN EROTICA OF 1997 (Cleis).

   

She is also the author a book of personal and political essays entitled FORTY-THREE SEPTEMBERS (Firebrand Books 1993) and a collection of short fiction, DON'T EXPLAIN (Firebrand Books 1997).

 

Jewelle Gomez - The Gilda Stories (Bones & Ash Cover)

She has presented lectures and taught at numerous institutions of higher learning including San Francisco State University, Hunter College, Rutgers University, New College of California, Grinnell College, San Diego City College, The Ohio State University and the University of Washington (Seattle).

   

Formerly the executive director of the Poetry Center and the American Poetry Archives at San Francisco State University she has also worked in philanthropy for many years.  She is the former director of the Literature program at the New York State Council on the Arts and the director of Cultural Equity Grants for the San Francisco Arts Commission.  She is currently the director of Grants and Community Initiatives for Horizon and the President of the San Francisco Library Commission.

    

Jewelle Gomez 3 (and Grandma)

 

Her new projects include a comic novel about black activists of the 1960s as they face middle age entitled Televised.  Her new play, written in collaboration with Harry Waters Jr. is called Waiting for Giovanni. A dream play exploring the inner life of author James Baldwin, it has its world premiere at the New Conservatory Theatre Center in the Fall of 2011.

 

 

Jewelle Gomez's Official Website:

  

Jewelle Gomez Banner  

jewellegomez.com 

 

 

 

 

 

    
The Bawabisi SGL Symbol

Bawabisi SGL Symbol (Partial Transparency)

The SGL symbol, the Bawabisi, is inspired by Nigerian Nsibidi script and West African Adrinkra symbols. The two facing semi-circles represent unity and love. The figure has been split symmetrically in half to suggest parts of a whole that mirror each other. Dots are often used in Adinkra symbols to represent commitment and pluralism. The split and dots, with the addition of color, suggest the concept of gender. The circle encompassing the figure reinforces the idea of connectedness despite duality, suggesting the idea of two-spirited.





About  The  BMX- NY  Chapter...
 
  



THE BLACK MEN'S XCHANGE - NEW YORK (BMX-NY) was founded in Harlem in 2002 and is a gathering for same gender loving (SGL) and bisexual Black men to powerfully and respectfully address issues that impact their lives, and to connect with one another in a positive, affirming, nurturing and transformational environment. Ages 18 and up.

BMXNY.org 

 



About  The  BMX- Baltimore  Chapter...
 
  
Young BMX-Baltimore Bruthaz 1


THE BLACK MEN'S XCHANGE - BALTIMORE was founded in 2008 to provoke critical thinking; to teach Black men how to unlearn internalized oppression, and to give Black men the tools to deal with these issues. Ages 18 and up.

  

 



BMX  Mission  Statement

BMX Logo (Black)
THE BLACK MEN'S XCHANGE (BMX) was founded in 1989 by activist, writer and behavioral health expert Cleo Manago, as an instrument of healing and empowerment for same gender loving (SGL) and bisexual African descended men. The mission of the Black Men's Xchange (BMX) is to affirm, heal, educate, unify and promote well-being and critical thinking among Black people - 18 and up - diverse in sexuality, class, culture and philosophy.  Black Men's Xchange (BMX) conducts activities that promote healthy self-concept, sexual health, constructive decision making, and cultural affirmation among same-gender-loving (SGL), bisexual and heterosexual Black populations. BMX affirms and educates Black men (and the community at-large) while providing tools for self-determination, community responsibility, self-actualization and the prevention of health threats (e.g. HIV, isolation, substance and other addictions, and mental instability). BMX creates an environment that advances Black culture and involves identifying and unlearning ingrained anti-homosexual and anti-black male and female conditioning.

 

BMX is built on a philosophy that embraces same gender loving experience as intrinsic to everyday Black life.  Integral to BMX's approach is the understanding that, in order to decrease internal and external anti-homosexual thinking, and demystify differences around diverse ways of living and loving Black people must engage in supportive dialogue with each other and the community.

 

At BMX we believe that self-determination is crucial in achieving success toward healing and empowerment.  We understand that our cultural and experiential uniqueness requires a uniquely focused and precise approach.  Affirming strategies born out of our own experience is powerful; hence, the adoption of the terms, Black, African American and Same Gender Loving (SGL).

 

The Term Same Gender Loving (SGL)... 

 

READ MORE...  


   

BMX-NY MMM Photos 11
 
The Black Men's Xchange-New York And Our Allies At The Millions More Movement (MMM) In Washington, DC
(October 15th, 2005) 
 
 

 






 
 

Healing, Strategic, Discovery, Black Love (Vertical Strip Banner)

 


Want To Browse Our Archive

And Read Any Previous
e-Newsletter Issue?

 
Bawabisi SGL Symbol (Partial Transparency)

Click The

 "Bawabisi" AFRICAN SGL SYMBOL Above To See The
BMX National Gatekeepers
e-Newsletter Archive Homepage



Facebook Logo (transparent)

Black Men's Xchange National






Join Our Mailing List


e-Newsletter Designed by ROD PATRICK RISBROOK > Contact: BIG.ROD02[at]GMAIL.COM