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When & Where Is Our Space? | |
Location:
730 Riverside Drive
(@150th Street)* Suite 9E
Harlem, New York 10031 212-283-0219 GOOGLE MAP
*PLEASE NOTE: THE DOOR ENTRANCE IS LOCATED ON 150th STREET. Ages 18 and up.
Time:
8:00 PM - 11:00 PM
(Every Friday night, except for our hiatus month in August)
Directions:
Take the #1 Train to 145th Street or the M4, M5, M101 or M100 to 149th Street & BroadwayGOOGLE MAP
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Contact Us |
Black Men's Xchange-NY 730 Riverside Drive Suite 9E Harlem, New York 10031
Email: blackmensxchangeny@gmail.com Phone: 212-283-0219
Official BMX-NY Website: BMXNY.org
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Africentric Affirmation Community Links
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Greetings Brothers!
 | "Bawabisi" African SGL Symbol |
Welcome To The Black Men's Xchange-New York (BMX-NY) Gatekeepers e-Newsletter. This e-newsletter is for the gathering on Friday, March 11th, 2011.
Brothers, please if you would take the time and tell us about your experience at a BMX-NY meeting. This is a confidential Survey with no names required. We appreciate your time and comments as we continue to try and make your experience at BMX-NY one of true community.

BROTHERS! Although not required, BRINGING A POTLUCK DISH AND/OR BEVERAGE of your choosing would be a generous offering for the repast after the group discussion! Your offering defrays a cost to the organization. Also, end of gathering DONATIONS are also greatly appreciated, too. THANK YOU!
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Topic For This Friday, March 11th, 2011
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DIVA WORSHIP:
How Might Idolatry of
Beyonce, Rihanna, Janet (et al.)
Impact Our Manhood As SGL Men?

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 Growing up, who were your idols? And why?
 In film dramas, do you identify with the male or female stars? 
Might our preoccupation with Divas curb our connection to our manhood? In navigating adversities in the work-place is bitchy Diva, or angry Black man the more effective tack?  Can obsessing over Divas render us caricatures of ourselves? Might one of the side-effects of idolizing women be to make us docile?
Can idolizing female actresses, singers, and reality stars turn us into reactionary drama queens? Is there a biological basis for our fascination with things and people female?  Might we sub-consciously take on female posturing as a means of being less threatening to white people? As same gender loving men, can we honor our female and male energies equally? 
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Friday Forum Recap (Topic Hi-lites From Friday, March 4th, 2011)
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RESURRECTING BLACK MANHOOD:
Fear of a Same Gender Loving Planet -
A Dialogue with Hetero Brothers
Facilitated by Lalit & JM Green
 During the most recent dialogue, Black Men's Xchange-New York members met with heterosexual Brothers to look at RESURRECTING BLACK MANHOOD and the Fear of a Same Gender Loving Planet. Participants' considerations were taken up from the following angles: What is manhood? "[A male] taking care of what he needs to take care of...himself, his family, his community..." Does sexuality define manhood? "No." "In a societal context, masculinity and sexuality go hand-in-hand from childhood [through adulthood]...[They are] the boxes we're given [to operate out of]..." When and how did you transform from being a boy to being a man? Was there a rite of passage? Was your sexuality a part of that rite of passage? "Sex isn't really a rite of passage...As Black people, we don't have any rites of passage..." "When I lost my virginity to a woman [it was a rite of passage]...All my friends said, 'He likes women!'...'He's a man'..." "I was raised by my father [as a single parent] with my younger sister...I didn't have much to compare him to...The things people define as manhood and womanhood, I saw in my dad...He would go to work...[Then, come home and] cook, sew, wash the floors...Manhood is also defined by power, control, domination...On a certain level, sexuality is part of that definition also...You expect men to have a certain amount of strength, and women not to...I reject that vision of manhood...I'm not sure I ever thought about having sex with a woman as a rite of passage...It's just something men do...I remember guys in high school having all this sex with girls...I thought, 'Oh, I better have sex with girls'...And so, the first time I had sex, I don't remember [experiencing it as] a rite of passage, but I do remember feeling more like a man..." "[Taking] sexuality and linking it with power...We are socialized to be conquerors...Sex with as many women as I can...drinking [as much of] this stuff I'm not supposed to be drinking [as I can]...smoking [as much of] this stuff I'm not supposed to be smoking [as I can]...Putting this external piece inside [a girl]...[all constitute] a form of power...You play sports, have sex...The first time I had sex I felt like, I'm in this, what am I supposed to do?...But, I figured it out...and I felt great after..." "I remember seeing guys having sex with girls and recognizing it as a rite of passage...[Seeing them] getting married...having a child...I never shared those rites of passage...Accepting myself [my sexuality]...Accepting myself as not perfect [were rites of passage for me]...I came to this meeting in hopes that talking about this stuff with heterosexual brothers would be a rite of passage...And it is..." {Facilitator says, Thank you for that...You are absolutely right...I never thought of it, but, accepting my sexuality was absolutely a rite of passage...} "I was 12 or 13 taking a shower and seeing my first pubes [was something like a rite of passage]..." {Facilitator says, "I remember 'comparing hairs' with my male friends, [and expressions like]...'Ha, ha, ha...My dick is bigger than yours!'...[Apart from that] Traumas were rites of passage for me...People uttering the word, 'faggot' was traumatic...and fighting if someone had the nerve to say the word...not [necessarily] to me, but even in my presence...because, faggot was not just the scum of the earth...faggot was the scum of the scum of the earth...[Because] Where many of us thought of ourselves as 'niggers,' anyway...nigger being sub-human...faggot was a nigger's nigger...sub-sub human..."} "Graduating from high school...going to college...defining myself...going to grad school [were rites of passage]...Yale...the white man's world...an institution that did define me...made me feel like a powerful man..." "When I felt at ease with heterosexual men was a rite of passage for me..." What role does fear play in the dynamics between same gender loving and hetero Brothers? "A big role...Fear of not being a man is the fear...[Being seen as] 'faggot,' [and] 'pussy'...Not the church stuff...That's a scapegoat..." "Fear has played a major role...It has driven me...You may think SGL men are not real men...[So, I decided] I'm going to prove you wrong...I'm going to outdo you...Especially with Black heterosexual men...It would not be cool to walk hand-in-hand with another man [in my neighborhood,] but, if I go downtown...[It's okay]...It infuriates me, [the way hetero Brothers] treat gay white men differently...[They don't accost or challenge or threaten them]...It goes back to the trauma we've had as a people...I was in a bar and this white man was pushing up on me and I thought, if this was 40, or 50, or 60 years ago, I wouldn't have been able to say no...Back in [the day,] people talk about how [our] women were raped during slavery, but they don't recognize the fact that we were raped too..." {Facilitator says, "Excellent point...Some of the fear that informs the dynamic between same gender loving and heterosexual Black men involves real and perceived power...As enslaved people, we didn't own our bodies...Not only could we not protect our women and children, we couldn't protect ourselves...And so, the slave holders used us as objects of sexual abuse and of pleasure, just as they did our women...And, that is part of our cellular memory...Some of the reverberations that make up the stuff of Post Traumatic Slave Syndrome that we don't talk about...For many heterosexual Brothers, particularly when you factor in the dynamic of patriarchy which values manhood both, in terms of heterosexism, and misogyny, the fear and hatred of women...Same gender lovingness represents powerlessness...}" "Fear is the absence of love...What is it that gets in the way of our loving [ourselves and each other?]...The trauma...I remember, when I came of age [was] when I started being watched...People started clutching their purses [when I was present]...I became part of that [unlovable] fraternity..." "[There is also the] fear of someone being more man than you [are]...[And] being able to take your manhood..." {Facilitator says, "Yes...And with that, you raise the specter of another important facet in the dynamic of fear...It has been my considered observation in these dialogues with hetero Brothers, and out in the world, that many more Brothers than will admit, were molested as boys by pedophiles...I, myself was prematurely sexualized...and for that trauma, or the fear of that trauma, many heterosexuals [incorrectly] conflate homosexuality with pedophilia...Where one is about biological wiring and the latter is a psycho-pathology..."} Who sees, or has seen homosexuality as a threat to the Black family? "I have a nephew who is [a brazenly] effeminate SGL youth, who I tell [it's all about] when and where!...You have to protect yourself!...There are places where you have to tone that stuff down...You can get hurt..." "I have a son...My dad forced me [to be a father]...He didn't stand there and make me [impregnate a girl,] but...[I didn't want a child]...I love him now...[But] I feel like a hypocrite... [Because] I didn't let him visit two friends who are openly SGL...I don't think he should see that...I don't want [to risk] him being influenced by that..." "For those of us who were raised by both parents, were you influenced by your parents' heterosexuality?..." {Facilitator asks, "How do you feel about your sexuality?} "Not good..." {Facilitator says, "That might account for why you don't want your son to see same gender loving men together...I'm not sure exactly what you're afraid of when you say you don't want your son influenced by seeing same gender loving men together...As a child, I saw my parents walk around naked sometimes, but they didn't fuck in front of us...I believe that as we muster the courage to express our natural inclination toward each other in front of our children, it will empower them with a broader vision of love...of humanity...and serve to normalize what, till now has been deemed abnormal...It's not an accident that, while gay liberationists are fighting and winning struggles for same sex marriage, we're still playing darting eye games with each other, cowering in the face of our attraction to each other on trains and in other public spaces, lest the object of our attraction reject, or worse yet, revile us publically...I remember when my niece was thirteen and came to spend the summer with me in New York...I was still in my last long-term relationship...David and I took her to City Island for seafood...and at the end of a long day, we came home and David was sitting in the arm chair reading his paper and my niece sat with me on the sofa watching TV...and all at once she became agitated and asked to use the phone...She went into the study and came out a few minutes later and handed me the phone...It was my brother and sister-in-law, each explaining to me in their own way why they wanted my niece to pack and prepare for her maternal aunt to come and pick her up because they didn't want her 'exposed to that lifestyle'...Beyond asking, 'Well, why did you send her here in the first place?...Did you think I was not going to be who I am because she was here?'...The irony was...My sister-in-law's sister is a distinctly same gender loving woman..."} "I think of MLK's "Letter from a Birmingham Jail"...When people kept telling him, 'You're going too fast' [in pressing for Civil Rights]...and he asked, 'But when?'...The rights of gay and SGL people are the Civil Rights movements of our time...When do we in our community...which is very homophobic...stand up for our rights?...If not now, when?..." "When I hear this, I hear, I am not normal, and so I must be discreet...When I understand that everything in nature fucks across gender...[then, what am I afraid of?]...When I start acting certain ways around children [that are counter to my natural inclination]...it is a thought infection that [I] pass on...A thought infection we're spreading...I am accepting that I am abnormal [and that others must be protected from me]...That I am not natural...I am natural!..." Does Black male homosexuality compromise the resurrection of Black manhood? "Hyper-masculinity is what is fucking us up...How do we debunk hyper-masculinity?...How do we see manhood as more than just one thing?..." "For me, it all comes back to fear...How it plays with how I interact with SGL Brothers...is [the fear] of seeing part of an SGL Brother in me...When I see something I don't like or want in myself, I'm going to lash out at it...We have to develop the ability to accept, to engage homosexuality...[This] will come from rejecting our fear and with remembering love is the healing [for all that ails us]..." "We're in the process of trying to change manhood...Black male homosexuality is part of Black manhood...When we realize we don't have to prove anything...We encompass all aspects of manhood...Who get's to say what represents manhood in our community...[As men,] are we taking care of our community or not?...That's the question!..." "Leadership is demonstrated by action...What action a person takes...which, when we're talking about manhood, we're describing leadership..." "But, this space is good...This is where we begin to come together and redefine manhood [to include all of us]..."
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Upcoming Topics: BMX-NY 2011 Winter Calendar
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(PLEASE NOTE THAT TOPICS ARE SUBJECT TO CHANGE; WEEKLY E-NEWSLETTERS WILL REFLECT ANY NEW CHANGES)
Friday, March 18th, 2011 MAKING ROOM FOR RETURNING BROTHERS: A Dialogue w/ Formerly Incarcerated SGL Brothers
Friday, March 25th, 2011
PDA* As An SGL Liberation Movement Resistance Strategy (Part II)
*Public Display of Affection
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Community Corner Announcements
Mooz-Lum A Film by Q Running Time: 95 Minutes
MoozlumTheMovie.com
"MOOZ-lum" The Movie Is On Facebook Synopsis: Pulled between his strict Muslim upbringing by his father and the normal social life he's never had, Tariq Mahdi enters college in a state of confusion. New relationships with Muslims and non-Muslims alike challenge his already shaken ideals, and the estrangement with his mother and sister troubles him. With the help of new friends, family and mentors, he begins to find himself and open up to an Islam he hasn't been exposed to. But when the attacks of 9/11 happen without warning, he is forced to face his past and make the biggest decisions of his life. Opened In Theaters Friday, February 11th, 2011 In The Following 10 Cities: ATLANTA ● CHICAGO ● DALLAS ● DETROIT HOUSTON ● LOS ANGELES ● NEW YORK PHILLY ● SAN FRANCISCO ● WASHINGTON, DC And Now Mooz-Lum Has Opened In 5 More Cities February 18th, 2011: COLUMBUS, OH ● ELIZABETH, NJ MINNEAPOLIS, MN ● PHOENIX, AZ ● SEATTLE, WA Purchase your tickets now: http://bit.ly/moozlum-tickets
THEATER INFO FOR NEW YORKERS:
AMC Empire 25
234 West 42nd Street
(between 7th & 8th Avenues)
New York City 10036
AMC Empire 25 Webpage
GOOGLE MAPS
CHECK HERE FOR ALL OTHER CITIES:
- Purchase your tickets now -
http://bit.ly/moozlum-tickets
Actor Roger Guenveur Smith (pictured right)

Actor Nia Long
PLEASE SUPPORT
INDEPENDENT AFRICENTRIC FILMS!!!!!
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25th Annual ADODI Summer Retreat Wednesday July 20th - Sunday, July 24th, 2011 White Eagle Conference Center Hamilton, New York

Official ADODI Website: ADODIonline.com
Greetings from The Brotherhood of ADODI We invite all same-gender loving men of African heritage to join us in the gathering for our 25th annual summer retreat: The ADODI Promise: Claiming the Legacy, Living The Legend If, as Joseph Beam postulated in 1986, "Black men loving Black men is the revolutionary act..:" then the ADODI Brotherhood is surely revolutionary. It lies with each of us to ensure that this life affirming movement does not become simply an historical moment. We gather together in July 2011 to conjure the legendary qualities of the ADODI Brotherhood. We journey forth to hold one another and affirm the fearless vision and life-saving, life-giving mission of black men loving black men. We congregate to appreciate the lives - both past and present - that define our tribe of caring, compassionate community among same-gender-loving (SGL) men of African descent. This summer we join together and share our commitment, knowledge, skill, passion and evolving aspirations of freedom, so that our beloved tribe may thrive 25 years more! For this special 25th summer gathering we invoke the idea of "legends" to honor the values, traditions, ancestors and historical significance of the ADODI Brotherhood. We call forth the notion of "legacy" to center our spirits on the seemingly modest gifts turned into grand treasures - our inheritance of loving intent and beloved community called ADODI. As trustees and beneficiaries of this legacy, we have our own bequests to the future to consider. This year's Retreat is dedicated to celebrating that legacy, and envisioning the future. As we benefit from the fruits grown by those who have gone before us, so the future of the brotherhood rests on our shoulders.

ADODI Summer Retreat (2011) Registration Form (PDF)
Registration for the 25th Annual ADODI Summer Retreat is now available online, too!!! Visit www.ADODIonline.com and click on The Adodi Annual Summer Retreat on the banner to be taken to the Retreat info. page. You will need to create a login to ADODInline.com to register for the Retreat. Above the Retreat information tabs is where you click to create your free account to access the ADODIonline community. You may register online now and mail your payment(s) in later, or you can register and using a credit card via PayPal. (if you pay using a credit card, a $15.00 service fee is added onto your registration price). Registration Fee Information If paid in full by April 30, '11........... $630.00 If paid in full by May 31, '11 ............ $700.00 After May 31, '11............................... $800.00 Round trip coach bus transportation will be provided from the Adam Clayton Powell Jr State Office Building 163 West 125th Street (between Lenox Avenue/Malcolm X Blvd and Adam Clayton Powell Jr. Blvd) Harlem, New York City 10027 GOOGLE MAP
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SGL Black Heroes
Luckey Roberts (1887 - 1968)

Luckey Roberts - stride pianist, composer.
He was Harlem's original piano powerhouse, the king of the New York Fast Shout pianists, the grandfather of stride piano. The name Luckey Roberts has become little more than a footnote in the pages of jazz history books. The names of his students are better known today than the master whom they worshipped. And what a list of disciples it is. These musicians include such luminaries as Duke Ellington, Earl Hines , James P Johnson, Eubie Blake , Willie "The Lion" Smith and last but not least George Gershwin .
Luckey Roberts was born on August 7, 1887 in Philadelphia, Pennsylvania. After working in vaudeville as a child, Roberts moved to New York where he established a minor reputation as a composer and a major one as a performer of "Rags" and later "Stride" piano.
Luckey was the first of the Harlem pianists to record, for Columbia in 1916. But it would be more than half a century before recording engineers would have the ability to record such explosive music and the records were never released and are today lost. During the 1920s, he accompanied several vocalists and also provided background piano on some of the famous "Two Black Crows" recordings. Luckey recorded next in the '40's for Circle records. In the '50's he made a "Honky Tonk" album and finally after surviving a car accident in which his hands were shattered and several strokes, he was finally captured in stereo for the "Good Time Jazz" label.
In the years between World War One and World War Two, Roberts' composing talents were recognized more and several of his musical shows were produced Roberts was the first Harlem pianist to be published, the composer of over a dozen musical comedies, the composer of several big band era hits, as well as composer of Symphonic works that premiered at both Carnegie Hall in 1939 and Town Hall in 1941.
Although Luckey did not become that successful as a Broadway show writer, he struck gold in the world of society. As a society bandleader, Roberts saw his income rise from six dollars a week to one thousand dollars a night. His orchestras could be heard playing on Park Avenue, on Long Island, Nantucket, Newport, and Palm Beach. He was a favorite of royalty and of the family of President Franklin D. Roosevelt.
Luckey opened his own place in 1940 at 773 St. Nicholas Ave. calling it "Luckey's Rendezvous," which featured singing and dancing waiters, waitresses, and cloakroom attendants. In this period, Luckey began concentrating on serious music and concert performances. The Carnegie Hall concert occurred on August 30, 1939, and included his work for piano and orchestra "Spanish Suite." On May 28,1941, the orchestra performed at Town Hall. In his home town of Philadelphia, at Robin Hood Hall, he premiered his syncopated rhapsody for piano and orchestra "Whistlin' Pete." In 1941, Luckey scored two successes on the Hit Parade with "Moon Light Cocktail" and "Massachusetts."
Luckey continued to run The Rendezvous until 1954 when it closed because, according to The Lion, he would always be too generous with free drinks for his friends and clientele. After spending over 72 years in show business, Luckey refused to retire. During his golden years he composed two musicals, Emalina and Old Golden Brown, the latter of which he spent over a decade composing, writing the lyrics, and writing and revising the plot.
Roberts made few records and most of these were early piano rolls, while his later records were made after he had suffered strokes and was injured in a road accident. Still, it is possible to understand the awe felt by such pianists as Fats Waller, James P. Johnson and Willie "The Lion" Smith at his astonishing technique. Luckey was held in the highest esteem by his contemporaries. He played tenths as easy as others played Octaves. His tremolo was terrific, and he could drum on one note with two or three fingers in either hand. His style in making breaks was like a drummer's; he'd flail his hands in and out lifting them high, a very spectacular pianist.
Luckey Roberts died on February 5, 1968.
Adapted from bio by Tom Roberts.
Luckey Roberts (pictured left) With Willie Smith
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 The SGL symbol, the Bawabisi, is inspired by Nigerian Nsibidi script and West African Adrinkra symbols. The two facing semi-circles represent unity and love. The figure has been split symmetrically in half to suggest parts of a whole that mirror each other. Dots are often used in Adinkra symbols to represent commitment and pluralism. The split and dots, with the addition of color, suggest the concept of gender. The circle encompassing the figure reinforces the idea of connectedness despite duality, suggesting the idea of two-spirited.
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About BMX- NY...
THE BLACK MEN'S XCHANGE - NEW YORK (BMX-NY) was founded in Harlem in 2002 and is a gathering for same gender loving (SGL) and bisexual Black men to powerfully and respectfully address issues that impact their lives, and to connect with one another in a positive, affirming, nurturing and transformational environment. Ages 18 and up.
BMXNY.org
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BMX Mission Statement THE BLACK MEN'S XCHANGE (BMX) was founded as an instrument of healing and empowerment for same gender loving (SGL) and bisexual African descended men. We create an environment that advances cultural affirmation, promotes critical thinking, and embraces diversity. Affirming ourselves as African descended people is strengthening. The focus on critical thinking involves identifying and unlearning ingrained anti-black and anti-homosexual conditioning. We recognize and celebrate same gender loving men as diverse in sexuality, class, culture and philosophy. BMX is built on a philosophy that embraces same gender loving experience as an intrinsic facet of everyday Black life. Integral to BMXNY's approach is the understanding that, in order to decrease internal and external homo-reactionary thinking and demystify differences around diverse ways of living, loving and being, same gender loving, bisexual and transgendered Black people must engage in supportive dialogue with each other and the community.
The Black Men's Xchange-New York And Our Allies At The Millions More Movement (MMM) In Washington, DC (October 15th, 2005)
We believe that self-determination is crucial in achieving success toward healing and empowerment. We understand that our cultural and experiential uniqueness requires a uniquely focused and precise approach. Affirming strategies born out of our own experience is powerful; hence, the adoption of the terms, Black, African American and Same Gender Loving.
The Term Same Gender Loving
The term Same Gender Loving (SGL) emerged in the early '90s to offer Black women who love women and Black men who love men (and other people of color) a way of identifying that resonated with the uniqueness of Black life and culture. Before this many African descended people, knowing little of our history regarding homosexuality and bi-sexuality, took on European symbols and identifications as a means of embracing our sexualities, including: Greek lambdas, German pink triangles, and the white-gay-originated rainbow flag, in addition to the terms gay, and lesbian.
The term gay, coined as an identification by White male homosexuals in the '50s, was cultivated in an exclusive White male environment. By the '60s, the growing Gay Liberation movement developed in a climate largely excluding Blacks and women. In response to this discrimination, White women coined the identification lesbian, a word derived from the Greek island, Lesbos. The Lesbian movement, in turn, helped define a majority White movement, called feminism. In response to the racism experienced by women of color from White feminists, celebrated author, Alice Walker introduced the term womanist.
The term womanist identified women of color concerned with both the sexual and racial oppression of women. In this spirit of self-naming and ethnic-sexual pride, the term same gender loving(SGL) was introduced to enhance the lives and amplify the voices of homosexual and bi-sexual people of color, to provide a powerful identification not marginalized by racism in the gay community or by "homophobic" attitudes in society at large.
As gay culture grew and established enclaves in San Francisco, Chelsea, Provincetown, Key West and other territories, Blacks especially, were carded and rejected from many establishments. Even today Blacks, Latinos and Asians often appear in gay publications and other media solely as potential sexual objects. Ironically, gay rights activism was modeled on the Civil Rights and Black Power Movements initiated by African Americans.
In the years since the advent of the Gay Rights movement many Black SGLs have found scant space for the voices, experiences and empowerment of Black people. Additionally, the rigid influence of the Black church's traditionally anti-homosexual stance has contributed to attitudes that repress and stigmatize Black SGLs. The lack of acknowledgment and support in the Black community has shunted multitudes of same gender loving African descended people to the White community to endure racism, isolation from their own communities, and cultural insensitivity.
The high visibility of the white gay community along with the absence of illumination on same gender loving experience contributes to the tendency in Black communities to overlook and ridicule same gender loving relationships as alien or aberrant. The SGL movement has inspired national dialogue on diverse ways of loving in the Black community. The term same gender loving explicitly acknowledges loving within same-sex relationships, while encouraging self-love.
The designation, same gender loving has served as a wake up call for Blacks to acknowledge diverse ways of loving and being, and has provided an opportunity for Blacks and other people of color to claim, nurture and honor their significance within their families and communities.BMXNational.com
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