| For more information go to | Charlie's Website
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| Contact Us | Mosaic Acting Academy
PO Box 1142
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VOTE "YES" ON MERGER!
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 There will be an informational meeting for SAG and AFTRA members on Monday, March 5 at 7:00 PM at the Woodlake Hotel, 500 Leisure Ln. Sacramento.
Members only.
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Greetings!
Last Newsletter we began a series on the "Twelve Commandments of Auditioning." Continuing on, here's The First Commandment;
"Thou Shalt Treat Every Audition as a Job Interview."
This not only means that you're on time, have prepared the material, have a picture (8 X 10) and resume (cut to the same size as your picture and already stapled together), and are dressed appropriately, but you've also done some research about the project. You know the genre. Is it a comedy or drama? What kind of comedy? (Auditioning for Two and a Half Men is very different from auditioning for The Office.) If it's a feature film, have you read the entire script or just your sides? Or have you just relied on the breakdown? SAG rules say you should be able to see the script 24 hours in advance. That doesn't mean every actor who is auditioning gets a script, but the script should be available to read in the production or casting office. If you're coming in for a feature and you haven't taken the time to read the script, you're nowhere near as prepared as the actor who has. It's also a good idea to get some background on the people involved in the project so you have something to talk about if the opportunity arises. Fortunately that's fairly easy to do these days, with the internet. It also allows you to see episodes of TV shows you may not be familiar with, to look up directors, casting directors, etc. If you're interviewing with IBM, you're going to research the company you're meeting with. An audition should be no different than that. Another part of being fully prepared is always to check your sides against the sides available at the casting office to make sure you have all the material. You'd be surprised how often a person comes in who's missing a page, even though they're numbered 1 of 5, 2 of 5, etc. It makes an actor look stupid. It's also a good idea to check to see if there have been any changes to the script since you got it.
Okay, folks, that's it for now. Next issue we'll cover the second commandment, "THOU SHALT NOT MAKE TOO MUCH of a SMALL PART."
Thanks, Charlie Holliday Mosaic Acting Academy
But now a word from our sponsors . . . |
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ONLY SIX SPOTS LEFT for the RUSSELL BOAST WORKSHOP!
Don't miss this chance to learn from one of LA's top casting offices.
For full details click here.______________________________________________________________
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THE *MOSAIC ACTING ACADEMY
Voted Sacramento's Outstanding Training Resource for Actors PRESENTS "ALPHA COLD-READING TECHNIQUE" SATURDAYS FROM 10:00 AM - 4:30 PM MARCH 17 - APRIL 3 Charlie Holliday has had more than one hundred major movie and TV auditions. Come learn the techniques that have him landed dozens of roles.
There are two skills an actor must learn in order to work in movies and TV - Cold Reading and Improvisation. Unlike Theater auditions, which often request monologues, Movie and TV auditions don't generally use prepared memorized material. In this class you will learn a technique of the Mosaic Acting System that allows you to use the subjective mind to quickly create a character with depth and substance, rather than just trying to "learn the words". These same tools can then be used to create a character for Screen, Stage or any type of performance. As the class progresses, we cover cold reading and audition techniques, as well as scene and monologue work. As the class size is limited to a minimum of 8 and maximum of 12 new students, pre-registration by the Monday before the class is required. This class will be presented on 4 Saturdays from 10:00 AM- 4:30 PM. Tuition is $300, and includes an audio CD. (Repeat fee for prior students of this class - $200)
REGISTRATION INFORMATION
To register with your Credit Card or PayPal account (3% service charge) Click Here, or you may send your minimum $150 deposit to: Charlie Holliday, PO Box 1142, Rancho Cordova, CA 95741-1142, or call 916-361-0952.
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Have you registered?
 Are you listed with Media Casting Group? If not, go to www.MediaCastingGroup.com and click on "Register" on the upper right. The Basic Membership is only $35 for the first year and will automatically renew for $25 each year. The Gold Membership alllows you to post more pictures and is $50 for the first year and $35 per year thereafter. (There is no charge to members of the performer's unions. Contact us at MediaCastingGroup@gmail.com for a coupon code.)
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 Film Auditions and News . . .
Ring 22 Entertainment in association with Glass Eye Productions is casting for a short film
that will be submitted to many up and coming film festivals and will have global distribution. We are looking for actors to fill the below listed roles. Experience preferred but not required. This is a Non-Union project.
Open Character Roles
Susan Harris --
female 30s-40s, the lead character's wife; fit, school teacher, not happy in marriage. She wanted kids but has safety issues due to husband's career, thinking about leaving her husband.
Jack --
male 30s-40s, the lead character's previous cop partner, loyal friend and cop, level headed.
Carlos Medina --
male 40s, a detective in violent crimes division. Sophisticated but also has a dark side. Must know martial arts or close combat for fight scenes.
Sergeant Kale --
male 40s - 50s+, Police sergeant.
Darren --
male 30s - 40's, Boxing Gym Owner, old business partner of lead character. (martial arts, combat or gymnastics background a plus)
Jeremy --
male 30's -- 40's, for 2 still pics; crime scene and cop uniform. (non speaking)
Older Couple --
male and female 50s -- 60's; for crime scene. Will be dead in make-up for crime scene. (non speaking)
3 Thugs --
male 20s-40s, martial arts or weapons training a plus. (may or may not have lines)
Female jogger --
20s-40s, for opening scene (may or may not have lines).
3 CSI --
(male or female), 1 has lines the others may or may not.
2 Uniformed Cops --
(male or female) (may or may not have lines)
2 paramedics --
(male or female) (may or may not have lines)
Baby --
for short scene.
Background --
mixed age and gender for crowd scene around crime spot -- (10-20 people), and (2-5 people) for a restaurant / coffee shop scene and a few (10-20) for scene in martial arts studio.
If you are interested please email us at ring22entertainment@gmail.com
with a recent pic or head-shot and resume and any links to projects you have done. If you have not included a pic or link to one, you will not be considered for a call for an audition. If you have a preference please list which role you would like to audition for. If you fit what we are looking for we will contact you for an audition or reading. We also have many more projects coming up and will keep all submissions on file for future projects. Please leave us reliable contact info with your submission and what kind of schedule you are open for filming. Must have own transportation. We will be filming in Sacramento, CA and surrounding areas. All participants will receive copy, film and IMDB credits and meals on shoot days.
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SF Casting is looking for a surrogate
to take part in a vehicle inspection for Toyota Motor Sales, U.S.A. in the Hayward, CA area. Date and exact location have not been finalized, but we wanted to get an early start on locating the surrogate. We need someone who matches exactly the measurements listed below to sit in a stationed vehicle while measurements are being taken. If you do not match these measurements EXACTLY, we will not be able to use you and you will not be paid. Male. 6'0" tall (Plus or minus one inch). 358 pounds (plus or minus 10 pounds). Submit to www.sfcasting.com
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COMMERCIAL AUDITION NOTICE!
Local Dentist, 30 sec. commercial, to be shown at local theaters, and website. All actors must have a great smile/teeth, for obvious reasons.
This will be a 1/2 day (4hours) shoot,(non-union) with PAY in Sacramento.
The audition date is Monday the 5th, from 5 till 9 pm.
The shoot date is Sunday the 11th at 12 noon.
Please e-mail your headshot & resume to: nitrouspro@hotmail.com
If selected for audition, we will contact you with the audition address, and time.
Roles needed: Spokesperson, M/F 30-45 Attractive Business attire.
Healthy, Athletic,Couple 21-45, think tennis/runners etc.
Business Person M/F 35-55 Attractive/Handsome
(2) Young, Attractive Lady shoppers
SUBMIT TO:
nitrouspro@hotmail.com
_____________________________________________________________________________________SAG extras needed
Project Type: IBM Commercial
Rate/Compensation: SAG extra rate
Shoot Dates: 03/05/12, 03/06/12
This is for SAG members only.
Please submit. Please read the project notes. Casting Director will contact you if you get booked.
Background Male / 20 to 60 / All Ethnicities Role is for general commercial extra. Only submit if you are available, a SAG member in good standing and have transportation to the shoot in Newark, CA. Make note if you are not available both days. If handy, please include your SAG id with your submission. Submit to: www.sfcasting.com ___________________________________________________________________________ |
NEXT CFAA MEETING:
Tuesday, March 20th from 7pm-9:30pm
An Evening with Watermark Films
Featuring Writer/Director Chris King
at The Art Institute of Sac
2850 Gateway Oaks Dr.
Free to CFAA members!
$5 for non-members and guests, $3 for students
Unless otherwise noted, all CFAA monthly events are held at:
The Art Institute of Sacramento,
2850 Gateway Oaks Dr. Sacramento CA 95833
I-5 to West El Camino)
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 CALIFORNIA FILM FOUNDATION
A message to all members of California Film Foundation
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Greetings friends,
As the CFF gears up for the coming Sacramento International Film Festival we've been getting a lot of questions. One of the main questions is "Can I help"?
Short answer is yes!
We'll be putting out a call for general volunteers in the coming weeks (ushers, P.A.s etc.) but at this time
we are looking for a few committed folks to join our A-TEAM!
What's THE A-Team??
These are folks committed to helping us accomplish our grass roots marketing and PR goals for the festival. Now, before I go further, let me state: we are looking for HARD WORKERS ONLY who have 12 hours minimum per week and can make a meeting each Sunday (including this Sunday) at 12:30pm.
ALSO, if you have no interest in promotions and marketing...or don't even know what that means...probably not for you. Not trying to sound ungrateful, just being honest. Wouldn't want to waste your time.
IF however, YOU LOVE marketing, have a great, TEAM ATTITUDE and ARE a self starter then this may just be the volunteer gig you have been seeking. To learn more you must go to our page and sign up:
http://www.californiafilm.net/group/ateam
Our meeting is at Carol's Books
1913 Del Paso Blvd.
Sacramento 95815.
12:30pm SHARP!!
Would love to see you there this Sunday!
It is by invite only so call me if you are interested:
916-524-5138
Cheers!
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Visit California Film Foundation at:
http://www.californiafilm.net/?xg_source=msg_mes_network
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 Theater Auditions and News ______________________________________________________
Now at the Sutter Street Theater's Director's Series
Tomfoolery By Tom Lehrer Directed by Michael Coleman
Musical Direction by John Wilder
Performancescontinue through April 1 at 7:00pm on Thursdays and Sundays and 4:00pm on Saturdays. Reservations can be made by calling 916-353-1001 or on-line.
In concerts, television appearances and a series of now-classic recordings, the Harvard-educated math professor, Tom Lehrer, delighted millions of fans during the 1950's and 60's with his dry, cynical but good-humored attacks on the A-bomb, racism, pollution, pornography, the military, the boy scouts and, of course, mathematics. Nothing is sacred in this revue featuring such Lehrer favorites such as "Poisoning Pigeons in the Park," The Vatican Rag," an unforgettable Gilbert and Sullivan-esque recitation of the table of elements, linked together with his own inimitable concert patter. Rediscover the man and songs that have delighted and skewered the world for over forty years in Tomfoolery. This is the first of five shows for 2012 in Sutter Street Theatre's new Director's Series.
For information on this and the other shows at the Sutter Street Theater visit
www.SutterStreetTheatre.com____________________________________________________________________________
THE IDEA MAN OPENS WITH A CHEER! Reservations: 916-451-5822
California Stage Celebrates 20 years with an Ovation Award Winner--
"THE IDEA MAN" by Kevin King
MARCH 11 PLAYWRIGHTS COLLABORATIVE MEETING AT THE CALIFORNIA STAGE THEATRE:
At the Sunday, March 11, Playwrights Collaborative Meeting (7:00 PM) we will read and discuss Matthew Abergel's "Second-Best Bed", a British-style farce about six kooky characters' desperate quest to find a lost Shakespeare play. It shoots for Downton Abbey wit and sophistication shaken and stirred with Noises Off! hijinks and door-slamming mayhem. This workshop is at the California Stage Theatre, 2509 "R" Street (on "R" Street between 25th and 26th Streets), Sacramento. The Playwrights Collaborative thanks the California Stage Theater Company for the use of its theater.
For further information or if you have a play you would like workshopped, contact Gary Agid, chairman, at gary@agid.com (916-383-9267) Please let me know if you would like to be removed from this list. ------------------------------------------------------------------------ Workshops are monthly (or occasionally twice monthly) on Sundays on dates to be announced. There are no dues, fees or other charges for participating. Staged readings may be scheduled occasionally by playwrights. "The Playwrights Collaborative is an organization of writers, actors, directors and others interested in the theater, working together to promote the development and production of new plays in Sacramento and elsewhere. Through a cooperative process of peer review, Playwrights Collaborative assists in making plays ready for production and helps in finding suitable venues where shows might be performed." WORKSHOPS: At each workshop, original plays by local writers are read and discussed as are ways to promote deserving works for production. Several theaters have expressed an interest in producing one new original play per year and Playwrights Collaborative has encouraged similar interest by other theatres in the area. There will also be occasional speakers with expertise in various aspects of theater. STAGED READINGS: Playwrights participating in the Sunday workshops will be scheduling occasional "staged readings" of plays that have been developed sufficiently to be ready for production. A staged reading is a play production with the actors holding scripts. Playwrights Collaborative invites interested writers and actors to attend and take part in the workshop readings which can lead to invitational staged readings of new works. The group actively promotes new plays to prospective producers. Following each reading, comments and suggestions for improvement will be solicited from all who are present. The Playwrights Collaborative does not share its e-mail list information with anyone. ___________________________________________________________________________
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