News and Events | Montana Museum of Art & Culture | September 2010
In This Issue
Current Exhibition
Upcoming Events
Interview with Donors
Sneak Peak
Meloy & Paxson Galleries
(NEW) Gallery Hours:

Tues, Wed, Sat - 12 - 3pm
Thurs, Fri - 12 - 6pm
FREE parking is available near the NE corner of the PARTV Center
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ON VIEW through October 23, 2010

Model of University Flats 

The Original Man: The Life and Work of
 Montana Architect A.J. Gibson
MMAC celebrates the legacy of the area's best-known and most beloved architect A.J. Gibson, who defined great architecture in Western Montana and Northern Idaho. Gibson designed and built private homes, grand residences and civic structures--including the first five buildings on the UM campus, the Ravalli and Missoula County courthouses and the Daly Mansion. Included are models constructed by members of the American Institute of Architects - Montana chapter, reproductions of Gibson's architectural plans, original drawings, scrapbooks, photo albums and architectural fragments.
Images: (Top) Hank Busey, photograph of the main facade of the Missoula County Courthouse facing south; Gibson's plan for the Missoula County Courthouse south elevation; model of Missoula County Courthouse prepared by Dowling Sandholm Architects; (Above) model of University Flats prepared by Eric Hefty of Eric Hefty and Associates
Dr. Rafael ChaconThursday, September 16, 2010
7pm, Montana Theatre - PARTV Center
Lecture by Dr. Rafael Chacn, co-curator of The Original Man: The Life and Work of Montana Architect A.J. Gibson and author of a book by the same title. Dr. Chacn is a professor of art history and art criticism at The University of Montana.
Softcover $35; Hardcover $75
MMAC Curator of Art Brandon Reintjes recently sat down with Jon and Anne Bertsche. Here is an excerpt of the interview:
Brandon: Thank you for taking the time to meet with me. I'd like to begin by asking what are your passions as collectors?
Anne: We don't think of ourselves as collectors. We're not actively collecting art. Maybe we're post-collectors. We don't go about looking for art, art finds us. It's not collecting that excites us, it's the artists and their works. Every piece in our house has some lovely story. We live with our art and love sharing it withour family and friends.
Jon: No, it's not just a painting, it's not just a piece of art, it's the humanity that goes with it, the relationship to the artist. My understanding [of art] really grew when we began to know the artists.
Anne: And we love all kinds of art--I think that is rather unique about us, the special gift of Jon's parents' beautiful art and the ancestral art, as well as our love of Asian art, both old and contemporary, Jon's love of historical photographs and of course, our joy in modernist and contemporary art, especially ceramics. Also, following Jon's family's lead, our love and support extends to all the arts.
Brandon: And what made you decide to support MMAC?
Jon: The love of art! To encourage the museum.
Anne: Jon grew up with parents who supported the arts. That was a huge value in their home. His Dad was one of the original trustees of the CM Russell Museum, and he helped a lot of struggling, beginning artists and helped guide the museum in its early years. And he had a wonderul collection. It was abolutely part of his life. They were a family that loved art and supported it. That's really the key, and I married into it. I grew up loving and playing classical music, but my love for art was ignited by Jon's family. While his parents had a wonderful western art collection, our focus quickly became modernist and contemporary. We've passed this passion on to our daughter who can't imagine traveling to a city without visiting the art museums.
Brandon: And what have been some of your favorite MMAC moments? Exhibits? Projects?
Jon: Well we both remember this well, Ted Waddell had an exhibit here and he had a painting...
Anne: In the Meloy Gallery...
Jon: Yes, that took over the whole wall. It was majestic, powerful.
Anne: The exhibition was more than just magnificent...we were able to go to dinner with Ted and get to know him as a person. Another favorite of mine was Rembrandt: The Beggars [Sordid and Sacred: The Beggars in Rembrandt's Etchings, 2007-2008]. We were at the Getty this winter and saw a show of Rembrandt and his students [Drawings by Rembrandt and His Pupils: Telling the Difference, 2009 - 2010]. I felt like I came to that show informed, that our exhibition had informed it. I had also taken [UM Professor of Art History] Valerie Hedquist's Dutch Painters MOLLI class. Both our exhibition and Valerie's class heightened my enjoyment of the Getty exhibition. I could have stayed at that one exhibit for many more hours. Acutally, The Beggars was as exciting or more exciting because I love the small works; for me they are more intimate and touching. Every experience we have with art rests on the shoulders of the experiences before it...
Brandon: So your connection to MMAC has been through the exhibitions, the art?
Anne: Yes, but my main connection to the museum has also been throught the Directors. I loved Maggie [Mudd], and I loved David [Earhardt], and I absolutely love Barbara [Koostra].
Jon: ...and I want to include current staff in that as well. You're all wonderful. It's how you make a connection, through the people. Your appreciation grows and you get involved.
Anne: Yes, it's the feeling that your contributions are valued and that you can make a differnce.
Jon: ...beyond only a financial contribution.
Anne: Yes, there are a lot of places we contribute money to, but it's only to a few places that we give our time and energy. We appreciate the great sense of welcome here and share the passion for MMAC's mission. Thanks for the opportunity to share our love of art and MMAC.  
SNEAK PEAK to Upcoming Exhibitions
Coming November 12, 2010 - March 12, 2011Renoir painting

Renoir, Magritte, Gauguin and other European Masterpieces from a Private Collection
Meloy Gallery
This exhibition focuses on selected portraits by some of history's most notable artists from the late 18th century to the early 20th century -- Pierre-August Renoir, Paul Gauguin, Ren Magritte, William Bourgereau, John William Waterhouse, Max Ernst, Rosa Bonheur, George Romney, Theophile van Rysselberghe and others. MMAC is extremely grateful to a private lender for this exceptional opportunity.
Three Centuries of European Prints from the
MMAC Permanent Collection
Paxson Gallery
Includes never before exhibited prints from the museum's Permanent Collection - works by Giovanni Battista Piranesi, Charles-Nicolas Cochin, Nicolas De Larmessin, Jean-Michel Moreau and Franois Boucher, as well as familiar works by Honor Daumier, Jean Louis Forain, Eugene Delacroix, Henri de Toulouse-Lautrec, Marc Chagall, Kthe Kollwitz, alberto Giacometti, Pablo Picasso and Joan Mir, among others. 
The September 7, 2010 Missoulian announced the coming exhibitions on the front page. Click here to read the full Missoulian article.
Image: Pierre-Auguste Renoir (1841-1919), Mademoiselle Grimprel au ruban rouge (Hlne Grimprel), 1880, oil on canvas, 17 1/2 x 13 7/8 inches