TEA Productions 
Volume 10 Issue 6 | May 26, 2009

In this Issue:
-Did You Know?
-TEA all a-Twitter
-The New American Idol
The Sweet's new album released
-Featured Artist: Martin Sexton
Did You Know?

Zed Lepplin

The first Kentucky Derby was run in Louisville, Kentucky in 1875. The race is known as "The Most Exciting Two Minutes in Sports" for its approximate duration, and is also called "The Run for the Roses" for the blanket of roses draped over the winner. The first winner was a colt named Aristides, ridden by  jockey Oliver Lewis.
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Got a great action shot of your favorite performer? Email your concert photos to us at photos@teaprod.com and you might see them featured as the headline image in the next newsletter. Please send appropriate photos only. You know what we mean. 
TEA all a-Twitter

TEA has signed on to Twitter. I thought this might be fun and a good follow-up to the previous newsletters addressing the social networking phenomenon.  Click the picture below or enter the URL www.twitter.com/teaprod and select "Follow" to get updates from our Twitter blog. We will be posting live from a few of our festivals and special events: artists tidbits, crowd reactions, behind the scenes goings on, as well as postings from the office throughout the summer.
 
If you haven't signed up to Twitter yet it's easy and free. 

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Kris Allen's Road To 'Idol' Victory
Kris AllenBillboard.com
May 21, 2009 08:38 AM ET

Not much has changed about Kris Allen since his mostly forgettable "American Idol" audition. Well, except for the winning-it-all part.

When the 23-year-old college student from Conway, Ark., first auditioned with Leon Russell's "A Song for You" in Louisville, Ky., he seemed nothing more than a boy-next-door "Idol" hopeful, lacking the instant juggernaut feel of showy 27-year-old runner-up Adam Lambert or even plucky 17-year-old spark plug Allison Iraheta.

A newsboy cap pulled down around his eyes, Allen was asked back then by the judges if he was the best singer.

"You know, there's probably people who are better than me," was his response, a humility that Simon Cowell said he found off-putting.

"Idol" producers must have agreed. Back in February, viewers had seen less of Allen out of all the crooners that moved forward in the competition. During Hollywood Week, neither of Allen's solos were aired, just his "I Want You Back" group performance. In fact, more footage from his original audition was aired during Wednesday's eighth season finale than in any previous episodes.

Once selected as a finalist, Allen got off to a rocky start after his first performance. The judges were decidedly mixed over his rendition of Michael Jackson's "Man in the Mirror," yet his charming nice-guy demeanor quickly emerged when it was revealed that the longtime Jackson fan had been helping the other singers - his competitors of all people! - tackle their takes on the King of Pop.

Allen himself seemed the most surprised about his shocking win by a margin of votes that, unlike last season's landslide victory by David Cook over David Archuleta, was not publicly declared by host Ryan Seacrest.

"I'm exhausted, and I'm shocked," Allen said backstage after winning the title. "I'm really shocked."

In the beginning, the judges simply seemed, if not in love, then "in like" with Allen - not heaping the same amounts of love on him as Lambert until later in the season.

The panel's initial feedback bordered on superficial. Paula Abdul once gushed he was "adorable/sexy" while Cowell teased the smiley newlywed for introducing his wife so early in the competition, at risk of scaring of female fans.

He always seemed to take their remarks in stride, content to forge ahead with his earnest singer-songwriter vibe no matter the outcome, never telegraphing a drive to best his fellow contestants.

Instead, Allen stuck to focusing on his guitar and piano on the "Idol" stage, impressing the judges with his folksy, heartfelt interpretations of such songs as "Ain't No Sunshine," "She Works Hard for the Money" and "Falling Slowly" from the indie musical "Once." He hit a crescendo last week when he transformed Kanye West's robotic tune "Heartless" into a soulful, acoustic ditty.

"I had written you out of the competition, but that has changed after that performance," Cowell boasted afterward.

However, it was runner-up Lambert who always received the most praise - by both judges and screaming fans - right until Tuesday's final performance. All the while, Allen was apparently neck-and-neck with Lambert when it came to viewer votes: The only time either was in the dreaded bottom-three was after their Rat Pack-themed performances.

Last week, only 1 million viewer votes separated them - a tiny margin considering that nearly 100 million votes were cast for the finale.

"I knew it was going to be a close race," Lambert said backstage. "I think Kris is incredibly talented, and he's a good person."

Though never referenced on the show, Allen's religious background may have also played a role. Allen has worked as a worship leader at his hometown church, traveling on mission trips around the globe. His pastor, Brandon Shatswell, said Allen told him that his first time on the "Idol" stage reminded him of only one thing: going to church.

 
The Sweet release new album, "Live in America"
the sweet
The Sweet which was reformed in California in 2008 by mainstay bassist Steve Priest has released a new album "Live In America."  The band's strong tour dates from last year have many looking forward to Summer 2009.

The album has sixteen cuts and include all of Sweet's big hits as well as some Sweet staples and even a few chestnuts including  "Wig Wam Bam" and "Set Me Free."

Tracks:

1. Action
2. Fox On The Run
3. Hellraiser
4. Love Is Like Oxygen
5. Blockbuster
6. Wig Wam Bam
7. The Sixteens
8. Windy City
9. Sweet F.A.
10. Turn It Down
11. Sweet Dream
12. Teenage Rampage
13. Little Willy
14. AC/DC
15. Set Me Free
16. Ballroom Blitz

For further information go to http://thesweetband.com/

 
Featured Artist: Martin Sexton

Martin SextonFrom the artist's website: www.martinsexton.com
 
The real thing, people, a star with potential to permanently affect the musical landscape and keep us entertained for years to come."
-Billboard

A native of Syracuse, New York, Martin Sexton grew up in the 80's, uninterested in the sounds of the day, and fueled his dreams on the timeless sounds of classic rock and roll. Sexton eventually migrated to Boston, where he began to build his following singing on the streets of Harvard Square and gradually working his way through the scene. His 1992 collection of self-produced demo recordings, In The Journey, was recorded on an old 8-track in a friend's attic. He managed to sell 20,000 copies out of his guitar case busking.

1996-2002 Sexton released Black Sheep, The American, Wonder Bar and Live Wide Open (mixed by Jon Alagia - Dave Matthews Band, John Mayer). The activity and worldwide touring behind these records laid the foundation for the career he enjoys today with an uncommonly loyal fan base, selling out venues from Nokia Theatre (NY) to LA's House of Blues.

Happily and fiercely independent, Martin Sexton launched his own label KTR (2002). Since then, his continual success through his diversity infiltrates many musical worlds - ranging everywhere from Jam Cruise to Denver's Mile High Fest to Mayercraft Carrier to Carnegie Hall. His songs are featured in film and television including recent placements on NBC's Scrubs and Showtime's hit series Brotherhood.

The New York Times wrote that this artist "jumps beyond standard fare on the strength of his voice, a blue-eyed soul man's supple instrument," adding that "his unpretentious heartiness helps him focus on every soul singer's goal: to amplify the sound of the ordinary heart."

In 2007/08 Sexton logged his most successful years to date with the release of his latest studio offering, Seeds. The album debuted at #6 on Billboard's Heatseekers chart, and the Los Angeles Times writes, "Call him a soul shouter, a road poet, a folkie or a rocker and you wouldn't be wrong."

On the heels of Seeds, the cd/dvd set Solo released October 08. Documenting a series of recent unaccompanied live appearances, the album captures Martin's critically acclaimed incendiary live set in theatres coast-to-coast.

"The best live performer I've ever seen." -John Mayer
BBB