Monday Mini-Lesson for primary teachers

About Me 

May 31, 2010
Dear Colleague,
 
I hope your Memorial Day weekend has been lovely!  I'm writing to you from Vermont where I'm currently on a weekend writing retreat.  I'm beginning a new book (a middle grade novel) and need both the permission and the opportunity to play with ideas.  All creative work benefits from some free-form moodling, a time to ask, "What if?"
 
And so, as we near summer, I invite you to play around with the concepts and the structures of your writer's workshop.  What's working? What's not? What if your space, time, and resources were unlimited? What would your writer's workshop look like?  What are the changes you know you'd like to make?  Perhaps this list of workshop goals I posted on my blog in January will assist you further with your moodling.
 
Is there a particular area I might  be able to help you with?  If so, I'd love to hear your questions and concerns!  Feel free to email. 
 
In the meantime, I want to remind you that now is a great time to photocopy or scan student writing samples to assist with your teaching next year.  Read more about using writing samples below.
 
Happy writing!
 
Jennifer
 
 

Examining Writing

 

One of the most effective ways to teach writing (and one that is seldom used) is projecting sample writing on a screen and encouraging students to discuss one specific aspect of craft. Before I go any further, let me stress that you don't want to use your own students' writing. You don't want your students' anxiety raised each and every time you mention their names for fear that it's going to be a moment of shame instead of fame. (Do feel free, however, to show your students writing as a positive model on a consistent basis-just don't offer it up for discussion.)

            Project the writing and tell students which written quality you want them to examine. You do not want to begin by saying, "So. What do you think of this writing?" If you do, students will offer up many responses on disparate areas-often focusing on the conventions, length, or penmanship. This might feel gratifying until you realize that all of these different comments dilute the mini-lesson and have very little effect on the application of skills. Instead, ask one question, such as:

 

·         Is this writing clear?

·         Did the author include quality details?

·         Did the author of this piece focus on one topic?

·         Does the lead hook you?

·         Is the piece well organized?

·         Does the ending work?

·         Does this piece have voice?

·         Does the writing flow?

 

            I often have primary students answer my question first with a thumbs-up, thumbs-down, or the ever popular waving thumbs for sort of. Then we discuss the trait, or lack thereof, beginning with those students who have their thumbs up. (If you begin with students who feel the trait is lacking, those with their thumbs up will no longer want to respond.) The discussion proceeds in this way:

 

Me: Did the author focus on one topic? (Wait for thumbs.) Sujata, you say yes. Tell us more.

Sujata: Well, it's sort of like an all-about-me book.

Me: So you feel the author is writing about himself-that he has chosen himself as the topic.

Sujata: (Nods.)

Me: Who else had his or her thumb up?

Jason: He's sort of writing about things he likes, except when he tells us about the movie that was boring.

Me: So you feel, Jason, his topic is things he likes.

(This response prompts all the kids who had thumbs down and are dying to have their say to wave their arms in the air. I call on Mandy.)

Mandy: I don't think he focuses at all. First he's talking about school, then foods he likes, and then he starts talking about that boring movie.

Me: So, you don't think his piece is focused. What do you think the author could do to improve this piece?

Mandy: He could pick one of those things and write about it with details.

Marcus: He needs to use the binoculars.

Me: That's a good thing for us to keep in mind as we write today . . .

 

 
   Adapted fromNo More "I'm Done!" Fostering Independent Writers in the Primary Grades  by Jennifer Richard Jacobson
Writing Tip
So where do you find writing samples?
  • Ask your colleagues for writing samples (take the names off). You don't need to use samples from your own grade. I often use pieces written by third or fourth graders in primary classrooms.
  • Search for anchor papers for standardized assessments on the Web. You'll find that many school districts are posting writing samples for the use of assessment practice.
  • Save copies of your students' work this year to use next year.
  • Use samples from the book Writing Lessons for the Overhead: Grade 2-3 by Lola M. Schaefer.(2006)
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No More I'm Done
 

No More "I'm Done!"  focuses on nurturing independent primary writers.  In addition to suggesting a classroom set-up and routines that support independence, a year of developmentally appropriate minilessons is provided.

Preview the text online here.
 
To listen to a podcast about the book go here.
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