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Monday Mini-Lesson for primary teachers

About Me 

March 1, 2010
 Dear Colleague,
 

This month we'll turn our attention to voice.  Voice is perhaps the hardest trait to define, but we all (even primary students) recognize it when we hear it.

 

I've heard it said that voice is too difficult a trait for primary students to incorporate. But I believe five-year-olds enter school with an eagerness to record their unique voices on paper.  It's our job to honor those voices (by accepting students' current stage of writing development be it pictures, scribbles, or random letters) and not tamp them out with worksheets and fill-in-the-blank sentences.  In other words, students come to us with voice; it's our job not to squelch it.

 

If you have trouble imagining how to introduce the concept of voice to primary students, perhaps this week's lesson --- one in which the concept of voice is introduced through art - will help.

 
Happy writing!

 

Jennifer

 

 

Introducing Voice 
 

On Hand: Several picture books by Eric Carle and Jan Brett (or by other illustrators whose work is instantly recognizable).

 

Mini-Lesson: Introduce voice through art, beginning with picture books by Jan Brett. Show students several full-page spreads and ask them what they notice about her art. Here are some of the most common answers:

 

·         She incorporates lots of details.

·         Her work is framed-usually by borders.

·         She often paints animals and seems drawn to nature.

·         She provides little "windows"-glimpses of what has happened and what will happen. 

 

            Validate student responses by telling them that Jan Brett has a very distinctive artistic voice. That's what makes her work so instantly recognizable.

            Then show them the work of Eric Carle and ask, "What can you tell me about his voice?" Students might suggest:

 

·         His work is fanciful (pretend)-more imaginary than realistic.

·         His shapes are large, bright, bold. 

·         He does not include a realistic background, though he sometimes fills the page with colorful shapes.

·         You can see his brush strokes in some of his work.

 

            Eric Carle has an equally distinctive voice, but one that's very different from Jan Brett's. Test students by holding up artwork by one of these two illustrators and asking, "Whose work is this?" You'll find that they don't hesitate to identify the artist.

            Tell students that these illustrators have their own artistic voice, and that they have a distinct writer's voice. Invite students to write with attention to voice and show their unique style. Tell them: "Your voice is as unique as your thumb print. Put your thumbprint on your work today."

 

Extension: In the picture book Why Did the Chicken Cross the Road? by Jon Agee and others (2006), fourteen artists offer a punch line to the age-old riddle, giving us the perfect opportunity to examine different artistic responses to the very same subject. Read the book to students and ask them to provide adjectives, from sweet to silly, to describe the tone of the visuals. Reinforce the idea that each illustrator used his or her own unique voice.

 

.

 

 Adapted from
No More "I'm Done." Fostering Independent Writers in the Primary Grades  by Jennifer Richard Jacobson
Writing Tip
 When conferencing with students, tell them that you are going to point out the places in which their voices come shining through.  Highlight passages in which students have used unique word choices, details, or have expressed themselves with fluency. 
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No More "I'm Done!"  focuses on nurturing independent primary writers.  In addition to suggesting a classroom set-up and routines that support independence, a year of developmentally appropriate minilessons is provided.

 
Andy Shane and the Very Bossy Dolores Starbuckle
 
 
Dolores Starbuckle has a very distinctive voice!  To download a reader's theater script or a guide to teaching all six traits with this mentor text, go here.