It's pretty simple at The Field: there is art, and there are artists. As we approach our 25th
Anniversary in 2011, we remain committed to helping each individual artist meet
his or her own discrete goals. We are
enormously proud of our artists' work and pleased to brag (if only just a bit)
in their honor. Here's a glimmer of what
Field artists accomplished in 2009 and how we helped.
|
|
THE FIELD'S IMPACT
| |
MACRO IMPACT:
· 1,900 dance, theater, music, and inter-disciplinary artists (and their estimated 5,700
collaborators) directly benefited from Field programs - that's 21% growth from
2008! · 2,000 new art works were created by these amazing movers and
shakers. · 19,000 shows were presented for 950,000 audience members in New
York and beyond.
MICRO IMPACT:
"Thank you to the
entire staff of The Field for the depth of your questioning, the care and
consideration you put into each communication, and for your unapologetic stance
for the arts and artists." Kahlil
Almustafa, New York Spoken Word Artist, Field ERPA Artist "The Field makes it
possible for artists to access vital services that help them navigate the
tricky balance between creative work and administrative responsibilities." Miguel Gutierrez, New York
Choreographer, Field Sponsored Artist "As an independent artist, I am grateful to have the
steady presence of The Field and all of the resources it offers. Thank you!" Peggy Gould,
New York Performing Artist, Field Sponsored Artist
|
|
THE FIELD
| |
it's about the art
In 2009 our artists premiered new
works of theater, music, and dance at a variety of venues including: 67 stories above the Manhattan skyline at
Rockefeller Center's Top of the Rock; the bathrooms at New York's Gershwin
Hotel; chashama's storefront windows on 42nd Street; and at more traditional
galleries, black boxes, and proscenium stages like the Winter Garden Theater,
The Joyce Theater, Symphony Space,
and 3LD Center for Art and Technology.
Field artists performed at local, national, and international festivals
such as the Underground Railroad Festival, New York International Fringe
Festival, DUMBO Dance Festival, New York Wine and Food Festival, Piccolo Spoleto Festival, Festival
Internacional de Cabaret in Mexico City, and Festival Vue sur la Releve in
Montreal. How did Field artists financially
support their work? They received grants
from all the heavy hitters including the New York State Council on the Arts,
MAP Fund, Jerome Foundation, Meet the Composer, Creative Capital, the Mid-Atlantic Arts Foundation, and the
Jerome Robbins Foundation. Field artists
also participated in creative residencies at Jacob's Pillow, Kaatsbaan
International Dance Center, Movement Research, and the Baryshnikov Arts
Center. Field artists' hard work was also
recognized by awards including 1st Place for Choreography at the 13th
Internationales Solo-Tanz-Theatre Festival in Stuttgart, the 'Overall
Excellence' award by NY International Fringe Festival, and the Princess Grace
Choreographic Fellowship; and by featured press in The New York Times, Boston Globe, Philadelphia
Enquirer, Backstage, Dance Spirit Magazine, Dance Europe Dance in Israel,
Stuttgarter Zeitung, and more.
Are
we bragging? Yes, we are!
|
|
FIELD ARTISTIC PROGRAMS
| |
from the page to the stage and beyond
"To be given keys to
the studio and a generous amount of time every week for three months to go in and play, create, struggle
and call forth one's imagination - is there a greater gift for an artist?" Sasha Soreff, Field 2009 Emerging
Artist Resident and New York Choreographer · Nine artists went on a free ten-day retreat to make new work (Artward Bound). · Forty-nine artists exchanged rigorous feedback on their work (Fieldwork). Another 20 artists got critical feedback and
720 hours of subsidized rehearsal space - for less than $4 per hour (Fieldwork
Summer Intensive). · Twenty-six artists participated in our new Emerging Artist Residency (EAR)program, a 'best of The Field' residency that provides three months of creative
development and career skill-building. EAR artists received a total of 2,040 hours of highly subsidized
rehearsal space for the creation of new work, critical feedback (Fieldwork) and
career brainstorming sessions. The residency
culminated in showcase performances at The
Kitchen, Dixon Place and Dance Theater Workshop. More than 300 audience members attended these
festive presentations. · Three artists participated in our new fall Field Artist Residency (FAR) program, each receiving six weeks
of six hours of rehearsal space and an individualized creative/career
consultation. · A special partnership with our generous friends at Abrons Arts Center gave 10 artists
three weeks of rehearsal space at Abrons, critical feedback sessions, and a
final showcase at the Abrons Arts Center Experimental Theater for 100 audience
members (Fielday/Fieldwork).
|
|
CAREER-BASED SERVICES
| |
next level skills, information and resources
· Business skill-building classes (22 total) provided
hands-on learning experiences for 219 artists in grant writing, public
relations, internet outreach, and other topics. An outreach partnership with our esteemed colleagues at Harlem Arts Alliance included two
high-impact marketing workshops: Growing Your Web Presence and Public Relations
for the 21st Century; and a
Meet the Funders event with Meet The
Composer. · 572 artistsused our member benefits including access to Materials for the Arts, the
Costume Collection, and our comprehensive monthly newsletter of grants, opportunities,
and special offers for Field Members (Member News). · Our 359 sponsored
artists raised $2.3 million for
their art. 85% of these artists are
grassroots fundraisers of $10,000 or less. To help them achieve their goals, this year we added three free Sponsored Artist Roundtables for
artists to learn about the New York State Council on the Arts, basic
bookkeeping, and how to work with our new online fiscal sponsorship tools. · The Field's
Resource Center provided 420 entrepreneurial artists with a calm space to
write grants and press releases, research funding opportunities, and peruse
work samples from peer artists. With
brand new MacBooks and a color printer, our Resource Center got an upgrade too. · Field staff consulted with 30 artists and companies on their long-term goals and fundraising. Montreal's Studio 303 even got a grant
for Director Miriam Ginestier to come down and learn from The Field. · Office Share?
Our sublet program provides affordable office space to artists who need just a
bit of space to do their office work. In
2009 new tenants included: Calpuilli
Mexican Dance Company, Silverline Films, and Tiedrich Designs. |
|
|
|
|
ECONOMIC REVITALIZATION FOR PERFORMING ARTISTS
| | In late 2007, The Rockefeller Foundation invested in our
most ambitious project to date - Economic Revitalization for Performing Artists (ERPA). ERPA aims to help artists devise new,
sustainable, and replicable strategies to make new money for their art and from
their art. We've invested time, care,
expertise and $90,000 in startup funds for seven artists. Our investment could generate an extra $850,000 for these
artists in fees, contributions, goods, and services. All of this to help artists make more
sustainable lives. |
ERPA and the imprimatur of The Rockefeller Foundation's
support also put The Field and our artists on the map with cultural
stakeholders. For instance, we were
asked to be a member of The Pew Charitable Trust's Cultural Data Project Task Force. Also, Center for an Urban
Future's Jonathan Bowles asked ERPA artists to participate in an intimate
focus group on issues facing New York artists. Field staff are also often called upon to testify at City Council
hearings on Cultural Affairs. Who are the ERPA
artists and what are they dreaming up? · OurGoods: an
online bartering economy · Stolen Chair Theatre Company: Community Supported Theatre modeled after CSAs (Community
Supported Agriculture) · The Equus Projects:
regional touring hubs · Conni's Avant Garde Restaurant: dinner theater that's not 'dinner theater' 2009
was all about planning and implementation. Follow the ERPA artists' progress on our Economic Revitalization Blog and prepare for the ERPA book launch on September 27, 2010!
|
21st CENTURY TOOLS
FOR THE 21st CENTURY
ARTIST
| In 2007, The Field initiated a three-year e-Capacity Building Project that took
our information systems to the next level. Our new
system was launched in 2009. The
results include an improved and integrated website, database and financial
systems, as well as increased marketing capabilities. It's like going from smoke signals to an
iPhone.
|
Our artists can now easily track
their donations online, download their financial history with us, and generate
thank you letters for their donors. This
project was generously supported by the National Endowment for the Arts,
Rockefeller Brothers Fund, New York City's Department of Cultural Affairs,
LuEsther T. Mertz Donor Advised Fund, the Emma A. Sheafer Charitable Trust, and
the New York Community Trust.
|
EXTENDING OUR NETWORK
| Since 1992 The Field has also had a national
voice. Our nine national Field Network sites offer Fieldwork workshops and
Fielday performances for thousands of artists and audiences in cities like San
Francisco, Philadelphia, Miami, and Chicago. In addition, two new sites
launched in Berlin and Vienna in 2009, both started by
ambitious artist-entrepreneurs.
|
Our
annual conference in May 2009 had 18 artists and administrators come to New
York for three days of brainstorming and community-building. Guest speakers like arts administrator guru
Morgan von Prelle Pecelli provided the big picture on topics like grappling
with national presenters.
|
THE FIELD
| FIELD STAFF: Pele Bauch, Patricia
Burgess, Jennifer Wright Cook,
Michael Helland, Audra Lang, Cara
Liguori, and Cassie Terman |
FIELD BOARD OF DIRECTORS: Jane Comfort,
Michaela Hall, Nicole Kelsey, William Lynch, James
McLaren, David Parker, Vito Sclafani,
Catherine Tharin, and Michael Wellington
|
THANK YOU!!!
| AND YOU, AND YOU, AND ESPECIALLY YOU!
|
Thank you to all of the ambitious artists,
dedicated donors, and active audience members who make the creative community
buzz and tingle with your presence and your gifts. You make it all worthwhile.
|
| ART GROWS HERE | | Befriend The Field on MySpace | |
|
|
|