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2009 Annual Report


It's pretty simple at The Field: there is art, and there are artists.  As we approach our 25th Anniversary in 2011, we remain committed to helping each individual artist meet his or her own discrete goals.  We are enormously proud of our artists' work and pleased to brag (if only just a bit) in their honor.  Here's a glimmer of what Field artists accomplished in 2009 and how we helped.

THE FIELD'S IMPACT


MACRO IMPACT:

· 1,900 dance, theater, music, and inter-disciplinary artists (and their estimated 5,700 collaborators) directly benefited from Field programs - that's 21% growth from 2008!
 
· 2,000 new art works were created by these amazing movers and shakers.
 
· 19,000 shows were presented for 950,000 audience members in New York and beyond. 


MICRO IMPACT:

"Thank you to the entire staff of The Field for the depth of your questioning, the care and consideration you put into each communication, and for your unapologetic stance for the arts and artists." Kahlil Almustafa, New York Spoken Word Artist, Field ERPA Artist
 
"The Field makes it possible for artists to access vital services that help them navigate the tricky balance between creative work and administrative responsibilities." Miguel Gutierrez, New York Choreographer, Field Sponsored Artist
 
"As an independent artist, I am grateful to have the steady presence of The Field and all of the resources it offers. Thank you!" Peggy Gould, New York Performing Artist, Field Sponsored Artist

THE FIELD

it's about the art
 
In 2009 our artists premiered new works of theater, music, and dance at a variety of venues including: 67 stories above the Manhattan skyline at Rockefeller Center's Top of the Rock; the bathrooms at New York's Gershwin Hotel; chashama's storefront windows on 42nd Street; and at more traditional galleries, black boxes, and proscenium stages like the Winter Garden Theater, The Joyce Theater, Symphony Space, and 3LD Center for Art and Technology.  Field artists performed at local, national, and international festivals such as the Underground Railroad Festival, New York International Fringe Festival, DUMBO Dance Festival, New York Wine and Food Festival, Piccolo Spoleto Festival, Festival Internacional de Cabaret in Mexico City, and Festival Vue sur la Releve in Montreal. 
 
How did Field artists financially support their work?  They received grants from all the heavy hitters including the New York State Council on the Arts, MAP Fund, Jerome Foundation, Meet the Composer, Creative Capital, the Mid-Atlantic Arts Foundation, and the Jerome Robbins Foundation.  Field artists also participated in creative residencies at Jacob's Pillow, Kaatsbaan International Dance Center, Movement Research, and the Baryshnikov Arts Center. 
 
Field artists' hard work was also recognized by awards including 1st Place for Choreography at the 13th Internationales Solo-Tanz-Theatre Festival in Stuttgart, the 'Overall Excellence' award by NY International Fringe Festival, and the Princess Grace Choreographic Fellowship; and by featured press in The New York Times, Boston Globe, Philadelphia Enquirer, Backstage, Dance Spirit Magazine, Dance Europe Dance in Israel, Stuttgarter Zeitung, and more.

Are we bragging? Yes, we are!


FIELD ARTISTIC PROGRAMS

from the page to the stage and beyond
 
"To be given keys to the studio and a generous amount of time every week for three  months to go in and play, create, struggle and call forth one's imagination - is there a greater gift for an artist?" Sasha Soreff, Field 2009 Emerging Artist Resident and New York Choreographer
 
· Nine artists went on a free ten-day retreat to make new work (Artward Bound).
 
· Forty-nine artists exchanged rigorous feedback on their work (Fieldwork).  Another 20 artists got critical feedback and 720 hours of subsidized rehearsal space - for less than $4 per hour (Fieldwork Summer Intensive).
 
· Twenty-six artists participated in our new Emerging Artist Residency (EAR)program, a 'best of The Field' residency that provides three months of creative development and career skill-building. EAR artists received a total of 2,040 hours of highly subsidized rehearsal space for the creation of new work, critical feedback (Fieldwork) and career brainstorming sessions.  The residency culminated in showcase performances at The Kitchen, Dixon Place and Dance Theater Workshop.  More than 300 audience members attended these festive presentations. 
 
· Three artists participated in our new fall Field Artist Residency (FAR) program, each receiving six weeks of six hours of rehearsal space and an individualized creative/career consultation.
 
· A special partnership with our generous friends at Abrons Arts Center gave 10 artists three weeks of rehearsal space at Abrons, critical feedback sessions, and a final showcase at the Abrons Arts Center Experimental Theater for 100 audience members (Fielday/Fieldwork).

CAREER-BASED SERVICES

next level skills, information and resources
 
· Business skill-building classes (22 total) provided hands-on learning experiences for 219 artists in grant writing, public relations, internet outreach, and other topics. An outreach partnership with our esteemed colleagues at Harlem Arts Alliance included two high-impact marketing workshops: Growing Your Web Presence and Public Relations for the 21st Century;  and a Meet the Funders event with Meet The Composer
 
· 572 artistsused our member benefits including access to Materials for the Arts, the Costume Collection, and our comprehensive monthly newsletter of grants, opportunities, and special offers for Field Members (Member News).
 
· Our 359 sponsored artists raised $2.3 million for their art.  85% of these artists are grassroots fundraisers of $10,000 or less. To help them achieve their goals, this year we added three free Sponsored Artist Roundtables for artists to learn about the New York State Council on the Arts, basic bookkeeping, and how to work with our new online fiscal sponsorship tools.
 
· The Field's Resource Center provided 420 entrepreneurial artists with a calm space to write grants and press releases, research funding opportunities, and peruse work samples from peer artists.  With brand new MacBooks and a color printer, our Resource Center got an upgrade too.
 
· Field staff consulted with 30 artists and companies on their long-term goals and fundraising. Montreal's Studio 303 even got a grant for Director Miriam Ginestier to come down and learn from The Field.
 
· Office Share? Our sublet program provides affordable office space to artists who need just a bit of space to do their office work.  In 2009 new tenants included:  Calpuilli Mexican Dance Company, Silverline Films, and Tiedrich Designs.


FIELD FACTS 2009
The Field's Impact
It's About The Art
Field Artistic Programs
Career-Based Services
Economic Revitalization for Performing Artists
21st Century Tools for the 21st Century Artist
Extending our Network
ECONOMIC REVITALIZATION FOR PERFORMING ARTISTS
In late 2007, The Rockefeller Foundation invested in our most ambitious project to date - Economic Revitalization for Performing Artists (ERPA).  ERPA aims to help artists devise new, sustainable, and replicable strategies to make new money for their art and from their art.  We've invested time, care, expertise and $90,000 in startup funds for seven artists. Our investment could generate an extra $850,000 for these artists in fees, contributions, goods, and services.  All of this to help artists make more sustainable lives.
ERPA and the imprimatur of The Rockefeller Foundation's support also put The Field and our artists on the map with cultural stakeholders.  For instance, we were asked to be a member of The Pew Charitable Trust's Cultural Data Project Task Force. Also, Center for an Urban Future's Jonathan Bowles asked ERPA artists to participate in an intimate focus group on issues facing New York artists. Field staff are also often called upon to testify at City Council hearings on Cultural Affairs. 
 
Who are the ERPA artists and what are they dreaming up?
                                  
· OurGoods: an online bartering economy
 
· Stolen Chair Theatre Company: Community Supported Theatre modeled after CSAs (Community Supported Agriculture)
 
· The Equus Projects: regional touring hubs 
 
· Conni's Avant Garde Restaurant: dinner theater that's not 'dinner theater'
 
2009 was all about planning and implementation. Follow the ERPA artists' progress on our Economic Revitalization Blog and prepare for the ERPA book launch on September 27, 2010!
 

21st CENTURY TOOLS FOR THE 21st CENTURY ARTIST
In 2007, The Field initiated a three-year e-Capacity Building Project that took our information systems to the next level.  Our new system was launched in 2009.  The results include an improved and integrated website, database and financial systems, as well as increased marketing capabilities.  It's like going from smoke signals to an iPhone.
  Our artists can now easily track their donations online, download their financial history with us, and generate thank you letters for their donors.  This project was generously supported by the National Endowment for the Arts, Rockefeller Brothers Fund, New York City's Department of Cultural Affairs, LuEsther T. Mertz Donor Advised Fund, the Emma A. Sheafer Charitable Trust, and the New York Community Trust.
 

EXTENDING OUR NETWORK
Since 1992 The Field has also had a national voice.  Our nine national Field Network sites offer Fieldwork workshops and Fielday performances for thousands of artists and audiences in cities like San Francisco, Philadelphia, Miami, and Chicago. In addition, two new sites launched in Berlin and Vienna in 2009, both started by ambitious artist-entrepreneurs.
Our annual conference in May 2009 had 18 artists and administrators come to New York for three days of brainstorming and community-building.  Guest speakers like arts administrator guru Morgan von Prelle Pecelli provided the big picture on topics like grappling with national presenters.
 

THE FIELD
FIELD STAFF:
Pele Bauch, Patricia Burgess, Jennifer Wright Cook, Michael Helland, Audra Lang, Cara Liguori, and Cassie Terman
FIELD BOARD OF DIRECTORS:
Jane Comfort, Michaela Hall, Nicole Kelsey, William Lynch, James McLaren, David Parker, Vito Sclafani, Catherine Tharin, and Michael Wellington


THANK YOU!!!
AND YOU, AND YOU, AND ESPECIALLY YOU!
Thank you to all of the ambitious artists, dedicated donors, and active audience members who make the creative community buzz and tingle with your presence and your gifts.  You make it all worthwhile.


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