JDI News & Views
Tech Corner - Setting Up A Ride Photo Camera 
3rd Quarter, 2011 - Vol 1, Issue 3
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Greetings! 
 
At JDI we are currently hunkered down doing research and development as well as writing new software for the new year.  This is an on-going process.  Digital imaging products (cameras, printers, sensors, etc.) and computer technology continually change.  Thus our R&D efforts never stop.

Without question, keeping pace with the changes in our industry is mandadory.  Unfortunately, the changes aren't always good.  An example of this is what happened with the Canon G-9 and G-10 cameras (and before that, the Fuji S20 and S5 cameras) which were very economical ride photo cameras that produced high quality images.  Unfortunately, when these cameras were discontinued, their replacement cameras were not software compatible which rendered them useless for ride photos.  The current cameras on the market are higher resolution but also much more expensive.  In today's economy, the higher price tag isn't very welcome. We continue to watch for less expensive options for our clients.  On the other hand, the new cameras may have benefits (in addition to higher resolution) which may help offset their higher price. 

At JDI, R&D recently got a wonderful boost!  We are all thrilled and energized that our CEO, Kevin Jackson, has decided to become active in coding once again.  In truth, Kevin appears to be the most excited about this.  Kevin's non-traditional coding style resulted in fast, reliable software which was the reason JDI's products stood out when we first opened our doors in 1993.  As the company grew, he reluctantly delegated coding to others so he could take care of the sales, managerial, and supervising tasks which filled his days.  Now, he has decided to delegate a majority of those tasks, and change his work schedule to include software development.  So if you can't reach Kevin now-a-days, just leave a message.  Chances are he's listening to intensely loud music, consuming vast quantities of Dr.Pepper, and loudly swearing about the frailties of Microsoft Windows.   

kevin cartoon
A depiction of Kevin coding many years ago.
Upcoming Trade Shows 

IAAPA Expo ImageThis fall, JDI is pleased to exhibit at two trade shows - WWA and IAAPA. 

 

This will be our 6th year exhibiting at the World Waterpark Association (WWA) show.  This year the WWA show is being held in New Orleans on October 5-6.  If you are attending, we hope you will stop by and say hello to us at Booth 245. For more information about WWA, please visit Waterparks .

 

IAAPA will once again be held at the Orange County Convention Center in Orlando this year.  The show floor will be open November 15-18 and JDI will be in booth 3415.  This will be our 16th year exhibiting at IAAPA and, as usual, we are excited about seeing all our clients, vendors and colleagues who will be at this great show.  We are also working hard to present something new (or at least, significantly upgraded) this year at IAAPA.  For more information about this show, go to IAAPA .

 

Tech Corner - Setting Up A Ride Photo Camera

 

Whether you own a ride photo system or just want to take better pictures with your personal digital camera, understanding your camera settings is critical.  Those of us who aren't professional photographers often don't have a full understanding of how the ISO, iris, shutter speed and other camera settings impact a picture.  We hope the following discussion of how to set up a camera for a ride will help those of us who have never taken a photography class as well as serve as a handy review for the more experienced photographers amongst us.

 

 

ISO:

 

The ISO setting corresponds to the ISO or ASA "Film Speed" ratings of camera film.  Since digital cameras use no film, the ISO setting is only an analogy.  A lower ISO number means the sensor has less light sensitivity and less noise and a higher ISO number means more light sensitivity but more noise just like it did when using high speed film back in the 20th century.

 

It's best to use the lowest ISO setting possible.  If you can't get enough light on the subject by other means you can increase the ISO setting but higher ISO images are often MUCH noisier.  See the following examples:

 

ISO WAY too high causing lots of image noise (and over exposure):

 

     http://www.jacksondigital.com/Files/Photos/High_ISO.jpg 

 

ISO set lower resulting in less image noise (and better exposure):

 

     http://www.jacksondigital.com/Files/Photos/Low_ISO.jpg 

 

Zoom:

 

Use the zoom lens control to get good composition of the image.  Since there's some variation in speed on any ride you need to leave some room for the subject's position to vary a little bit so don't zoom in too tight.  Some cameras (e.g., the Canon PowerShot G10) provide software control of the lens, however many cameras require that you manually adjust the zoom lens.

 

Focus:

 

Focus almost always needs to be adjusted after the zoom setting is changed.  If your camera has a software controllable lens, ensure that Thrill-Capture's Focus Lock checkbox is checked, then click on the Focus Lock button to lock the focus on the camera's current field of view.  Many cameras require manual adjustment of focus.
 

Shutter Speed:

 

The parameter that is most constrained by the real world behavior of the subject is the shutter speed.  Shutter speed is how long the shutter stays open to expose the image sensor to the image.  On a moving attraction you WILL get motion blur if your shutter speed is set too low regardless of whether your camera has a mechanical or an electronic shutter.  If your shutter speed was set to 1/2 second, for example, you would clearly expect the ride to move in that half second so you would expect the image to be a streak in the direction the ride is traveling.

 

So how do you tell motion blur from being out of focus?  With motion blur the moving subject is not sharp but stationary objects near the subject ARE sharp.  See the following examples.

 

Motion blur due to slow shutter speed:

 

     http://www.jacksondigital.com/Files/Photos/Motion_blur_illustration.jpg 

 

The same image with a faster shutter speed eliminates motion blur:

 

     http://www.jacksondigital.com/Files/Photos/No_Motion_blur_illustration.jpg 

 

 

Iris:

 

The lens iris mechanism controls the amount of light that's allowed to pass through the lens.  Iris settings are expressed in F Stops ranging from about F1.8 (lots of light admitted) to F22 (a tightly closed aperture).  The following program illustrates the relationship between the F Stop settings available on a digital camera lens and the geometry of the iris.  It IS a program so your anti-virus software might object to downloading it and you WILL have to have the Dot Net framework installed (probably Dot Net 4.0) to run the program.

 

          http://www.jacksondigital.com/Files/Installs/Lens_Iris_Demo2.zip 

 

As you can see, at F1.8 the aperture is open very wide so more light is allowed through the lens than at F22.0 where it's almost closed.  So why not always set the lens to the lowest F Stop setting so you always get the most light?

 

The wider open the iris, the more constrained the focus of the lens.  At F1.8 you've got a very narrow region that's in focus.  That region of good focus is called the depth of field.  When you close the iris more, the depth of field increases.  So focusing is much simpler and more versatile at F22.0 than at F1.8.  If you WANT the background behind the subject to be blurry for aesthetic reasons you might want to use a fairly wide open iris, but for ride photography you will usually want the entire image to be as sharp as possible.  So use the highest F Stop setting you can.

 

Summary:

 

So start off by setting the ISO to the lowest possible setting.  This would be ISO 100 on most cameras.

 

Then compose the image by adjusting the zoom settings.

 

Then focus on the subject by ensuring that the Focus Lock check box is checked, then click on the Focus Lock button to lock the focus down (or manually adjust the focus on a manual lens).

 

Then set the shutter speed to a reasonably fast setting (1/1000) and see if you have any motion blur.  If you still have motion blur you'll have to use a faster shutter speed.  If you have no motion blur you might be able to use a slower shutter speed which will also brighten up the image.

 

Adjust the iris to obtain proper exposure.  Since the sharpest images are obtained with higher F Stop settings you will usually want an F Stop of F5.6 or higher.

 

If the images are too bright and you're already at F22.0 you can darken the images a bit by increasing the shutter speed to a higher setting than is necessary to eliminate motion blur.  For example if 1/1000 of a second completely eliminates motion blur but your images are still too bright at an F Stop of F22.0 you could increase the shutter speed to 1/2000 to make the images a bit darker.

 

If the images are too dark you can open up the iris (lower F Stop setting) or increase the ISO setting.  But lower F Stop settings mean a shorter depth of field and higher ISO settings mean more noise.  So lower F Stop settings and/or higher ISO settings should only be used to brighten up a dark image after you've tried to increase the amount of light on the subject.

 

With almost any camera lens you WILL need to reset the focus any time you change either the zoom or iris settings.  This is because changing either of those parameters affects the optics of the lens and therefore the focus changes as well.  So once you've got the zoom and iris settings where you want them you should click on the Focus Lock button to make sure the camera is properly focused with the current lens settings or manually adjust the focus on a manual lens.