7-24-08 Noel Rockmore Auction Update    

Greetings!
 
Tee & Rich Marvin welcoming you to the Noel Rockmore Project and sharing an exciting Auction Update coming up this weekend July 26 & 27 at the St. Charles Gallery Auction and another one on August 2nd at the New Orleans Auction Gallery. We are glad you are a part of this adventure. This is not our typical newsletter (which you can see at The Noel Rockmore Project website by clicking on the link) but we have been gone awhile and we wanted to let you know why. 
 
Our Rockmore adventure was sadly interrupted from April to June as Shirley Marvin's son and Rich's brother Michael Marvin suddenly took ill and passed away on May 13th at the age of 60. It was a long emotional period but enlightening and inspiring as well.  
 
It has been a slow climb back onto the Rockmore trail but we just returned from 12 days documenting over 400 Rockmores on the road in Louisiana and Florida with Shirley Marvin with us. We will be headed to Atlanta, NYC, PA, Santa Fe, Tucson, Beverly Hills and San Francisco before the summer ends to document more.
 
You can bid online at these auctions and the St. Charles Gallery is a great opportunity for first time online bidders. All the Rockmores are estimated low so they will be sold. None are from Shirley Marvin's collection because Shirley does not wish to sell until Noel Rockmore is recognized as an American master. 
 
We will give you a preview of the Rockmores we have documented in our next (your first) newsletter and an update on the auction results from below. Many of you have expressed interest in getting in on the Rockmores and now is the perfect time. We promise within a year that the values and auction prices will keep increasing.
 
Life is certainly what we experience while we are busy making all our plans. 
 
It's nice to have you onboard.
 
Rich & Tee Marvin
 
New Orleans Auction Gallery August 2
 
Lot 992 
#1- LOT NUMBER 992 - "Jazz Funeral, French Quarter, New Orleans", 1981, oil on board, signed and dated lower left "Rockmore '81", 14" x 11". Presented in a contemporary giltwood frame. Provenance: Private collection, New York.. 
New Orleans Auction Gallery ESTIMATE =   $3000 - $5000
The Rockmore Project Buy Rating:
 $1500-$2500 a steal,
 $2800-$3800 a great buy,
 $4000-$4800 Good Investment,
 $5000 - $7000 Fair Market value now

A stunning Rockmore oil of a jazz funeral with lots of things going on. It seems that the figure in the coffin is getting offerings like a rosary, violin,a bottle and a very unique headdress.
 
You can look at this work for a long time as it is totally engaging and captivating. We would love to take this one with us on a museum tour when the time comes so let us know if you win it.

St. Charles Gallery Auction July 26 & 27(Click on the Lot Number to see the Picture) 

 
 
This one is from when Rockmore did watercolors of the first Jazzfest in 1970. The colors are great and the subject, "Al Rose," is of special historical significance to New Orleans and to Jazz history. His book, "I Remember Jazz" is a great personal recollection of the jazzmen he knew and documented. His son Rex Rose has posted this fascinating recount of his dad entitle, Al Rose, His Secret Life!
 
#2 LOT NUMBER 205 - "Clinic", watercolor and India ink on paper, 13-1/4" x 10-1/2", titled, signed and dated lower right "Rockmore 1970". Glazed and presented in an ebonized frame.
St. Charles Gallery ESTIMATE =   $75 - $125 
The Rockmore Project Buy Rating: $75-$125 a steal, $175-$300 a great buy, $300-450 Good Investment, $450-$600- Fair Market Value Now 
This is part of the "Free Clinic series" that Rockmore did in the 1970s. The free clinic was an organization run by Mike Stark and put together by Joe Marcal that provided a place for young people to go in New Orleans at the height of the Hippie Period. Rockmore did a great job of capturing young people coming of age at the time as evidenced by this watercolor.
 
This painting is from 1956 when Rockmore was the newly famous artist, Noel Davis. He changed his name in 1959 and went back and resigned his old sketchbooks Rockmore unless it was already signed Noel Davis and then he added Rockmore to make it Noel Davis Rockmore. The sketch is OK, the signature is extremely rare.
This is during the time period he was girlfriend Riva and often used O.M. (Old Man - long story) as a subject. This one is striking to see in person and uses blues in interesting ways. We would include it in his "Blue Studies".
 
#5 LOT NUMBER 415 - "Old Woman with Guitar and Friends", pen and ink on paper, 10-1/2" x 13-1/4", signed and dated upper right "Rockmore 1970". Glazed and presented in an ebonized frame.
St. Charles Gallery ESTIMATE =   $50 - $80 
The Rockmore Project Buy Rating:
$50-$100 a steal, $100-$250 a great buy, $300-400 Good Investment, $400-$500 - Fair Market Value Now 

This drawing is from 1970 and looks like it combines figures from his Jazzfest works all into one sketch - drawing. It is certainly a diverse grouping and it is a Rockmore.

#6 LOT NUMBER 416 - "Tom Hill, Larry B., Dick Allen at the Fair", watercolor and ink on paper, 10-1/2" x 13-1/4", inscribed upper left, signed lower right "Rockmore". Glazed and presented in an ebonized frame.
St. Charles Gallery ESTIMATE =   $75 - $125
The Rockmore Project Buy Rating:$100-$200 a steal, $200-$300 a great buy, $300-400 Good Investment, $400-$500 - Fair Market Value Now 
This drawing is from the 1970 Fair period and contains two very important people to the preservation of jazz, Larry Borenstein and Dick Allen. Not sure who Tom Hill is bit he reoccurs in other works.
 
#7 LOT NUMBER 418 - "Johnny Wigs",  watercolor and ink on paper, sight 11" x 13-1/2", inscribed indistinctly, signed and dated lower right "Rockmore '63". Glazed, double matted and presented in a carved giltwood frame.
 St. Charles Gallery ESTIMATE =   $75 - $125 
The Rockmore Project Buy Rating: $200-$300 a steal, $300-$500 a great buy, $500-700
Good Investment, $700-$1100 - Fair Market Value Now  
This watercolor is from the Rockmore Jazz period of 1963 and is of Johnny Wigs who is included in the Preservation Hall Portraits book. Not only is it a great starter piece for a Rockmore Jazz Collector, it has a fantastic story. The inscription lets us know that Bill Russell found this piece torn up and carefully pasted it back together to its original state. A beautifully framed jazz piece from 1963 by Rockmore restored by Bill Russell and documented as such in the inscription.
 
#8 LOT NUMBER 420 - "Cajun Band", pen and ink on paper, 10-1/2" x 13-1/4", signed lower right "Rockmore". Glazed and presented in an ebonized frame.
St. Charles Gallery ESTIMATE =   $50 - $80 
The Rockmore Project Buy Rating:
$50-$100 a steal, $100-$200 a great buy, $200-300 Good Investment, $300-$400 - Fair Market Value Now 

This pen and ink captures a Cajun Band which lends itself to the 1970 fair period. It is probably the weakest work up for auction but that might make it the least expensive buy. The triangle to the right is interesting. A Rockmore is a Rockmore, this might be the deal of the day.
 
#9 LOT NUMBER 555 - "Three Figures", mixed media on paper, sight 11" x 13-1/2", signed lower right "Rockmore Jan 9, 69 For Robin". Glazed, double matted and presented in a carved wooden frame.
St. Charles Gallery ESTIMATE =   $150 - $300 
The Rockmore Project Buy Rating:
$250 -$350 a steal, $400-$500 a great buy, $600-700 Good Investment, $800-$1000 - Fair Market Value Now 

This mixed media is a classic Rockmore dedicated to his second wife of 5 months, Robin. It combines classic Rockmore figures, which are uniquely his, created upon his return from a trip to Israel. No doubt that whoever wins this one will own a gem.
 
#10 LOT NUMBER 561 - "Bearded Captain with Pipe", watercolor and ink on paper, sight 13-1/2" x 10-1/2", signed and dated lower right "Rockmore 1970". Glazed and presented in a partially polychromed frame.
St. Charles Gallery ESTIMATE =   $100 - $200 
The Rockmore Project Buy Rating: $100 -$200 a steal, $225-$300 a great buy, $325-400 Good Investment, $425-$500 - Fair Market Value Now 
There is a story buried in this one, just not sure what it is. Rockmore went back over this watercolor with a felt tip pen to hide something that he was not happy with or disguise his original thought. Not sure if it was a hippie or someone from Jazzfest but it is from that period.
 
#11 LOT NUMBER 1021 - "Laughing Figures", mixed media on paper, sight 11" x 13-1/2", signed and dated upper left "Rockmore 1969 for Robin". Glazed, double matted and presented in a carved giltwood frame.
St. Charles Gallery ESTIMATE =   $150 - $300 
The Rockmore Project Buy Rating: $300 -$400 a steal, $450-$550 a great buy, $600-800 Good Investment, $900-$1500 - Fair Market Value Now 
This mixed media is a classic Rockmore dedicated to his second wife of 5 months, Robin. It combines classic Rockmore figures, which are uniquely his, created upon his return from a trip to Israel. Finest Rockmore offering of this auction. It certainly is striking, unique and engaging. Interestingly, it was hidden behind a lamp at the gallery preview??
 
#12 LOT NUMBER 1219 - "Pat after the Party", watercolor and ink on paper, sight 13-1/2" x 10-1/2", signed and dated lower right "Rockmore 1970". Glazed and presented in a partially polychromed frame.
St. Charles Gallery ESTIMATE =   $75 - $125 
The Rockmore Project Buy Rating: $50 -$100 a steal, $125-$175 a great buy, $200-275 Good Investment, $300-$375 - Fair Market Value Now 
This is from 1961 when he returned to New York, Fire Island after his first adventure to New Orleans. It is a nice Rockmore sketch with trademark coffee stains. The small problem is that it is not signed although it is certainly an authentic sketch. 

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